John Hassell Collection

Entrance to Blisworth Tunnel, Grand Junction Canal, Northamptonshire, 1819. Artist: John Hassell
Entrance to Blisworth Tunnel, Grand Junction Canal, Northamptonshire, 1819. A Boat approaching the entrance to the great tunnel from the Blisworth end

Grand Junction Canal from Stow Hill near Upper Heyford, Northamptonshire, 1819. Artist: John Hassell
Grand Junction Canal from Stow Hill near Upper Heyford, Northamptonshire, 1819. A lime kiln can be seen in the centre of the picture

The Hunter (from The Life of a Racehorse, or The High-Mettled Racer), July 20, 1789

The Post Horse (from The Life of a Racehorse, or The High-Mettled Racer), July 20, 1789

The Race Horse (from The Life of a Racehorse, or The High-Mettled Racer), July 20, 1789

The Cart Horse (from The Life of a Racehorse, or The High-Mettled Racer), July 20, 1789

View of Kennington, Lambeth, London, 1825. Artist: John Hassell
View of Kennington, Lambeth, London, 1825

Beresford Chapel, Beresford Street, Southwark, London, 1824. Artist: John Hassell
Beresford Chapel, Beresford Street, Southwark, London, 1824

York Street Chapel, Southwark, London, 1824. Artist: John Hassell
York Street Chapel, Southwark, London, 1824

View of Walworth village, Southwark, from the north entrance, London, 1825. Artist
View of Walworth village, Southwark, from the north entrance, London, 1825

United Parochial National Charity and Sunday Schools, Newington Butts, Southwark, London, 1824

Newington, Southwark, London, 1825. Artist: John Hassell
Newington, Southwark, London, 1825. View along Newington Butts from the north entrance, showing houses and shops

Severndroog Castle, Shooters Hill, Woolwich, Kent, 1808. Artist: FR Hay
Severndroog Castle, Shooters Hill, Woolwich, Kent, 1808. This is a folly that commemorates Sir William James, Commodore of the Bombay Marine

Ellis Davys Almshouses, Croydon, Surrey, c1800. Artist: John Hassell
Ellis Davys Almshouses, Croydon, Surrey, c1800. Croydon is now in the London borough of Croydon

View of the River Thames, Westminster Bridge and the Palace of Westminster, London, 1808

Romford, Essex, 1817. Artist: Daniel Havell
Romford, Essex, 1817. Romford is now in the London borough of Havering

View of Woodlands House, Blackheath, Greenwich, London, 1804. The villa of John Julius Angerstein

Surround from the ceiling of St George the Martyr, Southwark, London, 1831. Artist
Part of the oval surround found in the the ceiling of St George the Martyr, Borough High Street, Southwark, London, 1831. The first of five drawings detailing the design of the ceiling

Lime Kilns. A View at Clifton near Bristol, Gloucestershire, 1798. Artist: John Hassell
Lime Kilns. A View at Clifton near Bristol, Gloucestershire, 1798. The kilns were filled from the top with limestone and a fuel such as culm (coal or anthracite dust)

Grand Junction Canal, Braunston, Northamptonshire, 1819. Artist: John Hassell
Grand Junction Canal, Braunston, Northamptonshire, 1819. Head of the Grand Junction Canal with the small reservoir at Braunston

Drawings Prints, Print, High-Mettled Racer, Artist, John Hassell, Thomas Rowlandson
Drawings and Prints, Print, The High-Mettled Racer, Artist, After, John Hassell, Thomas Rowlandson, British, 1767-1825, British, London 1757-1827 London, Hassell, John, Rowlandson, Thomas, 1767

John Hassell (British, 1767 - 1825), Lime Kilns, View in Cumberland, 1803, aquatint

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John Hassell was a talented artist known for his detailed and captivating works. In 1819, he beautifully captured the Entrance to Blisworth Tunnel on the Grand Junction Canal in Northamptonshire. The painting transports viewers to this serene location, showcasing the canal's peacefulness and natural beauty. Continuing his exploration of the Grand Junction Canal, Hassell also depicted a scene from Stow Hill near Upper Heyford in Northamptonshire. This artwork showcases the canal's meandering path through picturesque countryside, highlighting its importance as a transportation route during that time. Hassell's artistic talents extended beyond landscapes; he also delved into depicting various aspects of life. In July 1789, he created "The Hunter" as part of "The Life of a Racehorse" series. This piece captures the grace and power of these magnificent animals, immersing viewers in the thrilling world of horse racing. "The Post Horse, " another artwork from "The Life of a Racehorse, " portrays an essential figure in transportation history—the trusty post horse. Through this painting, Hassell pays homage to these hardworking creatures who played a vital role in delivering mail across vast distances. In yet another installment from "The Life of a Racehorse, " Hassell presents "The Race Horse. " This piece encapsulates the excitement and intensity surrounding horse racing events—a true testament to his ability to capture movement and emotion with his brushstrokes. Shifting gears once again, Hassell turns his attention towards everyday life with "The Cart Horse. " Depicting this sturdy workhorse pulling heavy loads exemplifies both their strength and resilience—an ode to those often overlooked but crucial contributors to society. Moving away from rural scenes, Hassell brings us into bustling city life with his depiction of Kennington in Lambeth, London (1825). With meticulous detail, he portrays buildings lining busy streets filled with people going about their daily routines—a snapshot of urban existence in the early 19th century.