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Mannequin Collection (page 7)

In the vibrant world of fashion, mannequins have played a pivotal role in shaping trends and pushing boundaries

Background imageMannequin Collection: Susan Bligh

Susan Bligh
Susan Rachel Bligh (1916-1983), daughter of Noel Bligh (son of the 8th Earl of Darnley) out in London in 1938. She worked as a mannequin (model)

Background imageMannequin Collection: Don t Worry, Ol Man (colour litho)

Don t Worry, Ol Man (colour litho)
1095083 Don t Worry, Ol Man (colour litho) by English School, (20th century); Private Collection; (add.info.: Don t Worry, Ol Man)

Background imageMannequin Collection: The Tallien Costume, finishing touches to a new fashion

The Tallien Costume, finishing touches to a new fashion
The Tallien costume, so called after the famous Directoire beauty, Mme. Tallien, the latest fashion from Paris. A model being fitted with the style at the salon of Doeillet. Date: 1912

Background imageMannequin Collection: Dressing of a Mannequin; La Toilette de Mannequin, 1835 (oil on canvas)

Dressing of a Mannequin; La Toilette de Mannequin, 1835 (oil on canvas)
658767 Dressing of a Mannequin; La Toilette de Mannequin, 1835 (oil on canvas) by Roehn, Jean Alphonse (1799-1864); 55x45 cm; Private Collection; (add.info)

Background imageMannequin Collection: Vera Shields (b / w photo)

Vera Shields (b / w photo)
3640272 Vera Shields (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Vera Shields. Illustration for cigarette card)

Background imageMannequin Collection: A Christmas Card of two articulated wooden toy men pulling a Christmas cracker

A Christmas Card of two articulated wooden toy men pulling a Christmas cracker
3604385 A Christmas Card of two articulated wooden toy men pulling a Christmas cracker, circa 1910 (coloured lithograph) by English School

Background imageMannequin Collection: Black woven silk boned corset, with tiny blue and pink flowers, 1890s (silk)

Black woven silk boned corset, with tiny blue and pink flowers, 1890s (silk)
3100436 Black woven silk boned corset, with tiny blue and pink flowers, 1890s (silk) by Unknown Artist, (19th century); (add.info)

Background imageMannequin Collection: White cotton gown, 1800 (cotton)

White cotton gown, 1800 (cotton)
3100426 White cotton gown, 1800 (cotton) by Unknown Artist, (19th century); (add.info.: From the exhibition A History of Fashion in 100 Objects ); eFashion Museum Bath; out of copyright

Background imageMannequin Collection: Natural coloured cotton stays, stiffened with whalebone, 1780s (cotton & whalebone)

Natural coloured cotton stays, stiffened with whalebone, 1780s (cotton & whalebone)
3100421 Natural coloured cotton stays, stiffened with whalebone, 1780s (cotton & whalebone) by Unknown artist, (18th century); (add.info)

Background imageMannequin Collection: Red and blue silk thread embroidered stomacher, 1740s (silk)

Red and blue silk thread embroidered stomacher, 1740s (silk)
3100420 Red and blue silk thread embroidered stomacher, 1740s (silk) by Unknown artist, (18th century); (add.info.: From the exhibition A History of Fashion in 100 Objects)

Background imageMannequin Collection: Cream silk embroidered court dress and train by, 1900 (silk)

Cream silk embroidered court dress and train by, 1900 (silk)
3100346 Cream silk embroidered court dress and train by, 1900 (silk) by Wellborn (fl.1900); (add.info.: From the exhibition A History of Fashion in 100 Objects)

Background imageMannequin Collection: Multi-coloured woven wool shawl, 1850s (wool)

Multi-coloured woven wool shawl, 1850s (wool)
3100340 Multi-coloured woven wool shawl, 1850s (wool) by Unknown Artist, (19th century); (add.info.: From the exhibition A History of Fashion in 100 Objects ); eFashion Museum Bath; out of copyright

Background imageMannequin Collection: Brown, and pink, yellow, and green roller-printed cotton dress, 1825 (cotton)

Brown, and pink, yellow, and green roller-printed cotton dress, 1825 (cotton)
3100339 Brown, and pink, yellow, and green roller-printed cotton dress, 1825 (cotton) by Unknown Artist, (19th century); (add.info)

Background imageMannequin Collection: Brown and cream silk dress with flounces woven a disposition, 1850s (silk)

Brown and cream silk dress with flounces woven a disposition, 1850s (silk)
3100337 Brown and cream silk dress with flounces woven A disposition, 1850s (silk) by Unknown Artist, (19th century); (add.info)

Background imageMannequin Collection: White woven cotton frock with red and blue fleck, 1816 (cotton)

White woven cotton frock with red and blue fleck, 1816 (cotton)
3100333 White woven cotton frock with red and blue fleck, 1816 (cotton) by Unknown Artist, (19th century); (add.info.: From the exhibition A History of Fashion in 100 Objects)

Background imageMannequin Collection: White cutwork hand-embroidered cotton dress, 1824 (cotton)

White cutwork hand-embroidered cotton dress, 1824 (cotton)
3100332 White cutwork hand-embroidered cotton dress, 1824 (cotton) by Unknown Artist, (19th century); (add.info.: From the exhibition A History of Fashion in 100 Objects)

Background imageMannequin Collection: Light green woven silk dress with gigot sleeves, 1835 (silk)

Light green woven silk dress with gigot sleeves, 1835 (silk)
3100331 Light green woven silk dress with gigot sleeves, 1835 (silk) by Unknown Artist, (19th century); (add.info.: From the exhibition A History of Fashion in 100 Objects)

Background imageMannequin Collection: Cream silk tambour embroidered closed gown, 1780s (silk)

Cream silk tambour embroidered closed gown, 1780s (silk)
3100330 Cream silk tambour embroidered closed gown, 1780s (silk) by Unknown artist, (18th century); (add.info.: From the exhibition A History of Fashion in 100 Objects)

Background imageMannequin Collection: Mans cream silk embroidered waistcoat, 1740s (silk)

Mans cream silk embroidered waistcoat, 1740s (silk)
3100321 Mans cream silk embroidered waistcoat, 1740s (silk) by Unknown artist, (18th century); (add.info.: From the exhibition A History of Fashion in 100 Objects)

Background imageMannequin Collection: Wheel of Fortune. Formula for a ceramic making-up and a depilatory cream (facsimile copy

Wheel of Fortune. Formula for a ceramic making-up and a depilatory cream (facsimile copy
XIR239579 Wheel of Fortune. Formula for a ceramic making-up and a depilatory cream (facsimile copy) (pen & ink on paper) (b/w photo) by Villard de Honnecourt (fl.1190-1235); Bibliotheque Nationale

Background imageMannequin Collection: Reposing, c. 1929 (oil on canvas)

Reposing, c. 1929 (oil on canvas)
FIT167223 Reposing, c.1929 (oil on canvas) by Beeton, Alan (1880-1942); 28.9x30.8 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English, out of copyright

Background imageMannequin Collection: Won t talk back (colour litho)

Won t talk back (colour litho)
3642948 Won t talk back (colour litho) by English School, (20th century); Private Collection; (add.info.: Won t talk back. Postcard, early 20th century.); © Look and Learn

Background imageMannequin Collection: Yvette Frondl (b / w photo)

Yvette Frondl (b / w photo)
3640274 Yvette Frondl (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Yvette Frondl. Illustration for cigarette card)

Background imageMannequin Collection: Les Modistes (colour litho)

Les Modistes (colour litho)
2798853 Les Modistes (colour litho) by Robida, Albert (1848-1926) (after); Private Collection; (add.info.: Les Modistes. Illustration for Le XIXe Siecle (Georges Decaux, 1888).); © Look and Learn

Background imageMannequin Collection: Black tailored wool riding habit, with habit jacket and side-saddle skirt, 1890s (wool)

Black tailored wool riding habit, with habit jacket and side-saddle skirt, 1890s (wool)
3100439 Black tailored wool riding habit, with habit jacket and side-saddle skirt, 1890s (wool) by Unknown Artist, (19th century); (add.info)

Background imageMannequin Collection: Cream wool mantle made from woven Kashmir shawl, 1870s (wool)

Cream wool mantle made from woven Kashmir shawl, 1870s (wool)
3100433 Cream wool mantle made from woven Kashmir shawl, 1870s (wool) by Unknown Artist, (19th century); (add.info.: From the exhibition A History of Fashion in 100 Objects)

Background imageMannequin Collection: Ruby red silk plush dressing gown, 1880s (silk)

Ruby red silk plush dressing gown, 1880s (silk)
3100432 Ruby red silk plush dressing gown, 1880s (silk) by Unknown Artist, (19th century); (add.info.: From the exhibition A History of Fashion in 100 Objects ); eFashion Museum Bath; out of copyright

Background imageMannequin Collection: Mans green wool cloth coat, with wool trousers and woven waistcoat, 1830s (wool)

Mans green wool cloth coat, with wool trousers and woven waistcoat, 1830s (wool)
3100428 Mans green wool cloth coat, with wool trousers and woven waistcoat, 1830s (wool) by Unknown Artist, (19th century); (add.info)

Background imageMannequin Collection: Whitework embroidered collar, 1830s (lace & silk)

Whitework embroidered collar, 1830s (lace & silk)
3100427 Whitework embroidered collar, 1830s (lace & silk) by Unknown Artist, (19th century); (add.info.: From the exhibition A History of Fashion in 100 Objects)

Background imageMannequin Collection: White cutwork embroidered cotton gown with spencer-style bodice, 1815 (cotton)

White cutwork embroidered cotton gown with spencer-style bodice, 1815 (cotton)
3100423 White cutwork embroidered cotton gown with spencer-style bodice, 1815 (cotton) by Unknown Artist, (19th century); (add.info)

Background imageMannequin Collection: Black silk satin cape, worn with olive green silk quilted petticoat, 1760s (silk)

Black silk satin cape, worn with olive green silk quilted petticoat, 1760s (silk)
3100416 Black silk satin cape, worn with olive green silk quilted petticoat, 1760s (silk) by Unknown artist, (18th century); (add.info)

Background imageMannequin Collection: Black watered silk mourning dress, 1880s (silk)

Black watered silk mourning dress, 1880s (silk)
3100343 Black watered silk mourning dress, 1880s (silk) by Unknown Artist, (19th century); (add.info.: From the exhibition A History of Fashion in 100 Objects ); eFashion Museum Bath; out of copyright

Background imageMannequin Collection: White woven silk wedding dress, with embroidered net lace veil, 1840s (silk & lace)

White woven silk wedding dress, with embroidered net lace veil, 1840s (silk & lace)
3100336 White woven silk wedding dress, with embroidered net lace veil, 1840s (silk & lace) by Unknown Artist, (19th century); (add.info)

Background imageMannequin Collection: Mans woollen trousers, worn with figured silk waistcoat, 1820s (wool & silk)

Mans woollen trousers, worn with figured silk waistcoat, 1820s (wool & silk)
3100335 Mans woollen trousers, worn with figured silk waistcoat, 1820s (wool & silk) by Unknown Artist, (19th century); (add.info)

Background imageMannequin Collection: Green and pinks brocade woven silk open robe, 1730s (silk)

Green and pinks brocade woven silk open robe, 1730s (silk)
3100320 Green and pinks brocade woven silk open robe, 1730s (silk) by Unknown artist, (18th century); (add.info.: From the exhibition A History of Fashion in 100 Objects)

Background imageMannequin Collection: Varnishing day, cover illustration of La Caricature magazine

Varnishing day, cover illustration of La Caricature magazine
REV253034 Varnishing day, cover illustration of La Caricature magazine, 9th May 1885 (colour engraving) by Robida, Albert (1848-1926); Private Collection; (add.info)

Background imageMannequin Collection: Study of Hairdressers Shop, 1912 (silver print photograph)

Study of Hairdressers Shop, 1912 (silver print photograph)
2630139 Study of Hairdressers Shop, 1912 (silver print photograph) by Atget, Eugene (1856-1927); Private Collection; (add.info.: Hairdressers Shop Window, Boulevard de Strasbourg, Paris)

Background imageMannequin Collection: Untitled (gelatin silver print)

Untitled (gelatin silver print)
660336 Untitled (gelatin silver print) by Atget, Eugene (1856-1927); Private Collection; Photo eChristies Images; French, out of copyright

Background imageMannequin Collection: Reception dress c. 1892 (textile)

Reception dress c. 1892 (textile)
MNY94391 Reception dress c.1892 (textile) by Worth, Charles Frederick (1825-95); Museum of the City of New York, USA; eMuseum of the City of New York; British, out of copyright

Background imageMannequin Collection: Rue de Petit Chouard (?), 1911 (gold-toned albumen print)

Rue de Petit Chouard (?), 1911 (gold-toned albumen print)
991450 Rue de Petit Chouard (?), 1911 (gold-toned albumen print) by Atget, Eugene (1856-1927); 22.86x17.46 cm; Private Collection; (add.info.: Rue de Petit Chouard (?). Eugene Atget (1856-1927)

Background imageMannequin Collection: Norma Smythe (b / w photo)

Norma Smythe (b / w photo)
3640273 Norma Smythe (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Norma Smythe. Illustration for cigarette card)

Background imageMannequin Collection: Susie Powell (b / w photo)

Susie Powell (b / w photo)
3640267 Susie Powell (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Susie Powell. Illustration for cigarette card)

Background imageMannequin Collection: Mans cream wool frock coat, 1790s (wool)

Mans cream wool frock coat, 1790s (wool)
3100422 Mans cream wool frock coat, 1790s (wool) by Unknown artist, (18th century); (add.info.: From the exhibition A History of Fashion in 100 Objects ); eFashion Museum Bath; out of copyright

Background imageMannequin Collection: Mans red woven velvet coat and breeches, 1750s (velvet)

Mans red woven velvet coat and breeches, 1750s (velvet)
3100419 Mans red woven velvet coat and breeches, 1750s (velvet) by Unknown artist, (18th century); (add.info.: From the exhibition A History of Fashion in 100 Objects)

Background imageMannequin Collection: Blue and cream woven silk open robe with ruched robings, 1750s (silk)

Blue and cream woven silk open robe with ruched robings, 1750s (silk)
3100418 Blue and cream woven silk open robe with ruched robings, 1750s (silk) by Unknown artist, (18th century); (add.info)




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In the vibrant world of fashion, mannequins have played a pivotal role in shaping trends and pushing boundaries. From Malcolm McLaren's iconic shop on The Kings Road in 1976, where sex and style collided to create a cultural revolution, to the male dummy showcasing acupuncture meridians and points, these lifeless figures have become more than just silent observers. Venturing into Italy, we encounter "The Disturbing Muses, " where mannequins embody haunting beauty that captivates our imagination. In China, an acupuncture model stands tall as a testament to ancient healing practices while seamlessly blending with the realm of fashion. Speaking of fashion, who can forget Yves Saint Laurent's masterpieces? These Parisian luxury creations find their perfect canvas on elegant mannequins that bring them to life. But sometimes even haute couture needs a touch of audacity - enter the daring concept of "Mannequin In The Nude, " challenging societal norms and celebrating artistic expression. Traveling back in time to World War I era London, we witness Hazel Lavery draped in a Lucile gown for Petticoat Lane Tombola. This snapshot showcases how mannequins not only display garments but also preserve moments frozen in history. Stepping into modern times, we meet Harry Ogle at just sixteen years old; his passion for design evident as he meticulously fits one of his creations onto a mannequin. This glimpse reminds us that creativity knows no age limits. Revisiting the swinging sixties brings us face-to-face with a young girl gazing longingly through a window adorned with fashionable attire. Mannequins serve as both inspiration and aspiration for those seeking sartorial liberation during this transformative decade. Beyond the realm of fashion lies another facet: education. At Eltham Palace's Army Education Exhibition, mannequins take center stage as they educate visitors about military history while donning uniforms that once symbolized bravery and sacrifice.