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Hogarth Collection (#5)

Hogarth, the renowned artist of the 18th century, left an indelible mark on the art world with his satirical and thought-provoking works

Background imageHogarth Collection: Hogarth in his study (engraving)

Hogarth in his study (engraving)
606874 Hogarth in his study (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Hogarth in his study); Look and Learn / Peter Jackson Collection

Background imageHogarth Collection: The standing and marching salute exercises

The standing and marching salute exercises. Taken from William Hogarths illustrations for John Blackwells Account of the Artillery Company

Background imageHogarth Collection: The standing salute exercises

The standing salute exercises. Taken from William Hogarths illustrations for John Blackwells Account of the Artillery Company

Background imageHogarth Collection: The Distrest Poet, 1741 (etching)

The Distrest Poet, 1741 (etching)
2972950 The Distrest Poet, 1741 (etching) by Hogarth, William (1697-1764); The Geffrye Museum of the Home, London, UK; (add.info)

Background imageHogarth Collection: The Analysis of Beauty II by William Hogarth

The Analysis of Beauty II by William Hogarth -- men and women dancing in a grand salon. 18th century

Background imageHogarth Collection: William Hogarths Tomb Chiswick

William Hogarths Tomb Chiswick
Tomb of William and his wife Jane Hogarth, William Hogarth was a English artist and engraver in Chiswick, Church-yard, West, London

Background imageHogarth Collection: Advert, Hogarths Malt Ketchup

Advert, Hogarths Malt Ketchup, October 1888. 1888

Background imageHogarth Collection: The Artists Costume Ball at Princes Hall, Piccadilly (engraving)

The Artists Costume Ball at Princes Hall, Piccadilly (engraving)
1591105 The Artists Costume Ball at Princes Hall, Piccadilly (engraving) by English School, (19th century); Private Collection; (add.info.: The Artists Costume Ball at Princes Hall, Piccadilly)

Background imageHogarth Collection: The Undertakers Arms (colour litho)

The Undertakers Arms (colour litho)
964655 The Undertakers Arms (colour litho) by English School, (19th century); Private Collection; (add.info.: The Undertakers Arms. From Truth, 25 December 1894.); © Look and Learn

Background imageHogarth Collection: Marriage a la Mode, 1904 (colour litho)

Marriage a la Mode, 1904 (colour litho)
964618 Marriage a la Mode, 1904 (colour litho) by English School, (20th century); Private Collection; (add.info.: Marriage a la Mode, 1904. From Truth, 25 December 1904.); © Look and Learn

Background imageHogarth Collection: Weaving at Spitalfields, England, Industry and Idleness

Weaving at Spitalfields, England, Industry and Idleness
Industry and Idleness by William Hogarth, showing weaving at Spitalfields, England, contrasting the discipline of one apprentice with the slovenly behaviour of another. Date: First published 1747

Background imageHogarth Collection: A Scene from The Beggars Opera, 1728-29 (oil on canvas)

A Scene from The Beggars Opera, 1728-29 (oil on canvas)
5846820 A Scene from The Beggars Opera, 1728-29 (oil on canvas) by Hogarth, William (1697-1764); 51.1x61.2 cm; National Gallery of Art, Washington DC, USA; (add.info.: Macheath)

Background imageHogarth Collection: Jotted her Down on the Spot, Hogarth sketching the heroic chambermaid (engraving)

Jotted her Down on the Spot, Hogarth sketching the heroic chambermaid (engraving)
3625594 Jotted her Down on the Spot, Hogarth sketching the heroic chambermaid (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Jotted her Down on the Spot)

Background imageHogarth Collection: 'Morning', from Hogarths print (engraving)

"Morning", from Hogarths print (engraving)
3636541 " Morning", from Hogarths print (engraving) by English School, (19th century); Private Collection; (add.info.: " Morning", from Hogarths print)

Background imageHogarth Collection: Marriage a la Mode

Marriage a la Mode
3768674 Marriage a la Mode by Hogarth, William (1697-1764) (after); (add.info.: Marriage a la Mode-The signing of the marriage contract-engraving by William Hogarth)

Background imageHogarth Collection: Jack in Newgate Ward having portraits taken by Sir James Thornhill & William Hogarth

Jack in Newgate Ward having portraits taken by Sir James Thornhill & William Hogarth
STC239041 Jack in Newgate Ward having portraits taken by Sir James Thornhill & William Hogarth, illustration from Jack Sheppard: A Romance by William Harrison Ainsworth

Background imageHogarth Collection: Advert for Ellis Gamble, Goldsmith (engraving)

Advert for Ellis Gamble, Goldsmith (engraving)
606872 Advert for Ellis Gamble, Goldsmith (engraving) by Hogarth, William (1697-1764); Private Collection; (add.info.: Advert for Ellis Gamble, Goldsmith, at the Golden Angel, Cranbourn Street)

Background imageHogarth Collection: The Edwards Hamilton Family (oil on canvas)

The Edwards Hamilton Family (oil on canvas)
652148 The Edwards Hamilton Family (oil on canvas) by Hogarth, William (1697-1764); 68.6x85.7 cm; Private Collection; (add.info.: The Edwards Hamilton Family: A Group Portrait of Lord Anne Hamilton)

Background imageHogarth Collection: The Bench, 1753-54 (oil on canvas backed onto panel)

The Bench, 1753-54 (oil on canvas backed onto panel)
FIT69658 The Bench, 1753-54 (oil on canvas backed onto panel) by Hogarth, William (1697-1764); 14.8x18.2 cm; Fitzwilliam Museum, University of Cambridge

Background imageHogarth Collection: Edward Cave, from the portrait by Hogarth (engraving)

Edward Cave, from the portrait by Hogarth (engraving)
3636368 Edward Cave, from the portrait by Hogarth (engraving) by English School, (19th century); Private Collection; (add.info.: Edward Cave, from the portrait by Hogarth)

Background imageHogarth Collection: Un Billet D Invitation a Diner par Hogarth (engraving)

Un Billet D Invitation a Diner par Hogarth (engraving)
3645382 Un Billet D Invitation a Diner par Hogarth (engraving) by French School, (19th century); Private Collection; (add.info.: Un Billet D Invitation a Diner par Hogarth)

Background imageHogarth Collection: Bouvardias (chromolitho)

Bouvardias (chromolitho)
5219604 Bouvardias (chromolitho) by Hamilton, Gertrude (fl.1898); Private Collection; (add.info.: Bouvardias. Illustration for The Flower Growers Guide by John Wright (Virtue)

Background imageHogarth Collection: Garricks Shakspeare Chair, designed by Hogarth (engraving)

Garricks Shakspeare Chair, designed by Hogarth (engraving)
1619698 Garricks Shakspeare Chair, designed by Hogarth (engraving) by English School, (19th century); Private Collection; (add.info.: Garricks Shakspeare Chair, designed by Hogarth)

Background imageHogarth Collection: Mr Austin Dobsons 'Hogarth'(engraving)

Mr Austin Dobsons "Hogarth"(engraving)
1592229 Mr Austin Dobsons " Hogarth" (engraving) by English School, (19th century); Private Collection; (add.info.: Mr Austin Dobsons " Hogarth")

Background imageHogarth Collection: Hogarth sketching the one Street of Queenborough (engraving)

Hogarth sketching the one Street of Queenborough (engraving)
1046112 Hogarth sketching the one Street of Queenborough (engraving) by Green, Charles (1840-98) (after); Private Collection; (add.info.: Hogarth sketching the one Street of Queenborough)

Background imageHogarth Collection: The Colonnade under the Town Hall, Rochester, Hogarth and the other Pilgrims playing at Hopscotch

The Colonnade under the Town Hall, Rochester, Hogarth and the other Pilgrims playing at Hopscotch on the Flagstones
1046109 The Colonnade under the Town Hall, Rochester, Hogarth and the other Pilgrims playing at Hopscotch on the Flagstones (engraving) by Green

Background imageHogarth Collection: Marriage a la Mode (Plate II), 1768 (engraving)

Marriage a la Mode (Plate II), 1768 (engraving)
985920 Marriage a la Mode (Plate II), 1768 (engraving) by Hogarth, William (1697-1764); 45.6x28.6 cm; Private Collection; (add.info.: Marriage a la Mode (Plate II). From Les Satyres (French title)

Background imageHogarth Collection: A scene from Tristram Shandy (engraving)

A scene from Tristram Shandy (engraving)
820754 A scene from Tristram Shandy (engraving) by Hogarth, William (1697-1764) (after); Private Collection; (add.info.: A scene from Tristram Shandy)

Background imageHogarth Collection: Gambles Shop-Bill, after Hogarth (engraving)

Gambles Shop-Bill, after Hogarth (engraving)
3636511 Gambles Shop-Bill, after Hogarth (engraving) by English School, (19th century); Private Collection; (add.info.: Gambles Shop-Bill, after Hogarth)

Background imageHogarth Collection: Lord Lovat, from Hogarths portrait (engraving)

Lord Lovat, from Hogarths portrait (engraving)
3636289 Lord Lovat, from Hogarths portrait (engraving) by English School, (19th century); Private Collection; (add.info.: Lord Lovat, from Hogarths portrait)

Background imageHogarth Collection: Beating hemp in Bridewell, after Hogarth (engraving)

Beating hemp in Bridewell, after Hogarth (engraving)
3636127 Beating hemp in Bridewell, after Hogarth (engraving) by English School, (19th century); Private Collection; (add.info.: Beating hemp in Bridewell, after Hogarth)

Background imageHogarth Collection: Heading of The Jacobite Journal, 1747, Supposed to be Drawn by Hogarth (engraving)

Heading of The Jacobite Journal, 1747, Supposed to be Drawn by Hogarth (engraving)
3629222 Heading of The Jacobite Journal, 1747, Supposed to be Drawn by Hogarth (engraving) by English School, (19th century); Private Collection; (add.info.: Heading of The Jacobite Journal, 1747)

Background imageHogarth Collection: Hogarths House, Leicester Square (engraving)

Hogarths House, Leicester Square (engraving)
2796608 Hogarths House, Leicester Square (engraving) by English School, (19th century); Private Collection; (add.info.: Hogarths House, Leicester Square)

Background imageHogarth Collection: Hogarths Altarpiece - Angel at the Tomb (pen & ink on paper)

Hogarths Altarpiece - Angel at the Tomb (pen & ink on paper)
2831486 Hogarths Altarpiece - Angel at the Tomb (pen & ink on paper) by Withers, John (c.1810); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageHogarth Collection: Hogarths Altarpiece - The Ascension, 1824 (pen & ink on paper)

Hogarths Altarpiece - The Ascension, 1824 (pen & ink on paper)
2831484 Hogarths Altarpiece - The Ascension, 1824 (pen & ink on paper) by Withers, John (c.1810); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageHogarth Collection: View of Centre Aisle of St Mary Redcliffe, looking East, showing the Hogarth altarpiece

View of Centre Aisle of St Mary Redcliffe, looking East, showing the Hogarth altarpiece
2831457 View of Centre Aisle of St Mary Redcliffe, looking East, showing the Hogarth altarpiece, c.1824 (pencil & w/c on paper) by Withers, John (c.1810); Bristol Museum and Art Gallery

Background imageHogarth Collection: 'Finance A La Mode!'(engraving)

"Finance A La Mode!"(engraving)
2777048 " Finance A La Mode!" (engraving) by English School, (19th century); Private Collection; (add.info.: " Finance A La Mode)

Background imageHogarth Collection: Dr Thomas Morell the scholar and printer He is noted for being a librettist

Dr Thomas Morell the scholar and printer He is noted for being a librettist
2905775 Dr Thomas Morell the scholar and printer He is noted for being a librettist and wrote the most detailed account of collaboration with Handel Engraving by J Moore after William Hogarth

Background imageHogarth Collection: Old Vauxhall - from the original cartoon, pub. 1933 (litho)

Old Vauxhall - from the original cartoon, pub. 1933 (litho)
STC421782 Old Vauxhall - from the original cartoon, pub. 1933 (litho) by Wearne, Harry (1852-1929); Private Collection; (add.info)

Background imageHogarth Collection: Bits of Old London, the Old Priory Church and Precincts of St Bartholomew

Bits of Old London, the Old Priory Church and Precincts of St Bartholomew, West Smithfield (engraving)
1624937 Bits of Old London, the Old Priory Church and Precincts of St Bartholomew, West Smithfield (engraving) by Quinton

Background imageHogarth Collection: A Free and Independent Voter (engraving)

A Free and Independent Voter (engraving)
1594475 A Free and Independent Voter (engraving) by English School, (19th century); Private Collection; (add.info.: A Free and Independent Voter, a Scene from Hogarth)

Background imageHogarth Collection: William Hogarth Self

William Hogarth Self
3768728 William Hogarth Self by Hogarth, William (1697-1764) (after); (add.info.: William Hogarth Self-Portrait, English painter and artist November 10, 1697 -October 26, 1764)

Background imageHogarth Collection: Restoration of South Transept, St Bartholomew, Smithfield, showing the Font where Hogarth was

Restoration of South Transept, St Bartholomew, Smithfield, showing the Font where Hogarth was christened (engraving)
1602966 Restoration of South Transept, St Bartholomew, Smithfield, showing the Font where Hogarth was christened (engraving) by English School

Background imageHogarth Collection: Consultation of Physicians (engraving)

Consultation of Physicians (engraving)
816187 Consultation of Physicians (engraving) by Hogarth, William (1697-1764) (after); Private Collection; (add.info.: Consultation of Physicians)

Background imageHogarth Collection: The Corporation of London (engraving)

The Corporation of London (engraving)
1061611 The Corporation of London (engraving) by Brewer, Henry William (fl.1858-d.1903); Private Collection; (add.info.: The Corporation of London)

Background imageHogarth Collection: The former home of William Hogarth, later Jacquiers Hotel, Leicester Square, London

The former home of William Hogarth, later Jacquiers Hotel, Leicester Square, London. Date: 1801




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Hogarth, the renowned artist of the 18th century, left an indelible mark on the art world with his satirical and thought-provoking works. His famous pieces, "Gin Lane" and "Beer Street, " depicted contrasting scenes of society's indulgence in alcohol. In these engravings, Hogarth highlighted the devastating consequences of excessive drinking and intemperance. "Gin Lane, " created in 1751, portrays a grim scene where poverty, despair, and moral decay prevail due to gin consumption. The image serves as a cautionary tale against the dangers of addiction and its impact on society. Similarly, "Beer Street" presents a stark contrast to Gin Lane by depicting a thriving community fueled by responsible beer consumption. This work aimed to promote moderation while emphasizing that beer could be enjoyed without leading to ruinous outcomes. In another notable piece titled "Four Times of Day: Noon, " Hogarth captured everyday life during midday hours. Through this series of paintings, he showcased various social classes interacting within bustling city streets. One aspect that set Hogarth apart was his ability to expose false perspectives prevalent in society through satire. In his artwork titled "False Perspective, " he ridiculed those who lacked knowledge about perspective in design creation. By highlighting absurdities resulting from this ignorance, Hogarth emphasized the importance of understanding fundamental artistic principles. Furthermore, Hogarth's masterpiece called "A Rake's Progress" delved into themes such as decadence and immorality. Plate III specifically depicts revelry alongside harlots—a vivid portrayal reflecting societal vices prevalent during that era. Lastly, one cannot overlook Hogarth's captivating depiction of nighttime in his work entitled "Four Times of Day: Night. " This engraving captures London after dark with its vibrant nightlife but also exposes darker elements lurking beneath the surface. William Hogarth remains an influential figure whose art continues to resonate today for its powerful social commentary and skillful execution.