Lukes Gospel Collection

The Assumption of the Virgin, unknown date. Creator: Johann Koerbecke
The Assumption of the Virgin, unknown date.

The Good Samaritan, 1622. Creator: Workshop of Domenico Fetti
The Good Samaritan, 1622.

The Annunciation Diptych, 1433. Creator: Jan van Eyck
The Annunciation Diptych, 1433.

Jesus Among the Doctors, 1506. Creator: Albrecht Durer
Jesus Among the Doctors, 1506.

The Visitation, 1505. Creators: Jakob Strub, Hans Strub
The Visitation, 1505.

Nunc Dimittis, 1505. Creator: Giovanni Bellini
Nunc Dimittis, 1505.

The Annunciation, 1455. Creator: Benedetto Bonfigli
The Annunciation, 1455.

The Good Centurion, 1477. Creator: Derick Baegert
The Good Centurion, 1477.

The Presentation of the Christ Child in the Temple, 1605. Creator: Lodovico Carracci
The Presentation of the Christ Child in the Temple, 1605.

Christ in the Storm on the Sea of Galilee, 1596. Creator: Jan Brueghel the Elder
Christ in the Storm on the Sea of Galilee, 1596.

The Annunciation, 1580. Creator: Paolo Veronese
The Annunciation, 1580.

The Annunciation, 1475. Creator: Gentile Bellini
The Annunciation, 1475.

The Immaculate Conception, 1608. Creators: El Greco, Jorge Manuel Theotocopuli
The Immaculate Conception, 1608.

The Annunciation, 1596. Creator: El Greco
The Annunciation, 1596.

The Annunciation, 1576. Creator: El Greco
The Annunciation, 1576.

The Supper at Emmaus, 1633. Creator: Matthias Stomer
The Supper at Emmaus, 1633.

Clothing the Naked, 1470. Creator: Master of the View of Saint Gudule
Clothing the Naked, 1470.

The Annunciation, 1520. Creator: Jan de Beer
The Annunciation, 1520.

Saint Luke the Evangelist, 1478. Creator: Gabriel Malesskircher
Saint Luke the Evangelist, 1478.

Christ at Emmaus: the smaller plate, 1634. Creator: Rembrandt Harmensz van Rijn
Christ at Emmaus: the smaller plate, 1634.

The way to Emmaus, no.2, 1914. Creator: William Strang
The way to Emmaus, no.2, 1914. In this scene, the resurrected Christ has found two disciples on the road to Emmaus who are dressed like working-class contemporaries of Strang

Moonlight landscape with the Good Samaritan, 1623-1626. Creator: Moses van Wtenbrouck
Moonlight landscape with the Good Samaritan, 1623-1626

The Good Samaritan, mid 19th century. Creator: Alfred Jacob Miller
The Good Samaritan, mid 19th century

The Visitation, c15th century. Creator: Unknown
The Visitation, c15th century

The Brigands Robbing the Traveler, c1600. Creator: Crispijn de Passe I
The Brigands Robbing the Traveler, c1600. Series: Set of six landscapes (with the history of the Good Samaritan); Plate: plate 2

Ox, Gospel of Luke, 1502. Creator: Petrus von Rosenheim
Ox, Gospel of Luke, 1502. Mnemonic, or memory, device, intended to help one remember the Gospel of Luke. His symbol, the ox, presents imagery representing key moments in each chapter

Christ with two disciples at Emmaus, c17th century. Creator: Unknown
Christ with two disciples at Emmaus, c17th century

Landscape with Christ and the Two Disciples on the Way to Emmaus, 17th century. Creator: Unknown
Landscape with Christ and the Two Disciples on the Way to Emmaus, 17th century

Kitchen Scene, with Jesus in the House of Martha and Mary in the background, 1569. Creator: Unknown
Kitchen Scene, with Jesus in the House of Martha and Mary in the background, 1569

The Well-stocked Kitchen, with Jesus in the House of Martha and Mary in the Background, 1566. It is not the profusion of vegetables, fruit, meat

The expulsion of the prodigal son, c.1540-c.1550. Creator: Cornelis Anthonisz
The expulsion of the prodigal son, c.1540-c.1550. The son (Filius Prodigus) is driven out by poverty (Paupertas), while superstition (Superstitio) and heresy (Haeresis)

The prodigal son eats from the pigstrog, c.1540-c.1550. Creator: Cornelis Anthonisz
The prodigal son eats from the pigs trough, c.1540-c.1550. The son (Filius Prodigus) eats with the pigs from a trough, it says: Ferment of the Pharisees (Fermentum Pharisaeorum)

The return of the prodigal son, c.1540-c.1550. Creator: Cornelis Anthonisz
The return of the prodigal son, c.1540-c.1550. Son (Filius Prodigus) kneeling and embraced by father. Around them love (Dilectio), truth (Veritas), Hope (Spes)

The prodigal son receives his inheritance, c.1540-c.1550. Creator: Cornelis Anthonisz
The prodigal son receives his inheritance, c.1540-c.1550. Father sitting at the table under canopy, son (Filius Prodigus) opposite him with money pouch

Christ Blessing the Children, c.1570. Creator: Anon
Christ Blessing the Children, c.1570

The Evangelist Saint Luke, 1610-1615. Creator: Joachim Anthonisz Wtewael
The Evangelist Saint Luke, 1610-1615

Lazarus and the Rich Man, 1544-1700. Creator: Jacopo Bassano (copy after)
Lazarus and the Rich Man, 1544-1700

Palace Gardens with Poor Lazarus in the foreground, 1550-1606. Creator: Hans Vredeman de Vries
Palace Gardens with Poor Lazarus in the foreground, 1550-1606

Parable of the Prodigal Son, 1538. Creator: Cornelis Massys
Parable of the Prodigal Son, 1538

The rich man and Lazarus, unknown date. Creator: Anon
The rich man and Lazarus, unknown date

The return of the prodigal son, unknown date. Creator: Anon
The return of the prodigal son, unknown date

Landscape with Journey to Emmaus, 1627. Creator: Charles Cornelisz de Hooch
Landscape with Journey to Emmaus, 1627

Diptych with the Annunciation, c13th century. Creator: Anon
Diptych with the Annunciation, c13th century

Panel of an Altarpiece with Circumcision of Christ, on verso is Resurrection of Christ, c.1520-c.1535. Attributed to Master of Alkmaar

The prodigal son receives his inheritance, 1742-1801. Creator: Anon
The prodigal son receives his inheritance, 1742-1801. The prodigal son receives his part of the inheritance from his father who sits at a table and counts his money

Lazarus and the Rich Man, 1661. Creator: Barent Fabritius
Lazarus and the Rich Man, 1661

The Pharisee and the Publican, 1661. Creator: Barent Fabritius
The Pharisee and the Publican, 1661

The Prodigal Son, 1661. Creator: Barent Fabritius
The Prodigal Son, 1661

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Luke's Gospel is a profound and captivating account of the life and teachings of Jesus Christ. Through various artistic depictions, such as "The Good Samaritan" by Rodolphe Bresdin in 1852, we are reminded of the powerful message conveyed in Luke's writings. In "The Good Samaritan, " we witness the timeless parable that teaches us about compassion and selflessness. The vivid oil on canvas painting captures the essence of this story, reminding us to love our neighbors as ourselves. Another significant event depicted in Luke's Gospel is "The Baptism of Christ. " This scene, portrayed in "Landscapes with Old and New Testament Scenes, " symbolizes Jesus' initiation into his earthly ministry. It serves as a reminder of our own spiritual rebirths and the importance of following God's calling. "The Journey to Emmaus" also holds great significance within Luke's narrative. As depicted in another artwork from "Landscapes with Old and New Testament Scenes, " this encounter between Jesus and two disciples reminds us that even when we feel lost or discouraged, Christ walks alongside us, revealing himself at unexpected moments. One cannot overlook the impactful parable found within Luke's Gospel: "The Parable of the Good Samaritan. " In yet another depiction from "Landscapes with Old and New Testament Scenes, " this powerful story challenges us to examine our hearts and extend kindness to those society may deem unworthy. As we delve deeper into Luke's Gospel, other notable scenes come alive through artistry. From James Tissot's intricate frontispiece capturing various moments throughout Jesus' life to Giorgio Ghisi’s portrayal of “The Visitation, ” these artworks bring new dimensions to familiar stories. Furthermore, Simon Francois Ravenet’s rendition of “The Prodigal Son” invites contemplation on forgiveness while Richard Earlom’s “Head in Profile” offers an intimate glimpse into repentance.