Mannerism Collection (#2)

Christ before Pilate, plate 5 from The Passion of Christ, 1596. Creator: Hendrik Goltzius
Christ before Pilate, plate 5 from The Passion of Christ, 1596.

Christ And Disciples On The Sea Of Galilee, c1560s. Creator: Taddeo Zuccaro
Christ And Disciples On The Sea Of Galilee, c1560s.

Perseus Rescuing Andromeda, 1594/95. Creator: Giuseppe Cesari
Perseus Rescuing Andromeda, 1594/95. The Greek hero Perseus, traveling home after slaying Medusa, spotted the princess Andromeda chained to a rock

Two Studies Of A Youth, c1600-10. Creator: Cristofano Roncalli
Two Studies Of A Youth, c1600-10.

Amphitrite, sculpture by Stoldo Lorenzi (1534-83) 1572 (bronze)
BEN82525 Amphitrite, sculpture by Stoldo Lorenzi (1534-83) 1572 (bronze); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; Photo © Raffaello Bencini

Jesus Christ crowned with thorns. Fresco by Romanino located along the right nave of the Cathedral of Cremona
3559310 Jesus Christ crowned with thorns. Fresco by Romanino located along the right nave of the Cathedral of Cremona.; (add.info.: Artist: Romanino, Girolamo Romani)

Half-Length Recumbent Male Nude Seen from the Back, c.1590 (charcoal, touches of oil paint)
5861512 Half-Length Recumbent Male Nude Seen from the Back, c.1590 (charcoal, touches of oil paint and traces of lead white on paper) by Faccini, Pietro (1560/2-1602); The Art Institute of Chicago

Charity, c.1590 (oil on wood)
XOS5882001 Charity, c.1590 (oil on wood) by Bloemaert, Abraham (1566-1651); 87x100 cm; Cleveland Museum of Art, OH, USA; (add.info)

View of the valut of the Room of Ulysses, Palazzo della Prefettura, Bergamo, Italy (photo)
2654973 View of the valut of the Room of Ulysses, Palazzo della Prefettura, Bergamo, Italy (photo); (add.info.: Bergamo, Palazzo della Prefettura: the vault of the Hall of Ulysses)

Perino del Vaga (Piero Bonaccorsi), Italian painter
5893214 Perino del Vaga (Piero Bonaccorsi), Italian painter.; (add.info.: Portrait of Perino del Vaga (Piero Bonaccorsi), Italian painter and draughtsman of the Late Renaissance/Mannerism 1501-1547

Jesus in the Garden of Olives, 1600-7 (oil on canvas)
8724249 Jesus in the Garden of Olives, 1600-7 (oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614); Museo Nacional de Bellas Artes, Buenos Aires, Argentina; (add.info.: By El Greco)

Madonna delle Grazie (oil on panel)
8683292 Madonna delle Grazie (oil on panel) by Colle, Raffaello dal (c.1490-1566) ; Santuario di Santa Maria delle Grazie, Sansepolcro, Arezzo, Tuscany

Incredulity of St. Thomas (oil on canvas)
8683286 Incredulity of St. Thomas (oil on canvas) by Tito, Santi di (1536-1603); Duomo di San Giovanni, Sansepolcro, Arezzo, Tuscany, Italy; (add.info.: "Incredulity of St)

8626324

Do You Know: Why do men raise their hats? (colour litho)
8668141 Do You Know: Why do men raise their hats? (colour litho) by English School, (20th century); Private Collection; (add.info.: Why do men raise their hats)

The Sala di Leone X designed by Giorgio Vasari (1511-74) 1562 (photo)
BEN82459 The Sala di Leone X designed by Giorgio Vasari (1511-74) 1562 (photo); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; Photo © Raffaello Bencini

The Giardino Segreto, courtyard of the Appartamento Grotta designed by Giulio Romano (1499-1546), 1524-34 (photo)
BEN78415 The Giardino Segreto, courtyard of the Appartamento Grotta designed by Giulio Romano (1499-1546), 1524-34 (photo); Palazzo del Te, Mantua, Italy; Photo © Raffaello Bencini

The Loggia di Davide (or D'Onore), interior showing columns of the garden entrance designed by Giulio Romano
BEN78411 The Loggia di Davide (or D'Onore), interior showing columns of the garden entrance designed by Giulio Romano (1499-1546), 1524-34 (photo) (see also 78412); Palazzo del Te, Mantua

Entrance to the Loggia di Davide, looking from the Cortile D'Onore through the garden to the Exedra
BEN78405 Entrance to the Loggia di Davide, looking from the Cortile D'Onore through the garden to the Exedra, designed by Giulio Romano (1499-1546), 1524-34 (photo); Palazzo del Te, Mantua

St. Quentin, 1517 (oil on canvas_)
8683301 St. Quentin, 1517 (oil on canvas_ by Vermeer, Jan (Johannes) (1632-75); Museo Civico, Sansepolcro, Arezzo, Tuscany, Italy; (add.info.: "St)

Benvenuto Cellini (1500-1571), 19th century (engraving)
7214686 Benvenuto Cellini (1500-1571), 19th century (engraving); (add.info.: Benvenuto Cellini (1500-1571) Italian goldsmith and sculptor best remembered for his infamous

Manusso Theotokopoulos, 1603-04 (oil on canvas)
8682930 Manusso Theotokopoulos, 1603-04 (oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614); Norton Simon Museum, Pasadena, CA, USA; (add.info.: By El Greco)

Pluto, sculpture by Domenico Poggini (1520-90) 1572 (bronze)
BEN82533 Pluto, sculpture by Domenico Poggini (1520-90) 1572 (bronze); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; Photo © Raffaello Bencini

Ops, sculpture by Bartolomeo Ammannati (1511-92) 1572 (bronze)
BEN82507 Ops, sculpture by Bartolomeo Ammannati (1511-92) 1572 (bronze); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; Photo © Raffaello Bencini

The Loggia di Davide (or D'Onore) designed by Giulio Romano (1499-1546), 1524-34, looking through to the Exedra
BEN78413 The Loggia di Davide (or D'Onore) designed by Giulio Romano (1499-1546), 1524-34, looking through to the Exedra, design attributed to Nicolo Sebregondi, c.1651 (photo); Palazzo del Te

View of the Lungarno Corsini with the Ponte Santa Trinita in Florence
3560258 View of the Lungarno Corsini with the Ponte Santa Trinita in Florence by Unknown photographer, (20th century); (add.info.: Lungarno Corsini, Florence 1900-1910 Date of Artwork: 1252, 1557)

Virgin and Child with the Young Saint John the Baptist, 1527-30 (oil on panel)
5860640 Virgin and Child with the Young Saint John the Baptist, 1527-30 (oil on panel) by Bronzino, Agnolo di Cosimo (1503-72); 81.6--57.4 cm; The Art Institute of Chicago, IL

Juno, sculpture by Giovanni Bandini (1540-99) 1572 (bronze)
BEN82509 Juno, sculpture by Giovanni Bandini (1540-99) 1572 (bronze); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; Photo © Raffaello Bencini

The Loggia di Davide (or D'Onore) interior decorated with ceiling frescos of biblical subjects including King David
BEN78409 The Loggia di Davide (or D'Onore) interior decorated with ceiling frescos of biblical subjects including King David playing his harp designed by Giulio Romano (1499-1546)

The Loggia delle Muse northern facade of the Cortile d'Onere designed by Giulio Romano (1499-1546)
BEN78403 The Loggia delle Muse northern facade of the Cortile d'Onere designed by Giulio Romano (1499-1546), 1524-34 (photo) (detail of 78404); Palazzo del Te, Mantua

Vestibule of the west entrance, designed by Giulio Romano (1499-1546), 1524-34 (photo)
BEN78402 Vestibule of the west entrance, designed by Giulio Romano (1499-1546), 1524-34 (photo); Palazzo del Te, Mantua, Italy; Photo © Raffaello Bencini

The loggia of the Appartamento della Grotta designed by Giulio Romano (1499-1546), 1524-34 (photo)
BEN78416 The loggia of the Appartamento della Grotta designed by Giulio Romano (1499-1546), 1524-34 (photo); Palazzo del Te, Mantua, Italy; Photo © Raffaello Bencini

The Loggia di Davide (or D'Onore) and the fishponds seen from the garden designed by Giulio Romano (1499-1546)
BEN78407 The Loggia di Davide (or D'Onore) and the fishponds seen from the garden designed by Giulio Romano (1499-1546), 1524-34 (photo) (see also 78406); Palazzo del Te, Mantua

Venus, sculpture by Vincenzo Danti (1530-76) 1572 (bronze)
BEN82520 Venus, sculpture by Vincenzo Danti (1530-76) 1572 (bronze); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; Photo © Raffaello Bencini

The Fountain of the Shepherd, designed by Jacopo Vignola (1507-73) 1557-1583 (photo)
BEN95802 The Fountain of the Shepherd, designed by Jacopo Vignola (1507-73) 1557-1583 (photo); Villa Farnese, Caprarola, Voterbo, Lazio, Italy; Photo © Raffaello Bencini

The Loggia di Davide (or D'Onore) interior decorated with frescos of biblical subjects including King David playing
BEN78408 The Loggia di Davide (or D'Onore) interior decorated with frescos of biblical subjects including King David playing the harp, designed by Giulio Romano (1499-1546)

View of the main entrance on the western facade designed by Giulio Romano (1499-1546)
BEN78401 View of the main entrance on the western facade designed by Giulio Romano (1499-1546), 1524-34 (photo) (detail of 78400); Palazzo del Te, Mantua, Italy; Photo © Raffaello Bencini

Boreas, sculpture by Elia Candido, 1572 (bronze)
BEN82514 Boreas, sculpture by Elia Candido, 1572 (bronze); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; Photo © Raffaello Bencini

The northern facade of the Cortile d'Onore including the Loggia delle Muse, designed by Giulio Romano (1499-1546)
BEN78404 The northern facade of the Cortile d'Onore including the Loggia delle Muse, designed by Giulio Romano (1499-1546), 1524-34 (photo) (for detail see 78403); Palazzo del Te, Mantua

Vulcan, sculpture by Vincenzo de Rossi (1525-87) 1572 (bronze)
BEN82544 Vulcan, sculpture by Vincenzo de Rossi (1525-87) 1572 (bronze); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; Photo © Raffaello Bencini

View of the western facade designed by Giulio Romano (1499-1546), 1524-34 (photo) (for detail see 78401)
BEN78400 View of the western facade designed by Giulio Romano (1499-1546), 1524-34 (photo) (for detail see 78401); Palazzo del Te, Mantua, Italy; Photo © Raffaello Bencini

Scena di combattimento (battle scene), c.1557. Creator: Gambara, Lattanzio (around 1530-1574)
Scena di combattimento (battle scene), c.1557. Found in the Collection of the Museo di Santa Giulia, Brescia

The beheading of John the Baptist, 1553-1554. Creator: Tibaldi, Pellegrino (1527-1596)
The beheading of John the Baptist, 1553-1554. Found in the Collection of the Museo Pontificio Santa Casa, Loreto

The sermon of John the Baptist, 1553-1554. Creator: Tibaldi, Pellegrino (1527-1596)
The sermon of John the Baptist, 1553-1554. Found in the Collection of the Museo Pontificio Santa Casa, Loreto

Portrait of a young woman as Porcia Catonis, Second half of the 16th century. Creator: Santi di Tito (1536-1603)
Portrait of a young woman as Porcia Catonis, Second half of the 16th century. Found in the Collection of the Statens Museum for Kunst, Kopenhagen

Ritratto di suonatore con chitarra (Portrait of a Guitar Player), 1636. Creator: Pombioli, Tommaso (1579-1636)
Ritratto di suonatore con chitarra (Portrait of a Guitar Player), 1636. Found in the Collection of the Accademia Tadini, Lovere

The mystical wedding of Saint Catherine, 1588. Creator: Anguissola, Sofonisba (around 1532-1625)
The mystical wedding of Saint Catherine, 1588. Found in the Collection of the Museo de Bellas Artes de Bilbao

Head of a woman, 1568. Creator: Barocci, Federigo (1528-1612)
Head of a woman, 1568. Found in the Collection of the Musee des Beaux-Arts et d'Archeologie, Besancon

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"Mannerism: A Captivating Display of Artistic Eccentricity" Step into the world of Mannerism, a captivating artistic movement that emerged in the late Renaissance period. With its exaggerated forms, elongated figures, and intricate compositions, Mannerism pushed the boundaries of traditional art. Take a glimpse at El Greco's "View of Toledo, " where the artist skillfully captures an otherworldly landscape with distorted perspectives and vibrant colors. In his masterpiece "The Fable, " El Greco showcases his unique style through elongated figures and dramatic lighting, creating a sense of mystery and intensity. Agnolo Bronzino's "An Allegory with Venus and Cupid" mesmerizes viewers with its sensual yet enigmatic portrayal. The delicate details and meticulous brushwork highlight Bronzino's mastery in capturing complex emotions within his subjects. Benvenuto Cellini's sculpture "Perseus" astonishes with its dynamic composition and intricate detailing. This masterpiece embodies the essence of Mannerist sculpture by showcasing exaggerated poses and elaborate ornamentation. The School of Fontainebleau presents us with "Gabrielle d'Estrees and one of her sisters. " This painting exudes elegance as it portrays two noblewomen engaged in intimate conversation while surrounded by sumptuous fabrics—a testament to the refined aesthetics characteristic of Mannerism. Raphael's "Transfiguration" exemplifies how this artistic movement blended elements from both High Renaissance classicism and emerging Mannerist tendencies. The harmonious composition combined with intense emotion creates a powerful visual narrative. Intriguingly titled "Minerva Victorious over Ignorance, " this artwork symbolizes knowledge triumphing over ignorance through allegorical representations—an essential theme explored during this era. Anonymous brings forth Antonietta Gonsalvus in their portrait, revealing beauty beyond conventional norms—a reflection on society's obsession with physical appearance during that time.