Goya Francisco De 1746 1828 Collection (#4)

The daring of Martincho (probably Antonio Ebassum) in the ring at Saragossa, plate 18 of The Art of Bullfighting, pub
IND81918 The daring of Martincho (probably Antonio Ebassum) in the ring at Saragossa, plate 18 of The Art of Bullfighting, pub

A Spanish knight kills the bull after having lost his horse, plate 9 of The Art of Bullfighting, pub. 1816 (etching)
IND81909 A Spanish knight kills the bull after having lost his horse, plate 9 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

They (the Moors) play another bull with the cape in an enclosure, plate 4 of The Art of Bullfighting, pub
IND81904 They (the Moors) play another bull with the cape in an enclosure, plate 4 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

The same man (Martincho, probably Antonio Ebassum) throws a bull in the ring at Madrid
IND81916 The same man (Martincho, probably Antonio Ebassum) throws a bull in the ring at Madrid, plate 16 of The Art of Bullfighting, pub

The forceful Rendon stabs a bull with the pike, from which pass he died in the ring at Madrid
IND81928 The forceful Rendon stabs a bull with the pike, from which pass he died in the ring at Madrid, plate 28 of The Art of Bullfighting, pub

Origin of the harpoons or banderillas, plate 7 of The Art of Bullfighting, pub. 1816 (etching)
IND81907 Origin of the harpoons or banderillas, plate 7 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Banderillas with firecrackers, plate 31 of The Art of Bullfighting, pub. 1816 (etching)
IND81931 Banderillas with firecrackers, plate 31 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.9x35.7 cm; Private Collection; Index Fototeca

The valiant Moor Gazul is the first to spear bulls according to rules, plate 5 of The Art of Bullfighting, pub
IND81905 The valiant Moor Gazul is the first to spear bulls according to rules, plate 5 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Two teams of picadors thrown one after the other by a single bull, plate 32 of The Art of Bullfighting, pub
IND81932 Two teams of picadors thrown one after the other by a single bull, plate 32 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

The Moors make a different play in the ring with their burnous, plate 6 of The Art of Bullfighting, pub. 1816 (etching)
IND81906 The Moors make a different play in the ring with their burnous, plate 6 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Happy fantasy, plate 12 of Proverbs, 1819-23, pub. 1864 (etching)
IND82112 Happy fantasy, plate 12 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.6x35.8 cm; Private Collection; Index Fototeca

The celebrated picador Fernando del Toro draws the fierce beast on with his pike, plate 27 of The Art of Bullfighting
IND81927 The celebrated picador Fernando del Toro draws the fierce beast on with his pike, plate 27 of The Art of Bullfighting, pub

A picador is unhorsed and falls under the bull, plate 26 of The Art of Bullfighting, pub. 1816 (etching)
IND81926 A picador is unhorsed and falls under the bull, plate 26 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Manly courage of the celebrated Nicolasa Escamilla (La Pajuelera) in the ring at Saragossa
IND81922 Manly courage of the celebrated Nicolasa Escamilla (La Pajuelera) in the ring at Saragossa, plate 22 of The Art of Bullfighting, pub

193-0082141 Neither more nor less, plate 41 of Los caprichos, 1799 (etching)
IND81660 193-0082141 Neither more nor less, plate 41 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20x15.2 cm; Private Collection; Index Fototeca

Titlepage of Los Proverbios or Proverbs, 1819-23, pub. by the Spanish Royal Academy of Fine Arts in Madrid
IND82100 Titlepage of Los Proverbios or Proverbs, 1819-23, pub. by the Spanish Royal Academy of Fine Arts in Madrid, 1864 (etching) by Goya y Lucientes

193-0082178 Be quick, they are waking up, plate 78 of Los caprichos, 1799 (etching)
IND81697 193-0082178 Be quick, they are waking up, plate 78 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.2 cm; Private Collection; Index Fototeca

193-0082173 It is better to be lazy, plate 73 of Los caprichos, 1799 (etching)
IND81692 193-0082173 It is better to be lazy, plate 73 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.7x15.2 cm; Private Collection; Index Fototeca

193-0082131 She prays for her, plate 31 of Los caprichos, 1799 (etching)
IND81650 193-0082131 She prays for her, plate 31 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.2 cm; Private Collection; Index Fototeca

193-0082116 God forgive her: and it was her mother, plate 16 of Los caprichos, pub. 1799 (etching)
IND81635 193-0082116 God forgive her: and it was her mother, plate 16 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes

193-0082115 Wonderful advice, plate 15 of Los caprichos, pub. 1799 (etching)
IND81634 193-0082115 Wonderful advice, plate 15 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 22x15.4 cm; Private Collection; Index Fototeca

Love and death, plate 10 of Los caprichos, pub. 1799 (etching)
IND81629 Love and death, plate 10 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.2 cm; Private Collection; Index Fototeca

Riddle of the poor, plate 11 of Proverbs, 1819-23, pub. 1864 (etching)
IND82111 Riddle of the poor, plate 11 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.8 cm; Private Collection; Index Fototeca

General riddle, plate 9 of Proverbs, 1819-23, pub. 1864 (etching)
IND82109 General riddle, plate 9 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.8x35.9 cm; Private Collection; Index Fototeca

The Cid Campeador (El Cid, Rodrigo diaz de Vivar) (c. 1043-99) spearing another bull
IND81911 The Cid Campeador (El Cid, Rodrigo diaz de Vivar) (c.1043-99) spearing another bull, plate 11 of The Art of Bullfighting, pub

Another way of hunting on foot, plate 2 of The Art of Bullfighting, pub. 1816 (etching)
IND81902 Another way of hunting on foot, plate 2 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.5 cm; Private Collection; Index Fototeca

193-0082176 Is this your excellency? well, as I say eh! Look out! Otherwise plate 76 of Los caprichos, 1799 (etching)
IND81695 193-0082176 Is this your excellency?.. well, as I say.. eh! Look out! Otherwise.. plate 76 of Los caprichos, 1799 (etching) by Goya y Lucientes

193-0082164 Bon voyage, plate 64 of Los caprichos, 1799 (etching)
IND81683 193-0082164 Bon voyage, plate 64 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.2 cm; Private Collection; Index Fototeca

193-0082146 Correction, plate 46 of Los caprichos, 1799 (etching)
IND81665 193-0082146 Correction, plate 46 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.7x15 cm; Private Collection; Index Fototeca

193-0082161 They have flown, plate 61 of Los caprichos, 1799 (etching)
IND81680 193-0082161 They have flown, plate 61 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.2 cm; Private Collection; Index Fototeca

Riddle of fury, plate 6 of Proverbs, 1819-23, pub. 1864 (etching)
IND82106 Riddle of fury, plate 6 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.9 cm; Private Collection; Index Fototeca

Female riddle, plate 1 of Proverbs, 1819-23, pub. 1864 (etching)
IND82101 Female riddle, plate 1 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.9 cm; Private Collection; Index Fototeca

193-0082174 Don t scream, stupid, 1799 (etching)
IND81693 193-0082174 Don t scream, stupid, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.1 cm; Private Collection; Index Fototeca

193-0082160 Trials, plate 60 of Los caprichos, 1799 (etching) 8221x16. 6
IND81679 193-0082160 Trials, plate 60 of Los caprichos, 1799 (etching) 8221x16.6 by Goya y Lucientes, Francisco Jose de (1746-1828); Private Collection; Index Fototeca

193-0082152 What a tailor can do!, plate 52 of Los caprichos, 1799 (etching)
IND81671 193-0082152 What a tailor can do!, plate 52 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.1 cm; Private Collection; (add.info)

Because she was susceptible, plate 32 of Los caprichos, 1799 (etching)
IND81651 Because she was susceptible, plate 32 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.3 cm; Private Collection; Index Fototeca

193-0082127 Which of them is more overcome?, plate 27 of Los caprichos, pub. 1799 (etching)
IND81646 193-0082127 Which of them is more overcome?, plate 27 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828)

193-0082180 It is time, plate 80 of Los caprichos, 1799 (etching)
IND81699 193-0082180 It is time, plate 80 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.2 cm; Private Collection; Index Fototeca

193-0082177 What one does to another, plate 77 of Los caprichos, 1799 (etching)
IND81696 193-0082177 What one does to another, plate 77 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.2 cm; Private Collection; Index Fototeca

193-0082165 Where is mother going?, plate 65 of Los caprichos, 1799 (etching)
IND81684 193-0082165 Where is mother going?, plate 65 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21x16.2 cm; Private Collection; Index Fototeca

193-0082153 What a golden beak!, plate 53 of Los caprichos, 1799 (etching)
IND81672 193-0082153 What a golden beak!, plate 53 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.2 cm; Private Collection; Index Fototeca

A gift for the master, plate 47 of Los caprichos, 1799 (etching) (see also 175023)
IND81666 A gift for the master, plate 47 of Los caprichos, 1799 (etching) (see also 175023) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15 cm; Private Collection; Index Fototeca

193-0082133 To the Count Palatine (or Count of the Palate), plate 33 of Los caprichos, 1799 (etching)
IND81652 193-0082133 To the Count Palatine (or Count of the Palate), plate 33 of Los caprichos, 1799 (etching) by Goya y Lucientes

193-0082130 Why hide them?, plate 30 of Los caprichos, pub. 1799 (etching)
IND81649 193-0082130 Why hide them?, plate 30 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.3 cm; Private Collection; Index Fototeca

193-0082129 That certainly is being able to read, plate 29 of Los caprichos, pub. 1799 (etching)
IND81648 193-0082129 That certainly is being able to read, plate 29 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes

193-0082118 And his house is on fire, plate 18 of Los caprichos, pub. 1799 (etching)
IND81637 193-0082118 And his house is on fire, plate 18 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.4 cm; Private Collection; Index Fototeca

193-0082106 Nobody knows himself, plate 6 of Los caprichos, pub. 1799 (etching)
IND81625 193-0082106 Nobody knows himself, plate 6 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.3 cm; Private Collection; Index Fototeca

193-0082104 Nannys boy, plate 4 of Los caprichos, pub. 1799 (etching)
IND81623 193-0082104 Nannys boy, plate 4 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20.9x15.1 cm; Private Collection; Index Fototeca

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Francisco de Goya (1746-1828) was a renowned Spanish artist whose works spanned various genres and styles. From his early paintings like "Boys Playing at Soldiers" to his provocative masterpieces such as "The Nude Maja, " Goya's art captivated audiences with its realism and emotional depth. In addition to his paintings, Goya also excelled in other mediums, including etchings and engravings. His series "The Art of Bullfighting" showcased the intensity and drama of this traditional Spanish sport, featuring iconic figures like Pedro Romero killing the halted bull. Goya's talent extended beyond capturing moments of action; he also delved into portraiture with pieces like "The Family of the Infant Don Luis of Bourbon. " These portraits revealed his ability to convey both individual character and familial relationships through exquisite brushwork. One notable aspect of Goya's work is his exploration of social commentary. In his series titled "Proverbs, " he depicted thought-provoking scenes that conveyed moral lessons through riddles. This blend of creativity and symbolism showcased Goya's mastery in conveying complex ideas through visual storytelling. Throughout his career, Goya continued to experiment with different themes and techniques. His equestrian portrait of Philip III demonstrated an appreciation for Baroque art while showcasing his skillful drawing abilities by replicating Velazquez paintings. However, it was in works like "Wrong Until Death" from the series "Los Caprichos" that Goya truly pushed boundaries. Through etching and burnished aquatint techniques, he created haunting images that critiqued societal norms during Romanticism. Goya's fascination with bullfighting persisted throughout many artworks, including depictions such as "Dreadful Events in the Front Rows. " These etchings captured not only the spectacle but also portrayed tragic incidents within this dangerous sport. "The Disasters of War" further exemplified Goya's ability to convey the horrors of conflict.