Skip to main content

Goya Francisco De 1746 1828 Collection (#7)

Francisco de Goya (1746-1828) was a renowned Spanish artist whose works spanned various genres and styles

Background imageGoya Francisco De 1746 1828 Collection: Swallow it, dog, plate 58 of Los caprichos, 1799 (etching)

Swallow it, dog, plate 58 of Los caprichos, 1799 (etching)
IND81677 Swallow it, dog, plate 58 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.2 cm; Private Collection; (add.info)

Background imageGoya Francisco De 1746 1828 Collection: 193-0082149 Hobgoblins, plate 49 of Los caprichos, 1799 (etching)

193-0082149 Hobgoblins, plate 49 of Los caprichos, 1799 (etching)
IND81668 193-0082149 Hobgoblins, plate 49 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.7x15.2 cm; Private Collection; Index Fototeca

Background imageGoya Francisco De 1746 1828 Collection: 193-0082128 Hush, plate 28 of Los caprichos, pub. 1799 (etching)

193-0082128 Hush, plate 28 of Los caprichos, pub. 1799 (etching)
IND81647 193-0082128 Hush, plate 28 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.9 cm; Private Collection; Index Fototeca

Background imageGoya Francisco De 1746 1828 Collection: The agility and audacity of Juanito Apinani in the ring at Madrid

The agility and audacity of Juanito Apinani in the ring at Madrid, plate 20 of The Art of Bullfighting, pub
IND81920 The agility and audacity of Juanito Apinani in the ring at Madrid, plate 20 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Background imageGoya Francisco De 1746 1828 Collection: Riddle of fear, plate 2 of Proverbs, 1819-23, pub. 1864 (etching)

Riddle of fear, plate 2 of Proverbs, 1819-23, pub. 1864 (etching)
IND82102 Riddle of fear, plate 2 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.5x35.7 cm; Private Collection; Index Fototeca

Background imageGoya Francisco De 1746 1828 Collection: 193-0082142 You who cannot, plate 42 of Los caprichos, 1799 (etching)

193-0082142 You who cannot, plate 42 of Los caprichos, 1799 (etching)
IND81661 193-0082142 You who cannot, plate 42 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.2 cm; Private Collection; Index Fototeca

Background imageGoya Francisco De 1746 1828 Collection: 193-0082140 Of what ill will he die? plate 40 of Los caprichos, 1799 (etching)

193-0082140 Of what ill will he die? plate 40 of Los caprichos, 1799 (etching)
IND81659 193-0082140 Of what ill will he die? plate 40 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.6x15.2 cm; Private Collection; Index Fototeca

Background imageGoya Francisco De 1746 1828 Collection: 193-0082172 You will not escape, plate 72 of Los caprichos, 1799 (etching)

193-0082172 You will not escape, plate 72 of Los caprichos, 1799 (etching)
IND81691 193-0082172 You will not escape, plate 72 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.7x15.2 cm; Private Collection; Index Fototeca

Background imageGoya Francisco De 1746 1828 Collection: 193-0082155 Until death, plate 55 of Los caprichos, 1799 (etching)

193-0082155 Until death, plate 55 of Los caprichos, 1799 (etching)
IND81674 193-0082155 Until death, plate 55 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 22x15.4 cm; Private Collection; Index Fototeca

Background imageGoya Francisco De 1746 1828 Collection: 193-0082137 Might not the pupil know more?, plate 37 of Los caprichos, 1799 (etching)

193-0082137 Might not the pupil know more?, plate 37 of Los caprichos, 1799 (etching)
IND81656 193-0082137 Might not the pupil know more?, plate 37 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.3 cm; Private Collection; (add.info)

Background imageGoya Francisco De 1746 1828 Collection: A way of flying, plate 13 of Proverbs, 1819-23, pub. 1864 (etching)

A way of flying, plate 13 of Proverbs, 1819-23, pub. 1864 (etching)
IND82113 A way of flying, plate 13 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.9 cm; Private Collection; Index Fototeca

Background imageGoya Francisco De 1746 1828 Collection: The sleep of reason produces monsters, plate 43 of Los caprichos, 1799 (etching and aquatint)

The sleep of reason produces monsters, plate 43 of Los caprichos, 1799 (etching and aquatint)
IND81662 The sleep of reason produces monsters, plate 43 of Los caprichos, 1799 (etching and aquatint) by Goya y Lucientes

Background imageGoya Francisco De 1746 1828 Collection: Statue of Francisco de Goya, 1902 (bronze)

Statue of Francisco de Goya, 1902 (bronze)
7128438 Statue of Francisco de Goya, 1902 (bronze) by Benlliure y Gil, Mariano (1862-1947); (add.info.: Statue of Francisco de Goya. Bordeaux. France); © Frank Buffetrille

Background imageGoya Francisco De 1746 1828 Collection: 'Le buveur'Francisco de Goya y Lucientes (1746-1828). 1777. Madrid. Musee du Prado

"Le buveur"Francisco de Goya y Lucientes (1746-1828). 1777. Madrid. Musee du Prado
AIS5367294 " Le buveur" Francisco de Goya y Lucientes (1746-1828). 1777. Madrid. Musee du Prado. by Goya y Lucientes, Francisco Jose de (1746-1828); © Iberfoto

Background imageGoya Francisco De 1746 1828 Collection: 'Les joueurs de cartes'Peinture de Francisco de Goya y Lucientes (1746-1828)

"Les joueurs de cartes"Peinture de Francisco de Goya y Lucientes (1746-1828)
AIS5367311 " Les joueurs de cartes" Peinture de Francisco de Goya y Lucientes (1746-1828) pour une tapisserie fabriquee a la manufacture royale de tapisserie pour la salle a manger du

Background imageGoya Francisco De 1746 1828 Collection: Tauromachie : un torero se prepare a tuer en utilisant un chapeau a la place de la muleta

Tauromachie : un torero se prepare a tuer en utilisant un chapeau a la place de la muleta
AIS5367291 Tauromachie : un torero se prepare a tuer en utilisant un chapeau a la place de la muleta. Dessin a la sanguine de Francisco de Goya y Lucientes (1746-1828). 1815-1816. Madrid

Background imageGoya Francisco De 1746 1828 Collection: Saint Francois (Francis) Borgia (1510-1578) au chevet d un impenitent mourant

Saint Francois (Francis) Borgia (1510-1578) au chevet d un impenitent mourant
AIS5367331 Saint Francois (Francis) Borgia (1510-1578) au chevet d un impenitent mourant. Dessin 1788, de Francisco de Goya y Lucientes (1746-1828)

Background imageGoya Francisco De 1746 1828 Collection: Self Portrait, c. 1796 ( brush and ink on paper)

Self Portrait, c. 1796 ( brush and ink on paper)
7207382 Self Portrait, c.1796 ( brush and ink on paper) by Goya y Lucientes, Francisco Jose de (1746-1828); 15x9.1 cm; Metropolitan Museum of Art, New York, USA

Background imageGoya Francisco De 1746 1828 Collection: Portrait of Maria Luisa of Parma, 1789 (oil on canvas)

Portrait of Maria Luisa of Parma, 1789 (oil on canvas)
JLJ4569917 Portrait of Maria Luisa of Parma, 1789 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 205x132 cm; Prado, Madrid, Spain; Photo ePhoto Josse; Spanish, out of copyright

Background imageGoya Francisco De 1746 1828 Collection: Los caprichos: 'May God forgive her, she was her mother', 1797-98 (etching)

Los caprichos: "May God forgive her, she was her mother", 1797-98 (etching)
AIS5379511 Los caprichos: " May God forgive her, she was her mother", 1797-98 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); Biblioteca Nacional, Madrid

Background imageGoya Francisco De 1746 1828 Collection: Bullfighting with a cape or the blows of the cape. Painting on metal by Francisco de Goya

Bullfighting with a cape or the blows of the cape. Painting on metal by Francisco de Goya
AIS5388605 Bullfighting with a cape or the blows of the cape. Painting on metal by Francisco de Goya y Lucientes (1746-1828). 1793

Background imageGoya Francisco De 1746 1828 Collection: Portrait of Manuel Godoy, nicknamed the Prince of Peace, 1801 (oil on canvas)

Portrait of Manuel Godoy, nicknamed the Prince of Peace, 1801 (oil on canvas)
LRI4606106 Portrait of Manuel Godoy, nicknamed the Prince of Peace, 1801 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828)

Background imageGoya Francisco De 1746 1828 Collection: Dona Isabel de Porcel

Dona Isabel de Porcel
3835789 Dona Isabel de Porcel by Goya y Lucientes, Francisco Jose de (1746-1828); (add.info.: Dona Isabel de Porcel - portrait by Francisco Jose de Goya y Lucientes, before 1805)

Background imageGoya Francisco De 1746 1828 Collection: Friar Pedro Binds El Maragato with a Rope, painting by Francisco de Goya, 1806-7

Friar Pedro Binds El Maragato with a Rope, painting by Francisco de Goya, 1806-7
AIS5345414 Friar Pedro Binds El Maragato with a Rope, painting by Francisco de Goya, 1806-7 by Goya y Lucientes, Francisco Jose de (1746-1828); The Art Institute of Chicago, IL

Background imageGoya Francisco De 1746 1828 Collection: The Washerwomen, late 18th-early 19th century (drawing)

The Washerwomen, late 18th-early 19th century (drawing)
AIS5379516 The Washerwomen, late 18th-early 19th century (drawing) by Goya y Lucientes, Francisco Jose de (1746-1828); Biblioteca Nacional, Madrid

Background imageGoya Francisco De 1746 1828 Collection: 'The whims'(Los caprichos): Love and Death. Preparatory drawing 1797-1798

"The whims"(Los caprichos): Love and Death. Preparatory drawing 1797-1798
AIS5350317 " The whims" (Los caprichos): Love and Death. Preparatory drawing 1797-1798 (drawing) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Background imageGoya Francisco De 1746 1828 Collection: Duchess Alba putting her hair in order. Drawing by Francisco de Goya y Lucientes

Duchess Alba putting her hair in order. Drawing by Francisco de Goya y Lucientes
AIS5333664 Duchess Alba putting her hair in order. Drawing by Francisco de Goya y Lucientes (1746-1828). 1796. by Goya y Lucientes, Francisco Jose de (1746-1828); Biblioteca Nacional, Madrid

Background imageGoya Francisco De 1746 1828 Collection: Mariano Ceballos called 'the Indian'on the back of a bull breaks his pike in

Mariano Ceballos called "the Indian"on the back of a bull breaks his pike in
AIS5376422 Mariano Ceballos called " the Indian" on the back of a bull breaks his pike in the arenas of Madrid, c

Background imageGoya Francisco De 1746 1828 Collection: Bullfighting: The Cid pierces another bull from its spear 1815-16 (preparatory drawing)

Bullfighting: The Cid pierces another bull from its spear 1815-16 (preparatory drawing)
AIS5349656 Bullfighting: The Cid pierces another bull from its spear 1815-16 (preparatory drawing) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid, Spain; eIberfoto; Spanish




For sale as Licensed Images

Choose your image, Select your licence and Download the media

Francisco de Goya (1746-1828) was a renowned Spanish artist whose works spanned various genres and styles. From his early paintings like "Boys Playing at Soldiers" to his provocative masterpieces such as "The Nude Maja, " Goya's art captivated audiences with its realism and emotional depth. In addition to his paintings, Goya also excelled in other mediums, including etchings and engravings. His series "The Art of Bullfighting" showcased the intensity and drama of this traditional Spanish sport, featuring iconic figures like Pedro Romero killing the halted bull. Goya's talent extended beyond capturing moments of action; he also delved into portraiture with pieces like "The Family of the Infant Don Luis of Bourbon. " These portraits revealed his ability to convey both individual character and familial relationships through exquisite brushwork. One notable aspect of Goya's work is his exploration of social commentary. In his series titled "Proverbs, " he depicted thought-provoking scenes that conveyed moral lessons through riddles. This blend of creativity and symbolism showcased Goya's mastery in conveying complex ideas through visual storytelling. Throughout his career, Goya continued to experiment with different themes and techniques. His equestrian portrait of Philip III demonstrated an appreciation for Baroque art while showcasing his skillful drawing abilities by replicating Velazquez paintings. However, it was in works like "Wrong Until Death" from the series "Los Caprichos" that Goya truly pushed boundaries. Through etching and burnished aquatint techniques, he created haunting images that critiqued societal norms during Romanticism. Goya's fascination with bullfighting persisted throughout many artworks, including depictions such as "Dreadful Events in the Front Rows. " These etchings captured not only the spectacle but also portrayed tragic incidents within this dangerous sport. "The Disasters of War" further exemplified Goya's ability to convey the horrors of conflict.