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Hogarth Collection (#9)

Hogarth, the renowned artist of the 18th century, left an indelible mark on the art world with his satirical and thought-provoking works

Background imageHogarth Collection: The New Metamorphosis: Frontispiece, Vol. 1, 1724. Creator: William Hogarth

The New Metamorphosis: Frontispiece, Vol. 1, 1724. Creator: William Hogarth
The New Metamorphosis: Frontispiece, Vol.1, 1724

Background imageHogarth Collection: The New Metamorphosis, Plate 6: The Story of Cupid and Psyche, 1724

The New Metamorphosis, Plate 6: The Story of Cupid and Psyche, 1724

Background imageHogarth Collection: The New Metamorphosis, Plate 7: The Cardinal, a Hermit and Donna Angela Holding Fantasio

The New Metamorphosis, Plate 7: The Cardinal, a Hermit and Donna Angela Holding Fantasio, 1724

Background imageHogarth Collection: The New Metamorphosis, Plate 5: Fantasio, Transformed into a Lapdog

The New Metamorphosis, Plate 5: Fantasio, Transformed into a Lapdog, in the with Donna Theresa, 1724

Background imageHogarth Collection: Masquerades and Operas, 1724. Creator: William Hogarth

Masquerades and Operas, 1724. Creator: William Hogarth
Masquerades and Operas, 1724

Background imageHogarth Collection: Fodina argentea Sahlensis - A Silver Mine at Sala - II (Aubry de La Mottrayes '

Fodina argentea Sahlensis - A Silver Mine at Sala - II (Aubry de La Mottrayes " Travels throughout Europe, Asia and into Part of Africa... " London, 1724, vol. II, pl. 33, no. 2), 1723-24

Background imageHogarth Collection: Map of Stockholm (Aubry de La Mottrayes 'Travels throughout Europe

Map of Stockholm (Aubry de La Mottrayes "Travels throughout Europe
Map of Stockholm (Aubry de La Mottrayes " Travels throughout Europe, Asia and into Part of Africa... " London, 1724, vol. II, pl. 32), 1723-24

Background imageHogarth Collection: Fodina argentea Sahlensis - A Silver Mine at Sala - I (from Aubry de La Mottrayes '

Fodina argentea Sahlensis - A Silver Mine at Sala - I (from Aubry de La Mottrayes " Travels throughout Europe, Asia and into Part of Africa... " London, 1724, vol. II, pl. 33, no)

Background imageHogarth Collection: Parke of the Artillary (Aubry de La Mottrayes 'Travels throughout Europe

Parke of the Artillary (Aubry de La Mottrayes "Travels throughout Europe
Parke of the Artillary (Aubry de La Mottrayes " Travels throughout Europe, Asia and into Part of Africa... " London, 1724, vol. II, pl. 26B), 1723-24

Background imageHogarth Collection: A Turkish Bath (Aubry de La Mottrayes 'Travels throughout Europe

A Turkish Bath (Aubry de La Mottrayes "Travels throughout Europe
A Turkish Bath (Aubry de La Mottrayes " Travels throughout Europe, Asia and into Part of Africa... " London, 1724, vol. I, pl. 10), 1723-24

Background imageHogarth Collection: The Lottery, after 1724. Creator: William Hogarth

The Lottery, after 1724. Creator: William Hogarth
The Lottery, after 1724

Background imageHogarth Collection: The South Sea Scheme, 1722. Creator: William Hogarth

The South Sea Scheme, 1722. Creator: William Hogarth
The South Sea Scheme, 1722

Background imageHogarth Collection: The Mystery of Masonry Brought to Light by the Go... [first published December 1724]

The Mystery of Masonry Brought to Light by the Go... [first published December 1724]
The Mystery of Masonry Brought to Light by the Gormagons, [first published December 1724] later reissue

Background imageHogarth Collection: Fodina ferrea Danmorensis - A Danish Iron Mine (Aubry de La Mottrayes '

Fodina ferrea Danmorensis - A Danish Iron Mine (Aubry de La Mottrayes " Travels throughout Europe, Asia and into Part of Africa... " London, 1724, vol. II, pl. 35), 1723-24

Background imageHogarth Collection: The Lottery, [after 1724]. Creator: Unknown

The Lottery, [after 1724]. Creator: Unknown
The Lottery, [after 1724]

Background imageHogarth Collection: A Lapland Hut (Aubry de La Mottrayes 'Travels throughout Europe

A Lapland Hut (Aubry de La Mottrayes "Travels throughout Europe
A Lapland Hut (Aubry de La Mottrayes " Travels throughout Europe, Asia and into Part of Africa... " London, 1724, vol. II, pl. 38), 1723-24

Background imageHogarth Collection: A Greek Patriarchal Crown - Tiara Patriarchalis Graeca (Aubry de La Mottrayes '

A Greek Patriarchal Crown - Tiara Patriarchalis Graeca (Aubry de La Mottrayes " Travels throughout Europe, Asia and into Part of Africa... " London, 1724, vol. I, plate 9), 1723-24

Background imageHogarth Collection: Procession through the Hippodrome, Constantinople (Aubry de La Mottrayes '

Procession through the Hippodrome, Constantinople (Aubry de La Mottrayes " Travels throughout Europe, Asia and into Part of Africa... " London, 1724, vol. I, plate 15), 1723-24

Background imageHogarth Collection: Charles XII at Bender (Aubry de La Mottrayes 'Travels throughout Europe

Charles XII at Bender (Aubry de La Mottrayes "Travels throughout Europe
Charles XII at Bender (Aubry de La Mottrayes " Travels throughout Europe, Asia and into Part of Africa... " London, 1724, vol. II, pl. 30), 1723-24

Background imageHogarth Collection: The Seraglio (Aubry de La Mottrayes 'Travels throughout Europe

The Seraglio (Aubry de La Mottrayes "Travels throughout Europe
The Seraglio (Aubry de La Mottrayes " Travels throughout Europe, Asia and into Part of Africa... " London, 1724, vol. I, pl. 18), 1723-24

Background imageHogarth Collection: A Native Dance (Aubry de La Mottrayes 'Travels throughout Europe

A Native Dance (Aubry de La Mottrayes "Travels throughout Europe
A Native Dance (Aubry de La Mottrayes " Travels throughout Europe, Asia and into Part of Africa... " London, 1724, vol. I, pl. 11), 1723-24

Background imageHogarth Collection: A Chorus of Singers, or The Oratorio, December 1732. Creator: William Hogarth

A Chorus of Singers, or The Oratorio, December 1732. Creator: William Hogarth
A Chorus of Singers, or The Oratorio, December 1732

Background imageHogarth Collection: The Laughing Audience, December 1733. Creator: William Hogarth

The Laughing Audience, December 1733. Creator: William Hogarth
The Laughing Audience, December 1733

Background imageHogarth Collection: Scholars at a Lecture, March 3, 1736. Creator: William Hogarth

Scholars at a Lecture, March 3, 1736. Creator: William Hogarth
Scholars at a Lecture, March 3, 1736

Background imageHogarth Collection: The Bench, September 1758. Creator: William Hogarth

The Bench, September 1758. Creator: William Hogarth
The Bench, September 1758

Background imageHogarth Collection: The Beggars Opera, Act III, July 1, 1790. Creator: William Blake

The Beggars Opera, Act III, July 1, 1790. Creator: William Blake
The Beggars Opera, Act III, July 1, 1790

Background imageHogarth Collection: The Beggars Opera, Act III, 1790. Creator: William Blake

The Beggars Opera, Act III, 1790. Creator: William Blake
The Beggars Opera, Act III, 1790

Background imageHogarth Collection: Portrait of William Huggins, translator of Ariosto, 1760. Creator: Thomas Major

Portrait of William Huggins, translator of Ariosto, 1760. Creator: Thomas Major
Portrait of William Huggins, translator of Ariosto, 1760

Background imageHogarth Collection: Royal Masquerade Somerset House, October 21, 1805. Creator: Thomas Cook

Royal Masquerade Somerset House, October 21, 1805. Creator: Thomas Cook
Royal Masquerade Somerset House, October 21, 1805

Background imageHogarth Collection: Marriage A-la-Mode, Plate V, April 1745. Creator: Simon Francois Ravenet

Marriage A-la-Mode, Plate V, April 1745. Creator: Simon Francois Ravenet
Marriage A-la-Mode, Plate V, April 1745. After William Hogarth

Background imageHogarth Collection: Marriage A-la-Mode, Plate IV, April 1, 1745. Creator: Simon Francois Ravenet

Marriage A-la-Mode, Plate IV, April 1, 1745. Creator: Simon Francois Ravenet
Marriage A-la-Mode, Plate IV, April 1, 1745. After William Hogarth

Background imageHogarth Collection: Taste in High Life, May 1, 1798. Creator: Samuel Phillips

Taste in High Life, May 1, 1798. Creator: Samuel Phillips
Taste in High Life, May 1, 1798. After William Hogarth

Background imageHogarth Collection: Satan, Sin and Death (Paradise Lost, Book II), May 1, 1788. Creator: Samuel Ireland

Satan, Sin and Death (Paradise Lost, Book II), May 1, 1788. Creator: Samuel Ireland
Satan, Sin and Death (Paradise Lost, Book II), May 1, 1788. After Charles Townley. After William Hogarth

Background imageHogarth Collection: William Hogarth, Self-portrait, 1785. Creator: Samuel Ireland

William Hogarth, Self-portrait, 1785. Creator: Samuel Ireland
William Hogarth, Self-portrait, 1785

Background imageHogarth Collection: Benefit Ticket for Spiller, 1788. Creator: Samuel Ireland

Benefit Ticket for Spiller, 1788. Creator: Samuel Ireland
Benefit Ticket for Spiller, 1788

Background imageHogarth Collection: Some of the Principal Inhabitants of the Moon, as They Were Perfectly Discovered by

Some of the Principal Inhabitants of the Moon, as They Were Perfectly Discovered by a Telescope... May 1, 1788. After William Hogarth

Background imageHogarth Collection: The Complicated R_____n, 1794 (?). Creator: Probably etched by Richard Livesay (British

The Complicated R_____n, 1794 (?). Creator: Probably etched by Richard Livesay (British
The Complicated R_____n, 1794 (?). Mocking the preface of Jonathan Richardson Sr.s " Explanatory Notes and Remarks on Miltons Paradise Lost. After William Hogarth

Background imageHogarth Collection: A Parson Joining the Hands of Two People, October 1788. Creator: Richard Livesay

A Parson Joining the Hands of Two People, October 1788. Creator: Richard Livesay
A Parson Joining the Hands of Two People, October 1788. After William Hogarth

Background imageHogarth Collection: Surprised Woman from Hogarths 'Morning', October 1788

Surprised Woman from Hogarths "Morning", October 1788
Surprised Woman from Hogarths " Morning", October 1788

Background imageHogarth Collection: The Parsons Head, October 1788. Creator: Richard Livesay

The Parsons Head, October 1788. Creator: Richard Livesay
The Parsons Head, October 1788. After William Hogarth

Background imageHogarth Collection: Tail-Piece, November 27, 1781. Creator: Richard Livesay

Tail-Piece, November 27, 1781. Creator: Richard Livesay
Tail-Piece, November 27, 1781. After William Hogarth

Background imageHogarth Collection: From an Original Sketch of William Hogarths in the Collection of Mr

From an Original Sketch of William Hogarths in the Collection of Mr. Morrison, March 1, 1782

Background imageHogarth Collection: Mr. Ben: Read, A Member of Hogarths Club at the Bedford Arms Tavern, Drawn b

Mr. Ben: Read, A Member of Hogarths Club at the Bedford Arms Tavern, Drawn by him about the Year 1757, November 27, 1781. After William Hogarth

Background imageHogarth Collection: Frontispiece to 'The Jacobites Journal', November 27, 1781

Frontispiece to "The Jacobites Journal", November 27, 1781
Frontispiece to " The Jacobites Journal", November 27, 1781. After William Hogarth

Background imageHogarth Collection: The Charmers of the Age, March 1, 1782. Creator: Richard Livesay

The Charmers of the Age, March 1, 1782. Creator: Richard Livesay
The Charmers of the Age, March 1, 1782. Barbara Campanini and George Desnoyer. After William Hogarth

Background imageHogarth Collection: Boys Peeping at Nature, 1782. Creator: Richard Livesay

Boys Peeping at Nature, 1782. Creator: Richard Livesay
Boys Peeping at Nature, 1782. After William Hogarth

Background imageHogarth Collection: The March to Finchley-A Representation of the March of the Guards towards Scotla... June 12, 1761

The March to Finchley-A Representation of the March of the Guards towards Scotla... June 12, 1761
The March to Finchley-A Representation of the March of the Guards towards Scotland in the Year 1745, June 12, 1761

Background imageHogarth Collection: Paul Before Felix, February 5, 1752. Creator: Luke Sullivan

Paul Before Felix, February 5, 1752. Creator: Luke Sullivan
Paul Before Felix, February 5, 1752




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Hogarth, the renowned artist of the 18th century, left an indelible mark on the art world with his satirical and thought-provoking works. His famous pieces, "Gin Lane" and "Beer Street, " depicted contrasting scenes of society's indulgence in alcohol. In these engravings, Hogarth highlighted the devastating consequences of excessive drinking and intemperance. "Gin Lane, " created in 1751, portrays a grim scene where poverty, despair, and moral decay prevail due to gin consumption. The image serves as a cautionary tale against the dangers of addiction and its impact on society. Similarly, "Beer Street" presents a stark contrast to Gin Lane by depicting a thriving community fueled by responsible beer consumption. This work aimed to promote moderation while emphasizing that beer could be enjoyed without leading to ruinous outcomes. In another notable piece titled "Four Times of Day: Noon, " Hogarth captured everyday life during midday hours. Through this series of paintings, he showcased various social classes interacting within bustling city streets. One aspect that set Hogarth apart was his ability to expose false perspectives prevalent in society through satire. In his artwork titled "False Perspective, " he ridiculed those who lacked knowledge about perspective in design creation. By highlighting absurdities resulting from this ignorance, Hogarth emphasized the importance of understanding fundamental artistic principles. Furthermore, Hogarth's masterpiece called "A Rake's Progress" delved into themes such as decadence and immorality. Plate III specifically depicts revelry alongside harlots—a vivid portrayal reflecting societal vices prevalent during that era. Lastly, one cannot overlook Hogarth's captivating depiction of nighttime in his work entitled "Four Times of Day: Night. " This engraving captures London after dark with its vibrant nightlife but also exposes darker elements lurking beneath the surface. William Hogarth remains an influential figure whose art continues to resonate today for its powerful social commentary and skillful execution.