Giovanni Battista Tiepolo Collection (#6)

Eagle, 1751-1752, (1928). Artist: Giovanni Battista Tiepolo
Eagle, 1751-1752, (1928). Chalk on paper. Study for Barbarossas Marriage, fresco in the Kaisersaal of the Wü rzburg Residence, Germany

Neptune, c1740, (1928). Artist: Giovanni Battista Tiepolo
Neptune, c1740, (1928). Neptune with the trident in his right hand, seated on a cloud, pen over pencil. British Museum, London

Man seen from behind; a drummer and small studies, 1751-1752, (1928). Artist
Man seen from behind; a drummer and small studies, 1751-1752, (1928). Chalk on paper. Study for the Investiture of Bishop Harald with the Dukedom of Franconia

Caricature of a man seated, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Caricature of a man seated, mid 18th century, (1928). Pen with wash on paper. At one time known to have been in the collection of the Kupferstichkabinett, Berlin, Germany

Roof-Storey of a Villa, 1757, (1928). Artist: Giovanni Battista Tiepolo
Roof-Storey of a Villa, 1757, (1928). Upper storey of the Scuderia (Stables) of the Villa Valmarana outside Vicenza, Italy, pen with wash on paper. British Museum, London

Bologna Dogs, 1751-1752, (1928). Artist: Giovanni Battista Tiepolo
Bologna Dogs, 1751-1752, (1928). Studies of a Bologna Dog, chalk on paper. Study for Barbarossas Marriage, fresco in the Kaisersaal of the Wü rzburg Residence, Germany

Pulcinelli, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Pulcinelli, mid 18th century, (1928). Group of Pulcinelli, pen with wash on paper. At one time known to have been in the collection of Henry Oppenheimer, London

Holy Family, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Holy Family, mid 18th century, (1928). Pen with wash. At one time known to have been in the collection of Vicomte B d Hendecourt, London

Detail Studies for the Frescoes in the Kaisersaal in the Residence at Würzburg
Detail Studies for the Frescoes in the Kaisersaal in the Residence at Wü rzburg, 1751-1752, (1928). Studies for the Confirmation of Bishop Harald as Duke of Franconia, red chalk on paper

Youth with Amphora, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Youth with Amphora, mid 18th century, (1928). Youth bearing an amphora, pen with wash on paper. At one time known to have been in the collection of Vicomte B d Hendecourt, London

Oriental Seated, c1740s, (1928). Artist: Giovanni Battista Tiepolo
Oriental Seated, c1740s, (1928). Man seated, wearing a turban and large cloak, chalk on paper. At one time known to have been in the collection Dr Hans Wendland, Lugano, Switzerland

An Angel appears to the Apostle Peter in prison, mid 18th century, (1928). Artist
An Angel appears to the Apostle Peter in prison, mid 18th century, (1928). Pen with wash. At one time known to have been in the Former Orloff Collection, Paris, France

Christ on the Mount of Olives, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Christ on the Mount of Olives, mid 18th century, (1928). Chalk on paper. At one time known to have been in the collection of Dr Hans Wendland, Lugano, Switzerland

Bacchus and Ariadne, c1740, (1928). Artist: Giovanni Battista Tiepolo
Bacchus and Ariadne, c1740, (1928).Pen with wash on paper. Metropolitan Museum of Art, New York, USA. Italian Venetian painter and printmaker Giovanni Battista Tiepolo (1696-1770)

Adoration of the Magi, c1745, (1928). Artist: Giovanni Battista Tiepolo
Adoration of the Magi, c1745, (1928). Pen with wash on paper. Collection of the Kupferstichkabinett der Staatlichen Museen zu Berlin, Germany

Madonna with two holy Monks, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Madonna with two holy Monks, mid 18th century, (1928). The Madonna enthroned in a cloud, two holy Monks at her feet, pen with wash

Juno, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Juno, mid 18th century, (1928). Pen with wash over pencil on white paper. At one time known to have been in the collection of Vicomte B d Hendecourt, London

The Evangelist Matthew, 1743, (1928). St Matthew, chalk on paper. Study for a figure in the Capella Sagredo in the church of San Francesco della Vigna in Venice, Italy, finished in 1743

The Call to Peter, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
The Call to Peter, mid 18th century, (1928). Pen with wash. At one time known to have been in the Former Orloff Collection, Paris, France

Head of a Woman, c1739-c1744, (1928). Artist: Giovanni Battista Tiepolo
Head of a Woman, c1739-c1744, (1928). Womans head seen from in front and somewhat below, chalk on paper. Possibly a study for the ceiling painting in the Scuola del Carmine, Venice, Italy

Studies of a Madonna, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Studies of a Madonna, mid 18th century, (1928). Study for a Madonna (?) and head of a woman looking up, chalk on paper. At one time known to have been in the collection of Herr FW Boehler, Lucerne

Young Woman and Boy, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Young Woman and Boy, mid 18th century, (1928). A woman with a boy, who is putting an owl on a large garden vase, pen with wash

Male and Female Faun, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Male and Female Faun, mid 18th century, (1928). Pen with wash over pencil on paper. Horne Foundation, Florence, Italy. At one time known to have been in the collection of the Horne Foundation

Male and Female Faun with Amphora, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Male and Female Faun with Amphora, mid 18th century, (1928). Pen with wash over pencil on paper. At one time known to have been in the collection of the Horne Foundation, Florence, Italy

Nude Studies, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Nude Studies, mid 18th century, (1928). Two nude youths seated, chalk on paper. At one time known to have been in the collection of the Kupferstichkabinett, Berlin, Germany

Flight into Egypt, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Flight into Egypt, mid 18th century, (1928). Pen with wash on paper. At one time known to have been in the Former Orloff Collection, Paris, France

God the Father surrounded by Angels, 1758-1759, (1928). Artist: Giovanni Battista Tiepolo
God the Father surrounded by Angels, 1758-1759, (1928). Pen with wash on paper. Part study for the Petition of St Thekla in the Chiesa delle Grazie at Este, Italy

Mercury and Painting, 1752-1753, (1928). Artist: Giovanni Battista Tiepolo
Mercury and Painting, 1752-1753, (1928). Mercury, woman with palette, chalk on paper. Studies for Mercury and the figure of the woman painter

Sketch for a Group Portrait, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Sketch for a Group Portrait, mid 18th century, (1928). Pen with wash over pencil on paper. At one time known to have been in the collection of the Horne Foundation, Florence, Italy

Nude seated, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Nude seated, mid 18th century, (1928). Nude youth seated, chalk on paper. At one time known to have been in the collection of Herr von Kü hlmann, Ohlstadt, Germany

Satyr Herms and Oriental Heads, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Satyr Herms and Oriental Heads, mid 18th century, (1928). Pen on paper. At one time known to have been in the University Collection, Wü rzburg, Germany

Madonna enthroned and two Bishops, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Madonna enthroned and two Bishops, mid 18th century, (1928). Two Holy Bishops before the Madonna enthroned, pen with wash

Head of a Young Woman, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Head of a Young Woman, mid 18th century, (1928). Chalk on paper. At one time known to have been in the collection of Vicomte B d Hendecourt, London

Satyr with wine jug, c1761, (1928). Artist: Giovanni Battista Tiepolo
Satyr with wine jug, c1761, (1928). Chalk on paper. Study for the decoration of the banqueting hall of the Villa Pisani in Stra, Venice, Italy. Staatsgalerie, Stuttgart, Germany

Mater Dolorosa, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Mater Dolorosa, mid 18th century, (1928). Chalk on paper. At one time known to have been in the collection of Dr Hans Wendland, Lugano, Switzerland

Group of Angels, c1754, (1928). Artist: Giovanni Battista Tiepolo
Group of Angels, c1754, (1928). Two angels, one of whom carries a Trumpet in the right hand, chalk on paper. Study for ceiling painting in the Chiesa della Pieta in Venice, Italy

Hovering Cupid, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Hovering Cupid, mid 18th century, (1928). Chalk on paper. At one time known to have been in the collection of Dr Hans Wendland, Lugano, Switzerland

Head of a Young Woman, looking up, c1755, (1928). Artist: Giovanni Battista Tiepolo
Head of a Young Woman, looking up, c1755, (1928). Chalk on paper. Possibly a study for The Martyrdom of St Agatha, in the Kaiser-Friedrich-Museum in Berlin, Germany

Head of a Bearded Man, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Head of a Bearded Man, mid 18th century, (1928). Head of a man with a short beard, chalk on paper. At one time known to have been in the collection of Dr Hans Wendland, Lugano, Switzerland

Detail study for the Hyacinth in Bückeburg
Detail study for the Hyacinth in Bü ckeburg, and detail for the Ceiling Painting on the Staircase-hall of the Wü rzburg Residence, c1752, (1928). Chalk on paper

Two Cupids, c1752, (1928). Artist: Giovanni Battista Tiepolo
Two Cupids, c1752, (1928). Chalk on paper. Study for The Death of Hyacinthus, owned by the Museo Nacional Thyssen-Bornemisza, Madrid, Spain

Chronos, 1752, (1928). Artists: Giovanni Battista Tiepolo, Giovanni Domenico Tiepolo
Chronos, 1752, (1928). Chalk on paper. Study for the frescoes of the staircase-hall in the Wü rzburg Residence, Germany. Staatsgalerie, Stuttgart, Germany

Musicians, 1752, (1928). Artist: Giovanni Battista Tiepolo
Musicians, 1752, (1928). Group of musicians, chalk on paper. Study for Balthasar Neumann in the ceiling frescoes of the staircase-hall in the Wü rzburg Residence, Germany

A Moor with Quiver and sunshade, 1752, (1928). Artist: Giovanni Battista Tiepolo
A Moor with Quiver and sunshade, 1752, (1928). Kneeling Moor with quiver and sunshade, seen obliquely from behind, chalk on paper

Two Oriental Merchants, 1753, (1928). Chalk on paper. Study for the Africa section, frescoes of the staircase-hall in the Wü rzburg Residence, Germany. Staatsgalerie, Stuttgart, Germany

America, 1753, (1928). Artist: Giovanni Battista Tiepolo
America, 1753, (1928). Chalk on paper. Study for fresco of the staircase-hall in the Wü rzburg Residence, Germany. Staatsgalerie, Stuttgart, Germany

Barbarossa, 1751-1752, (1928). Artist: Giovanni Battista Tiepolo
Barbarossa, 1751-1752, (1928). Study for Barbarossa enthroned, chalk on paper. Study for the Investiture of Bishop Harald with the Dukedom of Franconia

St. Mark, 1743, (1928). Artists: Giovanni Battista Tiepolo, Giovanni Domenico Tiepolo
St. Mark, 1743, (1928). The Evangelist Mark, chalk on paper. Study for a figure in the Capella Sagredo in the church of San Francesco della Vigna in Venice, Italy, finished in 1743

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Giovanni Battista Tiepolo, an Italian painter of the 18th century, left a lasting legacy with his stunning and diverse body of work. One of his notable pieces is "Saint Thecla Praying for the Plague-Stricken, " created in 1758-59. In this painting, Tiepolo captures the deep devotion and faith of Saint Thecla as she intercedes for those affected by the plague. Another masterpiece by Tiepolo is "The Chariot of Aurora" from the 1760s. This enchanting artwork depicts Aurora, the Roman goddess of dawn, riding her chariot across the sky. With vibrant colors and exquisite details, Tiepolo transports viewers into a world filled with celestial beauty. In "Allegory of the Planets and Continents" painted in 1752, Tiepolo showcases his mastery in combining mythological elements with earthly representations. This allegorical piece presents a harmonious union between heavenly bodies and different continents on Earth. Tiepolo's versatility shines through in works such as "Woman and infant satyr in a landscape. " Here he portrays a captivating scene where a woman twists to look over her left shoulder while accompanied by an intriguing mythical creature. Exploring darker themes, Tiepolo's "Chained Woman and Other Figures Regarding a Pyre of Bones" from his Capricci series (1743) delves into human suffering and captivity. Through intricate details, he invites contemplation on societal injustices that persist throughout history. "Necromancy Scene, " another thought-provoking creation by Tiepolo features mysterious characters engaged in occult practices. A woman bearing a vessel stands alongside a turbaned man and soldier amidst an eerie atmosphere. "The Virgin and Child Enthroned with Saint Sebastian, " completed between 1696-1770 exemplifies Tiepolo's ability to depict religious subjects with gracefulness and elegance.