Skip to main content

Madrid Autonomous Community Collection

The Madrid Autonomous Community is a region rich in history and culture, with numerous artistic masterpieces that showcase its vibrant past

Background imageMadrid Autonomous Community Collection: Interior view of ' cafe Nuevo'. Madrid, S.XIX. Engraving. SPAIN. MADRID (AUTONOMOUS COMMUNITY)

Interior view of " cafe Nuevo". Madrid, S.XIX. Engraving. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid
CUL4874779 Interior view of " cafe Nuevo". Madrid, S.XIX. Engraving. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Museo de Historia; (add.info.: Interior view of " cafe Nuevo")

Background imageMadrid Autonomous Community Collection: Portrait of Catiguala, leader of Huilliches (or Huillices) - Portrait of Catiguala

Portrait of Catiguala, leader of Huilliches (or Huillices) - Portrait of Catiguala, leader of Huilliche people
CUL4873802 Portrait of Catiguala, leader of Huilliches (or Huillices) - Portrait of Catiguala, leader of Huilliche people, that lived in the south of Patagonia (nowadays Chile and Argentina)

Background imageMadrid Autonomous Community Collection: Farnese, Alessandro (1545-1592). Military man in the service of Philip II of Spain (painting)

Farnese, Alessandro (1545-1592). Military man in the service of Philip II of Spain (painting)
CUL4934134 Farnese, Alessandro (1545-1592). Military man in the service of Philip II of Spain (painting); (add.info.: Spanish Netherlands (1579)

Background imageMadrid Autonomous Community Collection: Ex-voto. 4th v. BC. Femenine sculpture

Ex-voto. 4th v. BC. Femenine sculpture
CUL4932299 Ex-voto. 4th v. BC. Femenine sculpture.; (add.info.: Iberian art, sculpture on rock Madrid.National Museum of Archaeology. come from CASTILE-LA-MANCHA. ALBACETE. Montealegre del Castillo)

Background imageMadrid Autonomous Community Collection: Miracle of the Virgin of Atocha in the Works of the Casa de la Villa. c.1680. (oil on canvas)

Miracle of the Virgin of Atocha in the Works of the Casa de la Villa. c.1680. (oil on canvas)
CUL4932397 Miracle of the Virgin of Atocha in the Works of the Casa de la Villa. c.1680. (oil on canvas); 210x305 cm; (add.info.: Miracle of Our Lady of Atocha)

Background imageMadrid Autonomous Community Collection: Comadres cleaning Gran Via street, attending the call of the Ministry of Information and Tourism

Comadres cleaning Gran Via street, attending the call of the Ministry of Information and Tourism
CUL4887344 Comadres cleaning Gran Via street, attending the call of the Ministry of Information and Tourism and its campaign to keep the city clean, '" helping out the public services

Background imageMadrid Autonomous Community Collection: Isabella II (1830-1904). Queen of Spain (1833-1868).; Isabella of Borbon y Borbon

Isabella II (1830-1904). Queen of Spain (1833-1868).; Isabella of Borbon y Borbon, Princess of Asturias (1851-1931)
CUL4877155 Isabella II (1830-1904). Queen of Spain (1833-1868).; Isabella of Borbon y Borbon, Princess of Asturias (1851-1931). Infanta of Spain, daughter of Isabella II and sister of Alfonso XII

Background imageMadrid Autonomous Community Collection: MENDELSSOHN-BARTOLDY, Felix (1809-1847). Geman Romantic composer (lithograph)

MENDELSSOHN-BARTOLDY, Felix (1809-1847). Geman Romantic composer (lithograph)
CUL4935406 MENDELSSOHN-BARTOLDY, Felix (1809-1847). Geman Romantic composer (lithograph); Biblioteca Nacional, Madrid, Spain; (add.info.: Madrid. National Library); AIC

Background imageMadrid Autonomous Community Collection: ARISTOPHANES (445-380 BC) (engraving)

ARISTOPHANES (445-380 BC) (engraving)
CUL4869410 ARISTOPHANES (445-380 BC) (engraving); Biblioteca Nacional, Madrid, Spain; (add.info.: Engraving from the Illustrium imagines (1606) Madrid. National Library); Photo © Esteban/AIC

Background imageMadrid Autonomous Community Collection: Christopher Columbus Sailor at the Catholic Monarchs service, discoverer of America in 1492

Christopher Columbus Sailor at the Catholic Monarchs service, discoverer of America in 1492
CUL4876381 Christopher Columbus Sailor at the Catholic Monarchs service, discoverer of America in 1492; Biblioteca Nacional, Madrid, Spain; (add.info.: COLUMBUS, Christopher (1451-1506)

Background imageMadrid Autonomous Community Collection: Don Pedro Caro y Sureda, Marquis de La Romana (1761-1811) Spanish General - ROMANA

Don Pedro Caro y Sureda, Marquis de La Romana (1761-1811) Spanish General - ROMANA, Pedro Caro y Sureda, Marques de La
CUL4872979 Don Pedro Caro y Sureda, Marquis de La Romana (1761-1811) Spanish General - ROMANA, Pedro Caro y Sureda, Marques de La. Spanish military man and politician. Oil on canvas. SPAIN

Background imageMadrid Autonomous Community Collection: The Council of Toledo - Council of Toledo (6th-7th c.). Illustration of the work 'Primacia de la

The Council of Toledo - Council of Toledo (6th-7th c.). Illustration of the work "Primacia de la iglesia
CUL4867912 The Council of Toledo - Council of Toledo (6th-7th c.). Illustration of the work "Primacia de la iglesia toledana" (Supremacy of the Church of Toledo) (13th c.). Romanesque art

Background imageMadrid Autonomous Community Collection: Naval battle between the Glorioso, of the Spanish fleet and the Dartmouth of the British fleet

Naval battle between the Glorioso, of the Spanish fleet and the Dartmouth of the British fleet, 1747 - CORTELLINI
CUL4867517 Naval battle between the Glorioso, of the Spanish fleet and the Dartmouth of the British fleet, 1747 - CORTELLINI, Angel Maria (1819-1887)

Background imageMadrid Autonomous Community Collection: Emperor PEDRO I of Brazil (1798-1834) (engraving)

Emperor PEDRO I of Brazil (1798-1834) (engraving)
CUL4935368 Emperor PEDRO I of Brazil (1798-1834) (engraving); Biblioteca Nacional, Madrid, Spain; (add.info.: Madrid. National Library); AIC

Background imageMadrid Autonomous Community Collection: Cadiz: the city and the harbour in 19th c. (engraving)

Cadiz: the city and the harbour in 19th c. (engraving)
CUL4935804 Cadiz: the city and the harbour in 19th c. (engraving); Museo del Romanticismo, Madrid, Spain; (add.info.: Madrid. Museo Nacional del Romanticismo); AIC

Background imageMadrid Autonomous Community Collection: Gutenberg, Johannes Gensfleich (c.1400-1468) (engraving)

Gutenberg, Johannes Gensfleich (c.1400-1468) (engraving)
CUL4861805 Gutenberg, Johannes Gensfleich (c.1400-1468) (engraving); Biblioteca Nacional, Madrid, Spain; (add.info.: Gutenberg, Johannes Gensfleich (c.1400-1468)

Background imageMadrid Autonomous Community Collection: GUTIERREZ SOLANA, Jose (1886-1945). Masks Dancing Arm in Arm. 1938. Oil on canvas. SPAIN

GUTIERREZ SOLANA, Jose (1886-1945). Masks Dancing Arm in Arm. 1938. Oil on canvas. SPAIN
CUL4861726 GUTIERREZ SOLANA, Jose (1886-1945). Masks Dancing Arm in Arm. 1938. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid

Background imageMadrid Autonomous Community Collection: Spanish Army. Province Grenadiers of the Royal Guard. Picture of the ' Coleccion de uniforms del

Spanish Army. Province Grenadiers of the Royal Guard. Picture of the " Coleccion de uniforms del Ejercito
CUL4878780 Spanish Army. Province Grenadiers of the Royal Guard. Picture of the " Coleccion de uniforms del Ejercito Espanol", by the Marquis of Zambrano. Litography. SPAIN

Background imageMadrid Autonomous Community Collection: View of Fort Santiago in Manila

View of Fort Santiago in Manila
CUL4862662 View of Fort Santiago in Manila by Brambila, Fernando (1763-1834); (add.info.: View of Fort Santiago in Manila - MALASPINA, Alejandro (1754-1809)

Background imageMadrid Autonomous Community Collection: GUTIERREZ SOLANA, Jose (1886-1945). Costume Ball. 1938. Expressionism. Oil on canvas

GUTIERREZ SOLANA, Jose (1886-1945). Costume Ball. 1938. Expressionism. Oil on canvas. Private Collection
CUL4864686 GUTIERREZ SOLANA, Jose (1886-1945). Costume Ball. 1938. Expressionism. Oil on canvas. Private Collection by Gutierrez Solana, Jose (1886-1945); (add.info.: GUTIERREZ SOLANA)

Background imageMadrid Autonomous Community Collection: Spain (1820). Riego military uprising. Cruz Verde Square of Cadiz (10th March 1820). Etching. SPAIN

Spain (1820). Riego military uprising. Cruz Verde Square of Cadiz (10th March 1820). Etching. SPAIN
CUL4872912 Spain (1820). Riego military uprising. Cruz Verde Square of Cadiz (10th March 1820). Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid

Background imageMadrid Autonomous Community Collection: Afternoon at Retiro Park, Madrid, 1883 (engraving)

Afternoon at Retiro Park, Madrid, 1883 (engraving)
CUL4940134 Afternoon at Retiro Park, Madrid, 1883 (engraving); (add.info.: Spain (19th century). Madrid. Afternoon at Retiro Park. Engraving of 1883, according to drawing of Samuel Urrabieta Virgin

Background imageMadrid Autonomous Community Collection: DUPONT DE L'ETANG, Pierre-Antoine (1765-1840). English general (engraving)

DUPONT DE L'ETANG, Pierre-Antoine (1765-1840). English general (engraving)
CUL4933637 DUPONT DE L'ETANG, Pierre-Antoine (1765-1840). English general (engraving); Biblioteca Nacional, Madrid, Spain; (add.info.: DUPONT DE L'ETANG, Pierre-Antoine (1765-1840)

Background imageMadrid Autonomous Community Collection: Proclamation of the First Spanish Republic in Puerta del Sol, Madrid - Spain (1874) (oil on canvas)

Proclamation of the First Spanish Republic in Puerta del Sol, Madrid - Spain (1874) (oil on canvas)
CUL4933471 Proclamation of the First Spanish Republic in Puerta del Sol, Madrid - Spain (1874) (oil on canvas); (add.info)

Background imageMadrid Autonomous Community Collection: The assault of a castle - Assault on a castle. Illustration on ' Gran Conquista de Ultramar'

The assault of a castle - Assault on a castle. Illustration on " Gran Conquista de Ultramar". 1291-95
CUL4867576 The assault of a castle - Assault on a castle. Illustration on " Gran Conquista de Ultramar". 1291-95

Background imageMadrid Autonomous Community Collection: TIRSO DE MOLINA, Gabriel Telez also called (1584-1648). Painting. SPAIN

TIRSO DE MOLINA, Gabriel Telez also called (1584-1648). Painting. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid
CUL4867536 TIRSO DE MOLINA, Gabriel Telez also called (1584-1648). Painting. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid

Background imageMadrid Autonomous Community Collection: COSA, Juan de la (1460-1510). Cartographer. Chart by Juan de la Cosa (1500). SPAIN

COSA, Juan de la (1460-1510). Cartographer. Chart by Juan de la Cosa (1500). SPAIN. MADRID (AUTONOMOUS COMMUNITY)
CUL4869240 COSA, Juan de la (1460-1510). Cartographer. Chart by Juan de la Cosa (1500). SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Navy Museum; (add.info.: COSA, Juan de la (1460-1510)

Background imageMadrid Autonomous Community Collection: STORNI, Alfonsina (1892-1938). Latin-American poets of the modernist period

STORNI, Alfonsina (1892-1938). Latin-American poets of the modernist period. "Poesias ineditas y editas"
CUL4868967 STORNI, Alfonsina (1892-1938). Latin-American poets of the modernist period. "Poesias ineditas y editas". Engraving. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid

Background imageMadrid Autonomous Community Collection: Peter I, said the Justice - Peter I ' The Just' (1320-1367). King of Portugal and the Algarve

Peter I, said the Justice - Peter I " The Just" (1320-1367). King of Portugal and the Algarve (1357-1367)
CUL4867966 Peter I, said the Justice - Peter I " The Just" (1320-1367). King of Portugal and the Algarve (1357-1367). Detail in portraits of the kings of Portugal

Background imageMadrid Autonomous Community Collection: The Surrender of General John Burgoyne at the Battle of Saratoga, 7th October 1777 (engraving)

The Surrender of General John Burgoyne at the Battle of Saratoga, 7th October 1777 (engraving)
CUL4862337 The Surrender of General John Burgoyne at the Battle of Saratoga, 7th October 1777 (engraving); Biblioteca Nacional, Madrid, Spain; (add.info.: GATES, Horatio (1727-1806)

Background imageMadrid Autonomous Community Collection: ALFONSO XII and Maria Christina KIng and Queen of Spain (lithograph)

ALFONSO XII and Maria Christina KIng and Queen of Spain (lithograph)
CUL4931083 ALFONSO XII and Maria Christina KIng and Queen of Spain (lithograph); Biblioteca Nacional, Madrid, Spain; (add.info.: ALFONSO XII (1857-1885)

Background imageMadrid Autonomous Community Collection: Spanish ship ' Santisima Trinidad ' with 4 gundecks and 136 cannons

Spanish ship " Santisima Trinidad " with 4 gundecks and 136 cannons
CUL4875751 Spanish ship " Santisima Trinidad " with 4 gundecks and 136 cannons, launched in 1797 and sunk in the Battle of Trafalgar in 1805

Background imageMadrid Autonomous Community Collection: Portrait of the Portuguese navigator and explorer Fernand Magellan (1480-1521) - MAGELLAND

Portrait of the Portuguese navigator and explorer Fernand Magellan (1480-1521) - MAGELLAND, Ferdinand (1480-1521)
CUL4866987 Portrait of the Portuguese navigator and explorer Fernand Magellan (1480-1521) - MAGELLAND, Ferdinand (1480-1521). English navigator and discoverer. English anonymous portrait

Background imageMadrid Autonomous Community Collection: Spanish Revolution of 1854 (lithograph)

Spanish Revolution of 1854 (lithograph)
CUL4872299 Spanish Revolution of 1854 (lithograph) by Halen, Francisco de Paula van (d.1887); (add.info.: by VAN HALEN, Francisco de Paula (1810-1887). Spanish painter. Spain. Revolution of 1854

Background imageMadrid Autonomous Community Collection: RICHELIEU, c. 1650 (engraving)

RICHELIEU, c. 1650 (engraving)
CUL4930564 RICHELIEU, c.1650 (engraving) by Moncornet, Balthazar (c.1600-68); Biblioteca Nacional, Madrid, Spain; (add.info.: RICHELIEU, Armand-Jean du Plessis, cardinal of (1585-1642)

Background imageMadrid Autonomous Community Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). Pedro Romero killing the halted bull. 1816. (25)

GOYA Y LUCIENTES, Francisco de (1746-1828). Pedro Romero killing the halted bull. 1816. (25. 1 x 35. 9 cm)
CUL4871900 GOYA Y LUCIENTES, Francisco de (1746-1828). Pedro Romero killing the halted bull. 1816. (25.1 x 35.9 cm). ROMERO, Pedro (1754-1839). Spanish bullfighter

Background imageMadrid Autonomous Community Collection: The History of Hannibal, c. 1570 (tapestry)

The History of Hannibal, c. 1570 (tapestry)
CUL4925267 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: Battle of Zama. 16th v. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Royal Palace

Background imageMadrid Autonomous Community Collection: GOYA Y LUCIENES, Francisco de (1746-1828). Proverbs. Female riddle. 1815-1824. (24'7 x 35'8 cm)

GOYA Y LUCIENES, Francisco de (1746-1828). Proverbs. Female riddle. 1815-1824. (24'7 x 35'8 cm)
CUL4874394 GOYA Y LUCIENES, Francisco de (1746-1828). Proverbs. Female riddle. 1815-1824. (24'7 x 35'8 cm). Plate 1 of " Proverbs". Romanticism. Engraving. SPAIN

Background imageMadrid Autonomous Community Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). Equestrian Portrait of Philip III of Spain. 1778

GOYA Y LUCIENTES, Francisco de (1746-1828). Equestrian Portrait of Philip III of Spain. 1778
CUL4878576 GOYA Y LUCIENTES, Francisco de (1746-1828). Equestrian Portrait of Philip III of Spain. 1778. PHILIP III of Spain (1578-1621). King of Spain (1598-1621)

Background imageMadrid Autonomous Community Collection: Triumphs of the Mother of God or Panos de Oro, c. 1500-02 (tapestry)

Triumphs of the Mother of God or Panos de Oro, c. 1500-02 (tapestry)
CUL4908866 Triumphs of the Mother of God or Panos de Oro, c.1500-02 (tapestry) by Coecke van Aelst, Pieter (1502-50) (attr)

Background imageMadrid Autonomous Community Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). Wrong. Until Death. 1799. (21 x 15 cm)

GOYA Y LUCIENTES, Francisco de (1746-1828). Wrong. Until Death. 1799. (21 x 15 cm)
CUL4874729 GOYA Y LUCIENTES, Francisco de (1746-1828). Wrong. Until Death. 1799. (21 x 15 cm). Plate 55 of " Los Caprichos", etching and burnished aquatint. Romanticism. Engraving. Etching

Background imageMadrid Autonomous Community Collection: The History of Hannibal, c. 1570 (tapestry)

The History of Hannibal, c. 1570 (tapestry)
CUL4924738 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: Battle of Zama. 16th v. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Royal Palace

Background imageMadrid Autonomous Community Collection: Vertumnus and Pomona: Vertumnus transformed into a farmer, c. 1550 (gold, wool and silk)

Vertumnus and Pomona: Vertumnus transformed into a farmer, c. 1550 (gold, wool and silk)
CUL4905792 Vertumnus and Pomona: Vertumnus transformed into a farmer, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 330x170 cm; Royal Palace, Aranjuez

Background imageMadrid Autonomous Community Collection: Vertumnus and Pomona: Vertumnus transformed into a fisherman, c. 1550 (gold, wool and silk)

Vertumnus and Pomona: Vertumnus transformed into a fisherman, c. 1550 (gold, wool and silk)
CUL4906044 Vertumnus and Pomona: Vertumnus transformed into a fisherman, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 330x50 cm; Royal Palace, Aranjuez

Background imageMadrid Autonomous Community Collection: Tapestry inspired by the work of Hieronymus Bosch, c. 1560 (gold, silver, silk and wool)

Tapestry inspired by the work of Hieronymus Bosch, c. 1560 (gold, silver, silk and wool)
CUL4906842 Tapestry inspired by the work of Hieronymus Bosch, c.1560 (gold, silver, silk and wool) by Bosch, Hieronymus (c.1450-1516) (after); 296x364 cm; (add.info.: Saint Martin. ca. 1560)

Background imageMadrid Autonomous Community Collection: Paris. Place Vendome, 19th century (lithograph)

Paris. Place Vendome, 19th century (lithograph)
CUL4874196 Paris. Place Vendome, 19th century (lithograph) by Unknown Artist, (19th century); Biblioteca Nacional, Madrid, Spain; (add.info.: Paris. Place Vendome); Photo © Esteban/AIC

Background imageMadrid Autonomous Community Collection: The History of Hannibal, c. 1570 (tapestry)

The History of Hannibal, c. 1570 (tapestry)
CUL4925239 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: Battle of Zama. 16th v. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Royal Palace

Background imageMadrid Autonomous Community Collection: The History of Hannibal, c. 1570 (tapestry)

The History of Hannibal, c. 1570 (tapestry)
CUL4924755 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: Battle of Zama. 16th v. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Royal Palace




For sale as Licensed Images

Choose your image, Select your licence and Download the media

The Madrid Autonomous Community is a region rich in history and culture, with numerous artistic masterpieces that showcase its vibrant past. One such artwork is the lithograph of the Spanish Revolution of 1854, which depicts the tumultuous events that shaped the region's political landscape. Another notable piece is the engraving titled "RICHELIEU, " created around 1650. This artwork offers a glimpse into the Baroque era and portrays scenes from French history, highlighting Madrid's connections to other European cultures. Francisco de Goya y Lucientes, a renowned Spanish artist, also left his mark on Madrid's artistic heritage. His etching entitled "Pedro Romero killing the halted bull" captures a dramatic moment in bullfighting history. It showcases Pedro Romero, a celebrated Spanish bullfighter who became an icon of bravery and skill. "The History of Hannibal, " depicted through tapestries dating back to c. 1570, tells tales of ancient battles and conquests. These artworks serve as reminders of Spain's historical significance and its ties to Roman civilization. Goya's engravings continue to captivate viewers with their thought-provoking themes. In his work titled "Proverbs: Female riddle, " he explores human nature through symbolic imagery. This piece exemplifies Romanticism and highlights Goya's ability to delve into profound philosophical concepts. Madrid also houses Lazaro Galdiano Foundation, home to various art collections including paintings by Velazquez copies drawn by Philip III himself during Baroque times like "Equestrian Portrait of Philip III. " These drawings provide insight into both royal patronage for art as well as artistic practices during this period. Additionally, tapestries like "Triumphs of the Mother of God or Panos de Oro" transport us back to early 16th-century Spain when religious fervor was at its peak. Goya's etchings further shed light on Madrid's complex history. "Wrong.