Jane Austen Collection (#8)

The spiteful old ladies, illustration from Pride & Prejudice by Jane Austen
XJF451395 The spiteful old ladies, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson

Dawson, illustration from Pride & Prejudice by Jane Austen, edition
XJF451390 Dawson, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info)

The arrival of the Gardiners, illustration from Pride & Prejudice by Jane Austen
XJF451386 The arrival of the Gardiners, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson

Mary Queen of Scotts. Watercolour sketches by Cassandra Austen: One of six sketches for Jane Austens History of England, 1790

No, no, stay where you are, illustration from Pride & Prejudice by Jane Austen
XJF451380 No, no, stay where you are, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson

Jane Austen, English novelist, 19th century
Jane Austen, English author, 19th century. Portrait of Jane Austen (1775-1817), after a watercolour

Jane Austen, English author, early 19th century. Portrait of Jane Austen (1775-1817), after a watercolour. From Jane Austen, Her Homes and Her Friends, London, 1902

Scene from Jane Austens Persuasion, 1897. Artist: Hugh Thomson
Scene from Jane Austens Persuasion, 1897. Austens last novel, Persuasion was published in 1818. In this scene, Captain Wentworth gives Anne Elliot his note of declaration

In Love, 1907 (oil on canvas)
BAL82741 In Love, 1907 (oil on canvas) by Stone, Marcus (1840-1921); 113.7x90.8 cm; Private Collection; English, out of copyright

The obsequious civility, illustration from Pride and Prejudice by Jane Austen
XJF466206 The obsequious civility, illustration from Pride and Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson

Jane happened to look round, illustration from Pride & Prejudice by Jane Austen
XJF466204 Jane happened to look round, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson

The efforts of his aunt, illustration from Pride & Prejudice by Jane Austen
XJF466202 The efforts of his aunt, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson

With an affectionate smile, illustration from Pride & Prejudice by Jane Austen
XJF466200 With an affectionate smile, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson

Unable to utter a syllable, illustration to Pride and Prejudice by Jane Austen
XJF466205 Unable to utter a syllable, illustration to Pride and Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Mrs)

After a short survey, illustration to Pride & Prejudice by Jane Austen
XJF466201 After a short survey, illustration to Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson

So much love and eloquence, illustration from Pride & Prejudice by Jane Austen
XJF451384 So much love and eloquence, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Mr)

To whom I have related the affair, illustration from Pride & Prejudice
XJF451394 To whom I have related the affair, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson

They had forgotten to leave any message, illustration from Pride
XJF451391 They had forgotten to leave any message, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson

To make herself agreeable to all, illustration from Pride & Prejudice
XJF451392 To make herself agreeable to all, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson

In conversation with the ladies, illustration from Pride & Prejudice
XJF451388 In conversation with the ladies, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Mr)

Protested he must be entirely mistaken, illustration to Pride & Prejudice
XJF451385 Protested he must be entirely mistaken, illustration to Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson

Such very superior dancing is not often seen, illustration from Pride
XJF451383 Such very superior dancing is not often seen, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson

Without once opening his lips, illustration from Pride & Prejudice
XJF451375 Without once opening his lips, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Mr)

Piling up the fire, illustration to Pride & Prejudice by Jane Austen
XJF451381 Piling up the fire, illustration to Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Mr)

Cheerful prognostics, illustration from Pride & Prejudice by Jane Austen
XJF451378 Cheerful prognostics, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Mrs)

Mrs. Bennet and her two youngest girls, illustration from Pride
XJF451379 Mrs. Bennet and her two youngest girls, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson

A note for Miss. Bennet, illustration from Pride & Prejudice by Jane Austen
XJF451377 A note for Miss. Bennet, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson

She is tolerable, illustration from Pride & Prejudice by Jane Austen
XJF451374 She is tolerable, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Mr)

The entreaties of several, illustration from Pride & Prejudice by Jane Austen
XJF451376 The entreaties of several, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson

He came down to see the place, illustration from Pride & Prejudice
XJF451371 He came down to see the place, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Mr)

Mr & Mrs Bennet, illustration from Pride & Prejudice by Jane Austen, edition
XJF451370 Mr & Mrs Bennet, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson

The General Postman, from Ackermanns World in Miniature, pub. 1827
BAL36245 The General Postman, from Ackermanns World in Miniature, pub. 1827 by Shoberl, Frederic (1755-1853) (after); London Library, St Jamess Square, London, UK; out of copyright

Bartletts Buildings, Holborn, 1838 (w / c on paper)
XCF306052 Bartletts Buildings, Holborn, 1838 (w/c on paper) by Shepherd, Thomas Hosmer (1792-1864); Private Collection; (add.info.: An alley of dark brick houses)

Bartletts Buildings, 1890 (watercolour)
XJF3038373 Bartletts Buildings, 1890 (watercolour) by Appleton, J. (fl.1890); Private Collection; (add.info.: Back of houses west side of Bartletts buildings Holborn)

View of the London Volunteer Cavalry and Flying Artillery, 1805 (colour litho)
XCF280501 View of the London Volunteer Cavalry and Flying Artillery, 1805 (colour litho) by Cranmer, Charles (1780-1841); Private Collection; English, out of copyright

Two Views of Apley Priory (oil on canvas) (detail of 11741)
BAL227159 Two Views of Apley Priory (oil on canvas) (detail of 11741) by English School, (18th century); Roy Miles Fine Paintings; English, out of copyright

Promenade (oil on canvas)
BAL226645 Promenade (oil on canvas) by Troyon, Constant-Emile (1810-65); Private Collection; Courtesy of Thomas Brod and Patrick Pilkington; French, out of copyright

Godmersham Park, Kent, the Seat of Thomas Knight Esq. pub. in 1785 (engraving)
XJF105800 Godmersham Park, Kent, the Seat of Thomas Knight Esq. pub. in 1785 (engraving) (b/w photo) by Watts, William (1752-1851); Private Collection; British, out of copyright

Two Views of Apley Priory (oil on canvas)
BAL11741 Two Views of Apley Priory (oil on canvas) by English School, (18th century); Roy Miles Fine Paintings; English, out of copyright

Make No Mistake
Elinor Dashwood talking to Lucy Steele in a scene from Jane Austens Sense And Sensibility. Then taking a small miniature from her pocket she added, to prevent the possibility of a mistake

Edward IV (1442-1483). King of England from (1461-1483), with a break of a few months in the period (1470-1471). Watercolour sketches by Cassandra Austen

Covent Garden Market. Henry Austen (1771-1850), the fourth brother of Jane Austen, (1775-1817), lived nearby in Henrietta Street, 1800s. A Portrait of Jane Austen by David Cecil, page 166

College Street with Jane Austens final home on the left foreground, Winchester, Hampshire, England, United Kingdom, Europe

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"Jane Austen: A Literary Journey Through Love and Wit" In the enchanting world of Jane Austen, where love and wit intertwine, we find ourselves captivated by her timeless tales. With bated breath, we hope that Mr. Bingley will appreciate our efforts to impress him with our charm and grace. As we delve into the pages of Pride & Prejudice, an illustration tenderly captures the essence of flirtation - a dance between hearts. But it is not only Mr. Bingley who holds our attention; Mr. Darcy stands beside him in another captivating illustration from Pride & Prejudice. Their presence ignites a spark within us as we witness their complex relationship unfold. As we journey through Austen's world, Chawton House emerges as a symbol of inspiration for this remarkable author. It was within these walls that she penned her beloved novels, including Emma and Sense and Sensibility. Jane Austen's house in Chawton, Hampshire welcomes us with open arms—a sanctuary where her creativity flourished amidst the picturesque English countryside. Here lies the heart of her literary legacy—an abode filled with stories waiting to be discovered. With anticipation building, we enter a grand ballroom alongside characters from Pride & Prejudice—our imaginations ignited by an exquisite illustration capturing their entrance into society's spotlight. Introducing us to yet another tale is an illustration from Northanger Abbey—a glimpse into Catherine Morland's adventure-filled journey through romance and mystery. A charming game unfolds before our eyes—one that involves a litter of adorable puppies—bringing joy to both characters and readers alike in 1907's delightful illustration. And then there is that unforgettable moment when surprise takes hold—"Good God. How came you up that staircase?" echoes through time in yet another mesmerizing depiction from 1907—an image forever etched in our minds.