Late Eighteenth Century Collection (#10)

The late eighteenth century was a time of great artistic and cultural diversity, as seen in the various works from this period

Late Eighteenth Century Collection: Carlina Simplex (Alpine Thistle), 1799-1812 (hand-coloured engraving)

Carlina Simplex (Alpine Thistle), 1799-1812 (hand-coloured engraving)
985715 Carlina Simplex (Alpine Thistle), 1799-1812 (hand-coloured engraving) by Austrian School, (19th century); 46x33 cm; Private Collection; (add.info.: Carlina Simplex (Alpine Thistle)

Late Eighteenth Century Collection: Figure 18, from Collectanea ad Botanicam, Chemiam, et Historiam Naturalem spectantia

Figure 18, from Collectanea ad Botanicam, Chemiam, et Historiam Naturalem spectantia
985705 Figure 18, from Collectanea ad Botanicam, Chemiam, et Historiam Naturalem spectantia, cum figuris, 1786-1796 (hand-coloured engraving) by Austrian School

Late Eighteenth Century Collection: Giraffe, 1794 (hand-coloured engraving)

Giraffe, 1794 (hand-coloured engraving)
986441 Giraffe, 1794 (hand-coloured engraving) by Austrian School, (18th century); 40.6x27 cm; Private Collection; (add.info.: Giraffe)

Late Eighteenth Century Collection: Lion, 1794 (hand-coloured engraving)

Lion, 1794 (hand-coloured engraving)
986439 Lion, 1794 (hand-coloured engraving) by Austrian School, (18th century); 40.6x27 cm; Private Collection; (add.info.: Lion)

Late Eighteenth Century Collection: Church and two schools in Josefstadt, 1779-1792 (hand-coloured etching)

Church and two schools in Josefstadt, 1779-1792 (hand-coloured etching)
986410 Church and two schools in Josefstadt, 1779-1792 (hand-coloured etching) by Austrian School, (18th century); 39.4x53.5 cm; Private Collection; (add.info.: Church and two schools in Josefstadt)

Late Eighteenth Century Collection: Facsimile of the inlaid work on the Tomb at Agra, called Taje-Mahal

Facsimile of the inlaid work on the Tomb at Agra, called Taje-Mahal
986310 Facsimile of the inlaid work on the Tomb at Agra, called Taje-Mahal, or Crown of the Seraglio, 1781 (hand-coloured engraving) by Forbes

Late Eighteenth Century Collection: Spoonbill, 1777 (watercolour)

Spoonbill, 1777 (watercolour)
986240 Spoonbill, 1777 (watercolour) by Stone, Sarah (1760-1844); 36x24.5 cm; Private Collection; (add.info.: Spoonbill. Sarah Stone (1760-1844). Watercolour. Signed and dated Sept 21 1777

Late Eighteenth Century Collection: Temp Classification, William Curtis, Georg Wolfgang Knorr, 986226

Temp Classification, William Curtis, Georg Wolfgang Knorr, 986226
986226

Late Eighteenth Century Collection: Illustration, Number 2264, from The Botanical Magazine

Illustration, Number 2264, from The Botanical Magazine
986224 Illustration, Number 2264, from The Botanical Magazine, 1787-1826 (hand-coloured engraving) by Curtis, William (1746-1799); Private Collection; (add.info.: Illustration, Number 2264)

Late Eighteenth Century Collection: Curlew, Numenius, 1771 (hand-coloured engraving)

Curlew, Numenius, 1771 (hand-coloured engraving)
986223 Curlew, Numenius, 1771 (hand-coloured engraving) by Catesby, Mark (1679-1749); 53x36 cm; Private Collection; (add.info.: Curlew, Numenius)

Late Eighteenth Century Collection: Rosa gallica, 1796-1799 (hand-coloured engraving)

Rosa gallica, 1796-1799 (hand-coloured engraving)
986175 Rosa gallica, 1796-1799 (hand-coloured engraving) by English School, (18th century); 38x31 cm; Private Collection; (add.info.: Rosa gallica. B. versicolor. Rosa Mundi)

Late Eighteenth Century Collection: Heron, 1750-1800 (pen, ink, and watercolour)

Heron, 1750-1800 (pen, ink, and watercolour)
986124 Heron, 1750-1800 (pen, ink, and watercolour) by German School, (18th century); 47x31.5 cm; Private Collection; (add.info.: Heron)

Late Eighteenth Century Collection: Cockatoo, 1750-1800 (pen, ink, and watercolour)

Cockatoo, 1750-1800 (pen, ink, and watercolour)
986123 Cockatoo, 1750-1800 (pen, ink, and watercolour) by German School, (18th century); 47x31.5 cm; Private Collection; (add.info.: Cockatoo)

Late Eighteenth Century Collection: View of the Roman Garden, 1772-1784 (hand-coloured engraving)

View of the Roman Garden, 1772-1784 (hand-coloured engraving)
986070 View of the Roman Garden, 1772-1784 (hand-coloured engraving) by Italian School, (18th century); 55.5x39 cm; Private Collection; (add.info.: View of the Roman Garden; Prospectus Horti Romani)

Late Eighteenth Century Collection: Rhomboidal Chetodon (Chaetodon rhomboides), c. 1782-95 (hand coloured engraving)

Rhomboidal Chetodon (Chaetodon rhomboides), c. 1782-95 (hand coloured engraving)
986052 Rhomboidal Chetodon (Chaetodon rhomboides), c.1782-95 (hand coloured engraving) by Schmidt, Ludwig (18th century); Private Collection; (add.info.: Rhomboidal Chetodon (Chaetodon rhomboides)

Late Eighteenth Century Collection: Collection French Costume Designs Portrait Types

Collection French Costume Designs Portrait Types
Artokoloro

Late Eighteenth Century Collection: Road Gorge Naples 1782 Watercolor gum arabic glazes

Road Gorge Naples 1782 Watercolor gum arabic glazes
Artokoloro

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The late eighteenth century was a time of great artistic and cultural diversity, as seen in the various works from this period. From the thrilling world of horse racing to the epic tales of ancient mythology, each piece captures a unique aspect of this era. In "Eclipse, " we witness the power and grace of a dark chestnut racehorse held by a groom, with a jockey ready to embark on an exhilarating ride. The energy and excitement surrounding these races were emblematic of the spirit of competition during this time. "The Death of Bhishma" transports us back to ancient times, depicting Arjuna's numerous arrows mortally wounding Bhishma. This dramatic scene showcases both the fascination with mythological narratives and the skillful artistry that brought them to life. Moving away from action-packed scenes, "The Lamb" presents us with a delicate hand-colored relief-etching watercolor. This gentle portrayal reminds us that amidst all turmoil, there is still room for tenderness and innocence in our lives. Taking us beyond mythical realms into historical landscapes, "The greater portion of the longest length wall of an Atrium in Pompei" offers an exquisite hand-colored engraving capturing one section of this ancient city frozen in time. It serves as a testament to both human ingenuity and preservation efforts during this period. Nature lovers will be captivated by "Magnolia, " showcasing its beauty through meticulously hand-colored engraved plates. Similarly enchanting is "Paeonia suffruticosa Andr. Var papaveracea, " which celebrates botanical wonders through intricate engravings bursting with vibrant colors. Venturing into darker themes, "The Massacre of Innocents" portrays tragedy through pencil sketches and brown washes—a haunting reminder that even amidst progress, humanity can succumb to cruelty if left unchecked. Contrasting these somber tones is "The White Lily, " where color aquatint meets mezzotint, resulting in a stunning piece that exudes elegance and purity.