Leonardo Da Collection (#7)

Two Figures in Conversation, c1480 (1945). Artist: Leonardo da Vinci
Two Figures in Conversation, c1480 (1945). The drawing is held by the Royal Library, Windsor. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Draped Figure, Studies of Machinery Etc. c1480 (1945). Artist: Leonardo da Vinci
A Draped Figure, Studies of Machinery Etc. c1480 (1945). The drawing is held by the Galleria degli Uffizi, Florence. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Various Groups and Single Figures, c1480 (1945). Artist: Leonardo da Vinci
Various Groups and Single Figures, c1480 (1945). The drawing is held by the Ecole nationale superieure des Beaux-Arts de Paris, Paris. From The Drawings of Leonardo da Vinci

Studies of Single Figures and of a Profile, c1480 (1945). Artist: Leonardo da Vinci
Studies of Single Figures and of a Profile, c1480 (1945). The drawing is held by the British Museum, London. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Machine for Shaping Iron Rods for Making Cannon, c1480 (1945). Artist: Leonardo da Vinci
Machine for Shaping Iron Rods for Making Cannon, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Drawings of a Square Castle, c1480 (1945). Artist: Leonardo da Vinci
Drawings of a Square Castle, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945] From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Drawing of a Flying Machine with a Man Operating It, c1480 (1945). Artist: Leonardo da Vinci
Drawing of a Flying Machine with a Man Operating It, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of Violas and of Methods of Soldering Lead Roofs, c1480 (1945). Artist: Leonardo da Vinci
Studies of Violas and of Methods of Soldering Lead Roofs, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Lily, c1480 (1945). Artist: Leonardo da Vinci
A Lily, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Rocks and Stream, c1480 (1945). Artist: Leonardo da Vinci
Rocks and Stream, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of the Back View of a Skeleton, Showing the Tendons of the Neck, c1480 (1945). Artist: Leonardo da Vinci
Study of the Back View of a Skeleton, Showing the Tendons of the Neck, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Two Studies of the Upper Part of an Old Man and Two Studies of Arms, c1480 (1945). Artist: Leonardo da Vinci
Two Studies of the Upper Part of an Old Man and Two Studies of Arms, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Six Studies of an Arm Showing in Three Cases the Bones, c1480 (1945). Artist: Leonardo da Vinci
Six Studies of an Arm Showing in Three Cases the Bones, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of the Head of Cesare Borgia from Three Points of View, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Head of Cesare Borgia from Three Points of View, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of the Drapery of a Figure Seated to the Left, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Drapery of a Figure Seated to the Left, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of the Drapery of a Seated Figure to the Right, c1480 (1945). Artist: Leonardo da Vinci
Study of the Drapery of a Seated Figure to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of a Child and Parts of a Child, c1480 (1945). Artist: Leonardo da Vinci
Studies of a Child and Parts of a Child, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Head of a Woman Three-Quarters to the Left, c1480 (1945). Artist: Leonardo da Vinci
Head of a Woman Three-Quarters to the Left, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of Infants, c1480 (1945). Artist: Leonardo da Vinci
Studies of Infants, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Head of the Infant Jesus - Virgin and Child with St. Anne and Infant St. John, c1480 (1945). Artist: Leonardo da Vinci
Head of the Infant Jesus - Virgin and Child with St. Anne and Infant St. John, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Implements Rained Down the Earth from the Clouds, c1480 (1945). Artist: Leonardo da Vinci
Implements Rained Down the Earth from the Clouds, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Sheet of Pictographs, c1480 (1945). Artist: Leonardo da Vinci
Sheet of Pictographs, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Sketch of Three Figures, c1480 (1945). Artist: Leonardo da Vinci
Sketch of Three Figures, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Group of Figures, c1480 (1945). Artist: Leonardo da Vinci
Group of Figures, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Three Emblems, c1480 (1945). Artist: Leonardo da Vinci
Three Emblems, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Geometrical Figures and Designs for Allegorical Representations, c1480 (1945). Artist: Leonardo da Vinci
Geometrical Figures and Designs for Allegorical Representations, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Allegorical Representation, c1480 (1945). Artist: Leonardo da Vinci
Allegorical Representation, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Allegory of the Lizard Symbolizing Truth, c1480 (1945). Artist: Leonardo da Vinci
Allegory of the Lizard Symbolizing Truth, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Allegory: Animals Fighting and a Man with a Burning-Glass, c1480 (1945). Artist: Leonardo da Vinci
Allegory: Animals Fighting and a Man with a Burning-Glass, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

The Unmasking of Envy, c1480 (1945). Artist: Leonardo da Vinci
The Unmasking of Envy, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

The Ermine as a Symbol of Purity, c1480 (1945). Artist: Leonardo da Vinci
The Ermine as a Symbol of Purity, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of Figures and of Decoration, c1480 (1945). Artist: Leonardo da Vinci
Studies of Figures and of Decoration, c1480 (1945). The drawing is held by the Musee Bonnat, Bayonne. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of Figures and a Group of Figures, c1500 (1945). Artist: Leonardo da Vinci
Studies of Figures and a Group of Figures, c1500 (1945). The drawing is held by the Wallraf Museum, Cologne. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Group of Figures Conversing at a Table, Two Figures in Conversation and Others, 1481-1483 (1945). The drawing is held by the Musee du Louvre, Paris. From The Drawings of Leonardo da Vinci

Six Studies of Figures, 1481-1483 (1945). Artist: Leonardo da Vinci
Six Studies of Figures, 1481-1483 (1945). The drawing is held by the Musee du Louvre, Paris. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Adoration of the Kings: Composition Sketch, 1478-1481 (1945). Artist: Leonardo da Vinci
Adoration of the Kings: Composition Sketch, 1478-1481 (1945). The drawing is held by the Musee du Louvre, Paris. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of Figures and Putti for an Adoration, c1481 (1945). Artist: Leonardo da Vinci
Studies of Figures and Putti for an Adoration, c1481 (1945). The drawing is held by the Hamburger Kunsthalle, Hamburg. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Kneeling Youth and Putti, c1480 (1945). Artist: Leonardo da Vinci
Kneeling Youth and Putti, c1480 (1945). The drawing is held by the Gallerie dell Accademia, Venice. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Adoration of the Shepherd and Separate Study of a Shepherd, c1480 (1945). Artist: Leonardo da Vinci
Adoration of the Shepherd and Separate Study of a Shepherd, c1480 (1945). The drawing is held by the Musee Bonnat, Bayonne. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Madonna Adoring the Infant Christ and Other Figures, c1480 (1945). Artist: Leonardo da Vinci
Madonna Adoring the Infant Christ and Other Figures, c1480 (1945). The drawing is held by the Gallerie dell Accademia, Venice. From The Drawings of Leonardo da Vinci

Adoration of the Magi - Horsemen in the middle distance on the left, c1481 (1945). Artist: Leonardo da Vinci
Adoration of the Magi - Horsemen in the middle distance on the left, c1481 (1945). The painting is held by the Uffizi Gallery, Florence. From The Drawings of Leonardo da Vinci

Adoration of the Magi - Angels behind the Virgin, c1481 (1945). Artist: Leonardo da Vinci
Adoration of the Magi - Angels behind the Virgin, c1481 (1945). The painting is held by the Uffizi Gallery, Florence. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Adoration of the Magi - Battle of horsemen in the distance on the right, c1481 (1945). Artist: Leonardo da Vinci
Adoration of the Magi - Battle of horsemen in the distance on the right, c1481 (1945). The painting is held by the Uffizi Gallery, Florence. From The Drawings of Leonardo da Vinci

Adoration of the Magi - Architecture and figures in the background on the left, c1481 (1945). Artist: Leonardo da Vinci
Adoration of the Magi - Architecture and figures in the background on the left, c1481 (1945). The painting is held by the Uffizi Gallery, Florence. From The Drawings of Leonardo da Vinci

Adoration of the Magi - Heads of the group behind the kneeling king on the right, c1481 (1945). The painting is held by the Uffizi Gallery, Florence. From The Drawings of Leonardo da Vinci

Adoration of the Magi - Virgin and Child, c1481 (1945). Artist: Leonardo da Vinci
Adoration of the Magi - Virgin and Child, c1481 (1945). The painting is held by the Uffizi Gallery, Florence. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Adoration of the Magi - Head of philosopher on the left, c1481 (1945). Artist: Leonardo da Vinci
Adoration of the Magi - Head of philosopher on the left, c1481 (1945). The painting is held by the Uffizi Gallery, Florence. From The Drawings of Leonardo da Vinci

Adoration of the Magi - Right-hand lower portion, c1481 (1945). Artist: Leonardo da Vinci
Adoration of the Magi - Right-hand lower portion, c1481 (1945). The painting is held by the Uffizi Gallery, Florence. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

For sale as Licensed Images

Choose your image, Select your licence and Download the media

Leonardo da Vinci, a name synonymous with genius and artistic mastery. With his unparalleled talent and insatiable curiosity, he left an indelible mark on the world of art and science. From his captivating portraits to his intricate anatomical studies, Leonardo's works continue to captivate audiences centuries later. In "Head of a Bear, " created around 1480, we catch a glimpse of Leonardo's ability to bring life to even the most ferocious creatures. The intensity in the bear's eyes is both mesmerizing and intimidating. "The Last Supper, " recreated by Raphael Morghen and Teodoro Matteini in 1800, pays homage to one of Leonardo's most iconic masterpieces. This depiction captures the profound emotions that permeate this sacred moment. One cannot discuss Leonardo without mentioning "Lady with an Ermine. " Painted around 1490, this portrait showcases not only his technical skill but also his ability to convey emotion through subtle gestures. "A Condottiere" transports us back to Renaissance Italy as we witness Leonardo's fascination with military figures. The attention to detail in every stroke reveals his dedication to capturing authenticity. In "The Armenian Letters, " dating back to 1928, we see another facet of Leonardo's creativity - his talent for calligraphy. Even in something as seemingly mundane as writing letters, he infuses beauty into every stroke. His study of hands from the 15th century demonstrates not only his meticulous observation skills but also highlights how hands can be vessels for expression and communication beyond words themselves. Of course, no discussion about Leonardo would be complete without mentioning perhaps his most famous creation - "Mona Lisa. " Painted circa 1505, her enigmatic smile continues to intrigue viewers worldwide while showcasing Leonardo's mastery over light and shadow. But it wasn't just paintings that fascinated him; he delved into scientific exploration too. His drawing of the human venous system displays an astonishing understanding of anatomy, a testament to his insatiable thirst for knowledge.