Haghe Collection

Interior of the Temple at Esna, Upper Egypt, 1838. Artist: David Roberts
Interior of the Temple at Esna, Upper Egypt, 1838. A plate from Egypt and Nubia, engraved by Louis Haghe. Found in the collection of the Victoria and Albert Museum, London

Fragments of the Great Colossi, at the Memnonium, 19th century. Artist: David Roberts
Fragments of the Great Colossi, at the Memnonium, 19th century. Found in the collection of the Victoria and Albert Museum, London

Grand Entrance to the Temple of Luxor, 19th century. Artist: David Roberts
Grand Entrance to the Temple of Luxor, 19th century. From Egypt and Nubia, Volume 1

The Great Temple of Abu Simbel, Nubia, c19th century. Artist: David Roberts
The Great Temple of Abu Simbel, Nubia, 19th century. A plate from Egypt and Nubia, Volume 1. Found in the collection of the Victoria and Albert Museum, London

MOUNT SINAI: MONASTERY. Saint Catherines Monastery at Mount Sinai, Egypt. Lithograph by Louis Haghe, c1845, after a painting by David Roberts

El Kasne (Treasury), Petra, March 1839, 1842-1849 (hand-coloured lithograph)
986405 El Kasne (Treasury), Petra, March 1839, 1842-1849 (hand-coloured lithograph) by Roberts, David (1796-1864) (after); 60.5x43.5 cm; Private Collection; (add.info.: El Kasne (Treasury), Petra

The Treasury - El Khasne, from The Holy Land series
986214 The Treasury - El Khasne, from The Holy Land series, 1842-1849 (tinted lithograph) by Roberts, David (1796-1864) (after); Private Collection; (add.info.: The Treasury; El Khasne)

Baalbec, May 7th 1839, c. 1842-1849 (hand-coloured lithograph)
986053 Baalbec, May 7th 1839, c.1842-1849 (hand-coloured lithograph) by Roberts, David (1796-1864) (after); 62x40.2 (folio size) cm; Private Collection; (add.info.: Baalbec, May 7th 1839)

Karnac, 27th November 1838, 1842-1849 (hand-coloured lithograph)
986404 Karnac, 27th November 1838, 1842-1849 (hand-coloured lithograph) by Roberts, David (1796-1864) (after); 60.5x43.5 cm; Private Collection; (add.info.: Karnac, 27th November 1838)

The Council of War at Courtray, (1854). Creator: John Godfrey
The Council of War at Courtray, (1854). A group of men in 17th century dress hold a meeting around a table covered with a carpet. Above them is an elaborately carved overmantel

The Alarm winning the Ladies Challenge Cup at Cowes, 1830 by GM Gilbert on stone by L Haghe

At the Great Exhibition, 1851, (1920). Artist: Louis Haghe
At the Great Exhibition, 1851, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]

St Georges Fields, Southwark, London, c1825. Artist: Louis Haghe
St Georges Fields, Southwark, London, c1825. View of the Indigent Blind School at St Georges Fields, with the obelisk, erected in 1771 at St Georges Circus, which was used as a milestone

View of Stanley Grove, Kings Road, Chelsea, London, c1825. Artist: Louis Haghe
View of Stanley Grove, Kings Road, Chelsea, London, c1825. A large house set in landscaped grounds with open lawns, trees and classical statues. A gardener uses a roller to keep the lawn even

Convent of St Catherine with Mount Horeb, February 19th 1839 (1849). The Greek Orthodox St Catherines Monastery stands at the foot of the mountain where, according to the Bible

Detail of the Colossi of Memnon, Thebes, Egypt, December 4th 1838 (1846). Artist
Detail of the Colossi of Memnon, Thebes, Egypt, December 4th 1838 (1846). Two 70ft/21m stone statues of Amenhotep III (Amenophis III) that stood in front of the mortuary temple that is now destroyed

View from under the Portico of Temple of Edfou, Upper Egypt, 1846. Plate 32 from Vol 1 of Egypt and Nubia by David Roberts

Front elevation of the Great Temple of Abu Simbel, Nubia, Egypt, 1849. Artist
Front elevation of the Great Temple of Abu Simbel, Nubia, Egypt, 1849. Colossal statues at the entrance to the Temple of Abu Simbel built during the reign of Rameses II (ruled 1279-1212 BC)

The British Nave at the Great Exhibition of 1851, The Crystal Palace, c1854
The British Nave at the Great Exhibition of 1854, The Crystal Palace, c1851. Illustrations from Dickinsons Comprehensive Pictures of the Great Exhibition of 1851

Medinet Abou, Thebes, 8th December 1832, Egypt, 19th century. Artist: Louis Haghe
Medinet Abou, Thebes, 8th December 1832, Egypt, 19th century. The mortuary temple of the Ancient Egyptian pharaoh Rameses III, built in the 12th century BC. From Egypt and Nubia (Volume 2)

At Luxor, Thebes, Upper Egypt, 19th century. Artist: Louis Haghe
At Luxor, Thebes, Upper Egypt, 19th century. From Egypt and Nubia (Volume 1). From the collection of the Victoria and Albert Museum, London

Medinet Abou, Thebes, 5th December 1832, Egypt, 19th century. Artist: Louis Haghe
Medinet Abou, Thebes, 5th December 1832, Egypt, 19th century. The mortuary temple of the Ancient Egyptian pharaoh Rameses III, built in the 12th century BC

Entrance to the Tombs of the kings of Thebes, Bab-el-Malouk, 19th century. Artist: David Roberts
Entrance to the Tombs of the kings of Thebes, Bab-el-Malouk, 19th century. Found in the collection of the Victoria and Albert Museum, London

Sandstone Temple of Edfu, dedicated to the falcon-headed god Horus, Egypt, 1838. Artist: Louis Haghe
Sandstone Temple of Edfu, dedicated to the falcon-headed god Horus, Egypt, 1838. The temple was built during the Ptolemaic period between 237 and 57 BC

Portico of the sandstone Temple of Edfu dedicated to the falcon-headed god Horus, Egypt, 1838. Artist: Louis Haghe
Portico of the sandstone Temple of Edfu dedicated to the falcon-headed god Horus, Egypt, 1838. The temple was built during the Ptolemaic period between 237 and 57 BC

Temple of Wady Saboua, Nubia, 19th century. Artist: David Roberts
Temple of Wady Saboua, Nubia, 19th century. A plate from Egypt and Nubia, Volume 1. Found in the collection of the Victoria and Albert Museum, London

Front Elevation of the Great Temple of Abu Simbel, Nubia, 19th century. Artist: David Roberts
Front Elevation of the Great Temple of Abu Simbel, Nubia, 19th century. Plate 44 from volume II of Egypt and Nubia, engraved by Louis Haghe

Place de Grenoble Dauphine Voyages pittoresques
Place de Grenoble (Dauphine), Voyages pittoresques et romantiques dans l ancienne France, Day and Haghe, Haghe, Charles, d. 1888, Nodier, Charles, 1780-1844, Lithography, 1854

Divers repairing the bottom of a ship at anchor wearing John Bethells patent diving dresses. Day & Haghe Lithographers to the Queen. S. Bendixen Lith. Date: 1838

Divers building a pier or jetty wearing John Bethells patent diving dresses. Day & Haghe Lithographers to the Queen. S. Bendixen Lith. 1838

Divers pearl fishing in shark cages
Divers in shark cages pearl fishing. Day & Haghe Lithographers to the Queen. S. Bendixen Lith. Date: 1838

Divers boring and blasting rocks wearing John Bethells patent diving dresses. Day & Haghe Lithographers to the Queen. S. Bendixen Lith. Date: 1838

Bethells driving dress
Men working on a Wreck wearing John Bethells Patent Diving Dress Patent. Day & Haghe Lithographers to the Queen. S. Bendixen Lith. Date: 1838

The Wild Pass of Siri-Kajoor
Tinted lithograph from bound volume of 26 tinted lithographs, Sketches in Afghanistan, 1838-1842. By Louis and Charles Haghe after James Atkinson

The military review - the camp at Chobham. The troops returning to their encampment after a field-day, 1853.Coloured tinted lithograph by Edmund Walker after Louis Haghe (1806-1885)

Louis Haghe
LOUIS HAGHE French-English artist, President of the Royal Institute of Painters in Water-Colours, London. Date: 1806 - 1885

A Church Interior (1868). Haghe, Louis 1806 - 1885. Date: 1868

Source Size = 3993 x 5191
" the Corporation of Archers Leaving the Church of Lierre, Belgium, after Hearing Mass on St. Georges Day" by Louis Haghe

Mr. Edward Spencer, born May 8th 1799 who accompanied Mr. Charles Green in that fatal parachute experiment of Mr. Robert Cocking s, July 24th, 1837, from Vauxhall Gardens

Title page of Maniere of Litigation with a view on the Vijverberg and Binnenhof in The Hague, The Netherlands, print maker: Jacob Savery I, Paulus Merula, Cornelis Claesz, 1592

TURKEY: ISTANBUL, 1852. View of Istanbul (Constantinople) showing the Hagia Eirene, center left, the Treasury, and the walled gardens of Topkapi Palace. Lithograph by Louis Haghe, 1852

MOUNT SINAI: MONASTERY. The principal court of Saint Catherines Monastery. Lithograph by Louis Haghe, c1845, after a painting by David Roberts

Citadel of Jerusalem April 19 1841. Hand-coloured lithograph by Louis Haghe, 1842, after the painting by David Roberts (1796-1864) Scottish painter. Palestine Orientalist Arab Male Smoking Pipe

Mr. Edward Spencer, Born May 8th 1799 Who Accompanied Mr. Charles Green In That Fatal Parachute Experiment Of Mr. Robert Cocking s, July 24th, 1837, From Vauxhall Gardens

Tintern Abbey / Haghe
The South front of Tintern Abbey, Monmouthshire

For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Haghe: Capturing the Beauty of Ancient Wonders and Historical Moments" Louis Haghe, a renowned lithographer, has left an indelible mark on history through his stunning artwork. From the majestic Mount Sinai to the iconic Hagia Sophia in Istanbul, Haghe's lithographs transport us to enchanting places. At Mount Sinai's Saint Catherine's Monastery in Egypt, we witness the serenity and grandeur of this sacred site. The monastery stands as a testament to centuries of devotion and spirituality. In Turkey, Hagia Sophia emerges with breathtaking splendor. Through his lithograph, we are captivated by its architectural magnificence and reminded of Gaspard Fossati's restoration work that breathed new life into this ancient marvel. It also takes us beneath the waves where divers diligently repair ships at anchor. This glimpse into their arduous task highlights their dedication to keeping vessels seaworthy amidst challenging conditions. Journeying further eastward, we find ourselves immersed in Petra's El Kasne (Treasury). Hand-colored lithographs from 1839 evoke a sense of wonder as we explore this archaeological gem nestled within towering sandstone cliffs. Jerusalem comes alive under Haghe’s skilled hand. His hand-colored lithograph transports us back to April 9th, 1839 when bustling streets and vibrant markets filled this historic cityscape. Baalbec beckons with its ancient ruins steeped in mystery and majesty. Through delicate brushstrokes transformed into hand-colored lithographs from May 7th, 1839; we can almost hear echoes of past civilizations whispering through time. Karnac enchants us with its timeless beauty captured on November 27th, 1838. These vividly colored images bring forth visions of towering columns and intricate hieroglyphics that tell stories lost but not forgotten. Beyond historical landmarks lies another facet of Louis Haghe’s talent.