Hieronymus Collection (page 9)

St. Jerome Writing, 1648 (etching) (b / w photo)
XIR239559 St. Jerome Writing, 1648 (etching) (b/w photo) by Rembrandt Harmensz. van Rijn (1606-69); Musee de la Ville de Paris, Musee du Petit-Palais, France; Dutch, out of copyright

The Last Sacrament of St. Jerome, 1614 (oil on canvas)
XJL215045 The Last Sacrament of St. Jerome, 1614 (oil on canvas) by Domenichino (Domenico Zampieri) (1581-1641); Vatican Museums and Galleries, Vatican City; Italian, out of copyright

St. Jerome, after a painting by Quentin Massys or Metsys (1466-1530) (oil on panel)
XIR182579 St. Jerome, after a painting by Quentin Massys or Metsys (1466-1530) (oil on panel) by Gautard de Pezenas (16th century); Musee Ingres, Montauban, France; French, out of copyright

St. Jerome in his Study, 1514 (engraving) (b / w photo)
XIR181263 St. Jerome in his Study, 1514 (engraving) (b/w photo) by DAOErer or Duerer, Albrecht (1471-1528); 24.3x18.7 cm; Bibliotheque Nationale, Paris

Jerome in a cave, Quirin Boel, David Teniers (II), in or after 1673 - 1700

Triptych with St. Jerome, St. Catherine and Mary Magdalene (oil on panel)
XKH149180 Triptych with St. Jerome, St. Catherine and Mary Magdalene (oil on panel) by Isenbrandt or Isenbrant, Adriaen (c.1490-1551); 26.5x18.5 cm; Hamburger Kunsthalle, Hamburg, Germany; Flemish

St. Jerome in his Study, 1650 (bodycolour and w / c on vellum)
XYC146352 St. Jerome in his Study, 1650 (bodycolour and w/c on vellum) by Marshal, Alexander (c.1625-82); 18.7x24.4 cm; Yale Center for British Art, Paul Mellon Fund, USA; English, out of copyright

St. Jerome Reading in a Landscape, c. 1653-54 (pen and brown ink and brush on paper)
XKH145237 St. Jerome Reading in a Landscape, c.1653-54 (pen and brown ink and brush on paper) by Rembrandt Harmensz. van Rijn (1606-69) (after); 25.2x20.4 cm; Hamburger Kunsthalle, Hamburg

Portrait of Hieronymus van Beverningk, Jacob Houbraken, Isaak Tirion, 1749 - 1759

Christus in de hof van Getsemane. Hieronymus Wierix, Melchior Model, Pierre Firens, 1608

Landscape in which Hieronymus is reading, Cornelis Cort, Remondini (18de eeuw), c. 1650 - c. 1799

H. Jerome in prayer, Willem van der Vliet (ca. 1584-1642), Rembrandt Harmensz. van Rijn, 1639

Stained Glass Design for a Married Couple; Hieronymus Lang, Swiss, active 1541 - 1582; Switzerland, Europe; 1553; Pand and black ink with gray, ocher

The Assassination of Hieronymus, King of Syracuse; Unknown; Paris, France, Europe; about 1413 - 1415; Tempera colors, gold leaf, gold paint

Hieronymus Cock (Flemish, c. 1510-1570), Sixth View of the Colosseum, probably 1550, etching on laid paper

Attributed to Hieronymus Wierix after Lucas van Leyden (Flemish, c. 1553-1619), The Two Couples in the Forest, engraving

Hieronymus Wierix (Flemish, c. 1553-1619), Lucas van Leyden, engraving on laid paper

Hieronymus Wierix and Antonie Wierix after Albrecht Durer (Flemish, c. 1552-possibly 1624), The Crucifixion called the Sword Pommel of Maxmilian, engraving

Hieronymus Wierix after Denys Calvaert, Saint Francis Receiving the Palm from the Christ Child, Flemish, c. 1553-1619, engraving on laid paper

PHYSIOGNOMY, 1658. Forehead of a man destined to die a violent death. Woodcut, 1658, from Hieronymous Cardanus Metoposcopia

PHYSIOGNOMY, 1658. Forehead of a peaceful and successful man. Woodcut, 1658, from Hieronymus Cardanus Metoposcopia

PHYSIOGNOMY, 1658. Forehead of a man destined to be wounded in the head. Woodcut, 1658, from Hieronymous Cardanus Metoposcopia (Paris)

PHYSIOGNOMY, 1658. Forehead of a man successful in war. Woodcut, 1658, from Hieronymous Cardanus Metoposcopia (Paris)

PHYSIOGNOMY, c1658. Forehead of an infirm man. Woodcut, 1658, from Hieronymous Cardanus Metoscopia (Paris)

PHYSIOGNOMY, 1658. The forehead of a poisoner. Woodcut from Geronimo Cardanos Metoposcopia, 1658

VINCENZO CALVESI. Italian tenor. Created the role of Fernando in the first performance
DOROTHEA BUSSANI (1763-c1810). Nee Sardi. Austrian soprano; wife of Francesco Bussani. Created the role of Despina in the first performance of Wolfgang Amadeus Mozarts Cosi Fan Tutte at

FRANCESCO BENUCCI (1745-1824). Italian opera singer. Created the first role of Guglielmo in the first performance of Mozarts Cosi Fan Tutte at the Hofburg-theater in Vienna, 26 January 1790

COUNT COLLOREDO (1732-1812). Aka Hieronymus, while Archbishop of Salzburg. Oil on canvas, 1780, by Johann Michael Greiter

Girolamo Frascatoro (Hieronymus Fracastorius) c1478-1553. Italian physician, poet and astronomer. Germ theory of disease. Best remembered for work in rhyme describing Syphilis Syphilis sive morbus

St Jerome (c342-420) Eusebius Sophronius Hieronymus: Leading father of the Christian church. Prepared first Latin translation of the Bible from Hebrew (Vulgate)

A physician selecting drugs in an apothecary shop. Woodcut from Hieronymus Brunschwigs Buch der Chirurgia, Strassburg
PHARMACY, 1500. A physician selecting drugs in an apothecary shop. Woodcut from Hieronymus Brunschwigs Buch der Chirurgia, Strassburg, Germany, 1500

(1537-1619). Hieronymus Fabricius Ab Aquapendente. Italian anatomist and surgeon. Wood engraving, 19th century
FABRICIUS AB AQUAPENDENTE (1537-1619). Hieronymus Fabricius Ab Aquapendente. Italian anatomist and surgeon. Wood engraving, 19th century

(1501-1576). Italian mathematician, physician, and astrologer. Woodcut from the cover of his Practica arithmetice, 1539
GERONIMO CARDANO (1501-1576). Italian mathematician, physician, and astrologer. Woodcut from the cover of his Practica arithmetice, 1539

German botanist and physician. At age 46. Woodcut portrait from his De Stirpium
HIERONYMOUS BOCK (c1489-1554). German botanist and physician. At age 46. Woodcut portrait from his De Stirpium... usitatis nomenclaturis, Strasbourg, Germany, 1552

The presentation of Theriac. Woodcut from Hieronymus Brunschwigs Buch der Chirurgia, Strassburg, Germany, 1531
PHARMACY, 1531. The presentation of Theriac. Woodcut from Hieronymus Brunschwigs Buch der Chirurgia, Strassburg, Germany, 1531

ABBEMA, Louise (1858-1927); Abrahams, Mort; Bosch

The paradise, the purgatory and the hell

The Ship of Fools
Bosch, Hieronymus Van Aeken, called (1450-1516). The Ship of Fools. Flemish art. Oil on wood

Saint Barbara. Central detail
Campin, Robert, called Master of Fl malle (1378-1444). Saint Barbara. Central detail. Flemish art. Oil on wood

The Hay Cart
Bosch, Hieronymus Van Aeken, called (1450-1516). The Hay Cart. Central panel depicting an haywain. Work inspired

HIERONYMUS FUGGER (1499-1538). German financier. Line engraving, 17th century

Italy - Cremona - Collegio Convitto M. G. Vida. Marco Girolamo Vida (or Marcus Hieronymus Vida) (1485? - 1566) was an Italian humanist, bishop and poet

Hieronymus Fabricius
HIERONYMUS FABRICIUS Italian medical from Acquapendente, pupil of Falloppius, professor at Padova

Hieronymus Bosch / Larmess
HIERONYMUS BOSCH Dutch painter Date: 1460 - 1518

Hiero Ii / Syracuse / Eng
HIERO II OF SYRACUSE or HIERONYMUS II Tyrant of Syracuse who supported Rome in the First and Second Punic Wars

Saint Jerome
SAINT JEROME - Eusebius Hieronymus - one of the Four Doctors of the Church, hermit and publisher of the Vulgate Bible

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Hieronymus, also known as Hieronymus Van Aeken or Bosch, was a renowned artist born in 1450 and passed away in 1516. He is best known for his extraordinary works that showcased intricate details and imaginative themes. One of his notable pieces is "Saint Jerome in his Study, " created around 1475 by Antonello da Messina. This artwork depicts Saint Jerome, a prominent figure in Christianity, engrossed in deep contemplation within the confines of his study. Another masterpiece attributed to Hieronymus is "The Garden of Earthly Delights. " This triptych painting features a surreal depiction of paradise, earthly delights, and hell. The left side of the central panel portrays peasants joyfully dancing around a linden tree, capturing the essence of merriment and celebration. In addition to painting, Hieronymus's talent extended to engravings as well. One such engraving called "Patience" was created by Pieter van der Heyden in 1557. It showcases an allegorical representation of patience through various symbolic elements. Furthermore, another engraving titled "Pride" from "The Seven Deadly Sins" series was also crafted by Pieter van der Heyden in 1558 under the influence of Hieronymus's style. It explores the sin of pride with vivid imagery and thought-provoking symbolism. Throughout history, artists have been inspired by Hieronymus's work. In ca 1606 and ca 1608 respectively, two different renditions titled "Saint Jerome" were created showcasing their interpretation of this iconic figure. Moreover, Albrecht Durer paid homage to Hieronymus with his piece titled "Saint Jerome in his Cell. " Created during Durer's lifetime (1471-1528), it captures Saint Jerome immersed in solitude within the confines of his monastic cell. Hieronymous' legacy lives on through these remarkable artworks, which continue to captivate and intrigue viewers even today.