Indian Landscape Collection

The Mess House showing the fortifications (b / w photo)
NAM310712 The Mess House showing the fortifications (b/w photo) by Beato, Felice (Felix) (1825-c.1908); National Army Museum, London; (add.info.: in the foreground rows of embrasures can be seen)

Bridge of Boats over the Gumti River, near the Chattar Manzil
NAM310708 Bridge of Boats over the Gumti River, near the Chattar Manzil and Fusseed Bakah or Old Palace (b/w photo) by Beato, Felice (Felix) (1825-c.1908); National Army Museum

The Rope Bridge at Serinagur, c. 1800 (oil on canvas)
XYC306179 The Rope Bridge at Serinagur, c.1800 (oil on canvas) by Daniell, Thomas (1749-1840); 81.9x10.5 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Pinnace Sailing Down the Ganges past Monghyr Fort, c. 1791 (oil on canvas)
XYC159626 Pinnace Sailing Down the Ganges past Monghyr Fort, c.1791 (oil on canvas) by Daniell, Thomas (1749-1840); 76.2x125.7 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

View of Calcutta, c. 1790 (oil on canvas)
MAN278060 View of Calcutta, c.1790 (oil on canvas) by Hodges, William (1744-97); 62.9x94.8 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

View of the Jungle, 1788 (aquatint)
STC414257 View of the Jungle, 1788 (aquatint) by Hodges, William (1744-97); Private Collection; (add.info.: from drawings made during his travels in India)

The Residency, taken from the Redan (b / w photo)
NAM310709 The Residency, taken from the Redan (b/w photo) by Beato, Felice (Felix) (1825-c.1908); National Army Museum, London; (add.info)

Church yard and the Residency in the Distance, Lucknow (b / w photo)
NAM310750 Church yard and the Residency in the Distance, Lucknow (b/w photo) by Beato, Felice (Felix) (1825-c.1908); National Army Museum

The Entrance to the Elephanta Cave, plate 58 from Oriental Scenery
STC136977 The Entrance to the Elephanta Cave, plate 58 from Oriental Scenery: Twenty Four Views in Hindoostan, published 1800 (colour litho) by Daniell

Unknown township, c. 1830 (w / c & gouache on paper)
CJP343901 Unknown township, c.1830 (w/c & gouache on paper) by Indian School, (19th century); Private Collection; eCharles Plante Fine Arts; Indian, out of copyright

A View of Tinnevely, illustration from L Inde Francaise
STC444520 A View of Tinnevely, illustration from L Inde Francaise, engraved by Chabrelle, Paris, c.1827-35 (coloured engraving) by Burnouf, M.E

Cavalry camp at Betma, India, c. 1895 (b / w photo)
PNP315919 Cavalry camp at Betma, India, c.1895 (b/w photo) by English Photographer, (19th century); Private Collection; (add.info)

The Iron Bridge, Lucknow (b / w photo)
NAM310701 The Iron Bridge, Lucknow (b/w photo) by Beato, Felice (Felix) (1825-c.1908); National Army Museum, London; (add.info)

General Wheelers Entrenchment at Cawnpore (b / w photo)
NAM310740 General Wheelers Entrenchment at Cawnpore (b/w photo) by Beato, Felice (Felix) (1825-c.1908); National Army Museum

Bridge of Boats over the Gomptee, Lucknow (b / w photo)
NAM310735 Bridge of Boats over the Gomptee, Lucknow (b/w photo) by Beato, Felice (Felix) (1825-c.1908); National Army Museum

The Kudmsee Russool (b / w photo)
NAM310703 The Kudmsee Russool (b/w photo) by Beato, Felice (Felix) (1825-c.1908); National Army Museum, London; (add.info)

Havelocks House (b / w photo)
NAM310716 Havelocks House (b/w photo) by Beato, Felice (Felix) (1825-c.1908); National Army Museum, London; (add.info.: Major-General Sir Henry Havelock (1795-1857)

The Taj Mahal at Agra (colour litho)
PNP310578 The Taj Mahal at Agra (colour litho) by English School, (19th century); Private Collection; (add.info.: built by Emperor Shah Jahan in memory of his wife in 1647;)

The River Chenab, Punjab, 1865 (w / c & gouache on paper)
XYC281111 The River Chenab, Punjab, 1865 (w/c & gouache on paper) by Simpson, William Crimea (1823-99); 36.5x52.1 cm; Yale Center for British Art, Paul Mellon Collection, USA; Scottish

Approach of the Monsoon, Bombay Harbour, from a drawing by William Westall (1781-1850
STC221895 Approach of the Monsoon, Bombay Harbour, from a drawing by William Westall (1781-1850) from Scenery, Costumes and Architecture of India engraved by T. Fielding, coloured by J.B

The Armenian Bridge, near St. Thomass Mount, Madras
STC136985 The Armenian Bridge, near St. Thomass Mount, Madras, plate 36 from Oriental Scenery: Twenty Four Views in Hindoostan, engraved by Thomas and William (1769-1837) Daniell

Hill Village in the District of Bauhelepoor, 1787 (aquatint)
STC414259 Hill Village in the District of Bauhelepoor, 1787 (aquatint) by Hodges, William (1744-97); Private Collection; (add.info.: from drawings made during his travels in India)

Mess House of the 32nd Regiment (b / w photo)
NAM310690 Mess House of the 32nd Regiment (b/w photo) by Beato, Felice (Felix) (1825-c.1908); National Army Museum, London; (add.info)

Tara Kothi Observatory (b / w photo)
NAM310689 Tara Kothi Observatory (b/w photo) by Beato, Felice (Felix) (1825-c.1908); National Army Museum, London; (add.info)

The Taj Mahal at Agra, an architects drawing of the view from the Juma River
PNP310579 The Taj Mahal at Agra, an architects drawing of the view from the Juma River (pen and ink on paper) by English School; Private Collection; (add.info)

Village by a river, c. 1858 (sepia photo)
NAM280850 Village by a river, c.1858 (sepia photo) by English Photographer, (19th century); National Army Museum, London; (add.info)

Jugeanor, in the Mountains of Sirinagur, plate 142 from Oriental Scenery
STC136981 Jugeanor, in the Mountains of Sirinagur, plate 142 from Oriental Scenery: Twenty Four Views in Hindoostan, published 1800 (colour litho) by Daniell

Vegetation in India (engraving)
FEH328984 Vegetation in India (engraving) by German School, (19th century); Private Collection; (add.info.: from Gods Glorious Creation or The Mighty Marvels of Earth, Sea, and Sky by Dr. Herman, J)

British Army Officers hunting Wild Pig in India, 1860s (colour litho)
PNP310575 British Army Officers hunting Wild Pig in India, 1860s (colour litho) by English School, (19th century); Private Collection; Peter Newark Historical Pictures; English, out of copyright

South East View of Fort St. George, Madras, plate 33 from Oriental Scenery
STC136986 South East View of Fort St. George, Madras, plate 33 from Oriental Scenery: Twenty Four Views in Hindoostan, engraved by Thomas and William (1769-1837) Daniell

Illustration for Kim by Rudyard Kipling, published 1930
STC170842 Illustration for Kim by Rudyard Kipling, published 1930 by Schmied, Francois-Louis (1873-1941); Private Collection; (add.info)

Indian landscape farmhouse vicinity river left
Indian landscape, Indian landscape with a farmhouse in the vicinity of a river. On the left an ox on the road strewn with stones. A man stands at the foot of a palm tree

View near Serinugur, from Leisure Hour, 1888 (engraving)
XJF315777 View near Serinugur, from Leisure Hour, 1888 (engraving) by English School, (19th century); Private Collection; English, out of copyright

Kashmir Goats, c. 1780-1820 (oil on canvas)
XYC294997 Kashmir Goats, c.1780-1820 (oil on canvas) by Daniell, William (1769-1837); 74.9x61 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

The Ganges, 1863 (w / c on paper)
XYC281119 The Ganges, 1863 (w/c on paper) by Simpson, William Crimea (1823-99); 36.2x51.1 cm; Yale Center for British Art, Paul Mellon Collection, USA; Scottish, out of copyright

Awaiting the lover, Garhwal, c. 1789-1800 (gouache on paper)
XCF273127 Awaiting the lover, Garhwal, c.1789-1800 (gouache on paper) by Indian School, (19th century); Victoria & Albert Museum, London, UK; Indian, out of copyright

Murichom to Choka, 1783 (w / c with pen & ink over graphite on paper)
XYC283563 Murichom to Choka, 1783 (w/c with pen & ink over graphite on paper) by Davis, Samuel (1757-1819); 25.4x17.5 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

View from Kotagherry Looking Down the Plains of Coimbetoor, plate 2 from View
XYC230557 View from Kotagherry Looking Down the Plains of Coimbetoor, plate 2 from View of the Neilgherries, or Blue Mountains of Coimbetoor, Southern India by Captain McCurdy

Ottacamund, View of the Great Dodabetta, Neelgherry Mountains, plate 4 from View
XYC230555 Ottacamund, View of the Great Dodabetta, Neelgherry Mountains, plate 4 from View of the Neilgherries, or Blue Mountains of Coimbetoor, Southern India by Captain McCurdy

Indian Landscape, Maurits E. H. R. van den Kerkhoff, 1858 - 1900
Indian Landscape, Maurits E.H.R. van den Kerkhoff, 1858 - 1900

Ruins on Pir Pihar, near Monghy, Bihar, 1790 (w / c over graphite on paper)
XYC192200 Ruins on Pir Pihar, near Monghy, Bihar, 1790 (w/c over graphite on paper) by Daniell, Thomas (1749-1840) & William (1769-1837); 47.8x57.6 cm; Yale Center for British Art

Ruins of the Naurattan, Sasaram, Bihar, 1811 (oil on canvas)
XYC137365 Ruins of the Naurattan, Sasaram, Bihar, 1811 (oil on canvas) by Daniell, Thomas (1749-1840); 98.3x136.2 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

Fakirs Rock at Sultanganj, on the River Ganges, India, c
XYC136952 Fakirs Rock at Sultanganj, on the River Ganges, India, c.1790 (w/c over graphite on paper) by Daniell, Thomas (1749-1840) & William (1769-1837); 54.1x75.9 cm; Yale Center for British Art

For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Captivating Indian Landscape: A Glimpse into the Rich Tapestry of India's Scenic Splendor" Immerse yourself in the enchanting world of Indian landscapes, where vibrant colors and breathtaking vistas come alive. From the mesmerizing Rope Bridge at Serinagur, captured on canvas in c. 1800, to the majestic Pinnace Sailing Down the Ganges past Monghyr Fort in c. 1791, these oil paintings transport us back to a time when nature's beauty was immortalized through art. Step into View of Calcutta from c. 1790 and witness the bustling cityscape that blends colonial architecture with indigenous charm. As you explore further, be captivated by Mutineers about to be blown from guns by the Bengal Horse Artillery depicted on w/c paper in 1858 – a poignant reminder of India's tumultuous history. Venturing beyond urban boundaries, delve into View of the Jungle from 1788 portrayed through an aquatint medium. Lose yourself amidst verdant foliage and untamed wilderness as you imagine traversing this untouched realm. Travel back even further with Stone Bridge, Lucknow – a timeless black-and-white photograph that showcases architectural marvels against a backdrop steeped in history. The Residency taken from Redan and Churchyard and Residency in Distance provide glimpses into Lucknow's rich heritage frozen within monochromatic frames. Embark on an artistic journey towards spiritual enlightenment with The Entrance to Elephanta Cave - plate 58 from Oriental Scenery - capturing both grandeur and serenity within its ancient walls. Discover lesser-known gems like A sounder of warthogs in Sindolia Tank, Nasirabad Khandesh - an oil painting that brings forth wildlife thriving amidst India's diverse terrains. Unearth mysteries hidden within Unknown Township depicted on w/c & gouache paper around 1830; let your imagination wander as you envision the stories that lie within its forgotten streets.