Leonardo Da Collection (#9)

A Flood Breaking Into A Valley, c1480 (1945). Artist: Leonardo da Vinci
A Flood Breaking Into A Valley, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of a Old Man Seated and of Swirling Water, c1480 (1945). Artist: Leonardo da Vinci
Studies of a Old Man Seated and of Swirling Water, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of Water Formations, c1480 (1945). Artist: Leonardo da Vinci
Studies of Water Formations, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of the Formation of Water in Motion, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Formation of Water in Motion, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Oak-Leaves with Acorns and Dyers Greenweed, c1480 (1945). Artist: Leonardo da Vinci
Oak-Leaves with Acorns and Dyers Greenweed, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Branch of Blackberry, c1480 (1945). Artist: Leonardo da Vinci
A Branch of Blackberry, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Sketch of a Plant, c1480 (1945). Artist: Leonardo da Vinci
Sketch of a Plant, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Spray of Brambles, c1480 (1945). Artist: Leonardo da Vinci
A Spray of Brambles, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Star of Bethlehem and Other Plants, c1480 (1945). Artist: Leonardo da Vinci
A Star of Bethlehem and Other Plants, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of Mountain Ranges, c1480 (1945). Artist: Leonardo da Vinci
Study of Mountain Ranges, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

An Allegory of Statecraft, c1480 (1945). Artist: Leonardo da Vinci
An Allegory of Statecraft, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Allegory of Fame Attacking Envy, c1480 (1945). Artist: Leonardo da Vinci
Allegory of Fame Attacking Envy, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Drawing of caricatures, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of caricatures, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Drawing of musical instruments and other objects, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of musical instruments and other objects, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Drawing of oriental heads, in red chalk, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of oriental heads, in red chalk, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Sketch of a peak in Armenia, and a sketch map of Armenia, c1472-c1519 (1883). Artist: Leonardo da Vinci
Sketch of a peak in Armenia, and a sketch map of Armenia, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Sketch of Armenian mountains, c1472-c1519 (1883). Artist: Leonardo da Vinci
Sketch of Armenian mountains, c1472-c1519 (1883). From the Codex Atlanticus. From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Sketch map of the Loire at Amboise, France, c1472-c1519 (1883). Artist: Leonardo da Vinci
Sketch map of the Loire at Amboise, France, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

A map representing the town of Imola, Italy, c1472-c1519 (1883). Artist: Leonardo da Vinci
A map representing the town of Imola, Italy, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

A map representing the Mediterranean Sea, c1472-c1519 (1883). Artist: Leonardo da Vinci
A map representing the Mediterranean Sea, c1472-c1519 (1883). From the Codex Atlanticus. From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Four topographical drawings, c1472-c1519 (1883). Artist: Leonardo da Vinci
Four topographical drawings, c1472-c1519 (1883): Constantinople; Vigevano; Siena, Urbino; Cesena). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Sketch map of Milan, c1472-c1519 (1883). Artist: Leonardo da Vinci
Sketch map of Milan, c1472-c1519 (1883). From the Codex Atlanticus. From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Four anatomical drawings, c1472-c1519 (1883). Artist: Leonardo da Vinci
Four anatomical drawings, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Architectural drawing, c1472-c1519 (1883). Artist: Leonardo da Vinci
Architectural drawing, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Design for a mausoleum, c1472-c1519 (1883). Artist: Leonardo da Vinci
Design for a mausoleum, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Three drawings of Milan Cathedral, c1472-c1519 (1883). Artist: Leonardo da Vinci
Three drawings of Milan Cathedral, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Drawing of churches, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of churches, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Two plans of churches, c1472-c1519 (1883). Artist: Leonardo da Vinci
Two plans of churches, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Two drawings of churches, c1472-c1519 (1883). Artist: Leonardo da Vinci
Two drawings of churches, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Four drawings of ecclesiastical architecture, c1472-c1519 (1883). Artist: Leonardo da Vinci
Four drawings of ecclesiastical architecture, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Drawing of ecclesiastical architecture, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of ecclesiastical architecture, c1472-c1519 (1883). From the Codex Atlanticus. From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Drawing of plans for a castle, and of a nude figure, washed with Indian ink, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Drawing of projects for castles and villas, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of projects for castles and villas, c1472-c1519 (1883). Fom the Codex Atlanticus. From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Drawing of projects for castles and villas, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of projects for castles and villas, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Two architectural drawings, c1472-c1519 (1883). Artist: Leonardo da Vinci
Two architectural drawings, c1472-c1519 (1883): a sketch for decorations from the Trivulzi Manuscript and a plan for a royal residence from the Codex Atlanticus

Architecture for castles, c1472-c1519 (1883). Artist: Leonardo da Vinci
Architecture for castles, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Architecture for castles, c1472-c1519 (1883). Artist: Leonardo da Vinci
Architecture for castles, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Two plans for canals in a town, c1472-c1519 (1883). Artist: Leonardo da Vinci
Two plans for canals in a town, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Two drawings of plans for towns, c1472-c1519 (1883). Artist: Leonardo da Vinci
Two drawings of plans for towns, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Drawing of a walking horse, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of a walking horse, c1472-c1519 (1883). Probably a study for the Sforza Monument. From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Study for the Sforza Monument, c1482-c1499 (1883). Artist: Leonardo da Vinci
Study for the Sforza Monument, c1482-c1499 (1883). Drawn in charcoal, pen and Indian ink. From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Four drawings of allegorical representations, c1472-c1519 (1883). Artist: Leonardo da Vinci
Four drawings of allegorical representations, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Drawing of an allegorical composition, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of an allegorical composition, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Copy of part of the cartoon of the Battle of Anghiari, c1505-c1523 (1883). Artist: Cesare da Sesto
Copy of part of the cartoon of the Battle of Anghiari, c1505-c1523 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Studies for allegorical compositions, c1472-c1519 (1883). Artist: Leonardo da Vinci
Studies for allegorical compositions, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Study for the cartoon of the Battle of Anghiari, c1472-c1505 (1883). Artist: Leonardo da Vinci
Study for the cartoon of the Battle of Anghiari, c1472-c1505 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Drawing of the head of a criminal, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of the head of a criminal, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Study for the head of Judas in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the head of Judas in `The Last Supper`, c1494-c1499 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

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Leonardo da Vinci, a name synonymous with genius and artistic mastery. With his unparalleled talent and insatiable curiosity, he left an indelible mark on the world of art and science. From his captivating portraits to his intricate anatomical studies, Leonardo's works continue to captivate audiences centuries later. In "Head of a Bear, " created around 1480, we catch a glimpse of Leonardo's ability to bring life to even the most ferocious creatures. The intensity in the bear's eyes is both mesmerizing and intimidating. "The Last Supper, " recreated by Raphael Morghen and Teodoro Matteini in 1800, pays homage to one of Leonardo's most iconic masterpieces. This depiction captures the profound emotions that permeate this sacred moment. One cannot discuss Leonardo without mentioning "Lady with an Ermine. " Painted around 1490, this portrait showcases not only his technical skill but also his ability to convey emotion through subtle gestures. "A Condottiere" transports us back to Renaissance Italy as we witness Leonardo's fascination with military figures. The attention to detail in every stroke reveals his dedication to capturing authenticity. In "The Armenian Letters, " dating back to 1928, we see another facet of Leonardo's creativity - his talent for calligraphy. Even in something as seemingly mundane as writing letters, he infuses beauty into every stroke. His study of hands from the 15th century demonstrates not only his meticulous observation skills but also highlights how hands can be vessels for expression and communication beyond words themselves. Of course, no discussion about Leonardo would be complete without mentioning perhaps his most famous creation - "Mona Lisa. " Painted circa 1505, her enigmatic smile continues to intrigue viewers worldwide while showcasing Leonardo's mastery over light and shadow. But it wasn't just paintings that fascinated him; he delved into scientific exploration too. His drawing of the human venous system displays an astonishing understanding of anatomy, a testament to his insatiable thirst for knowledge.