Jane Austen Collection (#3)

Jane Austen (litho)
2800803 Jane Austen (litho) by English School, (19th century); Private Collection; (add.info.: Jane Austen.); © Look and Learn

Jane Austen (litho)
2807908 Jane Austen (litho) by Chesterton, Gilbert Keith (1874-1936); Private Collection; (add.info.: Jane Austen. Illustration for Biography for Beginners edited by E Clerihew with diagrams by G K)

Portrait of Jane Austen, c. 1850 (hand-colored engraving)
1126486 Portrait of Jane Austen, c.1850 (hand-colored engraving) by Austen, Cassandra (c.1772-1845) (after); Private Collection; (add.info.: Portrait of English novelist Jane Austen)

Illustration for Jane Austens Emma (colour litho)
2797356 Illustration for Jane Austens Emma (colour litho) by Brock, Charles Edmund (1870-1938) (after); Private Collection; (add.info.: Illustration for Emma by Jane Austen (Dent)

Mr and Mrs Morlands surprise... was considerable, 1907 (illustration)
2963089 Mr and Mrs Morlands surprise......was considerable, 1907 (illustration) by Brock, Charles Edmund (1870-1938); Private Collection; (add.info)

It was my mothers favourite walk, 1907 (illustration)
2963084 It was my mothers favourite walk, 1907 (illustration) by Brock, Charles Edmund (1870-1938); Private Collection; (add.info)

Making her one of his most graceful bows, 1907 (illustration)
2963080 Making her one of his most graceful bows, 1907 (illustration) by Brock, Charles Edmund (1870-1938); Private Collection; (add.info)

At his own ball Mr Bingley offended two or three young ladies by not asking them to dance
3625591 At his own ball Mr Bingley offended two or three young ladies by not asking them to dance, through being wholly engrossed with another (engraving) by Thomson

Illustration for Persuasion (colour litho)
3651263 Illustration for Persuasion (colour litho) by Brock, Charles Edmund (1870-1938); Private Collection; (add.info.: " Of all the consequence in their power." Illustration for)

Illustration for Emma by Jane Austen (colour litho)
3651250 Illustration for Emma by Jane Austen (colour litho) by Brock, Charles Edmund (1870-1938); Private Collection; (add.info.: " How d ye do? How d ye do)

Jane Austen, Laurence Sterne, Samuel Richardson, Oliver Goldsmith, Tobias Smollett (engraving)
663644 Jane Austen, Laurence Sterne, Samuel Richardson, Oliver Goldsmith, Tobias Smollett (engraving) by English School, (19th century); Private Collection; (add.info.: Jane Austen, Laurence Sterne)

Portrait of Lady Caroline Augusta (d. 1898) and Lady Henrietta (d
LST204016 Portrait of Lady Caroline Augusta (d.1898) and Lady Henrietta (d.1860) Pelham-Clinton (oil on canvas) by Barber

Title page to Northanger Abbey and Persuasion by Jane Austen, first edition
XJF466207 Title page to Northanger Abbey and Persuasion by Jane Austen, first edition, 1818 (engraving) by English School

Panoramic after view, from the Red Book for Antony House, c. 1812 (w / c on paper)
STC171101 Panoramic after view, from the Red Book for Antony House, c.1812 (w/c on paper) by Repton, Humphry (1752-1818); Private Collection; (add.info)

Panoramic before view, from the Red Book for Antony House, c
STC171100 Panoramic before view, from the Red Book for Antony House, c.1812 (w/c on paper) by Repton, Humphry (1752-1818); Private Collection; (add.info)

Pray, pray stop, Mr Thorpe, 1907 (illustration)
2963079 Pray, pray stop, Mr Thorpe, 1907 (illustration) by Brock, Charles Edmund (1870-1938); Private Collection; (add.info)

The boldness of his riding, 1907 (illustration)
2963078 The boldness of his riding, 1907 (illustration) by Brock, Charles Edmund (1870-1938); Private Collection; (add.info)

Catherine grows quite a good looking-girl, 1907 (illustration)
2963074 Catherine grows quite a good looking-girl, 1907 (illustration) by Brock, Charles Edmund (1870-1938); Private Collection; (add.info)

The Crescent, from Bath Illustrated by a Series of Views
STC92988 The Crescent, from Bath Illustrated by a Series of Views, engraved by John Hill (1770-1850) pub. by William Miller, 1804 (aquatint) (for detail see 92989) by Nattes

Portrait of Ellen and Mary McIlvaine, 1834 (oil on canvas)
CH92943 Portrait of Ellen and Mary McIlvaine, 1834 (oil on canvas) by Sully, Thomas (1783-1872); 62.9x75.6 cm; Private Collection; Photo eChristies Images; American, out of copyright

Mrs John Hazlitt Reading
MAI46487 Mrs John Hazlitt Reading by Hazlitt, John (1767-1837); Maidstone Museum and Art Gallery, Kent, UK; eMaidstone Museum and Bentlif Art Gallery; eMaidstone Museum and Art Gallery; English

Anticipation, 1916
USH57211 Anticipation, 1916 by Usher, James W. (1845-1921); Lincolnshire County Council, Usher Gallery, Lincoln, UK; eUsher Gallery; English, out of copyright

Portrait miniatures, from LtoR and TtoB: Sir Thomas Terney; Unknown Woman; William Alton
SC14738 Portrait miniatures, from LtoR and TtoB: Sir Thomas Terney; Unknown Woman; William Alton; Portrait of an Eye; Unknown Woman (1750-1829); Unknown girl by J.C.D

Milsom Street, from Bath Illustrated by a Series of Views
STC103811 Milsom Street, from Bath Illustrated by a Series of Views, engraved by John Hill (1770-1850) pub. by William Miller, 1805 (aquatint) by Nattes

View of the Town Hall, Market and Abbey Church, from
STC103809 View of the Town Hall, Market and Abbey Church, from Bath Illustrated by a Series of Views, engraved by John Hill (1770-1850) pub

Bradford, from Bath Illustrated by a Series of Views
STC103802 Bradford, from Bath Illustrated by a Series of Views, engraved by John Hill (1770-1850) pub. by William Miller, 1805 (aquatint) by Nattes

Portrait of a Lady with a Golden Locket, 1823 (gouache and w / c on paper)
CJP108716 Portrait of a Lady with a Golden Locket, 1823 (gouache and w/c on paper) by English School, (19th century); Private Collection; eCharles Plante Fine Arts; English, out of copyright

Illustration for Persuasion by Jane Austen (colour litho)
5210525 Illustration for Persuasion by Jane Austen (colour litho) by Mills, Arthur Wallis (1878-1940); Private Collection; (add.info.: She feared to move lest she should be seen)

Illustration for Northanger Abbey by Jane Austen (litho)
5211486 Illustration for Northanger Abbey by Jane Austen (litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Illustration for Northanger Abbey by Jane Austen (Macmillan)

Illustration for Northanger Abbey by Jane Austen (litho)
5211475 Illustration for Northanger Abbey by Jane Austen (litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Illustration for Northanger Abbey by Jane Austen (Macmillan)

5210472

Illustration for Northanger Abbey by Jane Austen (colour litho)
5210457 Illustration for Northanger Abbey by Jane Austen (colour litho) by Mills, Arthur Wallis (1878-1940); Private Collection; (add.info.: On tiptoe she entered)

Illustration for "Emma"by Jane Austen (1775-1817)
ELD5619686 Illustration for " Emma" by Jane Austen (1775-1817). By Hugh Thompson (illustration) by Thomson, Hugh (1860-1920); Private Collection; (add.info)

Elizabeth Bennet and Her Father from Pride and Prejudice, 1833 (engraving)
2622452 Elizabeth Bennet and Her Father from Pride and Prejudice, 1833 (engraving) by American School, (19th century); Private Collection; (add.info)

Illustration for Jane Austens Emma (colour litho)
2797357 Illustration for Jane Austens Emma (colour litho) by Brock, Charles Edmund (1870-1938) (after); Private Collection; (add.info.: Illustration for Emma by Jane Austen (Dent)

Always arm-in-arm when they walked, 1907 (illustration)
2963076 Always arm-in-arm when they walked, 1907 (illustration) by Brock, Charles Edmund (1870-1938); Private Collection; (add.info)

Can you stand such a ceremony as this, 1907 (illustration)
2963083 Can you stand such a ceremony as this, 1907 (illustration) by Brock, Charles Edmund (1870-1938); Private Collection; (add.info)

Oratorio performance at the Drury Lane Theatre, part two of a triptych
DEC84544 Oratorio performance at the Drury Lane Theatre, part two of a triptych, 1814 (w/c and ink) (see also 84543 and 84545) by Nixon, John (1760-1818); 10.5x12.5 cm; Gerald Coke Handel Collection

Portrait of John Fisher, Archdeacon of Berkshire, 1816 (oil on canvas) (see 74981)
FIT74982 Portrait of John Fisher, Archdeacon of Berkshire, 1816 (oil on canvas) (see 74981) by Constable, John (1776-1837); 35.9x30.3 cm; Fitzwilliam Museum, University of Cambridge

The Kiss
SCG56790 The Kiss by Baldry, G. (19th century); Simon Carter Gallery, Woodbridge, Suffolk, UK; English, out of copyright

View of the Garden Front at Wandsworth Manor House, St. Johns Hill
GHL16901 View of the Garden Front at Wandsworth Manor House, St. Johns Hill, 1887 (w/c on paper) by Crowther, John (1837-1902); London Metropolitan Archives

Frontispiece and title page to Emma by Jane Austen
XJF466210 Frontispiece and title page to Emma by Jane Austen, engraved by William Greatbach, edition published in 1833 (engraving) by Pickering

Frontispiece and title page to Pride and Prejudice by Jane Austen
XJF466209 Frontispiece and title page to Pride and Prejudice by Jane Austen, engraved by William Greatbach, edition published in 1833 (engraving) by Pickering

English fashion plate depicting a young woman choosing a hat, 1812 (colour litho)
CHT257932 English fashion plate depicting a young woman choosing a hat, 1812 (colour litho) by English School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Les Quatre Coins, illustration from Le Bon Genre
CHT290052 Les Quatre Coins, illustration from Le Bon Genre, early Nineteenth century (colour engraving) by Bosio, Jean Francois (1764-1827) (after); Bibliotheque des Arts Decoratifs, Paris

Illustration for Persuasion (colour litho)
3651266 Illustration for Persuasion (colour litho) by Brock, Charles Edmund (1870-1938); Private Collection; (add.info.: " The unwelcome hints of Mr Shepherd)

Jane Austen, sewing, with her sister Cassandra in the Rectory Garden (litho)
3099581 Jane Austen, sewing, with her sister Cassandra in the Rectory Garden (litho) by Paget, Walter (1863-1935); Private Collection; (add.info.: Jane Austen, sewing)

New Bridge, from Bath Illustrated by a Series of Views
STC103801 New Bridge, from Bath Illustrated by a Series of Views, engraved by John Hill (1770-1850) pub. by William Miller, 1804 (aquatint) by Nattes

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"Jane Austen: A Literary Journey Through Love and Wit" In the enchanting world of Jane Austen, where love and wit intertwine, we find ourselves captivated by her timeless tales. With bated breath, we hope that Mr. Bingley will appreciate our efforts to impress him with our charm and grace. As we delve into the pages of Pride & Prejudice, an illustration tenderly captures the essence of flirtation - a dance between hearts. But it is not only Mr. Bingley who holds our attention; Mr. Darcy stands beside him in another captivating illustration from Pride & Prejudice. Their presence ignites a spark within us as we witness their complex relationship unfold. As we journey through Austen's world, Chawton House emerges as a symbol of inspiration for this remarkable author. It was within these walls that she penned her beloved novels, including Emma and Sense and Sensibility. Jane Austen's house in Chawton, Hampshire welcomes us with open arms—a sanctuary where her creativity flourished amidst the picturesque English countryside. Here lies the heart of her literary legacy—an abode filled with stories waiting to be discovered. With anticipation building, we enter a grand ballroom alongside characters from Pride & Prejudice—our imaginations ignited by an exquisite illustration capturing their entrance into society's spotlight. Introducing us to yet another tale is an illustration from Northanger Abbey—a glimpse into Catherine Morland's adventure-filled journey through romance and mystery. A charming game unfolds before our eyes—one that involves a litter of adorable puppies—bringing joy to both characters and readers alike in 1907's delightful illustration. And then there is that unforgettable moment when surprise takes hold—"Good God. How came you up that staircase?" echoes through time in yet another mesmerizing depiction from 1907—an image forever etched in our minds.