Havell Collection (#3)

Cloth Dressers, 1814. Artist: Robert Havell
Cloth Dressers, 1814. From Costume of Yorkshire by George Walker

Blenkinsop steam locomotive at Middleton colliery near Leeds, West Yorkshire, 1814. From Costume of Yorkshire by George Walker, 1814

The Roads, St Helena, 1815. Artist: Robert Havell
The Roads, St Helena, 1815. The island of St Helena in the South Atlantic Ocean

Grand Conventional Festival of the Britons, 1815. Artist: Robert Havell
Grand Conventional Festival of the Britons, 1815. A large gathering at Stonehenge

Riverside, 19th century, (1935). Artist: William Havell
Riverside, 19th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Thirty-Third Regiment, c1814 (1909). Artists: Robert Havell, Daniel Havell
Thirty-Third Regiment, c1814 (1909). After George Walker (1781-1856). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

The Hon. Artillery Company Assembled for Ball Practice at Childs Hill, c1820-1870, (1909). Artist: Robert Havell
The Hon. Artillery Company Assembled for Ball Practice at Childs Hill, c1820-1870, (1909). After George Foster. From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Review of The Hon. Artillery Company, 1829 (1909). Artist: Robert Havell
Review of The Hon. Artillery Company, 1829 (1909). After George Foster. Scene of Honourable Artillery Company passing in review before Prince Augustus Frederick, Duke of Sussex

The Fall of Oswego, c1815. Artist: Robert Havell
The Fall of Oswego, c1815. During the War of 1812, James Lucas Yeo (1782-1818), a British naval officer commanding a small squadron, arrived off Oswego on Lake Ontario on 4 May 1814

Cutter Entering Dover Harbour, 1819. Artist: Robert Havell
Cutter Entering Dover Harbour, 1819. From Old Ship Prints by E. Keble Chatterton. [John Lane The Bodley Head Limited, London & New York, 1927]

Sadler over the Lighthouse, Dublin, 19th century. Artist: Robert Havell
Sadler over the Lighthouse, Dublin, 19th century. William Windham Sadler (1796-1824), balloonist and gas engineer. This picture shows sadler over the lighthouse in Dublin, on 24th July 1817

The Last Hour of a Contested Election for M. P, 1817. Artist: Robert Havell
The Last Hour of a Contested Election for M.P, 1817. After James Pollard (1792-1867). From Connoisseur Extra No. 5 - Old Sporting Prints by Ralph Nevill. [The Connoisseur Magazine, London, 1908]

The Liverpool Mail Near St. Albans, c19th century. Artists: Robert Havell, Henry Thomas Alken
The Liverpool Mail Near St. Albans, c19th century. After Henry Thomas Alken (1785-1851). From Connoisseur Extra No. 5 - Old Sporting Prints by Ralph Nevill. [The Connoisseur Magazine, London, 1908]

The Liverpool Mail Near St Albans, 19th century. Artist: Robert Havell
The Liverpool Mail Near St Albans, 19th century. After Henry Thomas Alken (1785-1851). From The Connoisseur Vol. XX. [Otto Limited, London, 1908]

The Devonport Mail Near Amesbury, 1907. Artist: William Havell
The Devonport Mail Near Amesbury: Going Post through an Avalanche of Snow. Engraving by Robert Havell after a drawing by Henry Thomas Alken (1785-1851). From The Connoisseur 1907-8

The Birmingham Mail near Aylesbury, the guard Banbury proceeding with the bags, 1837 (1907). Artist: Robert Havell
The Birmingham Mail near Aylesbury, the guard Banbury proceeding with the bags 1837. Mail coach drawn by two horses stuck in a snowdrift, with three other horsemen coming to the rescue

The Holyhead and Chester Mails, 1905. Artist: Robert Havell
The Holyhead and Chester Mails at Hockley Hill, near Dunstable. Engraving by Robert Havell after a drawing by Henry Thomas Alken (1785-1851). Coaches stuck in snow drifts

East front of Eaton Hall, Cheshire, 1845. Artist: Frederick James Havell
East front of Eaton Hall, Cheshire, 1845. Eaton Hall was rebuilt in Gothic style between 1804 and 1812 by William Porden for Robert Grosvenor, 1st Marquess of Westminster

St Helena, in Napoleons Time, 19th century (1956). After his defeat at Waterloo in 1815 and his subsequent surrender to the British

The Blenheim, Leaving the Star Hotel, Oxford, 1831 (1927). Artist: Frederick James Havell
The Blenheim, Leaving the Star Hotel, Oxford, 1831 (1927). Plate taken from Famous Sporting Prints IV: Coaching, published by The Studio Limited (London, 1927)

The Unitarian Chapel, Finsbury, London, 1828. Artist: Frederick James Havell
The Unitarian Chapel, Finsbury, London, 1828

Eglise de Mont Martre, Paris, France, 1829. Artist: P J Havell
Eglise de Mont Martre, Paris, France, 1829

The Double Lock and East Entrance to the Islington Tunnel, Regents Canal, 1827. Artist: Frederick James Havell
The Double Lock and East Entrance to the Islington Tunnel, Regents Canal, 1827; showing two horse drawn canal boats passing through the lock, approaching the tunnel

Child factory workers, 1814. Artist: Robert Havell
Child factory workers, 1814. Two children in aprons, carrying baskets. Behind them is a textile mill where they work. Plate XXXVI from The Costume of Yorkshire illustrated by a series of forty

Snowy Heron, by John James Audubon
Snowy Heron, or White Egret, Ardea Candidissima, by John James Audubon (1785-1851). A colour plate in The Birds of America: From Original Drawings. Date: 1827-1838

Black-Billed Cuckoo, by John James Audubon
Black-Billed Cuckoo, Coccyzus Erythropthalmus, by John James Audubon (1785-1851). A colour plate in The Birds of America: From Original Drawings. Date: 1827-1838

Woman spinning, 19th century. From an engraving by R. Havell issued in 1814 after a work by George Walker

A Sheffield cutler, in the 19th century. From an engraving by R. Havell issued in 1814 after a work by George Walker

The Cloth Hall in Leeds, 19th century. Buying and selling of cloth was done here. From an engraving by R. Havell issued in 1814 after a work by George Walker

The cloth dresser. A cloth dresser was a skilled artisan who finished cloth. From an engraving by R. Havell issued in 1814 after a work by George Walker

King Duck, by John James Audubon
King Duck, Fuligula Spectabilis, by John James Audubon (1785-1851). A colour plate in The Birds of America: From Original Drawings. Date: 1827-1838

Belted Kingfisher, by John James Audubon (1785-1851). A colour plate in The Birds of America: From Original Drawings. Date: 1827-1838

Meleagris gallopavo, wild turkey
Original oil painting on canvas by Robert Havell, (c. 1835), 128cm x 171cm

Druids, 1815. Artist: Robert Havell
Druids, 1815. An Arch-Druid (right) crowned with oak leaves, holding a sceptre. The other druid holds a crescent (Caed-Rai-Re) representing the first quarter of the Moon

Woodcutters Park Place Henley River Thames Beyond
Artokoloro

Town Estuary Low Tide 1868 Watercolor gum arabic
Artokoloro

NEW YORK CITY, 1840. A Panoramic View of New York (Taken from the North River.) Aquatint etching by Robert Havell, 1840

Thomas Rowlandson (British, 1756 - 1827 ), The Times, probably 1783, hand-colored etching, Rosenwald Collection

View of the city of Boston from Dorchester heights by Robert Havell, 1793 1878, US, USA, America

Robert Havell after John James Audubon, Snowy Heron, or White Egret, American, 1793-1878, 1835, hand-colored etching and aquatint on Whatman paper

Entrance to the Regents Canal, Limehouse, engraved by F. J. Havell, 1828 (engraving)
XJF472287 Entrance to the Regents Canal, Limehouse, engraved by F. J. Havell, 1828 (engraving) by Shepherd, Thomas Hosmer (1792-1864) (after); Private Collection; (add.info)

Robert Havell after John James Audubon, Mallard Duck, American, 1793 - 1878, 1834, hand-colored etching and aquatint on Whatman paper

Robert Havell after John James Audubon, Whip-poor-will, American, 1793 - 1878, 1830, hand-colored etching and aquatint on Whatman paper

Robert Havell after John James Audubon (American, 1793 - 1878), Black-throated Guillemot, Nobbed-billed Auk, Curled-Crested Auk and Horned-billed Guillemot, 1838

Robert Havell after John James Audubon, Trumpeter Swan, American, 1793 1878, 1838, hand colored etching and aquatint

Martin Marvie after Jean-Baptiste Oudry (French, 1713 - 1813 ), Le chat, la balette et le petit lapin (The Cat, the Weasel, and the Rabbit), published 1756, hand-colored etching, Gift of Mr. and Mrs

A. -J. de Fehrt after Jean-Baptiste Oudry (French, born 1723 ), L homme qui court
A.-J. de Fehrt after Jean-Baptiste Oudry (French, born 1723 ), L homme qui court apres la fortune et l hommequi l attend dans son lit (The Man who Courts Fortune and the Man Who Sleeps in Bed)

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Havell: A Legacy of Artistic Brilliance The name Havell resonates with artistic excellence, spanning across various mediums and capturing the beauty of nature and architecture. From the vibrant American Flamingo to the graceful Louisiana Heron, John James Audubon's masterpieces showcase his unrivaled talent in ornithological illustration. Frederick James Havell's brushstrokes transport us to Limehouse, London in 1828, where we can almost feel the serenity emanating from the Entrance to Regents Canal Dock. The intricate details bring this tranquil scene to life, inviting us to explore its hidden wonders. Upton House stands as a testament to Thomas Picken's architectural prowess during the mid-19th century. Its grandeur is captured flawlessly, showcasing an era defined by elegance and sophistication. Daniel Havell immortalizes Brocket Hall in Herts as Lord Melbourne's majestic seat in 1817. With every stroke of his brush, he transports us back in time, allowing us a glimpse into a world filled with opulence and regality. John James Audubon once again mesmerizes with his depiction of the Snowy Owl—a creature that exudes both mystery and grace. His attention to detail allows us to marvel at each feather intricately portrayed on paper. As we delve deeper into Audubon's portfolio, we encounter another avian wonder—the Blue Jay—whose vivid colors burst forth from its portrait like fireworks against a clear sky. This masterpiece serves as a reminder of nature's boundless beauty. Lastly, let us not forget Audubon’s Tropic Bird—an exquisite representation of exotic allure that takes flight through his artistry. Its striking plumage captivates our imagination while reminding us of Earth’s diverse ecosystems waiting for exploration. Through their collective works—Audubon’s avian marvels alongside Frederick James Havell’s landscapes—we are transported through time and space, witnessing the world's wonders through their gifted eyes.