God The Father Collection (#5)

Ms Lat 3893 fol. 1 Spiritual and Temporal Power, from the Decrets de Gratien
BNP159963 Ms Lat 3893 fol.1 Spiritual and Temporal Power, from the Decrets de Gratien, 1314 (vellum) by French School, (14th century); Bibliotheque Nationale, Paris

St. Sebastian between St. John the Baptist and St. Anthony the Abbot
FTB276373 St.Sebastian between St. John the Baptist and St. Anthony the Abbot, in the lunette Eternity and the Annunciation (tempera and gold leaf on panel), (detail of 165428: St)

The Presentation of the Virgin in the Temple, c. 1530-35 (oil on linen canvas)
CTS336329 The Presentation of the Virgin in the Temple, c.1530-35 (oil on linen canvas) by Claeissens, Pieter (1499/1500-76); 105.2x85.2 cm; eThe Devonshire Collections, Chatsworth; (add.info.: St)

Ms 412 The Trinity surrounded by three angels and below them personifications of Mercy
BMR344020 Ms 412 The Trinity surrounded by three angels and below them personifications of Mercy and Truth and Righteousness embracing Peace (Psalm 85), c1475 (vellum) (details of 341972) by Fouquet

Triptych of the Creation, Adam and Eve, Creation of Eve
REV346194 Triptych of the Creation, Adam and Eve, Creation of Eve, Expulsion from Paradise (oil on panel) (see also 346195, 346197) by German School, (16th century); Museo de San Carlos, Mexico City

Plate from Illuminated Manuscripts in the British Museum: Miniatures
451686 Plate from Illuminated Manuscripts in the British Museum: Miniatures, Borders and Initials (colour litho) by Wallis, George (1811-91); 38x27.8 cm; Wolverhampton Art Gallery, West Midlands

The Fall of Man (pen & ink and w / c on paper)
STC25418 The Fall of Man (pen & ink and w/c on paper) by Blake, William (1757-1827); Victoria & Albert Museum, London, UK; The Stapleton Collection; English, out of copyright

The Leper, after a 16th century manuscript (colour engraving)
CHT164377 The Leper, after a 16th century manuscript (colour engraving) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Historiated initial I, depicting the Creation, c. 1470 (vellum)
FIT167260 Historiated initial I, depicting the Creation, c.1470 (vellum) by Pellegrino di Mariano (15th century) (attr.to); 58x40.6 cm; Fitzwilliam Museum, University of Cambridge

A Married Couple in Bed Receiving a Child from the Holy Trinity (vellum)
CHT166643 A Married Couple in Bed Receiving a Child from the Holy Trinity (vellum) by French School, (15th century); Bibliotheque de L Arsenal, Paris

The Coronation of the Virgin Surrounded by Angels and Saints, c. 1470 (mixed media)
3740436 The Coronation of the Virgin Surrounded by Angels and Saints, c.1470 (mixed media) by German School, (15th century); 127 x 111.3 cm; Kunstmuseum, Basel

Anti-Catholic caricature denouncing the corruption of the Pope (engraving)
1127193 Anti-Catholic caricature denouncing the corruption of the Pope (engraving) by Holbein the Younger, Hans (1497/8-1543); Private Collection; (add.info)

Pope Benedict XIV presenting the Encyclical Ex Omnibus
995753 Pope Benedict XIV presenting the Encyclical Ex Omnibus to the Comte de Stainville, later Duc de Choiseul, 1757 (oil on canvas) by Batoni

The Creation of Eve (bodycolour on vellum)
659178 The Creation of Eve (bodycolour on vellum) by Manzoni, Ridolfo (1675-1743/1745); 27.2x39.8 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

The Holy Family (chromolitho)
2800893 The Holy Family (chromolitho) by European School, (19th century); Private Collection; (add.info.: The Holy Family.); © Look and Learn

The Annunciation
3567512 The Annunciation by Garofalo, Benvenuto Tisi da (1481-1559); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: ARTIST: Garofalo, Benvenuto Tisi)

MS 1-2005, fol. 161v: The Father and Son, historiated initial from the Macclesfield
FIT309723 MS 1-2005, fol. 161v: The Father and Son, historiated initial from the Macclesfield Psalter, Use of Sarum, East Anglia, c.1330 (vellum) by English School

The Marriage of the Virgin, detail from the base of the Tabernacle, 1349-59 (marble)
LEE241018 The Marriage of the Virgin, detail from the base of the Tabernacle, 1349-59 (marble) by Orcagna, Andrea di Cione (c.1308-68); Orsanmichele Church and Museum, Florence, Tuscany

Triptych of the Creation, Creation of Eve, central panel (oil on panel) (see also 346194
REV346195 Triptych of the Creation, Creation of Eve, central panel (oil on panel) (see also 346194, 346197) by German School, (16th century); Museo de San Carlos, Mexico City

The Terror answered... plate 10 from America: A Prophecy
XYC285550 The Terror answered... plate 10 from America: A Prophecy, 1793 (relief etching printed in black with pen & ink and w/c) by Blake

Ms 412 Opening page from the Missel de Paris, c. 1475 (vellum)
BMR341972 Ms 412 Opening page from the Missel de Paris, c.1475 (vellum) by Fouquet, Jean (c.1420-80) (school of); Bibliotheque Mazarine, Paris

Ms Lat 14023 fol. 1v God creating medicine and giving knowledge to the doctors
CHT235137 Ms Lat 14023 fol.1v God creating medicine and giving knowledge to the doctors, from the Canon of Medicine by Avicenna (Ibn Sina) (980-1037) translated by Gerard de Cremone (1114087)

Ms 3 fol. 233 Historiated initial A depicting Daniel in the Lions Den
XIR243701 Ms 3 fol.233 Historiated initial A depicting Daniel in the Lions Den, from the Bible de Saint-Sulpice de Bourges (vellum) by French School

Ms 246 fol. 371v The Last Judgement, from De Civitate Dei by St
XIR239937 Ms 246 fol.371v The Last Judgement, from De Civitate Dei by St. Augustine of Hippo (354-430) (vellum) by French School, (15th century); Bibliotheque Sainte-Genevieve, Paris, France; French

Madonna and Child with Saints (oil on panel)
AGN281868 Madonna and Child with Saints (oil on panel) by Nanni di Jacopo (14th century); Private Collection; Photo eAgnew s, London; Italian, out of copyright

Ms Lat. Q. v. I. 126 f. 88v Baptism of Christ, from the Book of Hours of Louis d
XJL197048 Ms Lat. Q.v.I.126 f.88v Baptism of Christ, from the Book of Hours of Louis d Orleans, 1469 (vellum) by Colombe, Jean (c.1430-c.93); total:225x155 cm; National Library, St

The Nativity, from the Isenheim Altarpiece, c. 1512-16 (oil on panel)
XIR200077 The Nativity, from the Isenheim Altarpiece, c.1512-16 (oil on panel) by Grunewald, Matthias (Mathis Nithart Gothart) (c.1480-1528); Musee d Unterlinden, Colmar, France

Annunciation (tempera on panel)
ALI204618 Annunciation (tempera on panel) by Romano, Antoniazzo (c.1430-1512); San Paolo Fuori Le Mura, Rome, Italy; Alinari

Window depicting Scenes from the Life of St. Louis (stained glass)
XIR203242 Window depicting Scenes from the Life of St. Louis (stained glass) by French School, (16th century); Sainte-Chapelle, Champigny-sur-Veude, France; French, out of copyright

St. Sebastian between St. John the Baptist and St. Anthony the Abbot
FTB165428 St.Sebastian between St. John the Baptist and St. Anthony the Abbot, in the lunette Eternity and the Annunciation (tempera and gold leaf on panel) by Bellini

Ms 927 Fol. 1 Presentation of The Ethics to the King by the Translator, from Ethics
XIR165167 Ms 927 Fol.1 Presentation of The Ethics to the King by the Translator, from Ethics, Politics and Economics by Aristotle (384-322 BC) (vellum) by French School

Sacrifice of Melchizedech (mosaic) (b / w photo)
ALI224380 Sacrifice of Melchizedech (mosaic) (b/w photo) by Byzantine School, (6th century); Basilica Sant Apollinare in Classe, Ravenna, Emilia-Romagna, Italy; Alinari

The Nativity (vellum)
MMT220017 The Nativity (vellum) by Flemish School, (15th century); 11.6x15.7 cm; Musee Marmottan Monet, Paris, France; Flemish, out of copyright

The Creation of Adam and Eve, 1360-70 (fresco)
ALI177913 The Creation of Adam and Eve, 1360-70 (fresco) by Menabuoi, Giusto di Giovanni de (d.1393); Padua Baptistery, Padua, Italy; (add.info.: Eve created from Adams rib; ); Alinari

Sistine Chapel Ceiling: Creation of Eve, with four Ignudi, 1510 (fresco) (pre-restoration)
ALI169174 Sistine Chapel Ceiling: Creation of Eve, with four Ignudi, 1510 (fresco) (pre-restoration) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries, Vatican City; Alinari

The Trinity, 1427-28 (fresco) (post restoration) (detail)
BAT173691 The Trinity, 1427-28 (fresco) (post restoration) (detail) by Masaccio, Tommaso (1401-28); Santa Maria Novella, Florence, Italy; Photo eNicol Orsi Battaglini; Italian, out of copyright

Allegory of the Trinity (oil on panel)
PWI97188 Allegory of the Trinity (oil on panel) by Floris, Frans (1519-70); 165x230 cm; Louvre, Paris, France; (add.info)

The Trinity, 1577-79 (oil on canvas)
SCP38704 The Trinity, 1577-79 (oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614); 300x179 cm; Prado, Madrid, Spain; Greek, out of copyright

St. Thecla delivering the City from Plague (oil on canvas)
ALI689 St. Thecla delivering the City from Plague (oil on canvas) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Este Cathedral, Italy; Alinari

The Legend of the True Cross, the Annunciation, detail of God
BEN116362 The Legend of the True Cross, the Annunciation, detail of God, completed 1464 (fresco) (detail of 58292) by Francesca, Piero della (c.1415-92); Basilica San Francesco, Arezzo, Tuscany

Study for a Figure of the Almighty (red chalk on paper)
2628753 Study for a Figure of the Almighty (red chalk on paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 21, 4x20.9 cm; Ashmolean Museum, University of Oxford

Coronation of the Virgin (San Marco Altarpiece), 1490-92 (tempera on panel)
886412 Coronation of the Virgin (San Marco Altarpiece), 1490-92 (tempera on panel) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); Galleria degli Uffizi, Florence

The Creation (detail of Angel), c. 1100 (wool and linen)
872896 The Creation (detail of Angel), c.1100 (wool and linen) by Romanesque, (12th century); Museo Capitular de la Catedral de Girona, Catalonia, Spain; (add.info.: Christ Pantocrator)

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"God the Father: A Divine Connection Between Cosmos and Humanity" In the realm of art, depictions have transcended time and cultures, capturing the essence of divinity in various forms. From ancient manuscripts to intricate icons, these masterpieces offer glimpses into humanity's eternal quest for spiritual connection. One such portrayal can be found in Hildegard of Bingen's Liber Scivias miniature from c. 1175. This mesmerizing artwork showcases God as the cosmic creator, orchestrating the harmonious dance between celestial bodies and earthly existence. Moving forward to the 15th century, a Russian icon titled "The Holy Trinity" beautifully illustrates how God encompasses both unity and diversity within Himself. The delicate brushstrokes convey a sense of divine mystery that continues to captivate believers across generations. Rutilio Manetti's Early 17th-century masterpiece "God the Father" delves deeper into this enigmatic figure. Through his meticulous attention to detail, Manetti invites us to contemplate God's omnipotence while simultaneously evoking feelings of awe and reverence. Meanwhile, an oil painting by an unknown artist depicts "The Assumption of the Virgin. " Here we witness God embracing Mary with tender love as she ascends into heavenly glory—a testament to His boundless compassion towards humanity. "The Coronation of the Virgin in Paradise, " painted on panel during 1438, transports viewers into a realm where divinity meets human devotion. This ethereal scene reminds us that through faith and grace, we too can aspire towards heavenly realms beyond our mortal limitations. Perhaps one cannot discuss representations of God without mentioning Michelangelo's iconic Sistine Chapel ceiling frescoes. In particular, "Creation of Sun and Moon" captures our imagination with its vivid depiction of God breathing life into existence—an eternal reminder that all creation is born from His divine touch. Stanislaw Wyspianski's stained glass window design at the Church of St.