Los Caprichos Collection

Plate 80 from Los Caprichos : It is time (Ya es hora. ), 1799. Creator: Francisco Goya
Plate 80 from Los Caprichos : It is time (Ya es hora.), 1799

Pllate 60 from Los Caprichos : Trials (Ensayos. ), 1799. Creator: Francisco Goya
Pllate 60 from Los Caprichos : Trials (Ensayos.), 1799

Plate 25 from Los Caprichos : If he broke the pot (Si quebroel Cantaro. ), 1799
Plate 25 from Los Caprichos : If he broke the pot (Si quebro el Cantaro.), 1799

GOYA Y LUCIENTES, Francisco de (1746-1828). Wrong. Until Death. 1799. (21 x 15 cm)
CUL4874729 GOYA Y LUCIENTES, Francisco de (1746-1828). Wrong. Until Death. 1799. (21 x 15 cm). Plate 55 of " Los Caprichos", etching and burnished aquatint. Romanticism. Engraving. Etching

GOYA Y LUCIENTES, Francisco de (1746-1828). It is time. 1797-1799. (21 x 14'5 cm)
CUL4877269 GOYA Y LUCIENTES, Francisco de (1746-1828). It is time. 1797-1799. (21 x 14'5 cm). Plate 80 of " Los Caprichos", etching, burnished aquatint, drypoint and chisel

Pretty Teacher. 1793-1799 (aquatint)
CUL4874399 Pretty Teacher. 1793-1799 (aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 20x14 cm; Biblioteca Nacional, Madrid, Spain; (add.info.: By GOYA Y LUCIENTES)

Who Would Have Thought It! (Quien lo creyera!), 1794-1796 (etching and aquatint)
1066732 Who Would Have Thought It! (Quien lo creyera!), 1794-1796 (etching and aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 18.7x13.2 cm; Dallas Museum of Art, Texas

"May God forgive her: it was her mother", 1797 (etching and aquatint)
BOO74012 " May God forgive her: it was her mother", 1797 (etching and aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 17.6x12.6 cm; State Hermitage Museum, St

Wonderful advice. 1799. (20 5 x 14 5 cm). Capricho plate 15, etching
CUL4870797 Wonderful advice. 1799. (20 5 x 14 5 cm). Capricho plate 15, etching, burnished aquatint and chisel (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20, 5x14

The Sleep of Reason Produces Monsters by Francisco Goya, 1799 (etching with aquatint)
3036385 The Sleep of Reason Produces Monsters by Francisco Goya, 1799 (etching with aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); (add.info.: The Sleep of Reason Produces Monsters)

Two of a Kind (Tal para Qual), 1799 (etching, aquatint & drypoint)
1071366 Two of a Kind (Tal para Qual), 1799 (etching, aquatint & drypoint) by Goya y Lucientes, Francisco Jose de (1746-1828); 19.7x14.6 cm; Dallas Museum of Art, Texas

Those Specks of Dust (Aquellos Polbos), 1799 (drypoint, etching & aquatint)
1066859 Those Specks of Dust (Aquellos Polbos), 1799 (drypoint, etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 18.6x13.2 cm; Dallas Museum of Art, Texas

The Filiation (La Filiacion), 1799 (etching)
1071368 The Filiation (La Filiacion), 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.6x15.2 cm; Dallas Museum of Art, Texas, USA; Foundation for the Arts

Plate 79 from Los Caprichos : No one has seen us (Nadie nos ha visto. ), 1799
Plate 79 from Los Caprichos : No one has seen us (Nadie nos ha visto.), 1799

Plate 78 from Los Caprichos : Be quick, they are waking up (Despacha, que dispiertan.), 1799

Plate 77 from Los Caprichos : What one does to another (Unos aotros. ), 1799
Plate 77 from Los Caprichos :What one does to another (Unos a otros.), 1799

Plate 76 from Los Caprichos : You understand?... well, as I say
Plate 76 from Los Caprichos :You understand?... well, as I say... eh! Look out! otherwise... (Esta Umd...pues, Como digo..eh! Cuidado! si no...), 1799

Plate 75 from Los Caprichos : Is there no one to untie us? (No hay quien nos desate?), 1799

Plate 74 from Los Caprichos : Don t scream, stupid (No grites, tonta), 1799

Plate 72, from Los Caprichos : You will not escape (No te escaparas. ), 1799
Plate 72, from Los Caprichos : You will not escape (No te escaparas.), 1799

Plate 71 from Los Caprichos : When day breaks we will be off (Si amanece; nos Vamos.), 1799

Plate 70 from Los Caprichos : Devout Profession (Devota profesion. ), 1799
Plate 70 from Los Caprichos : Devout Profession (Devota profesion.), 1799

Plate 67 from Los Caprichos : Wait till you ve been anointed (Aguarda que te unten.), 1799

Plate 65 from Los Caprichos : Where is mom going? (Donde vamama?), 1799
Plate 65 from Los Caprichos :Where is mom going? (Donde va mama?), 1799

Bon Voyage (Buen Viage), from The Caprices (Los Caprichos), plate 64, 1799

Plate 61 from Los Caprichos : They have flown (Volaverunt. ), 1799
Plate 61 from Los Caprichos : They have flown (Volaverunt.), 1799

Plate 56 from Los Caprichos : To rise and to fall (Subir y bajar. ), 1799
Plate 56 from Los Caprichos :To rise and to fall (Subir y bajar.), 1799

Plate 64 from Los Caprichos : Bon voyage (Buen Viage. ), 1799. Creator: Francisco Goya
Plate 64 from Los Caprichos : Bon voyage (Buen Viage.), 1799

Plate 62 from Los Caprichos : Who would have thought it? (Quien lo creyera!), 1799

Plate 59 from Los Caprichos : And still they don t go! (Y aun no se van!), 1799

Plate 57 from Los Caprichos : The filiation (La filiacion. ), 1799
Plate 57 from Los Caprichos :The filiation (La filiacion.), 1799

Plate 53 from Los Caprichos : What a golden beak! (Que pico de Oro!), 1799
Plate 53 from Los Caprichos :What a golden beak! (Que pico de Oro!), 1799

Plate 52 from Los Caprichos : What a tailor can do! (Lo que puede un Sastre!), 1799

Plate 51 from Los Caprichos : They spruce themselves up (Se repulen. ), 1799
Plate 51 from Los Caprichos : They spruce themselves up (Se repulen.), 1799

Plate 43 from Los Caprichos : The sleep of reason produces monsters (El sueno de la razon produce monstruos), 1799, published 1908-12

Plate 41 from Los Caprichos : Neither more nor less (Ni mas ni menos. ), 1799
Plate 41 from Los Caprichos : Neither more nor less (Ni mas ni menos.), 1799

Plate 50 from Los Caprichos : The Chinchillas (Los Chinchillas. ), 1799
Plate 50 from Los Caprichos : The Chinchillas (Los Chinchillas.), 1799

Plate 49 from Los Caprichos : Hobgoblins (Duendecitos. ), 1799. Creator: Francisco Goya
Plate 49 from Los Caprichos : Hobgoblins (Duendecitos.), 1799

Plate 48 from Los Caprichos : Tale-Bearers-Blasts of Wind (Soplones. ), 1799
Plate 48 from Los Caprichos : Tale-Bearers-Blasts of Wind (Soplones.), 1799

Plate 42 from Los Caprichos : Thou who canst not (Tu que no puedes. ), 1799
Plate 42 from Los Caprichos : Thou who canst not (Tu que no puedes.), 1799

Plate 40 from Los Caprichos : Of what ill will he die? (De que mal morira?), 1799

Plate 39 from Los Caprichos : And so was his grandfather. (Asta su Abuelo. ), 1799
Plate 39 from Los Caprichos : And so was his grandfather. (Asta su Abuelo.), 1799

Plate 37 from Los Caprichos : Might not the pupil know more? (Si Sabra mas el discipulo?), 1799

Plate 33 from Los Caprichos : To the Count Palatine (Al Conde Palatino. ), 1799
Plate 33 from Los Caprichos :To the Count Palatine (Al Conde Palatino.), 1799

Plate 30 from Los Caprichos : Why hide them? (Porque esconderlos?), 1799

Plate 28 from Los Caprichos : Hush (Chiton. ), 1799. Creator: Francisco Goya
Plate 28 from Los Caprichos : Hush (Chiton.), 1799

Plate 24 from Los Caprichos : Nothing could be done about It (Nohubo remedio. ), 1799
Plate 24 from Los Caprichos : Nothing could be done about It (Nohubo remedio.), 1799

Plate 18 from Los Caprichos : And his house is on fire (Ysele quema la Casa. ), 1799
Plate 18 from Los Caprichos :And his house is on fire (Ysele quema la Casa.), 1799

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"Los Caprichos: Exploring the Dark and Whimsical World of Francisco Goya" Step into the captivating world of Francisco Goya's "Los Caprichos, " a series of prints that delve into the complexities of human nature. In Plate 80, titled "It is time (Ya es hora. ), " created in 1799, Goya confronts society's need for change and progression. The image serves as a powerful reminder that transformation is necessary. Plate 60, known as "Trials (Ensayos. ), " also from 1799, showcases Goya's ability to capture the essence of struggle and adversity. Through his masterful use of etching and aquatint techniques, he portrays individuals facing their own personal trials with resilience and determination. In Plate 25, aptly named "If he broke the pot (Si quebroel Cantaro. ), " we witness a moment frozen in time. Goya captures the consequences of one's actions with striking precision, reminding us that every decision has its repercussions. Goya's genius extends beyond Los Caprichos; his work encompasses various themes and styles. In "Wrong. Until Death. " from 1799, measuring just 21 x 15 cm, he combines etching and burnished aquatint to convey an eerie sense of romanticism. This piece leaves viewers pondering their own mortality. "It is time, " another print from Los Caprichos dating back to 1797-1799, measures only slightly larger at 21 x14'5 cm but carries immense weight through its intricate details achieved using etching, burnished aquatint, drypoint, and chisel techniques. It serves as a poignant reflection on the passage of time itself. Amongst these works lies "Pretty Teacher, " an aquatint print created between 1793-1799 which reveals societal norms surrounding education during this era while subtly critiquing the role of women in teaching.