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Late Eighteenth Century Collection (#5)

The late eighteenth century was a time of great artistic and cultural diversity, as seen in the various works from this period

Background imageLate Eighteenth Century Collection: Map of Asia, 1786 (hand-coloured engraving)

Map of Asia, 1786 (hand-coloured engraving)
986319 Map of Asia, 1786 (hand-coloured engraving) by Desnos, Louis-Charles (c.1725-c.1800); 100x119 cm; Private Collection; (add.info.: Map of Asia; L Asie.... Louis-Charles Desnos (c.1725-c.1800)

Background imageLate Eighteenth Century Collection: Red, Blue, and White Lotus, of Hindostan, 1781 (hand-coloured engraving)

Red, Blue, and White Lotus, of Hindostan, 1781 (hand-coloured engraving)
986311 Red, Blue, and White Lotus, of Hindostan, 1781 (hand-coloured engraving) by Forbes, James (1749-1819); 33.6x27.6 cm; Private Collection; (add.info.: Red, Blue, and White Lotus, of Hindostan)

Background imageLate Eighteenth Century Collection: Gate of the Tomb of the Emperor Akbar (1542-1605), at Secundra, near Agra

Gate of the Tomb of the Emperor Akbar (1542-1605), at Secundra, near Agra
986298 Gate of the Tomb of the Emperor Akbar (1542-1605), at Secundra, near Agra, 1795 (hand coloured llithograph) by Daniell

Background imageLate Eighteenth Century Collection: A Map of Bermuda, 1775-85 (hand coloured engraving)

A Map of Bermuda, 1775-85 (hand coloured engraving)
986112 A Map of Bermuda, 1775-85 (hand coloured engraving) by Italian School, (18th century); 17x13in cm; Private Collection; (add.info.: A Map of Bermuda; La Isole Bermude)

Background imageLate Eighteenth Century Collection: A Lemur, c. 1798-99 (hand-coloured engraving)

A Lemur, c. 1798-99 (hand-coloured engraving)
986109 A Lemur, c.1798-99 (hand-coloured engraving) by Audebert, Jean Baptiste (1759-1800); 49x31.5 cm; Private Collection; (add.info.: A Lemur; Le Mococo, Buff)

Background imageLate Eighteenth Century Collection: A Young Girl Seated, three-quarter length, wearing an Ivory Dress

A Young Girl Seated, three-quarter length, wearing an Ivory Dress
990060 A Young Girl Seated, three-quarter length, wearing an Ivory Dress and Bonnet with a Pigeon (oil on canvas) by Lindner

Background imageLate Eighteenth Century Collection: Portrait of Sir Gerard Napier, 6th Bt. (1739-1765), three-quarter-length

Portrait of Sir Gerard Napier, 6th Bt. (1739-1765), three-quarter-length
824253 Portrait of Sir Gerard Napier, 6th Bt. (1739-1765), three-quarter-length, in the Uniform of the Dorsetshire Militia, in a Landscape, 1762 (oil on canvas) by Reynolds

Background imageLate Eighteenth Century Collection: A Mother Holding a Hobbyhorse, Playing with her Child, (oil on canvas)

A Mother Holding a Hobbyhorse, Playing with her Child, (oil on canvas)
824233 A Mother Holding a Hobbyhorse, Playing with her Child, (oil on canvas) by Gardner, Daniel (1750-1805); 97.8x89 cm; Private Collection; (add.info.: A Mother Holding a Hobbyhorse)

Background imageLate Eighteenth Century Collection: Portrait of Oliver Goldsmith (1728-1774), half-length, in a Black Jacket

Portrait of Oliver Goldsmith (1728-1774), half-length, in a Black Jacket
824182 Portrait of Oliver Goldsmith (1728-1774), half-length, in a Black Jacket, 1772 (oil on canvas) by Reynolds, Joshua (1723-92); 76.2x64

Background imageLate Eighteenth Century Collection: Baker of Craquelins, 1775 (engraving)

Baker of Craquelins, 1775 (engraving)
1195458 Baker of Craquelins, 1775 (engraving) by Brand, Johann Christian (1722-95) (after); 48.4x34 cm; Private Collection; (add.info.: Brand)

Background imageLate Eighteenth Century Collection: The Hat Seller, 1775 (engraving)

The Hat Seller, 1775 (engraving)
1195457 The Hat Seller, 1775 (engraving) by Brand, Johann Christian (1722-95) (after); 48.4x34 cm; Private Collection; (add.info.: Brand)

Background imageLate Eighteenth Century Collection: Pigeon Plum and a Great Horned Catterpillar, 1771 (hand-coloured engraving)

Pigeon Plum and a Great Horned Catterpillar, 1771 (hand-coloured engraving)
1195450 Pigeon Plum and a Great Horned Catterpillar, 1771 (hand-coloured engraving) by Catesby, Mark (1679-1749); Private Collection; Photo eChristies Images; English, out of copyright

Background imageLate Eighteenth Century Collection: Les Blanchisseuses a la Fontaine, (oil on canvas)

Les Blanchisseuses a la Fontaine, (oil on canvas)
659401 Les Blanchisseuses a la Fontaine, (oil on canvas) by Fragonard, Jean-Honore (1732-1806); 48x62. cm; Private Collection; (add.info.: Les Blanchisseuses a la Fontaine)

Background imageLate Eighteenth Century Collection: Portrait of Lord Chesterfield, Bust Length, Wearing the Order of the Garter

Portrait of Lord Chesterfield, Bust Length, Wearing the Order of the Garter
659275 Portrait of Lord Chesterfield, Bust Length, Wearing the Order of the Garter, Holding a Book, in a Painted Oval, 1769 (oil on canvas) by Gainsborough

Background imageLate Eighteenth Century Collection: The Baron de Bombelles in the Tuileries, 1765 (black lead, red chalk

The Baron de Bombelles in the Tuileries, 1765 (black lead, red chalk
659249 The Baron de Bombelles in the Tuileries, 1765 (black lead, red chalk, watercolour heightened with white) by Carmontelle

Background imageLate Eighteenth Century Collection: Portrait of James Hamilton, 2nd Earl of Clanbrassil, Half Length, in a Red Coat

Portrait of James Hamilton, 2nd Earl of Clanbrassil, Half Length, in a Red Coat
659196 Portrait of James Hamilton, 2nd Earl of Clanbrassil, Half Length, in a Red Coat, Seated in a Mahogany Chair, His Profile Cast in Shadows on the Wall Behind, 1774 (pastel) by Liotard

Background imageLate Eighteenth Century Collection: A Shepherdess Seated with Sheep and a Basket of Flowers Near a Ruin in a Wooded Landscape

A Shepherdess Seated with Sheep and a Basket of Flowers Near a Ruin in a Wooded Landscape
651237 A Shepherdess Seated with Sheep and a Basket of Flowers Near a Ruin in a Wooded Landscape, (oil on canvas) by Fragonard

Background imageLate Eighteenth Century Collection: Portrait of the Artist, Half Length, Wearing a Green Jacket and Holding a Cane

Portrait of the Artist, Half Length, Wearing a Green Jacket and Holding a Cane
651236 Portrait of the Artist, Half Length, Wearing a Green Jacket and Holding a Cane, (oil on canvas) by Ducreux, Joseph (1735-1802); 67x56.7 cm; Private Collection; (add.info)

Background imageLate Eighteenth Century Collection: A Boy with an Empty Birdcage, (oil on canvas)

A Boy with an Empty Birdcage, (oil on canvas)
651234 A Boy with an Empty Birdcage, (oil on canvas) by Charpentier, Jean Baptiste (or Joseph) (1728-1806); 47x37.5 cm; Private Collection; (add.info.: A Boy with an Empty Birdcage)

Background imageLate Eighteenth Century Collection: Refugees from Pompeii, AD 79, 1873 (oil on canvas)

Refugees from Pompeii, AD 79, 1873 (oil on canvas)
659852 Refugees from Pompeii, AD 79, 1873 (oil on canvas) by Topham, Francis William (1808-77); 123x186.7. cm; Private Collection; (add.info.: Refugees from Pompeii, AD 79)

Background imageLate Eighteenth Century Collection: Unstead Farm, Godalming (watercolour with scratching out)

Unstead Farm, Godalming (watercolour with scratching out)
1766743 Unstead Farm, Godalming (watercolour with scratching out) by Allingham, Helen (1848-1926); 45x36.3 cm; Private Collection; (add.info.: Unstead Farm, Godalming. Helen Allingham (1848-1926)

Background imageLate Eighteenth Century Collection: The Qutb Minar, Delhi, c. 1789 (pencil and w / c)

The Qutb Minar, Delhi, c. 1789 (pencil and w / c)
1196907 The Qutb Minar, Delhi, c. 1789 (pencil and w/c) by Daniell, Thomas (1749-1840) & William (1769-1837); 37.4x55.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageLate Eighteenth Century Collection: The Gateway of the Taj Mahal, Agra, Uttar Pradesh, (pencil and w / c)

The Gateway of the Taj Mahal, Agra, Uttar Pradesh, (pencil and w / c)
1196905 The Gateway of the Taj Mahal, Agra, Uttar Pradesh, (pencil and w/c) by Daniell, Thomas (1749-1840) & William (1769-1837); 50.2x69.8 cm; Private Collection; Photo eChristies Images; English

Background imageLate Eighteenth Century Collection: The Mausoleum of Makhdum Shah Daulat, Maner, Bihar, c. 1788-1796 (pencil, pen and grey ink

The Mausoleum of Makhdum Shah Daulat, Maner, Bihar, c. 1788-1796 (pencil, pen and grey ink
1196891 The Mausoleum of Makhdum Shah Daulat, Maner, Bihar, c.1788-1796 (pencil, pen and grey ink, w/c) by Daniell, Thomas (1749-1840) & William (1769-1837)

Background imageLate Eighteenth Century Collection: View Taken on the Esplanade, Calcutta, 1797 (hand-coloured aquatint)

View Taken on the Esplanade, Calcutta, 1797 (hand-coloured aquatint)
1196745 View Taken on the Esplanade, Calcutta, 1797 (hand-coloured aquatint) by Daniell, Thomas (1749-1840) (after); 46x65 cm; Private Collection; Photo eChristies Images; British, out of copyright

Background imageLate Eighteenth Century Collection: A late Louis XV ormolu mantel clock with a profile medallion of Henri IV held by Venus

A late Louis XV ormolu mantel clock with a profile medallion of Henri IV held by Venus
1765124 A late Louis XV ormolu mantel clock with a profile medallion of Henri IV held by Venus (ormolu) by French School, (18th century); 48 high cm; Private Collection; (add.info)

Background imageLate Eighteenth Century Collection: A large cloisonne enamel dish, late 18th century (cloisonne enamel)

A large cloisonne enamel dish, late 18th century (cloisonne enamel)
1764930 A large cloisonne enamel dish, late 18th century (cloisonne enamel) by Chinese School, Qing Dynasty (1644-1912); Private Collection; (add.info.: A large cloisonne enamel dish)

Background imageLate Eighteenth Century Collection: A famille rose London punchbowl, with a view of the Grand Walk

A famille rose London punchbowl, with a view of the Grand Walk
1764913 A famille rose London punchbowl, with a view of the Grand Walk, Vauxhall Gardens, c.1750-1800 (paint enamel on porcelain) by Chinese School (18th century); 38.5 (diam)

Background imageLate Eighteenth Century Collection: Vauxhall Stairs, from Millbank, 1797 (pen and brown ink and watercolour)

Vauxhall Stairs, from Millbank, 1797 (pen and brown ink and watercolour)
652046 Vauxhall Stairs, from Millbank, 1797 (pen and brown ink and watercolour) by Towne, Francis (1740-1816); 18.4x22.2 cm; Private Collection; (add.info.: Vauxhall Stairs, from Millbank)

Background imageLate Eighteenth Century Collection: Balloon Hunting Near Lady Jamess Folly, (pencil, pen and brown ink and watercolour)

Balloon Hunting Near Lady Jamess Folly, (pencil, pen and brown ink and watercolour)
651981 Balloon Hunting Near Lady Jamess Folly, (pencil, pen and brown ink and watercolour) by Rowlandson, Thomas (1756-1827); 25.4x34.9 cm; Private Collection; (add.info)

Background imageLate Eighteenth Century Collection: Portrait of Miss Sophia Vansittart, Three-Quarter Length

Portrait of Miss Sophia Vansittart, Three-Quarter Length
651968 Portrait of Miss Sophia Vansittart, Three-Quarter Length, Wearing a White Dress with a White Ribbon About Her Powdered Hair and a Black Shawl Draped About Her Shoulders

Background imageLate Eighteenth Century Collection: Studies of Shells and Marine Flora, (pencil, pen and black ink

Studies of Shells and Marine Flora, (pencil, pen and black ink
651950 Studies of Shells and Marine Flora, (pencil, pen and black ink and watercolour heightened with white) by Edwards, Sydenham Teast (c.1768-1819); 25.1x20 cm; Private Collection; (add.info)

Background imageLate Eighteenth Century Collection: The Hold-Up, 1794 (pen and ink and watercolour)

The Hold-Up, 1794 (pen and ink and watercolour)
651939 The Hold-Up, 1794 (pen and ink and watercolour) by Howitt, Samuel (1756-1822); 11 3/8x15 3/8in cm; Private Collection; (add.info.: The Hold-Up. Samuel Howitt (1756-1822)

Background imageLate Eighteenth Century Collection: A Regatta on the Thames below Westminster, (pen and ink and watercolour)

A Regatta on the Thames below Westminster, (pen and ink and watercolour)
651938 A Regatta on the Thames below Westminster, (pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 12 1/8x19in cm; Private Collection; (add.info)

Background imageLate Eighteenth Century Collection: Honiton, Devon: Shoes and Hats for Sale Outside The Lion Inn, (pencil

Honiton, Devon: Shoes and Hats for Sale Outside The Lion Inn, (pencil
651924 Honiton, Devon: Shoes and Hats for Sale Outside The Lion Inn, (pencil, pen and grey ink and watercolour) by Rowlandson

Background imageLate Eighteenth Century Collection: A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks

A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks
651920 A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks and a Group of Onlookers, (pencil, pen and ink and watercolour) by Rowlandson

Background imageLate Eighteenth Century Collection: A View of Eton College from the Thames, 1779 (pencil, pen and grey ink and watercolour)

A View of Eton College from the Thames, 1779 (pencil, pen and grey ink and watercolour)
651896 A View of Eton College from the Thames, 1779 (pencil, pen and grey ink and watercolour) by Sandby, Paul (1725-1809); 31.2x48.5 cm; Private Collection; (add.info)

Background imageLate Eighteenth Century Collection: St Georges Gate, Canterbury (pencil, pen and grey ink and watercolour)

St Georges Gate, Canterbury (pencil, pen and grey ink and watercolour)
651882 St Georges Gate, Canterbury (pencil, pen and grey ink and watercolour) by Sandby, Paul (1725-1809); 32.2x50.8 cm; Private Collection; (add.info.: St. Georges Gate, Canterbury)

Background imageLate Eighteenth Century Collection: Portrait of Queen Charlotte, Small Half Length Wearing a Blue and White Dress

Portrait of Queen Charlotte, Small Half Length Wearing a Blue and White Dress
651844 Portrait of Queen Charlotte, Small Half Length Wearing a Blue and White Dress, Her Crown Beside Her, 1787 (pencil, watercolour and stump with touches of white heightening) by Dowman

Background imageLate Eighteenth Century Collection: Haman, After Michelangelo, (pen and grey ink)

Haman, After Michelangelo, (pen and grey ink)
651824 Haman, After Michelangelo, (pen and grey ink) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 37x24.4 cm; Private Collection; (add.info.: Haman, After Michelangelo)

Background imageLate Eighteenth Century Collection: A Set of Twelve Illustrations to Tristram Shandy, (pen and grey ink and watercolour)

A Set of Twelve Illustrations to Tristram Shandy, (pen and grey ink and watercolour)
651811 A Set of Twelve Illustrations to Tristram Shandy, (pen and grey ink and watercolour) by Nixon, John (1760-1818); 18.4x9.2 cm; Private Collection; (add.info)

Background imageLate Eighteenth Century Collection: Portrait of Mrs. Fisher, half length, in a White Dress Adorned with Blue Ribbons

Portrait of Mrs. Fisher, half length, in a White Dress Adorned with Blue Ribbons
651802 Portrait of Mrs. Fisher, half length, in a White Dress Adorned with Blue Ribbons, 1788 (black chalk, stump and watercolour) by Dowman

Background imageLate Eighteenth Century Collection: Portrait of Mrs. Boyd, 1784 (black chalk, stump and watercolour)

Portrait of Mrs. Boyd, 1784 (black chalk, stump and watercolour)
651801 Portrait of Mrs. Boyd, 1784 (black chalk, stump and watercolour) by Dowman, John (1750-1824); 19.3x15.9 cm; Private Collection; (add.info.: Portrait of Mrs. Boyd. John Downman (1750-1824)

Background imageLate Eighteenth Century Collection: Portrait of Mrs. Hartop and Her Child, 1780 (black and white chalk

Portrait of Mrs. Hartop and Her Child, 1780 (black and white chalk
651799 Portrait of Mrs. Hartop and Her Child, 1780 (black and white chalk, stump and watercolour) by Dowman, John (1750-1824); 21x17.8 cm; Private Collection; (add.info.: Portrait of Mrs)

Background imageLate Eighteenth Century Collection: A late Zand lacquered papier mache casket, c. 1794-95 (painted papier mache casket)

A late Zand lacquered papier mache casket, c. 1794-95 (painted papier mache casket)
987301 A late Zand lacquered papier mache casket, c.1794-95 (painted papier mache casket) by Persian School, (18th century); 20x42x29 cm; Private Collection; (add.info)

Background imageLate Eighteenth Century Collection: Hercules dragging Cerberus from Hell (oil on canvas)

Hercules dragging Cerberus from Hell (oil on canvas)
990238 Hercules dragging Cerberus from Hell (oil on canvas) by Pedrini, Domenico (1728-1800); 228.5x174.9 cm; Private Collection; (add.info.: Hercules dragging Cerberus from Hell)

Background imageLate Eighteenth Century Collection: Portrait of the Artists Daughter, seated three-quarter length, Playing a Guitar, c

Portrait of the Artists Daughter, seated three-quarter length, Playing a Guitar, c
990229 Portrait of the Artists Daughter, seated three-quarter length, Playing a Guitar, c.1797 (oil on canvas) by Vigee-Lebrun

Background imageLate Eighteenth Century Collection: Portrait of a Lady, seated full-length by a table, with her daughter

Portrait of a Lady, seated full-length by a table, with her daughter
990178 Portrait of a Lady, seated full-length by a table, with her daughter, holding a posey of flowers (oil on canvas) by Ducreux




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The late eighteenth century was a time of great artistic and cultural diversity, as seen in the various works from this period. From the thrilling world of horse racing to the epic tales of ancient mythology, each piece captures a unique aspect of this era. In "Eclipse, " we witness the power and grace of a dark chestnut racehorse held by a groom, with a jockey ready to embark on an exhilarating ride. The energy and excitement surrounding these races were emblematic of the spirit of competition during this time. "The Death of Bhishma" transports us back to ancient times, depicting Arjuna's numerous arrows mortally wounding Bhishma. This dramatic scene showcases both the fascination with mythological narratives and the skillful artistry that brought them to life. Moving away from action-packed scenes, "The Lamb" presents us with a delicate hand-colored relief-etching watercolor. This gentle portrayal reminds us that amidst all turmoil, there is still room for tenderness and innocence in our lives. Taking us beyond mythical realms into historical landscapes, "The greater portion of the longest length wall of an Atrium in Pompei" offers an exquisite hand-colored engraving capturing one section of this ancient city frozen in time. It serves as a testament to both human ingenuity and preservation efforts during this period. Nature lovers will be captivated by "Magnolia, " showcasing its beauty through meticulously hand-colored engraved plates. Similarly enchanting is "Paeonia suffruticosa Andr. Var papaveracea, " which celebrates botanical wonders through intricate engravings bursting with vibrant colors. Venturing into darker themes, "The Massacre of Innocents" portrays tragedy through pencil sketches and brown washes—a haunting reminder that even amidst progress, humanity can succumb to cruelty if left unchecked. Contrasting these somber tones is "The White Lily, " where color aquatint meets mezzotint, resulting in a stunning piece that exudes elegance and purity.