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Jali Collection

The intricate beauty of jali, or latticed screens, can be seen in various architectural wonders across the globe

Background imageJali Collection: Vessantara Jataka, Chapter 8 (The Royal Children), 1830-1860. Creator: Unknown

Vessantara Jataka, Chapter 8 (The Royal Children), 1830-1860. Creator: Unknown
Vessantara Jataka, Chapter 8 (The Royal Children), 1830-1860

Background imageJali Collection: Vessantara Jataka, Chapter 4 (The Forest Edge): Vessantara, Maddi, Jali, and Kanha, 1830-1860 ()

Vessantara Jataka, Chapter 4 (The Forest Edge): Vessantara, Maddi, Jali, and Kanha, 1830-1860 (). Creator: Unknown
Vessantara Jataka, Chapter 4 (The Forest Edge): Vessantara, Maddi, Jali, and Kanha, 1830-1860 ()

Background imageJali Collection: Vessantara Jataka, Chapter 3 (The Gift), c1850-1870. Creator: Unknown

Vessantara Jataka, Chapter 3 (The Gift), c1850-1870. Creator: Unknown
Vessantara Jataka, Chapter 3 (The Gift), c1850-1870. After his banishment from the kingdom, Vessantara is accompanied into the forest by his wife, Maddi, and their two children

Background imageJali Collection: Vessantara Jataka, Chapter 11 (Maharaja), c1920-1940. Creator: Unknown

Vessantara Jataka, Chapter 11 (Maharaja), c1920-1940. Creator: Unknown
Vessantara Jataka, Chapter 11 (Maharaja), c1920-1940. Divine beings lead Jujaka to the palace of King Sanjaya, Vessantara's father

Background imageJali Collection: Vessantara Jataka, Chapter 8 (The Royal Children), 1920-1940. Creator: Unknown

Vessantara Jataka, Chapter 8 (The Royal Children), 1920-1940. Creator: Unknown
Vessantara Jataka, Chapter 8 (The Royal Children), 1920-1940. Jujaka visits Vessantara in his cottage in the forest and asks for the children

Background imageJali Collection: Vessantara Jataka, Chapter 3, c1920-1940. Creator: Unknown

Vessantara Jataka, Chapter 3, c1920-1940. Creator: Unknown
Vessantara Jataka, Chapter 3, c1920-1940

Background imageJali Collection: Vessantara Jataka, Chapter 11: Jujaka Beset by Villagers, c1875-1925. Creator: Unknown

Vessantara Jataka, Chapter 11: Jujaka Beset by Villagers, c1875-1925. Creator: Unknown
Vessantara Jataka, Chapter 11: Jujaka Beset by Villagers, c1875-1925. As Jujaka is on his way back to his village with Vessantara's children

Background imageJali Collection: Vessantara Jataka, Chapter 11: Jujaka Treats Jali and Kanha Poorly; While Jujaka... c1875-1925

Vessantara Jataka, Chapter 11: Jujaka Treats Jali and Kanha Poorly; While Jujaka... c1875-1925. Creator: Unknown
Vessantara Jataka, Chapter 11: Jujaka Treats Jali and Kanha Poorly; While Jujaka Sleeps the Children are Cared For, c1875-1925

Background imageJali Collection: Itimad-ud-Daulah mausoleum interior, Baby Taj, 1628, Agra, Uttar Pradesh, India

Itimad-ud-Daulah mausoleum interior, Baby Taj, 1628, Agra, Uttar Pradesh, India

Background imageJali Collection: Cairo: House called Beyt El-Emyr (a little dilapidated), pub

Cairo: House called Beyt El-Emyr (a little dilapidated), pub
Cairo: House called Beyt El-Emyr (a little dilapidated); from L Art Arabe d apres les Monuments de Kaire; pub. 1877 (chromolithograph)

Background imageJali Collection: Screen inside the Taj Mahal, Agra, India

Screen inside the Taj Mahal, Agra, India
Ornate screen inside the Taj Mahal, Agra, India, before the tomb of Mumtaz Mahalx. The Taj Mahal, one of the most famous buildings in the world and arguably one of the most beautiful

Background imageJali Collection: A musician of Senegal, West Africa

A musician of Senegal, West Africa, playing what looks like a kora

Background imageJali Collection: Coloured glass Jali

Coloured glass Jali, Deo Garh Palace Hotel, Deo Garh (Deogarh), Rajasthan state, India, Asia

Background imageJali Collection: Coloured glass Jali in hallway within the palace

Coloured glass Jali in hallway within the palace, Deo Garh Palace Hotel, Deo Garh (Deogarh), Rajasthan state, India, Asia

Background imageJali Collection: Original old stained glass in doors and decorative

Original old stained glass in doors and decorative jali wood carving in door, Mehrangarh Fort, Jodhpur, Rajasthan state, India, Asia



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The intricate beauty of jali, or latticed screens, can be seen in various architectural wonders across the globe. In the grand hallways of palaces and mosques, such as the Qila Kuhna Masjid mosque in Purana Qila, Delhi, one can marvel at the mesmerizing patterns created by colored glass jali. These delicate screens not only add a touch of elegance but also allow light to filter through, creating a magical ambiance. Venturing further into India's rich heritage, one encounters the Itimad-ud-Daulah mausoleum interior in Agra. Known as Baby Taj, this exquisite structure showcases jali work that is truly awe-inspiring. The attention to detail and craftsmanship are evident as sunlight dances through these intricately carved screens. Traveling beyond India's borders takes us to Cairo where we find stunning examples work. From the dilapidated yet charming Beyt El-Emyr house to the majestic Funerary Mosque of Sultan Barquq and Sultan Hassan Mosque with its Tekih Cheik Hacen Sadaka funerary mosque - each location boasts unique designs that showcase Egypt's rich cultural heritage. Morocco also embraces this art form with an octagonal minaret on Kasbah Mosque in Tangier. The geometric patterns formed by jali create a striking visual display against Morocco's vibrant backdrop. Journeying westward brings us to Senegal where even musicians incorporate elements into their instruments and performances. This fusion between music and art highlights how deeply ingrained this tradition is within different cultures. Finally returning back to India, we cannot overlook perhaps its most iconic monument - the Taj Mahal. Inside this magnificent mausoleum lies a screen adorned with delicate jali work that adds an ethereal quality to an already breathtaking masterpiece. From ancient mosques like Rani Sipris Mosque in Ahmedabad to modern-day structures around the world, colored glass jali continues to captivate and inspire.