Leonardo Collection (#9)

Studies of Asses and of an Ox, c1480 (1945). Artist: Leonardo da Vinci
Studies of Asses and of an Ox, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of the Perspective of the Background of the Adoration of the Magi, 1481 (1945). Artist: Leonardo da Vinci
Study of the Perspective of the Background of the Adoration of the Magi, 1481 (1945). The drawing is held by the Galleria degli Uffizi, Florence. From The Drawings of Leonardo da Vinci

Group of Figures in Conversation, c1480 (1945). Artist: Leonardo da Vinci
Group of Figures in Conversation, c1480 (1945). The drawing is held by the Royal Library, Windsor. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Three Seated Figures and Studies of Machinery, 1480-1481 (1945). Artist: Leonardo da Vinci
Three Seated Figures and Studies of Machinery, 1480-1481 (1945). The drawing is held by the Ashmolean Museum, Oxford. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Two Figures in Conversation, c1480 (1945). Artist: Leonardo da Vinci
Two Figures in Conversation, c1480 (1945). The drawing is held by the Royal Library, Windsor. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Draped Figure, Studies of Machinery Etc. c1480 (1945). Artist: Leonardo da Vinci
A Draped Figure, Studies of Machinery Etc. c1480 (1945). The drawing is held by the Galleria degli Uffizi, Florence. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Various Groups and Single Figures, c1480 (1945). Artist: Leonardo da Vinci
Various Groups and Single Figures, c1480 (1945). The drawing is held by the Ecole nationale superieure des Beaux-Arts de Paris, Paris. From The Drawings of Leonardo da Vinci

Studies of Single Figures and of a Profile, c1480 (1945). Artist: Leonardo da Vinci
Studies of Single Figures and of a Profile, c1480 (1945). The drawing is held by the British Museum, London. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Machine for Shaping Iron Rods for Making Cannon, c1480 (1945). Artist: Leonardo da Vinci
Machine for Shaping Iron Rods for Making Cannon, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Drawings of a Square Castle, c1480 (1945). Artist: Leonardo da Vinci
Drawings of a Square Castle, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945] From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Drawing of a Flying Machine with a Man Operating It, c1480 (1945). Artist: Leonardo da Vinci
Drawing of a Flying Machine with a Man Operating It, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of Violas and of Methods of Soldering Lead Roofs, c1480 (1945). Artist: Leonardo da Vinci
Studies of Violas and of Methods of Soldering Lead Roofs, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Lily, c1480 (1945). Artist: Leonardo da Vinci
A Lily, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Rocks and Stream, c1480 (1945). Artist: Leonardo da Vinci
Rocks and Stream, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of the Back View of a Skeleton, Showing the Tendons of the Neck, c1480 (1945). Artist: Leonardo da Vinci
Study of the Back View of a Skeleton, Showing the Tendons of the Neck, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Two Studies of the Upper Part of an Old Man and Two Studies of Arms, c1480 (1945). Artist: Leonardo da Vinci
Two Studies of the Upper Part of an Old Man and Two Studies of Arms, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Six Studies of an Arm Showing in Three Cases the Bones, c1480 (1945). Artist: Leonardo da Vinci
Six Studies of an Arm Showing in Three Cases the Bones, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of the Head of Cesare Borgia from Three Points of View, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Head of Cesare Borgia from Three Points of View, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of the Drapery of a Figure Seated to the Left, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Drapery of a Figure Seated to the Left, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of the Drapery of a Seated Figure to the Right, c1480 (1945). Artist: Leonardo da Vinci
Study of the Drapery of a Seated Figure to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of a Child and Parts of a Child, c1480 (1945). Artist: Leonardo da Vinci
Studies of a Child and Parts of a Child, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Head of a Woman Three-Quarters to the Left, c1480 (1945). Artist: Leonardo da Vinci
Head of a Woman Three-Quarters to the Left, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of Infants, c1480 (1945). Artist: Leonardo da Vinci
Studies of Infants, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Head of the Infant Jesus - Virgin and Child with St. Anne and Infant St. John, c1480 (1945). Artist: Leonardo da Vinci
Head of the Infant Jesus - Virgin and Child with St. Anne and Infant St. John, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Implements Rained Down the Earth from the Clouds, c1480 (1945). Artist: Leonardo da Vinci
Implements Rained Down the Earth from the Clouds, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Sheet of Pictographs, c1480 (1945). Artist: Leonardo da Vinci
Sheet of Pictographs, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Sketch of Three Figures, c1480 (1945). Artist: Leonardo da Vinci
Sketch of Three Figures, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Group of Figures, c1480 (1945). Artist: Leonardo da Vinci
Group of Figures, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Three Emblems, c1480 (1945). Artist: Leonardo da Vinci
Three Emblems, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Geometrical Figures and Designs for Allegorical Representations, c1480 (1945). Artist: Leonardo da Vinci
Geometrical Figures and Designs for Allegorical Representations, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Allegorical Representation, c1480 (1945). Artist: Leonardo da Vinci
Allegorical Representation, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Allegory of the Lizard Symbolizing Truth, c1480 (1945). Artist: Leonardo da Vinci
Allegory of the Lizard Symbolizing Truth, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Allegory: Animals Fighting and a Man with a Burning-Glass, c1480 (1945). Artist: Leonardo da Vinci
Allegory: Animals Fighting and a Man with a Burning-Glass, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

The Unmasking of Envy, c1480 (1945). Artist: Leonardo da Vinci
The Unmasking of Envy, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

The Ermine as a Symbol of Purity, c1480 (1945). Artist: Leonardo da Vinci
The Ermine as a Symbol of Purity, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of Figures and of Decoration, c1480 (1945). Artist: Leonardo da Vinci
Studies of Figures and of Decoration, c1480 (1945). The drawing is held by the Musee Bonnat, Bayonne. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of Figures and a Group of Figures, c1500 (1945). Artist: Leonardo da Vinci
Studies of Figures and a Group of Figures, c1500 (1945). The drawing is held by the Wallraf Museum, Cologne. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Group of Figures Conversing at a Table, Two Figures in Conversation and Others, 1481-1483 (1945). The drawing is held by the Musee du Louvre, Paris. From The Drawings of Leonardo da Vinci

Six Studies of Figures, 1481-1483 (1945). Artist: Leonardo da Vinci
Six Studies of Figures, 1481-1483 (1945). The drawing is held by the Musee du Louvre, Paris. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Adoration of the Kings: Composition Sketch, 1478-1481 (1945). Artist: Leonardo da Vinci
Adoration of the Kings: Composition Sketch, 1478-1481 (1945). The drawing is held by the Musee du Louvre, Paris. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of Figures and Putti for an Adoration, c1481 (1945). Artist: Leonardo da Vinci
Studies of Figures and Putti for an Adoration, c1481 (1945). The drawing is held by the Hamburger Kunsthalle, Hamburg. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Kneeling Youth and Putti, c1480 (1945). Artist: Leonardo da Vinci
Kneeling Youth and Putti, c1480 (1945). The drawing is held by the Gallerie dell Accademia, Venice. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Adoration of the Shepherd and Separate Study of a Shepherd, c1480 (1945). Artist: Leonardo da Vinci
Adoration of the Shepherd and Separate Study of a Shepherd, c1480 (1945). The drawing is held by the Musee Bonnat, Bayonne. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Madonna Adoring the Infant Christ and Other Figures, c1480 (1945). Artist: Leonardo da Vinci
Madonna Adoring the Infant Christ and Other Figures, c1480 (1945). The drawing is held by the Gallerie dell Accademia, Venice. From The Drawings of Leonardo da Vinci

Adoration of the Magi - Horsemen in the middle distance on the left, c1481 (1945). Artist: Leonardo da Vinci
Adoration of the Magi - Horsemen in the middle distance on the left, c1481 (1945). The painting is held by the Uffizi Gallery, Florence. From The Drawings of Leonardo da Vinci

Adoration of the Magi - Angels behind the Virgin, c1481 (1945). Artist: Leonardo da Vinci
Adoration of the Magi - Angels behind the Virgin, c1481 (1945). The painting is held by the Uffizi Gallery, Florence. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Adoration of the Magi - Battle of horsemen in the distance on the right, c1481 (1945). Artist: Leonardo da Vinci
Adoration of the Magi - Battle of horsemen in the distance on the right, c1481 (1945). The painting is held by the Uffizi Gallery, Florence. From The Drawings of Leonardo da Vinci

Adoration of the Magi - Architecture and figures in the background on the left, c1481 (1945). Artist: Leonardo da Vinci
Adoration of the Magi - Architecture and figures in the background on the left, c1481 (1945). The painting is held by the Uffizi Gallery, Florence. From The Drawings of Leonardo da Vinci

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Leonardo da Vinci, the legendary artist and inventor of the Renaissance era, continues to captivate us with his remarkable works. From his iconic masterpiece "The Last Supper" to his intriguing sketches and designs, Leonardo's genius knows no bounds. One of his lesser-known creations is the "Head of a Bear, " a striking artwork created around 1480. With meticulous attention to detail, Leonardo captures the essence and power of this majestic creature, showcasing his mastery in portraying nature's beauty. But it wasn't just art that fascinated Leonardo; he was also an innovator ahead of his time. His helicopter design showcases his visionary mind as he explored flight possibilities centuries before its realization. The intricate details in this design reveal Leonardo's fascination with engineering and pushing boundaries. In addition to helicopters, Leonardo delved into anatomical studies like "Studies of an ox heart. " Through pen and ink drawings, he meticulously examined the inner workings of organs, displaying both scientific accuracy and artistic finesse. These studies demonstrate how Leonardo seamlessly blended science with artistry. Another renowned work attributed to him is "Portrait of Cecilia Gallerani, " commonly known as "Lady with an Ermine. " This captivating painting showcases not only technical brilliance but also reveals Leonardo's ability to capture human emotion through portraiture. His contribution extended beyond paintings; frescoes like "School of Athens" exemplify how he influenced other artists during that period. This monumental piece depicts philosophers from different eras engaging in intellectual discourse within a grand architectural setting—an ode to knowledge itself. Amongst all these incredible achievements are various machines designed by Leonardo himself—flying machines operated by springs or even helicopters. These inventions highlight his insatiable curiosity for exploration and innovation—a testament to why he remains one of history's greatest minds. Even in studying life at its earliest stages, such as pen and ink studies depicting human fetuses or exploring anatomy further within anatomic studios, we witness Leonardo's unwavering dedication to understanding the intricacies of existence.