Leonardo Collection (#2)

LEONARDO DA VINCI, school of (first half 16th)
" LEONARDO DA VINCI, school of (first half 16th). Bacchus. 1513 - 1516. Painted after Leonardos original " St John the Baptist Dionysus". Renaissance art. Cinquecento. Oil on canvas

Human venous system
LeonardoÔé¼Ôäós anatomical drawing of a man to show the heart lungs and main arteries. Drawing of a " venous figure" by Leonardo da Vinci, taken from his Anatomical note- books

Da Vinci / Self / London
LEONARDO DA VINCI Italian painter, sculptor, architect, engineer and scientist

Studies of Cats and of a Dragon, c1480 (1945). Artist: Leonardo da Vinci
Studies of Cats and of a Dragon, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Two Drawings of the Heart, c1480 (1945). Artist: Leonardo da Vinci
Two Drawings of the Heart, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Leonardo Bruni
LEONARDO BRUNI known as ARETINUS Italian humanist philologist and historian. Date: 1369 - 1444

Bartolome Leonardo de Argensola, after an etching in Retratos de Los Espanoles Ilustres, Madrid, Spain, pub. 1791
3473250 Bartolome Leonardo de Argensola, after an etching in Retratos de Los Espanoles Ilustres, Madrid, Spain, pub. 1791; (add.info.: Bartolome Leonardo de Argensola, 1562 - 1631)

Proportions of the human body after Leonardo's studies, also called Vitruvian man
528748 Proportions of the human body after Leonardo's studies, also called Vitruvian man. Male human body with limbs extended, superimposed on a grid and a circle

The Conquest of the Moluccas Islands
3499738 The Conquest of the Moluccas Islands; (add.info.: The Conquest of the Moluccas Islands, by Bartolome Juan Leonardo de Argensola (1562-1631). Spanish priest, poet and historian

Mona Lisa Bubble Gum
Taudalpoi

Glitched Leonardo da Vinci's Lady with an Ermine
The Art Concept

Meowlisa
Dikhotomy

Medusa, by Leonardo da Vinci
The chief of the Gorgons, her face is so terrible that anyone who sees it is turned to stone, : but Perseus slays her by looking in a mirror as he removes her head

Self-Portrait (Lucan portrait), ca. 1505-1510. Found in the collection of Museo delle Antiche Genti di Lucania

The Madonna with the Laughing Child, 1928. Artist: Leonardo da Vinci
The Madonna with the Laughing Child, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Nude Man With Arms Stretched Out, Seen from the Front, c1480 (1945). Artist: Leonardo da Vinci
Nude Man With Arms Stretched Out, Seen from the Front, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of the Legs of a Man Lunging to the Right, c1480 (1945). Artist: Leonardo da Vinci
Study of the Legs of a Man Lunging to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Head of the Virgin - Virgin and Child with St. Anne and Infant St. John, c1480 (1945). Artist: Leonardo da Vinci
Head of the Virgin - Virgin and Child with St. Anne and Infant St. John, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Three Studies of the Paws of a Dog or Wolf, c1480 (1945). Artist: Leonardo da Vinci
Three Studies of the Paws of a Dog or Wolf, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of the Drapery of a Figure Seated to Right, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Drapery of a Figure Seated to Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

The Virgin of the Rocks (detail), c1491. Artist: Leonardo da Vinci
The Virgin of the Rocks (detail), c1491. This painting is part of the group of panels from the S. Francesco Altarpiece, Milan. Held at The National Gallery, London. From The Studio Volume 117

Anatomical drawing, c1472-c1519 (1883). Artist: Leonardo da Vinci
Anatomical drawing, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Drawing of churches, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of churches, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Giant crossbow, 1480-1485 (1954). Artist: Leonardo da Vinci
Giant crossbow, 1480-1485 (1954). Codex Atlanticus, 53v-b. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Title Page: Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum, 1786

Group of naked men engaged in battle in a wooded landscape, some on horseback; a dog at lower left. 1517

Mona Lisa (La Joconde), 1820-60. Creator: Augustine Fauchery
Mona Lisa (La Joconde), 1820-60

Jesus said, - one of you that eateth with me shall betray me, mid 19th century. Creator
Jesus said, - one of you that eateth with me shall betray me, mid 19th century. Biblical scene, from Mark 14: 18: And as they sat and did eat, Jesus said, Verily I say unto you

A scene in an arsenal, c1485-1490, (1943). Creator: Leonardo da Vinci
A scene in an arsenal, c1485-1490, (1943). Nude male figures hoisting a cannon with a pulley in a military storeyard or arsenal

Portrait of a Man in Red Chalk, c1512, (1932). Artist: Leonardo da Vinci
Portrait of a Man in Red Chalk, c1512, (1932). From the collection of the Biblioteca Reale, Turin. From Master Draughtsmen No. 2 - Leonardo Da Vinci 1452-1519

Drawing of Two Halves of a Skull, c1480 (1945). Artist: Leonardo da Vinci
Drawing of Two Halves of a Skull, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Profile to the Right of an Bearded Man, c1480 (1945). Artist: Leonardo da Vinci
Profile to the Right of an Bearded Man, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Grotesque Head of a Man Turned Three-Quarters to the Right, c1480 (1945). Artist: Leonardo da Vinci
Grotesque Head of a Man Turned Three-Quarters to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of a Horse, its Near Hind-Leg and its Hind-Quarters, c1480 (1945). Artist: Leonardo da Vinci
Study of a Horse, its Near Hind-Leg and its Hind-Quarters, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Two Allegories of Envy, c1480 (1945). Artist: Leonardo da Vinci
Two Allegories of Envy, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies for a Madonna and Child with a Cat, 1478-1480 (1945). Artist: Leonardo da Vinci
Studies for a Madonna and Child with a Cat, 1478-1480 (1945). The drawing is held by the Musee Bonnat, Bayonne, France. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of the Drapery of a Woman Kneeling to the Left, c1477 (1945). Artist: Leonardo da Vinci
Study of the Drapery of a Woman Kneeling to the Left, c1477 (1945). The drawing is held by the Corsini Gallery, Rome. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Spray of a Plant, c1480 (1945). Artist: Leonardo da Vinci
A Spray of a Plant, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Mona Lisa, c16th century, (1911). Copy of famous portrait of Lisa Gherardini, wife of Francesco del Giocondo, from original work by Leonardo di ser Piero da Vinci (1452-1519)

Diagram illustrating the theory of light and shade and sketches of figures, c1472-c1519 (1883)
Diagram illustrating the theory of light and shade and sketches of figures illustrating the movements of the human body, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol

Study for the head of Christ for The Last Supper, c1495, (1911). Artist: Leonardo da Vinci
Study for the head of Christ for The Last Supper, c1495. Painting held in the Pinacoteca di Brera, Milan. From A History of Painting Vol. 1 by Haldane MacFall [T.C. and E.C

Scaramuccia, 1500-1505 (1954). Artist: Leonardo da Vinci
Scaramuccia, 1500-1505 (1954). Found in the collection of Christ Church Library, Oxford. A print from Leonardo da Vinci by Ludwig H Heydenreich, (London, 1954)

Cartoon of St Anne with Madonna and Child and St John, 15th century (1930). Artist: Leonardo da Vinci
Cartoon of St Anne with Madonna and Child and St John, 15th century (1930). From Apollo magazine, volume XII, no 71 (November 1930)

Proportions of the human figure, c1492, (1936). Artist: Albrecht Durer
Proportions of the human figure, c1492, (1936). Vitruvian Man. Found in the collection of the Galleria dell Accademia, Venice, Italy

Cesenatico, Forla-Cesena province, Emilia Romagna, Italy, Europe
Cesenatico, ForlA-Cesena province, Emilia Romagna, Italy, Europe. Traditional sailboats in Porto Canale Leonardesco

Leonardo da Vinci
Portrait of artist Leonardo da Vinci. Digitally colored 19th-century photograph of a portrait

Monday Lisa
Artem Pozdniakov

Monday Lisa
Artem Pozdniakov

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Leonardo da Vinci, the legendary artist and inventor of the Renaissance era, continues to captivate us with his remarkable works. From his iconic masterpiece "The Last Supper" to his intriguing sketches and designs, Leonardo's genius knows no bounds. One of his lesser-known creations is the "Head of a Bear, " a striking artwork created around 1480. With meticulous attention to detail, Leonardo captures the essence and power of this majestic creature, showcasing his mastery in portraying nature's beauty. But it wasn't just art that fascinated Leonardo; he was also an innovator ahead of his time. His helicopter design showcases his visionary mind as he explored flight possibilities centuries before its realization. The intricate details in this design reveal Leonardo's fascination with engineering and pushing boundaries. In addition to helicopters, Leonardo delved into anatomical studies like "Studies of an ox heart. " Through pen and ink drawings, he meticulously examined the inner workings of organs, displaying both scientific accuracy and artistic finesse. These studies demonstrate how Leonardo seamlessly blended science with artistry. Another renowned work attributed to him is "Portrait of Cecilia Gallerani, " commonly known as "Lady with an Ermine. " This captivating painting showcases not only technical brilliance but also reveals Leonardo's ability to capture human emotion through portraiture. His contribution extended beyond paintings; frescoes like "School of Athens" exemplify how he influenced other artists during that period. This monumental piece depicts philosophers from different eras engaging in intellectual discourse within a grand architectural setting—an ode to knowledge itself. Amongst all these incredible achievements are various machines designed by Leonardo himself—flying machines operated by springs or even helicopters. These inventions highlight his insatiable curiosity for exploration and innovation—a testament to why he remains one of history's greatest minds. Even in studying life at its earliest stages, such as pen and ink studies depicting human fetuses or exploring anatomy further within anatomic studios, we witness Leonardo's unwavering dedication to understanding the intricacies of existence.