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Goya Y Lucientes Francisco Jose De Collection (#4)

Francisco Jose de Goya y Lucientes, a renowned Spanish artist of the late 18th and early 19th centuries

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 79 from Los Caprichos : No one has seen us (Nadie nos ha visto. ), 1799

Plate 79 from Los Caprichos : No one has seen us (Nadie nos ha visto. ), 1799
Plate 79 from Los Caprichos : No one has seen us (Nadie nos ha visto.), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 78 from Los Caprichos : Be quick, they are waking up (Despacha

Plate 78 from Los Caprichos : Be quick, they are waking up (Despacha, que dispiertan.), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 77 from Los Caprichos : What one does to another (Unos aotros. ), 1799

Plate 77 from Los Caprichos : What one does to another (Unos aotros. ), 1799
Plate 77 from Los Caprichos :What one does to another (Unos a otros.), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 76 from Los Caprichos : You understand?... well, as I say

Plate 76 from Los Caprichos : You understand?... well, as I say
Plate 76 from Los Caprichos :You understand?... well, as I say... eh! Look out! otherwise... (Esta Umd...pues, Como digo..eh! Cuidado! si no...), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 75 from Los Caprichos : Is there no one to untie us

Plate 75 from Los Caprichos : Is there no one to untie us? (No hay quien nos desate?), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 74 from Los Caprichos : Don t scream, stupid (No grites, tonta), 1799

Plate 74 from Los Caprichos : Don t scream, stupid (No grites, tonta), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 72, from Los Caprichos : You will not escape (No te escaparas. ), 1799

Plate 72, from Los Caprichos : You will not escape (No te escaparas. ), 1799
Plate 72, from Los Caprichos : You will not escape (No te escaparas.), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 71 from Los Caprichos : When day breaks we will be off (Si amanece; nos Vamos

Plate 71 from Los Caprichos : When day breaks we will be off (Si amanece; nos Vamos.), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 70 from Los Caprichos : Devout Profession (Devota profesion. ), 1799

Plate 70 from Los Caprichos : Devout Profession (Devota profesion. ), 1799
Plate 70 from Los Caprichos : Devout Profession (Devota profesion.), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 67 from Los Caprichos : Wait till you ve been anointed (Aguarda que te unten

Plate 67 from Los Caprichos : Wait till you ve been anointed (Aguarda que te unten.), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 65 from Los Caprichos : Where is mom going? (Donde vamama?), 1799

Plate 65 from Los Caprichos : Where is mom going? (Donde vamama?), 1799
Plate 65 from Los Caprichos :Where is mom going? (Donde va mama?), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Bon Voyage (Buen Viage), from The Caprices (Los Caprichos), plate 64, 1799

Bon Voyage (Buen Viage), from The Caprices (Los Caprichos), plate 64, 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 61 from Los Caprichos : They have flown (Volaverunt. ), 1799

Plate 61 from Los Caprichos : They have flown (Volaverunt. ), 1799
Plate 61 from Los Caprichos : They have flown (Volaverunt.), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 56 from Los Caprichos : To rise and to fall (Subir y bajar. ), 1799

Plate 56 from Los Caprichos : To rise and to fall (Subir y bajar. ), 1799
Plate 56 from Los Caprichos :To rise and to fall (Subir y bajar.), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 64 from Los Caprichos : Bon voyage (Buen Viage. ), 1799. Creator: Francisco Goya

Plate 64 from Los Caprichos : Bon voyage (Buen Viage. ), 1799. Creator: Francisco Goya
Plate 64 from Los Caprichos : Bon voyage (Buen Viage.), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 62 from Los Caprichos : Who would have thought it? (Quien lo creyera!), 1799

Plate 62 from Los Caprichos : Who would have thought it? (Quien lo creyera!), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 59 from Los Caprichos : And still they don t go! (Y aun no se van!), 1799

Plate 59 from Los Caprichos : And still they don t go! (Y aun no se van!), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 57 from Los Caprichos : The filiation (La filiacion. ), 1799

Plate 57 from Los Caprichos : The filiation (La filiacion. ), 1799
Plate 57 from Los Caprichos :The filiation (La filiacion.), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 53 from Los Caprichos : What a golden beak! (Que pico de Oro!), 1799

Plate 53 from Los Caprichos : What a golden beak! (Que pico de Oro!), 1799
Plate 53 from Los Caprichos :What a golden beak! (Que pico de Oro!), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 52 from Los Caprichos : What a tailor can do! (Lo que puede un Sastre!), 1799

Plate 52 from Los Caprichos : What a tailor can do! (Lo que puede un Sastre!), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 51 from Los Caprichos : They spruce themselves up (Se repulen. ), 1799

Plate 51 from Los Caprichos : They spruce themselves up (Se repulen. ), 1799
Plate 51 from Los Caprichos : They spruce themselves up (Se repulen.), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 43 from Los Caprichos : The sleep of reason produces monsters (E

Plate 43 from Los Caprichos : The sleep of reason produces monsters (El sueno de la razon produce monstruos), 1799, published 1908-12

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 41 from Los Caprichos : Neither more nor less (Ni mas ni menos. ), 1799

Plate 41 from Los Caprichos : Neither more nor less (Ni mas ni menos. ), 1799
Plate 41 from Los Caprichos : Neither more nor less (Ni mas ni menos.), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 50 from Los Caprichos : The Chinchillas (Los Chinchillas. ), 1799

Plate 50 from Los Caprichos : The Chinchillas (Los Chinchillas. ), 1799
Plate 50 from Los Caprichos : The Chinchillas (Los Chinchillas.), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 49 from Los Caprichos : Hobgoblins (Duendecitos. ), 1799. Creator: Francisco Goya

Plate 49 from Los Caprichos : Hobgoblins (Duendecitos. ), 1799. Creator: Francisco Goya
Plate 49 from Los Caprichos : Hobgoblins (Duendecitos.), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 48 from Los Caprichos : Tale-Bearers-Blasts of Wind (Soplones. ), 1799

Plate 48 from Los Caprichos : Tale-Bearers-Blasts of Wind (Soplones. ), 1799
Plate 48 from Los Caprichos : Tale-Bearers-Blasts of Wind (Soplones.), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 42 from Los Caprichos : Thou who canst not (Tu que no puedes. ), 1799

Plate 42 from Los Caprichos : Thou who canst not (Tu que no puedes. ), 1799
Plate 42 from Los Caprichos : Thou who canst not (Tu que no puedes.), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 40 from Los Caprichos : Of what ill will he die? (De que mal morira?), 1799

Plate 40 from Los Caprichos : Of what ill will he die? (De que mal morira?), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 39 from Los Caprichos : And so was his grandfather. (Asta su Abuelo. ), 1799

Plate 39 from Los Caprichos : And so was his grandfather. (Asta su Abuelo. ), 1799
Plate 39 from Los Caprichos : And so was his grandfather. (Asta su Abuelo.), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 37 from Los Caprichos : Might not the pupil know more

Plate 37 from Los Caprichos : Might not the pupil know more? (Si Sabra mas el discipulo?), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 33 from Los Caprichos : To the Count Palatine (Al Conde Palatino. ), 1799

Plate 33 from Los Caprichos : To the Count Palatine (Al Conde Palatino. ), 1799
Plate 33 from Los Caprichos :To the Count Palatine (Al Conde Palatino.), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 30 from Los Caprichos : Why hide them? (Porque esconderlos?), 1799

Plate 30 from Los Caprichos : Why hide them? (Porque esconderlos?), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 28 from Los Caprichos : Hush (Chiton. ), 1799. Creator: Francisco Goya

Plate 28 from Los Caprichos : Hush (Chiton. ), 1799. Creator: Francisco Goya
Plate 28 from Los Caprichos : Hush (Chiton.), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 24 from Los Caprichos : Nothing could be done about It (Nohubo remedio. ), 1799

Plate 24 from Los Caprichos : Nothing could be done about It (Nohubo remedio. ), 1799
Plate 24 from Los Caprichos : Nothing could be done about It (Nohubo remedio.), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 18 from Los Caprichos : And his house is on fire (Ysele quema la Casa. ), 1799

Plate 18 from Los Caprichos : And his house is on fire (Ysele quema la Casa. ), 1799
Plate 18 from Los Caprichos :And his house is on fire (Ysele quema la Casa.), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 16 from Los Caprichos : For heavens sake: and it was her mother (Dios la Perdone

Plate 16 from Los Caprichos : For heavens sake: and it was her mother (Dios la Perdone
Plate 16 from Los Caprichos :For heavens sake: and it was her mother (Dios la Perdone: Y era su madre), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 13 from Los Caprichos : They are Hot (Estan Calientes), 1797-98

Plate 13 from Los Caprichos : They are Hot (Estan Calientes), 1797-98
Plate 13 from Los Caprichos :They are Hot (Estan Calientes), 1797-98

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 9 from Los Caprichos : Tantalus (Tantalo. ), 1799. Creator: Francisco Goya

Plate 9 from Los Caprichos : Tantalus (Tantalo. ), 1799. Creator: Francisco Goya
Plate 9 from Los Caprichos : Tantalus (Tantalo.), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 12 from Los Caprichos : Out hunting for teeth (A caza de dientes. ), 1799

Plate 12 from Los Caprichos : Out hunting for teeth (A caza de dientes. ), 1799
Plate 12 from Los Caprichos : Out hunting for teeth (A caza de dientes.), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 10 from Los Caprichos : Love and death (El amor y la muerte), 1799

Plate 10 from Los Caprichos : Love and death (El amor y la muerte), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 3 from Los Caprichos : Here comes the bogey-man (Que viene el Coco. ), 1799

Plate 3 from Los Caprichos : Here comes the bogey-man (Que viene el Coco. ), 1799
Plate 3 from Los Caprichos : Here comes the bogey-man (Que viene el Coco.), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 1 from Los Caprichos : Self-portrait of Goya ( Franco

Plate 1 from Los Caprichos : Self-portrait of Goya ( Franco. Goya e Lucientes, Pintor), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Old woman on a swing (Vieja columpiandose). n. d. Creator: Francisco Goya

Old woman on a swing (Vieja columpiandose). n. d. Creator: Francisco Goya
Old woman on a swing (Vieja columpiandose).n.d

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 6 from Los Caprichos : Nobody knows himself (Nadie se conoce. ), 1799

Plate 6 from Los Caprichos : Nobody knows himself (Nadie se conoce. ), 1799
Plate 6 from Los Caprichos : Nobody knows himself (Nadie se conoce.), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 4 from Los Caprichos : Nannys boy (El de la rollona. ), 1799

Plate 4 from Los Caprichos : Nannys boy (El de la rollona. ), 1799
Plate 4 from Los Caprichos : Nannys boy (El de la rollona.), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: Plate 2 from Los Caprichos : They say yes and give their hand to the first comer

Plate 2 from Los Caprichos : They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega), 1799

Background imageGoya Y Lucientes Francisco Jose De Collection: The cloaked man (El Embozado). Creator: Unknown

The cloaked man (El Embozado). Creator: Unknown
The cloaked man (El Embozado)

Background imageGoya Y Lucientes Francisco Jose De Collection: Isabel of Bourbon, Queen of Spain and wife of Philip IV (D

Isabel of Bourbon, Queen of Spain and wife of Philip IV (D. Isabel de Borbon, Reyna de Espana, muger de Felipe Quarto), 1778




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Francisco Jose de Goya y Lucientes, a renowned Spanish artist of the late 18th and early 19th centuries, left an indelible mark on the world of art with his captivating works. From his thought-provoking series "Los Caprichos" to his striking portraits and dramatic scenes, Goya's talent knew no bounds. In Plate 80 from Los Caprichos titled "It is time (Ya es hora. )", created in 1799, Goya presents a powerful commentary on societal issues. The image urges us to reflect upon the urgency for change and progress. Plate 60 from Los Caprichos called "Trials (Ensayos. )", also from 1799, showcases Goya's ability to capture human emotions. Through this piece, he explores themes of struggle and adversity that resonate with viewers even today. Moving away from social critique, Plate 25 from Los Caprichos entitled "If he broke the pot (Si quebro el Cantaro. )" offers a glimpse into everyday life during that era. With meticulous attention to detail, Goya portrays ordinary moments that carry profound meaning. One cannot discuss Francisco Goya without mentioning his famous painting "Majas on a Balcony, " dating back to around 1800-1810. This enchanting artwork captures the essence of Spanish culture through its depiction of two elegant women enjoying their leisurely pastime. Goya's versatility as an artist is evident in pieces like "The Hanged Monk, " circa 1810. This haunting composition delves into darker realms while showcasing his mastery over capturing intense emotions and evoking visceral reactions. "Winter Scene, " painted around 1786, transports us to a serene landscape blanketed by snow. Here we witness Goya's skillful use of light and shadow to create depth and atmosphere—a testament to his technical prowess.