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Citadel of Jerusalem April 19 1841. Hand-coloured lithograph by Louis Haghe, 1842

Citadel of Jerusalem April 19 1841. Hand-coloured lithograph by Louis Haghe, 1842


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Filename: 917_05_014757.jpg

Size: 5220 x 3412 (12.3MB)

Date: 27th March 2014

Source: Universal Images Group (UIG)

© Universal History Archive/Universal Images Group

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Citadel of Jerusalem April 19 1841. Hand-coloured lithograph by Louis Haghe, 1842

Citadel of Jerusalem April 19 1841. Hand-coloured lithograph by Louis Haghe, 1842, after the painting by David Roberts (1796-1864) Scottish painter. Palestine Orientalist Arab Male Smoking Pipe

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Media ID 9758157

© Universal History Archive/Universal Images Group

1796 1864 1841 1842 April Arab Citadel David Hand Coloured Jerusalem Lithograph Louis Male Orientalist Painter Painting Palestine Pipe Roberts Scottish Smoking Haghe


EDITORS COMMENTS
This hand-coloured lithograph, created by Louis Haghe in 1842, transports us back to the Citadel of Jerusalem on April 19,1841. The intricate details and vibrant hues bring to life the painting by Scottish artist David Roberts (1796-1864), known for his remarkable Orientalist works. In this particular scene, we are introduced to a fascinating Arab male who becomes the focal point of our attention. With an aura of mystery surrounding him, he sits comfortably while elegantly smoking his pipe. His traditional attire reflects the rich cultural heritage of Palestine and adds depth to this mesmerizing composition. The Citadel itself stands tall in the background, exuding strength and grandeur against the clear blue sky. Its ancient walls tell stories of centuries past and bear witness to countless historical events that have shaped Jerusalem's destiny. Haghe's masterful technique captures every minute detail with precision, allowing us to appreciate both the architectural marvels and human presence within this iconic setting. The hand-colouring further enhances our connection with this moment frozen in time. As we gaze upon this print from Universal Images Group (UIG), we are transported not only geographically but also emotionally. It serves as a reminder that art has the power to transcend time and space, immersing us in distant cultures while igniting our imagination.

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