Los Caprichos Collection (#2)

Plate 40 from Los Caprichos : Of what ill will he die? (De que mal morira?), 1799

Plate 39 from Los Caprichos : And so was his grandfather. (Asta su Abuelo. ), 1799
Plate 39 from Los Caprichos : And so was his grandfather. (Asta su Abuelo.), 1799

Plate 37 from Los Caprichos : Might not the pupil know more? (Si Sabra mas el discipulo?), 1799

Plate 33 from Los Caprichos : To the Count Palatine (Al Conde Palatino. ), 1799
Plate 33 from Los Caprichos :To the Count Palatine (Al Conde Palatino.), 1799

Plate 30 from Los Caprichos : Why hide them? (Porque esconderlos?), 1799

Plate 28 from Los Caprichos : Hush (Chiton. ), 1799. Creator: Francisco Goya
Plate 28 from Los Caprichos : Hush (Chiton.), 1799

Plate 24 from Los Caprichos : Nothing could be done about It (Nohubo remedio. ), 1799
Plate 24 from Los Caprichos : Nothing could be done about It (Nohubo remedio.), 1799

Plate 18 from Los Caprichos : And his house is on fire (Ysele quema la Casa. ), 1799
Plate 18 from Los Caprichos :And his house is on fire (Ysele quema la Casa.), 1799

Plate 16 from Los Caprichos : For heavens sake: and it was her mother (Dios la Perdone
Plate 16 from Los Caprichos :For heavens sake: and it was her mother (Dios la Perdone: Y era su madre), 1799

Plate 13 from Los Caprichos : They are Hot (Estan Calientes), 1797-98
Plate 13 from Los Caprichos :They are Hot (Estan Calientes), 1797-98

Plate 9 from Los Caprichos : Tantalus (Tantalo. ), 1799. Creator: Francisco Goya
Plate 9 from Los Caprichos : Tantalus (Tantalo.), 1799

Plate 12 from Los Caprichos : Out hunting for teeth (A caza de dientes. ), 1799
Plate 12 from Los Caprichos : Out hunting for teeth (A caza de dientes.), 1799

Plate 10 from Los Caprichos : Love and death (El amor y la muerte), 1799

Plate 3 from Los Caprichos : Here comes the bogey-man (Que viene el Coco. ), 1799
Plate 3 from Los Caprichos : Here comes the bogey-man (Que viene el Coco.), 1799

Plate 1 from Los Caprichos : Self-portrait of Goya ( Franco. Goya e Lucientes, Pintor), 1799

Plate 6 from Los Caprichos : Nobody knows himself (Nadie se conoce. ), 1799
Plate 6 from Los Caprichos : Nobody knows himself (Nadie se conoce.), 1799

Plate 4 from Los Caprichos : Nannys boy (El de la rollona. ), 1799
Plate 4 from Los Caprichos : Nannys boy (El de la rollona.), 1799

Plate 2 from Los Caprichos : They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega), 1799

Of what ill will he die? (Capricho No 40). Artist: Goya, Francisco, de (1746-1828)
Of what ill will he die? (Capricho No 40). Private Collection

Linda Maestra! or Pretty Teacher! A young witch teaches an old man to fly. After the work by Francisco Goya, Capricho number 68. Goya created the 80 prints of Los Caprichos in 1797-1798

El Sueno De La Razon Produce Monstruos - The Dream of Reason Produces Monsters. By Francisco de Goya, Number 43 from his series Los Caprichos

Caprices Spin Finely Los Caprichos Hilan Delgado
The Caprices: They Spin Finely (Los Caprichos: Hilan Delgado), 1799. Francisco de Goya (Spanish, 1746-1828). Etching, aquatint, drypoint

Los Caprichos Caprichos Bad Night 1799 Francisco de Goya
Los Caprichos: The Caprichos: A Bad Night, 1799. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint; sheet: 26.3 x 20 cm (10 3/8 x 7 7/8 in.); image

Plate 27 from Los Caprichos : Which of them is the more overcome? (Quien mas rendido
Plate 27 from Los Caprichos :Which of them is the more overcome? (Quien mas rendido?), 1799

Duendecitos. (Hobgoblins). From Los Caprichos, 1797-1798. Artist: Goya, Francisco, de (1746-1828)
Duendecitos. (Hobgoblins). From Los Caprichos, 1797-1798. Private Collection

The Sleep of Reason Produces Monsters. (Capricho No 43). Artist: Goya, Francisco, de (1746-1828)
The Sleep of Reason Produces Monsters. (Capricho No 43). Found in the collection of State Hermitage, St. Petersburg

The shameful one (Capricho No 54). Artist: Goya, Francisco, de (1746-1828)
The shameful one (Capricho No 54). Found in the collection of Real Academia de Bellas Artes de San Fernando, Madrid

Que sacrificio! (What a Sacrifice!). (Capricho No 14), 1797-1798. Artist: Goya, Francisco, de (1746-1828)
Que sacrificio! (What a Sacrifice!). (Capricho No 14), 1797-1798. Found in the collection of the State Hermitage, St. Petersburg

Drawings Prints, Print, What sacrifice, young woman, surrounded, group, men, fiance
Drawings and Prints, Print, What a sacrifice, a young woman surrounded by a group of men, which includes her fiance, a rich hunchback, copy in reverse of Goyas Plate 14 from Los Caprichos, Artist

Plate 70 Los Caprichos Devout Profession Devota profesion
Artokoloro

Plate 55 Los Caprichos Until death Hasta la muerte
Artokoloro

Plate 38 Los Caprichos Bravo! Brabisimo! 1799
Artokoloro

Plate 62 Los Caprichos thought ? Quien lo creyera
Artokoloro

Pllate 60 Los Caprichos Trials Ensayos 1799 Etching
Artokoloro

Two of a Kind, plate 5 from Los Caprichos, published in 1799 (etching)
XJF441964 Two of a Kind, plate 5 from Los Caprichos, published in 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); Private Collection; (add.info)

Capriccio Scene: Animals in the Sky (oil on canvas)
XIR203357 Capriccio Scene: Animals in the Sky (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Musee des Beaux-Arts, Agen, France; Spanish, out of copyright

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"Los Caprichos: Exploring the Dark and Whimsical World of Francisco Goya" Step into the captivating world of Francisco Goya's "Los Caprichos, " a series of prints that delve into the complexities of human nature. In Plate 80, titled "It is time (Ya es hora. ), " created in 1799, Goya confronts society's need for change and progression. The image serves as a powerful reminder that transformation is necessary. Plate 60, known as "Trials (Ensayos. ), " also from 1799, showcases Goya's ability to capture the essence of struggle and adversity. Through his masterful use of etching and aquatint techniques, he portrays individuals facing their own personal trials with resilience and determination. In Plate 25, aptly named "If he broke the pot (Si quebroel Cantaro. ), " we witness a moment frozen in time. Goya captures the consequences of one's actions with striking precision, reminding us that every decision has its repercussions. Goya's genius extends beyond Los Caprichos; his work encompasses various themes and styles. In "Wrong. Until Death. " from 1799, measuring just 21 x 15 cm, he combines etching and burnished aquatint to convey an eerie sense of romanticism. This piece leaves viewers pondering their own mortality. "It is time, " another print from Los Caprichos dating back to 1797-1799, measures only slightly larger at 21 x14'5 cm but carries immense weight through its intricate details achieved using etching, burnished aquatint, drypoint, and chisel techniques. It serves as a poignant reflection on the passage of time itself. Amongst these works lies "Pretty Teacher, " an aquatint print created between 1793-1799 which reveals societal norms surrounding education during this era while subtly critiquing the role of women in teaching.