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Mannequin Collection (page 8)

In the vibrant world of fashion, mannequins have played a pivotal role in shaping trends and pushing boundaries

Background imageMannequin Collection: Yellow, red and blue brocade woven silk closed robe, 1740s (silk)

Yellow, red and blue brocade woven silk closed robe, 1740s (silk)
3100415 Yellow, red and blue brocade woven silk closed robe, 1740s (silk) by Unknown artist, (18th century); (add.info.: From the exhibition A History of Fashion in 100 Objects)

Background imageMannequin Collection: Mans brown woven silk waistcoat, 1690s (silk)

Mans brown woven silk waistcoat, 1690s (silk)
3100414 Mans brown woven silk waistcoat, 1690s (silk) by Unknown Artist, (17th century); (add.info.: From the exhibition A History of Fashion in 100 Objects ); eFashion Museum Bath; out of copyright

Background imageMannequin Collection: Mans light brown beaver fur top hat, 1850s (beaver fur)

Mans light brown beaver fur top hat, 1850s (beaver fur)
3100338 Mans light brown beaver fur top hat, 1850s (beaver fur) by Unknown Artist, (19th century); (add.info.: From the exhibition A History of Fashion in 100 Objects)

Background imageMannequin Collection: Cream silk gauze Madras lace frock with silk satin detail, 1817 (silk & lace)

Cream silk gauze Madras lace frock with silk satin detail, 1817 (silk & lace)
3100334 Cream silk gauze Madras lace frock with silk satin detail, 1817 (silk & lace) by Unknown Artist, (19th century); (add.info)

Background imageMannequin Collection: Mans cream silk satin embroidered coat and pink silk breeches, 1780s (silk)

Mans cream silk satin embroidered coat and pink silk breeches, 1780s (silk)
3100328 Mans cream silk satin embroidered coat and pink silk breeches, 1780s (silk) by Unknown artist, (18th century); (add.info)

Background imageMannequin Collection: Pink and green striped silk robe a l anglaise, 1770s (silk)

Pink and green striped silk robe a l anglaise, 1770s (silk)
3100325 Pink and green striped silk robe a l anglaise, 1770s (silk) by Unknown artist, (18th century); (add.info.: From the exhibition A History of Fashion in 100 Objects)

Background imageMannequin Collection: Yellow and gold woven silk robe a la francaise, 1760s (silk)

Yellow and gold woven silk robe a la francaise, 1760s (silk)
3100324 Yellow and gold woven silk robe A la franAzaise, 1760s (silk) by Unknown artist, (18th century); (add.info.: From the exhibition A History of Fashion in 100 Objects)

Background imageMannequin Collection: Cream striped and figured woven silk robe a la francaise, 1770s (silk)

Cream striped and figured woven silk robe a la francaise, 1770s (silk)
3100323 Cream striped and figured woven silk robe A la franAzaise, 1770s (silk) by Unknown artist, (18th century); (add.info)

Background imageMannequin Collection: Mans printed cotton banyan, 1750s (cotton)

Mans printed cotton banyan, 1750s (cotton)
3100322 Mans printed cotton banyan, 1750s (cotton) by Unknown artist, (18th century); (add.info.: From the exhibition A History of Fashion in 100 Objects ); eFashion Museum Bath; out of copyright

Background imageMannequin Collection: The Seamstress

The Seamstress
PWI82606 The Seamstress by Millet, Jean-Francois (1814-75); 33x25 cm; Musee d Orsay, Paris, France; ePeter Willi; French, out of copyright

Background imageMannequin Collection: The artists atelier in Rome (oil on canvas)

The artists atelier in Rome (oil on canvas)
6344294 The artists atelier in Rome (oil on canvas) by Bree, Philipe Jacques van (1786-1871); 73x96 cm; Private Collection; Photo eChristies Images; Belgian, out of copyright

Background imageMannequin Collection: Mannequin du pape brule au Palais-Royal, le 16 avril 1791, d apres Bertault (engraving)

Mannequin du pape brule au Palais-Royal, le 16 avril 1791, d apres Bertault (engraving)
963303 Mannequin du pape brule au Palais-Royal, le 16 avril 1791, d apres Bertault (engraving) by French School, (19th century); Private Collection; (add.info)

Background imageMannequin Collection: The Shop Girl, 1883-85 (oil on canvas)

The Shop Girl, 1883-85 (oil on canvas)
ONT162848 The Shop Girl, 1883-85 (oil on canvas) by Tissot, James Jacques Joseph (1836-1902); 146.1x101.6 cm; Art Gallery of Ontario, Toronto, Canada; © Art Gallery of Ontario

Background imageMannequin Collection: Female mannequin head from Maes Millinery Shop, 1941-1994. Creator: Unknown

Female mannequin head from Maes Millinery Shop, 1941-1994. Creator: Unknown
A plaster form of a female head and neck covered with metallic gold paint. The facial features are detailed and realistic

Background imageMannequin Collection: insolite vetrine

insolite vetrine
Roberto Marini

Background imageMannequin Collection: More music please

More music please
Marco Antonio Cobo

Background imageMannequin Collection: The Office

The Office
Paulo Abrantes

Background imageMannequin Collection: 361003

361003

Background imageMannequin Collection: Boxes

Boxes
Marius Noreger

Background imageMannequin Collection: Marionetas

Marionetas
claudia méndez cordero

Background imageMannequin Collection: Denied?

Denied?
Timothy Tichy

Background imageMannequin Collection: The Puppet´s observer

The Puppet´s observer
Luis Sarmento

Background imageMannequin Collection: A doll out of the Box III

A doll out of the Box III
DDiArte

Background imageMannequin Collection: Flight Plans

Flight Plans
Timothy Tichy

Background imageMannequin Collection: Pre Flight Inspection

Pre Flight Inspection
Timothy Tichy

Background imageMannequin Collection: The Studio Portrait

The Studio Portrait
Timothy Tichy

Background imageMannequin Collection: nine

nine
Erdal Suat

Background imageMannequin Collection: Modern Anxieties

Modern Anxieties
Timothy Tichy

Background imageMannequin Collection: I think of you

I think of you
Carlo Ferrara

Background imageMannequin Collection: puppet

puppet
Michael M

Background imageMannequin Collection: Vetrine

Vetrine
Traven Milovich

Background imageMannequin Collection: Journey Into An Unknown World

Journey Into An Unknown World
Rui Correia

Background imageMannequin Collection: 820030

820030

Background imageMannequin Collection: Electronic Clown

Electronic Clown
DDiArte

Background imageMannequin Collection: all we need is love

all we need is love
Emilian Chirila

Background imageMannequin Collection: The Depleted Self

The Depleted Self
Bendik Johan Stålsett Follesø

Background imageMannequin Collection: In control

In control
Ton Dirven

Background imageMannequin Collection: xtreme

xtreme
K|K - Carlos Costa

Background imageMannequin Collection: Mannequin window

Mannequin window
Susanne Stoop

Background imageMannequin Collection: In the city

In the city
TORU MATSUNAGA

Background imageMannequin Collection: Feast of mannequins

Feast of mannequins
Jose C. Lobato

Background imageMannequin Collection: Antipod

Antipod
Julia

Background imageMannequin Collection: have a woman

have a woman
Giorgio Toniolo

Background imageMannequin Collection: Looking for a gift

Looking for a gift
Jose C. Lobato

Background imageMannequin Collection: black as time

black as time
Milad Eslamzadeh

Background imageMannequin Collection: Madame

Madame
Delphine Devos

Background imageMannequin Collection: Table dance (from the series 'Boy meets girl')

Table dance (from the series "Boy meets girl")
Dieter Matthes

Background imageMannequin Collection: ///// Parallelism /////

///// Parallelism /////
Santiago Pascual Buye




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In the vibrant world of fashion, mannequins have played a pivotal role in shaping trends and pushing boundaries. From Malcolm McLaren's iconic shop on The Kings Road in 1976, where sex and style collided to create a cultural revolution, to the male dummy showcasing acupuncture meridians and points, these lifeless figures have become more than just silent observers. Venturing into Italy, we encounter "The Disturbing Muses, " where mannequins embody haunting beauty that captivates our imagination. In China, an acupuncture model stands tall as a testament to ancient healing practices while seamlessly blending with the realm of fashion. Speaking of fashion, who can forget Yves Saint Laurent's masterpieces? These Parisian luxury creations find their perfect canvas on elegant mannequins that bring them to life. But sometimes even haute couture needs a touch of audacity - enter the daring concept of "Mannequin In The Nude, " challenging societal norms and celebrating artistic expression. Traveling back in time to World War I era London, we witness Hazel Lavery draped in a Lucile gown for Petticoat Lane Tombola. This snapshot showcases how mannequins not only display garments but also preserve moments frozen in history. Stepping into modern times, we meet Harry Ogle at just sixteen years old; his passion for design evident as he meticulously fits one of his creations onto a mannequin. This glimpse reminds us that creativity knows no age limits. Revisiting the swinging sixties brings us face-to-face with a young girl gazing longingly through a window adorned with fashionable attire. Mannequins serve as both inspiration and aspiration for those seeking sartorial liberation during this transformative decade. Beyond the realm of fashion lies another facet: education. At Eltham Palace's Army Education Exhibition, mannequins take center stage as they educate visitors about military history while donning uniforms that once symbolized bravery and sacrifice.