Mandorla Collection (page 5)

Portable icon depicting the transfiguration, 11th-12th century (mosaic)
XIR205715 Portable icon depicting the transfiguration, 11th-12th century (mosaic) by Byzantine; 52x36 cm; Louvre, Paris, France; out of copyright

The Immaculate Conception (tempera on panel)
XIR202034 The Immaculate Conception (tempera on panel) by Pacheco, Francisco (1564-1644); Palacio Arzobispal, Seville, Spain; Spanish, out of copyright

Madonna with Saint Anna and Brigitta, Anonymous, 1470 - 1490

Mary of the Rosary, print maker: Jan van der Straet, Philips Galle, 1577

Christ in Majesty Surrounded by the Twelve Apostles (tempera on panel)
XIR154989 Christ in Majesty Surrounded by the Twelve Apostles (tempera on panel) by Spanish School, (12th century); Museo de Arte de Catalunya, Barcelona

Madonna on the crescent moon, print maker: Meester met het doorstoken hart, 1500 - 1525

Assumption, from the Dome Altar, 1499 (tempera on panel)
XKH145501 Assumption, from the Dome Altar, 1499 (tempera on panel) by Stumme, Absolon (15th century); 233x171 cm; Hamburger Kunsthalle, Hamburg

The Dormition, from the left wing of the Buxtehude Altar, 1400-10 (tempera on panel)
XKH145296 The Dormition, from the left wing of the Buxtehude Altar, 1400-10 (tempera on panel) by Master Bertram of Minden (c.1345-c.1415); 110.5x94.5 cm; Hamburger Kunsthalle, Hamburg

Ascension of Christ, Jan Luyken, 1681

Ascension of the Virgin, 1465 (egg tempera and gold on panel)
BAL126085 Ascension of the Virgin, 1465 (egg tempera and gold on panel) by Bicci, Neri di (1419-91); 149.5x185 cm; Pushkin Museum, Moscow, Russia; Italian, out of copyright

Ascension of Christ, Jan Luyken, Anonymous, 1712

Mary with the Christ Child on the crescent moon, print maker: Hieronymus Wierix, 1563 - before 1613

Mary with Child and crescent moon, Hendrick Goltzius, Jacob Matham, Rudolf II van Habsburg (Duits keizer), 1610 - 1612

The Last Judgement, central panel from a Triptych (tempera on panel)
XIR104897 The Last Judgement, central panel from a Triptych (tempera on panel) by Angelico, Fra (Guido di Pietro) (c.1387-1455); 55x38.5 cm; Palazzo Barberini, Rome, Italy; Italian, out of copyright

A Man Enthroned within a Mandorla in a Tree; Unknown; Therouanne ?, France (formerly Flanders), Europe; fourth quarter of 13th century (after 1277); Tempera colors, pen and ink, gold leaf

Anastasis, fresco in the parekklesion of Church of Christ in Chora (Kariye Museum) Constantinople (Istanbu), Turkey (c.1310-1320)

Madonna with Gregory Great and Saint Benedict, 1511
Pinturicchio (Bernardino di Betto, 1454-1513), Madonna with Gregory the Great and Saint Benedict, 1511

VALLTARGA, Master of (12th c.). Altar Frontal from Valltarga. In the middle: Christ surrounded by a mandorla and around him scenes

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"Mandorla: A Window into Sacred Art and Symbolism" Discover the captivating world of mandorlas, intricate artistic motifs that have adorned various religious masterpieces throughout history. From the Monastery of San Juan de la Pena to Ely Cathedral's Ornate Priors Door, these symbolic designs have left an indelible mark on cultural heritage. In Spain's Catalonia region, Puigbo showcases a remarkable altar frontal from St. Clement of Tahull's Church. Crafted during the Romanesque period, it mesmerizes with its divine beauty and meticulous details. The Pantocrator by the Master o (52646) at the Church of St. Clement of Tahull transports us to another realm as we gaze upon this awe-inspiring masterpiece. Its serene depiction leaves us in contemplation of Christ's omnipotence. Moving forward in time, we encounter the Apocalypse Tapestry or Apocalypse of Angers (1375-80). This tapestry unravels a vivid narrative filled with apocalyptic imagery that has fascinated viewers for centuries. San Climente in Taull (Tahull), Catalonia presents an exquisite fresco depicting Christ in Majesty flanked by seraphim and symbols of the Evangelists (c. 1123). The vibrant colors and skillful brushstrokes evoke a sense of divinity within every stroke. Crossing continents, we find ourselves enchanted by The Virgin of Guadalupe (18th century), a Mexican artwork radiating devotion and spiritual significance. Its delicate craftsmanship serves as a testament to faith transcending borders. Delving deeper into religious iconography, panel four from Santissima Annunziata's Silver Treasury reveals The Last Judgement (c. 1450-53). Through tempera on panel technique, this piece captures both fear and hope intertwined within humanity's final reckoning. Another portrayal emerges through c. 1360-80 fresco titled "The Last Judgement.