Luke Collection (#2)

The Annunciation, 1475. Creator: Gentile Bellini
The Annunciation, 1475.

The Immaculate Conception, 1608. Creators: El Greco, Jorge Manuel Theotocopuli
The Immaculate Conception, 1608.

The Annunciation, 1596. Creator: El Greco
The Annunciation, 1596.

The Annunciation, 1576. Creator: El Greco
The Annunciation, 1576.

The Supper at Emmaus, 1633. Creator: Matthias Stomer
The Supper at Emmaus, 1633.

Clothing the Naked, 1470. Creator: Master of the View of Saint Gudule
Clothing the Naked, 1470.

The Annunciation, 1520. Creator: Jan de Beer
The Annunciation, 1520.

Saint Luke the Evangelist, 1478. Creator: Gabriel Malesskircher
Saint Luke the Evangelist, 1478.

Christ at Emmaus: the smaller plate, 1634. Creator: Rembrandt Harmensz van Rijn
Christ at Emmaus: the smaller plate, 1634.

The way to Emmaus, no.2, 1914. Creator: William Strang
The way to Emmaus, no.2, 1914. In this scene, the resurrected Christ has found two disciples on the road to Emmaus who are dressed like working-class contemporaries of Strang

Virgin Mary visiting her cousin Elizabeth, c.1808 (engraving)
535429 Virgin Mary visiting her cousin Elizabeth, c.1808 (engraving); (add.info.: Virgin Mary visiting her cousin Elizabeth who calls out Blessed art thou among women on learning that Mary is)

Adoration of the Sheperds, c.1808 (engraving)
535423 Adoration of the Sheperds, c.1808 (engraving); (add.info.: Adoration of the Sheperds'. Mary, Joseph, the Shepherds and the Christ child in swaddling bands in the stable. Bible Luke 2.16)

The Annunciation, 1808 (engraving)
535953 The Annunciation, 1808 (engraving); (add.info.: The Annunciation. The archangel Gabriel appearing to the Virgin Mary, telling her she will bear Jesus Christ. Bible Luke 1. 30)

French 19th century. illustration. showing the crucified Christ
5306364 French 19th century. illustration. showing the crucified Christ; Universal History Archive/UIG

St Luke the Evangelist writing his gospel, c.1808 (engraving)
535426 St Luke the Evangelist writing his gospel, c.1808 (engraving); (add.info.: St Luke the Evangelist writing his gospel. Bible Luke 1.3. Patron saint of artists and physicians)

Return of the Prodigal Son Bible Luke 15:20. From Gustave Dore illustrated Bible 1865-6. Wood engraving
537634 Return of the Prodigal Son Bible Luke 15:20. From Gustave Dore illustrated Bible 1865-6. Wood engraving; (add.info.: Return of the Prodigal Son Bible Luke 15:20)

Christ as a boy discussing with the doctors in the Temple. Luke:2. Mid-19th century (chromolithograph)
537224 Christ as a boy discussing with the doctors in the Temple. Luke:2. Mid-19th century (chromolithograph); Universal History Archive/UIG

Jesus with Mary and Martha. Bible: Luke X. 42. Wood engraving c1870
535938 Jesus with Mary and Martha. Bible: Luke X. 42. Wood engraving c1870; (add.info.: Jesus with Mary and Martha. Bible: Luke X. 42. Wood engraving c1870); Universal History Archive/UIG

Wall paintings with Saint Matthew and Saint Luke
1278465 Wall paintings with Saint Matthew and Saint Luke; Eglise St Pierre, Les-Riceys, France; (add.info.: Les-Riceys, Eglise St Pierre, France)

Mary Magdalene seeing the apparition of the risen Jesus Christ, c.1500 (engraving)
535911 Mary Magdalene seeing the apparition of the risen Jesus Christ, c.1500 (engraving); (add.info.: in left background angels are shown in the sepulchre. Woodcut c1500)

Crucifixion scene: detail of relief from the top of the hexagonal pulpit designed by Giovanni Pisano (1245-1329)
BEN85041 Crucifixion scene: detail of relief from the top of the hexagonal pulpit designed by Giovanni Pisano (1245-1329), c.1297 (marble) (detail of 77020); Sant'Andrea, Pistoia

Portrait of Queen Alexandra of Denmark (1844-1925), c. 1905. Creator: Fildes, Luke, (after) (1844-1927)
Portrait of Queen Alexandra of Denmark (1844-1925), c. 1905. Found in the Collection of the Embassy of the United Kingdom, Oslo

Moonlight landscape with the Good Samaritan, 1623-1626. Creator: Moses van Wtenbrouck
Moonlight landscape with the Good Samaritan, 1623-1626

The Good Samaritan, mid 19th century. Creator: Alfred Jacob Miller
The Good Samaritan, mid 19th century

The Visitation, c15th century. Creator: Unknown
The Visitation, c15th century

The Brigands Robbing the Traveler, c1600. Creator: Crispijn de Passe I
The Brigands Robbing the Traveler, c1600. Series: Set of six landscapes (with the history of the Good Samaritan); Plate: plate 2

Ox, Gospel of Luke, 1502. Creator: Petrus von Rosenheim
Ox, Gospel of Luke, 1502. Mnemonic, or memory, device, intended to help one remember the Gospel of Luke. His symbol, the ox, presents imagery representing key moments in each chapter

Christ with two disciples at Emmaus, c17th century. Creator: Unknown
Christ with two disciples at Emmaus, c17th century

Landscape with Christ and the Two Disciples on the Way to Emmaus, 17th century. Creator: Unknown
Landscape with Christ and the Two Disciples on the Way to Emmaus, 17th century

Kitchen Scene, with Jesus in the House of Martha and Mary in the background, 1569. Creator: Unknown
Kitchen Scene, with Jesus in the House of Martha and Mary in the background, 1569

The Well-stocked Kitchen, with Jesus in the House of Martha and Mary in the Background, 1566. It is not the profusion of vegetables, fruit, meat

The expulsion of the prodigal son, c.1540-c.1550. Creator: Cornelis Anthonisz
The expulsion of the prodigal son, c.1540-c.1550. The son (Filius Prodigus) is driven out by poverty (Paupertas), while superstition (Superstitio) and heresy (Haeresis)

The prodigal son eats from the pigstrog, c.1540-c.1550. Creator: Cornelis Anthonisz
The prodigal son eats from the pigs trough, c.1540-c.1550. The son (Filius Prodigus) eats with the pigs from a trough, it says: Ferment of the Pharisees (Fermentum Pharisaeorum)

The return of the prodigal son, c.1540-c.1550. Creator: Cornelis Anthonisz
The return of the prodigal son, c.1540-c.1550. Son (Filius Prodigus) kneeling and embraced by father. Around them love (Dilectio), truth (Veritas), Hope (Spes)

The prodigal son receives his inheritance, c.1540-c.1550. Creator: Cornelis Anthonisz
The prodigal son receives his inheritance, c.1540-c.1550. Father sitting at the table under canopy, son (Filius Prodigus) opposite him with money pouch

Christ Blessing the Children, c.1570. Creator: Anon
Christ Blessing the Children, c.1570

The Evangelist Saint Luke, 1610-1615. Creator: Joachim Anthonisz Wtewael
The Evangelist Saint Luke, 1610-1615

Lazarus and the Rich Man, 1544-1700. Creator: Jacopo Bassano (copy after)
Lazarus and the Rich Man, 1544-1700

Palace Gardens with Poor Lazarus in the foreground, 1550-1606. Creator: Hans Vredeman de Vries
Palace Gardens with Poor Lazarus in the foreground, 1550-1606

Parable of the Prodigal Son, 1538. Creator: Cornelis Massys
Parable of the Prodigal Son, 1538

The rich man and Lazarus, unknown date. Creator: Anon
The rich man and Lazarus, unknown date

The return of the prodigal son, unknown date. Creator: Anon
The return of the prodigal son, unknown date

Landscape with Journey to Emmaus, 1627. Creator: Charles Cornelisz de Hooch
Landscape with Journey to Emmaus, 1627

Diptych with the Annunciation, c13th century. Creator: Anon
Diptych with the Annunciation, c13th century

Panel of an Altarpiece with Circumcision of Christ, on verso is Resurrection of Christ, c.1520-c.1535. Attributed to Master of Alkmaar

The prodigal son receives his inheritance, 1742-1801. Creator: Anon
The prodigal son receives his inheritance, 1742-1801. The prodigal son receives his part of the inheritance from his father who sits at a table and counts his money

Lazarus and the Rich Man, 1661. Creator: Barent Fabritius
Lazarus and the Rich Man, 1661

The Pharisee and the Publican, 1661. Creator: Barent Fabritius
The Pharisee and the Publican, 1661

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Luke, a name that echoes through time and art, leads us on The Road to the West. Like the Lindisfarne Gospels page, his story is beautifully illuminated with faith and devotion. Just as Batoni's masterpiece, Return of the Prodigal Son, captures a moment of forgiveness and redemption, Luke embodies compassion and grace. In The Mournes, Luke finds solace in nature's embrace while contemplating the wisdom found within the pages of his Gospel. A page of illuminated text from St. Luke's Gospel reminds us of his role as an evangelist who spreads divine teachings. Like The Tipster or The Fox in ancient fables, Luke possesses insight into life's mysteries and shares them with all who seek guidance. In Houseless and Hungry by Luke Fildes, he exemplifies empathy towards those less fortunate. As if preparing for a grand performance in The Rehearsal, Luke diligently studies scripture to convey its profound message to believers worldwide. An Icon at Aghiou Pavlou monastery stands as a testament to his enduring legacy. Just like the Parable of the Sower illustrates different paths taken by seeds sown on various grounds; St. Luke guides souls along their spiritual journey towards salvation. Sculptures depicting him adorn Saint-Louis des Invalides church in Paris—a symbol of inspiration for countless worshippers across Europe. Luke—his name resonates with artistic brilliance and unwavering devotion throughout history—an emblematic figure whose influence transcends time itself.