God The Father Collection (#6)

The Creation (detail of Angel), c. 1100 (wool and linen)
872896 The Creation (detail of Angel), c.1100 (wool and linen) by Romanesque, (12th century); Museo Capitular de la Catedral de Girona, Catalonia, Spain; (add.info.: Christ Pantocrator)

Page from the Bible of Corbolino with initial representing God speaking to Moses (Cod. Conventi Soppressi 630, c)
3565244 Page from the Bible of Corbolino with initial representing God speaking to Moses (Cod. Conventi Soppressi 630, c. 52v), manuscript by Florentine School

The Coronation of the Virgin, c. 1595 (oil on canvas)
3493288 The Coronation of the Virgin, c.1595 (oil on canvas) by Carracci, Annibale (1560-1609); 117.8x141.3 cm; Metropolitan Museum of Art, New York

The Eternal Father Welcomes the Virgin (oil on canvas)
704234 The Eternal Father Welcomes the Virgin (oil on canvas) by Mancini, Francesco (1694-1758); Church of San Gregorio al Celio, Rome, Italy; (add.info.: L Eterno Padre accoglie l Immacolata)

MS 1278 fol. 106v Annunciation to the Shepherds, from Heures a l usage de Troyes
CHT341994 MS 1278 fol.106v Annunciation to the Shepherds, from Heures a l usage de Troyes, by the Studio of the Master of the Rohan Hours, c, 1413-20 (vellum) by French School

God creates the universe by the Word (stained glass)
PC340030 God creates the universe by the Word (stained glass) by English School, (16th century); Hengrave Hall Chapel, Suffolk, UK; English, out of copyright

The Glorification of St. Felix and St. Adauctus (oil on canvas)
AGN342967 The Glorification of St. Felix and St. Adauctus (oil on canvas) by Carlone, Carlo Innocenzo (1686-1775); 90x120 cm; Private Collection; Photo eAgnew s, London; Italian, out of copyright

The Annunciation (wood)
XIR414025 The Annunciation (wood) by French School, (15th century); Musee National de la Renaissance, Ecouen, France; (add.info.: Annunciation; ); French, out of copyright

God the Father and God the Son (pencil on paper)
CHT440692 God the Father and God the Son (pencil on paper) by Lehmann, Henri (Karl Ernest Rudolf Heinrich Salem) (1814-82); Location Unknown; eArchives Charmet; French, out of copyright

Ms 547 fol. 26 Crucifixion, from a Book of Hours used by a woman from Poitiers (vellum)
473045 Ms 547 fol.26 Crucifixion, from a Book of Hours used by a woman from Poitiers (vellum) by French School, (15th century); Bibliotheque de l Institut de France, Paris

The story of Adam and Eve, from the south side of the west porch, c
ALG227179 The story of Adam and Eve, from the south side of the west porch, c.1120-38 (marble) (detail of 236811) by Nicholaus (fl.1110-40); Church of San Zeno Maggiore, Verona, Italy; Italian

CL 22719A The Trinity, from Feuillets de Psaumes (vellum)
XIR222275 CL 22719A The Trinity, from Feuillets de Psaumes (vellum) by French School, (16th century); Musee National de la Renaissance, Ecouen, France; French, out of copyright

Window depicting the baptism of Christ, 1490 (stained glass)
XIR240257 Window depicting the baptism of Christ, 1490 (stained glass) by French School, (15th century); Church of St. Foy, Conques, France; French, out of copyright

Historiated initial B depicting the Trinity and Christ surrounded by angels
XIR238694 Historiated initial B depicting the Trinity and Christ surrounded by angels, Bolognese School, c.1340-50 (vellum) by Italian School, (14th century); 27x25 cm; Metropolitan Museum of Art

Illuminated document, 1705 (vellum)
CHT247131 Illuminated document, 1705 (vellum) by Armenian school (18th century); Archives du Ministere des Affaires Etrangeres, Paris

Ms 1 f. 4v The Creation of the World, from the Souvigny Bible (vellum)
XIR243012 Ms 1 f.4v The Creation of the World, from the Souvigny Bible (vellum) by French School, (12th century); Bibliotheque Municipale, Moulins

View of the apse (mosaic) (b / w photo)
ALI224379 View of the apse (mosaic) (b/w photo) by Byzantine School, (6th century); Basilica Sant Apollinare in Classe, Ravenna, Emilia-Romagna

Ms 1-2005, ff. 161v-162r: The Father and Son, historiated initial D
FIT276998 Ms 1-2005, ff.161v-162r: The Father and Son, historiated initial D from the Macclesfield Psalter, Use of Sarum, East Anglia, c.1330 (vellum) by English School

Title: Comments and Annotations on the Week of Creation of the World
XIR213123 Title: Comments and Annotations on the Week of Creation of the World by Guillaume Salluste du Bartas (1544-90) 1583 (engraving) (b/w photo) by French School

The Adoration of the Child Jesus, 1480s (tempera on wood)
BI140181 The Adoration of the Child Jesus, 1480s (tempera on wood) by Rosselli, Cosimo (1439-1507); 177.8x147.3 cm; The Henry Barber Trust, The Barber Institute of Fine Arts

Ms 55 t. 2 fol. 3 The City of God, the City of Caen and the City of Vices
XIR179354 Ms 55 t.2 fol.3 The City of God, the City of Caen and the City of Vices, from La Cite de Dieu by St. Augustine of Hippo (354-430) translated by Raoul de Preles (1316-82) (vellum)

The Concert of Angels, from the dome, 1534-36 (fresco) (detail of 175763)
BEN175764 The Concert of Angels, from the dome, 1534-36 (fresco) (detail of 175763) by Ferrari, Gaudenzio (1474/80-1546); Sanctuary of Santa Maria delle Grazie, Saronno

Ms 782 f. 280 King Philip II (1165-1223) of France, from the
CHT176879 Ms 782 f.280 King Philip II (1165-1223) of France, from the Chroniques de Saint-Denis, late 13th century (vellum) by French School, (13th century); Bibliotheque Sainte-Genevieve, Paris

The Seventh Seal, no. 17 from Tha Apocalypse of Angers, 1373-87 (tapestry)
XIR203336 The Seventh Seal, no.17 from Tha Apocalypse of Angers, 1373-87 (tapestry) by Bataille, Nicolas (fl. 1363-1400); Musee des Tapisseries, Angers, France; French, out of copyright

Diagram showing the solar system, according to Ptolemy (fl
CHT199607 Diagram showing the solar system, according to Ptolemy (fl.127-145 AD) from the Nuremberg Chronicle by Hartmann Schedel (1440-1514) 1493 (colour woodcut) by German School

The Creation, Brussels Workshop, c. 1600 (tapestry)
XIR200028 The Creation, Brussels Workshop, c.1600 (tapestry) by Flemish School, (16th century); St. Just Cathedral, Narbonne, France; (add.info.: division of light from darkness; ); Flemish

Creation of Man, Doors of Paradise, 1425-52 (gilded bronze)
875242 Creation of Man, Doors of Paradise, 1425-52 (gilded bronze) by Ghiberti, Lorenzo (1378-1455); Museo dell Opera del Duomo, Florence, Tuscany, Italy; eGiuliano Valsecchi; Italian

Coronation of the Virgin and Sky (mosaic)
875124 Coronation of the Virgin and Sky (mosaic) by Italian School (4th century); Sant Agnese Fuori Le Mura, Rome, Italy; eGiuliano Valsecchi; Italian, out of copyright

The Deity, from whom proceed the Nine Spheres, illustration to the Divine Comedy
877948 The Deity, from whom proceed the Nine Spheres, illustration to the Divine Comedy, Paradiso (w/c with pen & ink over graphite) by Blake, William (1757-1827); 51.1x36.8 cm; Ashmolean Museum

Fol 91, from The Catechisme, 1552 (engraving)
2919623 Fol 91, from The Catechisme, 1552 (engraving) by Scottish school, (16th century); The University of St. Andrews, Scotland, UK; (add.info.: The catechisme: that is to say)

Fol. 5v, Annunciation, from a facsimile of the Breviary of King Philip II of Spain
REV326677 Fol.5v, Annunciation, from a facsimile of the Breviary of King Philip II of Spain, 1569 (parchment) by Fuente del Saz, Julian (d.1601) & Leon

Ms 322 f. 113r Psalm 109, initial D, The Holy Trinity, illustration from the
476940 Ms 322 f.113r Psalm 109, initial D, The Holy Trinity, illustration from the De Brailes Psalter, c.1250 (vellum) by Brailes

Annunciation, panel from the Church San Andres of Tortura
REV345844 Annunciation, panel from the Church San Andres of Tortura, late 15th century-early 16th century (painted wood) by Spanish School; Museo diocesano de Arte Sacro, Vitoria-Gasteiz

Hommage to the Eternal (colour engraving)
XIR438885 Hommage to the Eternal (colour engraving) by French School, (18th century); Bibliotheque Nationale, Paris, France; (add.info.: Tribute to the Lord; ); French, out of copyright

Ms 2 f. 18v The Trinity, from the Boucicaut Hours, c. 1410 (vellum)
PHD42635 Ms 2 f.18v The Trinity, from the Boucicaut Hours, c.1410 (vellum) by French School, (15th century); Musee Jacquemart-Andre, Paris, France; French, out of copyright

The Trinity with Souls in Purgatory, c. 1740 (oil on canvas)
2653939 The Trinity with Souls in Purgatory, c.1740 (oil on canvas) by Giaquinto, Corrado (1690-1765); 99.1x74 cm; Minneapolis Institute of Arts, MN

Virgin and saints (pen & ink on paper)
MMT253339 Virgin and saints (pen & ink on paper) by Vasari, Giorgio (1511-74); Musee Marmottan Monet, Paris, France; (add.info.: La Vierge et des saints; etude pour un autel?; study for an altar)

Fol. 1 The Creation of the World, from Traite de Medecine
XIR223837 Fol.1 The Creation of the World, from Traite de Medecine by Aldebrande de Florence, 1356 (vellum) by French School, (14th century); Biblioteca del Palacio Nacional de Ajuda, Lisbon

The Redemption, from a book on religion in China by P. Vasseur, Paris
CHT223743 The Redemption, from a book on religion in China by P. Vasseur, Paris, 1884 (engraving) (b/w photo) by French School, (19th century); Bibliotheque Les Fontaines, Chantilly

Ms 422 fol. 77 The Destruction of Babylon (vellum)
XCM227185 Ms 422 fol.77 The Destruction of Babylon (vellum) by French School, (13th century); Bibliotheque Municipale, Cambrai, France; (add.info.: earthquake in Babylon; ); French, out of copyright

Presbytery (plaster)
ALI280885 Presbytery (plaster) by Serpotta, Giacomo (1656-1732); Santo Spirito, Agrigento, Italy; Alinari

Ms H 7 fol. 110v The Vision of Obadiah, from the Bible of Jean XXII (vellum)
XIR224932 Ms H 7 fol.110v The Vision of Obadiah, from the Bible of Jean XXII (vellum) by French School, (15th century); Musee Atger, Faculte de Medecine, Montpellier

Studies for figues (pen & ink on paper) (b / w photo)
ALI235252 Studies for figues (pen & ink on paper) (b/w photo) by Buonarroti, Michelangelo (1475-1564); Galleria degli Uffizi, Florence, Tuscany, Italy; Alinari

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"God the Father: A Divine Connection Between Cosmos and Humanity" In the realm of art, depictions have transcended time and cultures, capturing the essence of divinity in various forms. From ancient manuscripts to intricate icons, these masterpieces offer glimpses into humanity's eternal quest for spiritual connection. One such portrayal can be found in Hildegard of Bingen's Liber Scivias miniature from c. 1175. This mesmerizing artwork showcases God as the cosmic creator, orchestrating the harmonious dance between celestial bodies and earthly existence. Moving forward to the 15th century, a Russian icon titled "The Holy Trinity" beautifully illustrates how God encompasses both unity and diversity within Himself. The delicate brushstrokes convey a sense of divine mystery that continues to captivate believers across generations. Rutilio Manetti's Early 17th-century masterpiece "God the Father" delves deeper into this enigmatic figure. Through his meticulous attention to detail, Manetti invites us to contemplate God's omnipotence while simultaneously evoking feelings of awe and reverence. Meanwhile, an oil painting by an unknown artist depicts "The Assumption of the Virgin. " Here we witness God embracing Mary with tender love as she ascends into heavenly glory—a testament to His boundless compassion towards humanity. "The Coronation of the Virgin in Paradise, " painted on panel during 1438, transports viewers into a realm where divinity meets human devotion. This ethereal scene reminds us that through faith and grace, we too can aspire towards heavenly realms beyond our mortal limitations. Perhaps one cannot discuss representations of God without mentioning Michelangelo's iconic Sistine Chapel ceiling frescoes. In particular, "Creation of Sun and Moon" captures our imagination with its vivid depiction of God breathing life into existence—an eternal reminder that all creation is born from His divine touch. Stanislaw Wyspianski's stained glass window design at the Church of St.