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Vessantara Jataka, Chapter 8 (The Royal Children), 1830-1860. Creator: Unknown
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Vessantara Jataka, Chapter 8 (The Royal Children), 1830-1860. Creator: Unknown
Vessantara Jataka, Chapter 8 (The Royal Children), 1830-1860
Heritage Images features heritage image collections
Media ID 36367740
© Heritage Art/Heritage Images
1830s 1840s Abuse Buddhist Buddhists Child Abuse Cloth Compound Cottage Generosity Generous Isometric Jali Jataka Jujaka Kanha Leaving Material Pigment Pouring Siam South East Asia Southeast Asia Southeast Asian Story Thai Thailand Southeast Asia Theravada Vessantara Vessantara Jataka Walters Art Museum
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EDITORS COMMENTS
This 19th century print depicts a scene from the Vessantara Jataka, specifically Chapter 8, titled "The Royal Children." The Jataka tales are a collection of stories in Buddhist literature that illustrate the previous lives of Gautama Buddha. In this particular story, the noble prince Vessantara, renowned for his generosity, is approached by a group of children who ask for his cloak as a gift. Moved by their request, Vessantara removes his cloak and gives it to them, leaving himself vulnerable to the elements. The image showcases a lush, green landscape with intricately designed buildings and cottages in the background. The royal children are depicted in various stages of pouring water over Vessantara, an act of gratitude and respect. The prince, dressed in simple clothing, sits calmly amidst the scene, his serene expression reflecting his selfless nature. The print is characterized by its vibrant pigments on cloth gilt, adding a richness and depth to the image. The use of jali work in the buildings and the isometric perspective of the composition further highlight the intricacy and attention to detail in this piece. The scene is set outdoors, with the natural beauty of Southeast Asia on full display, adding to the serene and peaceful atmosphere. Despite the beautiful setting, the story of the Vessantara Jataka also touches upon the concept of child abuse, as the prince's own children are taken away from him due to his excessive generosity. However, the focus of this print is on the act of giving and the joy it brings to both the giver and the receiver. This print is a testament to the rich artistic heritage of Southeast Asia during the 1830s and 1840s, and is a valuable addition to any collection of Asian or Buddhist art. It is currently housed in the Walters Art Museum, showcasing the beauty and significance of this story in the context of Theravada Buddhism and the artistic traditions of Siam and Thailand.
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