Mandorla Collection (page 4)

Italy. Lucca. Basilica of San Frediano. Exterior
Italy. Lucca. Basilica of San Frediano. Facade with mosaic depicting The Ascension of Christ designed by Berlinghiero Berlinghieri (13th century)

Christ Pantocrator. Miniature. Missale Dominicale cum Kalend
Codex 135. Missale Dominicale cum Kalendario. 14th century. Christ Pantocrator. Miniature. Chapter Archive of Tarazona. Spain

Martyrdom of English Archbishop Thomas Becket. Detail of the
Romanesque Art. Spain. 12th century. Church of St. Mary (Santa Maria). Mural painting depicting the martyrdom of English Archbishop Thomas Becket, who died in 1170

Annunciation. Mosaic. Florence Cathedral. Italy
Italy. Florence Cathedral. Mandorla Gate. 15th century. Mosaic at the lunette depicting Annunciation, by Domenico and Davide Ghirlandaio

The end of the world and the Last Judgement. The disciples preached among the people as Jesus had said. Illuminated pages of the Codex of Predis (1476). Royal Library. Turin. Italy

Christ Pantocrator, from the apse (fresco)
XIR97198 Christ Pantocrator, from the apse (fresco) by French School, (12th century); Chapelle des Moines, Berze-la-Ville, France; French, out of copyright

Saint John of Patmos (oil on panel)
XIR902442 Saint John of Patmos (oil on panel) by Isenbrandt or Isenbrant, Adriaen (c.1490-1551); Musee des Beaux-Arts, Valenciennes

St. Francis Receiving the Stigmata, 1297-99 (fresco)
XIR62299 St. Francis Receiving the Stigmata, 1297-99 (fresco) by Giotto di Bondone (c.1266-1337); San Francesco, Upper Church, Assisi, Italy; Italian, out of copyright

Madonna and Child, central panel of the Altar Frontal from the Church of Santa Maria de Cardet
XIR498165 Madonna and Child, central panel of the Altar Frontal from the Church of Santa Maria de Cardet, Vall de Boi, Spain, 1150-1200 (tempera on panel) (detail of 498164) by Johannes Pintor

Altar Frontal from the Church of Santa Maria de Cardet, Vall de Boi, Spain, depicting the Madonna
XIR498164 Altar Frontal from the Church of Santa Maria de Cardet, Vall de Boi, Spain, depicting the Madonna and four scenes from her life

The Virgin and Child encircled by a garland of flowers held aloft by cherubs, c. 1624
BAL416653 The Virgin and Child encircled by a garland of flowers held aloft by cherubs, c.1624 (oil on copper) by Brueghel, Jan (1568-1625) & Balen

Cycle of the Life of the Virgin, St. Joseph and the pretenders, c. 1445 (oil on poplar panel)
XIR414536 Cycle of the Life of the Virgin, St. Joseph and the pretenders, c.1445 (oil on poplar panel) (b/w photo) by Giovanni Francesco da Rimini (c.1420-70); 59.3x29.8 cm; Louvre, Paris

Reproduction of the mosaic of the Last Judgement in the Baptistery, Florence (colour
BAL31462 Reproduction of the mosaic of the Last Judgement in the Baptistery, Florence (colour litho) by Italian School, (13th century) (after); Private Collection; Italian, out of copyright

Icon (tempera on panel)
XPH309203 Icon (tempera on panel) by Rublev, Andrei (c.1370-1430); Tretyakov Gallery, Moscow, Russia; (add.info.: Ikone; symbols of the evangelists; ); Russian, out of copyright

Christ in Majesty flanked by seraphim and symbols of the Evangelists, copy of 12th
KW276284 Christ in Majesty flanked by seraphim and symbols of the Evangelists, copy of 12th century original (fresco) by Spanish School; San Climente, Taull (Tahull) Catalonia

Virgin of the Apocalypse (oil on panel)
XIR229958 Virgin of the Apocalypse (oil on panel) by German School, (15th century); Musee d Unterlinden, Colmar, France; German, out of copyright

Apparition of the Virgin to a Community (oil on panel)
XIR221161 Apparition of the Virgin to a Community (oil on panel) by Berruguete, Pedro (c.1450-1504); Prado, Madrid, Spain; (add.info.: Apparition de la Vierge a une communaute; ); Italian

The Celestial Court (fresco)
XIR211759 The Celestial Court (fresco) by French School, (12th century); Church of Saint-Theudere, Saint-Chef, France; French, out of copyright

Portable icon depicting the transfiguration, 11th-12th century (mosaic)
XIR205715 Portable icon depicting the transfiguration, 11th-12th century (mosaic) by Byzantine; 52x36 cm; Louvre, Paris, France; out of copyright

The Immaculate Conception (tempera on panel)
XIR202034 The Immaculate Conception (tempera on panel) by Pacheco, Francisco (1564-1644); Palacio Arzobispal, Seville, Spain; Spanish, out of copyright

Madonna with Saint Anna and Brigitta, Anonymous, 1470 - 1490

Mary of the Rosary, print maker: Jan van der Straet, Philips Galle, 1577

Christ in Majesty Surrounded by the Twelve Apostles (tempera on panel)
XIR154989 Christ in Majesty Surrounded by the Twelve Apostles (tempera on panel) by Spanish School, (12th century); Museo de Arte de Catalunya, Barcelona

Madonna on the crescent moon, print maker: Meester met het doorstoken hart, 1500 - 1525

Assumption, from the Dome Altar, 1499 (tempera on panel)
XKH145501 Assumption, from the Dome Altar, 1499 (tempera on panel) by Stumme, Absolon (15th century); 233x171 cm; Hamburger Kunsthalle, Hamburg

The Dormition, from the left wing of the Buxtehude Altar, 1400-10 (tempera on panel)
XKH145296 The Dormition, from the left wing of the Buxtehude Altar, 1400-10 (tempera on panel) by Master Bertram of Minden (c.1345-c.1415); 110.5x94.5 cm; Hamburger Kunsthalle, Hamburg

Ascension of Christ, Jan Luyken, 1681

Ascension of the Virgin, 1465 (egg tempera and gold on panel)
BAL126085 Ascension of the Virgin, 1465 (egg tempera and gold on panel) by Bicci, Neri di (1419-91); 149.5x185 cm; Pushkin Museum, Moscow, Russia; Italian, out of copyright

Ascension of Christ, Jan Luyken, Anonymous, 1712

Mary with the Christ Child on the crescent moon, print maker: Hieronymus Wierix, 1563 - before 1613

Mary with Child and crescent moon, Hendrick Goltzius, Jacob Matham, Rudolf II van Habsburg (Duits keizer), 1610 - 1612

The Last Judgement, central panel from a Triptych (tempera on panel)
XIR104897 The Last Judgement, central panel from a Triptych (tempera on panel) by Angelico, Fra (Guido di Pietro) (c.1387-1455); 55x38.5 cm; Palazzo Barberini, Rome, Italy; Italian, out of copyright

A Man Enthroned within a Mandorla in a Tree; Unknown; Therouanne ?, France (formerly Flanders), Europe; fourth quarter of 13th century (after 1277); Tempera colors, pen and ink, gold leaf

Anastasis, fresco in the parekklesion of Church of Christ in Chora (Kariye Museum) Constantinople (Istanbu), Turkey (c.1310-1320)

Madonna with Gregory Great and Saint Benedict, 1511
Pinturicchio (Bernardino di Betto, 1454-1513), Madonna with Gregory the Great and Saint Benedict, 1511

VALLTARGA, Master of (12th c.). Altar Frontal from Valltarga. In the middle: Christ surrounded by a mandorla and around him scenes

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"Mandorla: A Window into Sacred Art and Symbolism" Discover the captivating world of mandorlas, intricate artistic motifs that have adorned various religious masterpieces throughout history. From the Monastery of San Juan de la Pena to Ely Cathedral's Ornate Priors Door, these symbolic designs have left an indelible mark on cultural heritage. In Spain's Catalonia region, Puigbo showcases a remarkable altar frontal from St. Clement of Tahull's Church. Crafted during the Romanesque period, it mesmerizes with its divine beauty and meticulous details. The Pantocrator by the Master o (52646) at the Church of St. Clement of Tahull transports us to another realm as we gaze upon this awe-inspiring masterpiece. Its serene depiction leaves us in contemplation of Christ's omnipotence. Moving forward in time, we encounter the Apocalypse Tapestry or Apocalypse of Angers (1375-80). This tapestry unravels a vivid narrative filled with apocalyptic imagery that has fascinated viewers for centuries. San Climente in Taull (Tahull), Catalonia presents an exquisite fresco depicting Christ in Majesty flanked by seraphim and symbols of the Evangelists (c. 1123). The vibrant colors and skillful brushstrokes evoke a sense of divinity within every stroke. Crossing continents, we find ourselves enchanted by The Virgin of Guadalupe (18th century), a Mexican artwork radiating devotion and spiritual significance. Its delicate craftsmanship serves as a testament to faith transcending borders. Delving deeper into religious iconography, panel four from Santissima Annunziata's Silver Treasury reveals The Last Judgement (c. 1450-53). Through tempera on panel technique, this piece captures both fear and hope intertwined within humanity's final reckoning. Another portrayal emerges through c. 1360-80 fresco titled "The Last Judgement.