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Havell Collection (#6)

Havell: A Legacy of Artistic Brilliance The name Havell resonates with artistic excellence

Background imageHavell Collection: 2644330; out of copyright

2644330; out of copyright

Background imageHavell Collection: 2644329; out of copyright

2644329; out of copyright

Background imageHavell Collection: 2644328; out of copyright

2644328; out of copyright

Background imageHavell Collection: 2644327; out of copyright

2644327; out of copyright

Background imageHavell Collection: 2644326; out of copyright

2644326; out of copyright

Background imageHavell Collection: 2644323; out of copyright

2644323; out of copyright

Background imageHavell Collection: 2644322; out of copyright

2644322; out of copyright

Background imageHavell Collection: 2644321; out of copyright

2644321; out of copyright

Background imageHavell Collection: Study of a Groom, Seen from Behind, Attributed to William Havell, 1782-1857, British

Study of a Groom, Seen from Behind, Attributed to William Havell, 1782-1857, British

Background imageHavell Collection: On the Kennet, Reading, William Havell, 1782-1857, British

On the Kennet, Reading, William Havell, 1782-1857, British

Background imageHavell Collection: Crinum Pedunculatum (Swamp Lily), with butterflies

Crinum Pedunculatum (Swamp Lily), with butterflies
Crinum Pedunculatum, also known as Swamp Lily, River Lily and Mangrove Lily, with two butterflies, Papilio Antenor and Papilio Menelaus, drawn by Mrs Edward Bury

Background imageHavell Collection: Smew, or White Nun, by John James Audubon

Smew, or White Nun, by John James Audubon
Smew, or White Nun, Mergus Albellus, by John James Audubon (1785-1851). A colour plate in The Birds of America: From Original Drawings. Date: 1827-1838

Background imageHavell Collection: Arctic Yager, by John James Audubon

Arctic Yager, by John James Audubon
Arctic Yager, Lestris Parasitica, by John James Audubon (1785-1851). A colour plate in The Birds of America: From Original Drawings. Date: 1827-1838

Background imageHavell Collection: Horned Grebe, by John James Audubon

Horned Grebe, by John James Audubon
Horned Grebe, Podiceps Cornutus, by John James Audubon (1785-1851). A colour plate in The Birds of America: From Original Drawings. Date: 1827-1838

Background imageHavell Collection: Crested Grebe, by John James Audubon

Crested Grebe, by John James Audubon
Crested Grebe, Podiceps Cristatus, by John James Audubon (1785-1851). A colour plate in The Birds of America: From Original Drawings. Date: 1827-1838

Background imageHavell Collection: Carolina Turtle Dove, by John James Audubon

Carolina Turtle Dove, by John James Audubon
Carolina Turtle Dove, Columba Carolinensis, by John James Audubon (1785-1851). A colour plate in The Birds of America: From Original Drawings. Date: 1827-1838

Background imageHavell Collection: The Admirals Regatta, Greenwich, by Robert Havell

The Admirals Regatta, Greenwich, by Robert Havell

Background imageHavell Collection: View Of The City Of Boston From Dorchester Heights By Robert Havell

View Of The City Of Boston From Dorchester Heights By Robert Havell, 1793 1878, Us, USA, America

Background imageHavell Collection: Johann Michael Seligmann After George Edwards (german

Johann Michael Seligmann After George Edwards (german, 1720 - 1762 ), Grus Americana, Alta Major, Hand-colored Etching On Laid Paper, Collection Of Dr. And Mrs. George B. Green

Background imageHavell Collection: Laurent Cars After Jean-baptiste Oudry (french

Laurent Cars After Jean-baptiste Oudry (french, 1699 - 1771 ), Les Deux Rats, Le Renard Et L oeuf (two Rats, the Fox, And The Egg), Published 1759, Hand-colored Etching, Gift Of Mr. And Mrs

Background imageHavell Collection: Johann Christoph Teucher After Jean-baptiste Oudry (german

Johann Christoph Teucher After Jean-baptiste Oudry (german, C. 1715 - 1763 Or After ), Le Vieux Chat Et La Jeune Souris (the Old Catand The Young Mouse), Published 1759, Hand-colored Etching

Background imageHavell Collection: Elie Du Mesnil After Jean-baptiste Oudry (french

Elie Du Mesnil After Jean-baptiste Oudry (french, Born 1726 Or 1728 ), Les Deux Chiens Et L ane Mort (two Dogs And The Dead Donkey), Published 1756, Hand-colored Etching, Gift Of Mr. And Mrs

Background imageHavell Collection: Martin Marvie After Jean-baptiste Oudry (french

Martin Marvie After Jean-baptiste Oudry (french, 1713 - 1813 ), Le Chien Qui Porte A Son Cou Le Diner De Son Maitre (the Dog Carrying His Masters Supper), Published 1756, Hand-colored Etching

Background imageHavell Collection: A. -j. De Fehrt After Jean-baptiste Oudry (french

A. -j. De Fehrt After Jean-baptiste Oudry (french
A.-j. De Fehrt After Jean-baptiste Oudry (french, Born 1723 ), L homme Qui Court Apres La Fortune Et L hommequi L attend Dans Son Lit (the Man Who Courts Fortune And The Man Who Sleeps In Bed)

Background imageHavell Collection: John Bluck After Thomas Rowlandson (british, Active 1791 - 1819 ), Running, Published 1804

John Bluck After Thomas Rowlandson (british, Active 1791 - 1819 ), Running, Published 1804, Hand-colored Etching And Aquatint With Blue Wash, Rosenwald Collection

Background imageHavell Collection: Thomas Rowlandson (british, 1756 - 1827 ), The Times, Probably 1783

Thomas Rowlandson (british, 1756 - 1827 ), The Times, Probably 1783, Hand-colored Etching, Rosenwald Collection

Background imageHavell Collection: Robert Havell After John James Audubon

Robert Havell After John James Audubon, Ivory-billed Woodpecker, American, 1793 - 1878, 1829, Hand-colored Etching And Aquatint

Background imageHavell Collection: Robert Havell After John James Audubon (american

Robert Havell After John James Audubon (american, 1793 - 1878 ), Snowy Owl, 1831, Hand-colored Etching And Aquatint

Background imageHavell Collection: The Middleton Colliery, near Leeds

The Middleton Colliery, near Leeds
The Collier, coloured aquatint, 1813, by R & D Havell, after a drawing by george Walker. The background shows the Middleton Colliery, near Leeds




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Havell: A Legacy of Artistic Brilliance The name Havell resonates with artistic excellence, spanning across various mediums and capturing the beauty of nature and architecture. From the vibrant American Flamingo to the graceful Louisiana Heron, John James Audubon's masterpieces showcase his unrivaled talent in ornithological illustration. Frederick James Havell's brushstrokes transport us to Limehouse, London in 1828, where we can almost feel the serenity emanating from the Entrance to Regents Canal Dock. The intricate details bring this tranquil scene to life, inviting us to explore its hidden wonders. Upton House stands as a testament to Thomas Picken's architectural prowess during the mid-19th century. Its grandeur is captured flawlessly, showcasing an era defined by elegance and sophistication. Daniel Havell immortalizes Brocket Hall in Herts as Lord Melbourne's majestic seat in 1817. With every stroke of his brush, he transports us back in time, allowing us a glimpse into a world filled with opulence and regality. John James Audubon once again mesmerizes with his depiction of the Snowy Owl—a creature that exudes both mystery and grace. His attention to detail allows us to marvel at each feather intricately portrayed on paper. As we delve deeper into Audubon's portfolio, we encounter another avian wonder—the Blue Jay—whose vivid colors burst forth from its portrait like fireworks against a clear sky. This masterpiece serves as a reminder of nature's boundless beauty. Lastly, let us not forget Audubon’s Tropic Bird—an exquisite representation of exotic allure that takes flight through his artistry. Its striking plumage captivates our imagination while reminding us of Earth’s diverse ecosystems waiting for exploration. Through their collective works—Audubon’s avian marvels alongside Frederick James Havell’s landscapes—we are transported through time and space, witnessing the world's wonders through their gifted eyes.