Mannerism Collection (#53)

ITALY. Mantua. Cathedral, built by Giulio Romano (16th c.). Interior. Mannerism art. Architecture

HEINTZ, Joseph, The Elder (1564-1609). Venus Reclining. Mannerism art. Oil on canvas

Acevedo, Fray Antonio De
Greco, Dom nikos Theotokpoulos, called El (1541-1614). The Crucifixion with Two Donors. Mannerism art. Oil on canvas

Cavaliere d<Arpino
Cavaliere d< Arpino

Van Loo, Jean Baptiste
Greco, Dom nikos Theotokpoulos, called El (1541-1614). Portrait of Jeronimo de Cevallos. Mannerism art. Oil on canvas

The Disrobing of Christ
Domenikos Theotokopoulos, called El Greco (1541-1614). The Disrobing of Christ. Mannerism art. Oil on canvas

Botticelli, Alessandro Di Mariano
Greco, Dom nikos Theotokpoulos, called El (1541-1614). Saint Benedict. Mannerism art. Oil on canvas

MICHELANGELO (1475-1564). TOMB OF
Greco, Dom nikos Theotokpoulos, called El (1541-1614). Saint Paul. Mannerism art. Oil on canvas

Battle between Turks and Christians. Jacopo Robusti, called Il Tintoretto (1518-1594). Oil On Canvas, c.1588 / 89

MORALES, Luѳde (1515-1586)
MORALES, Luг de (1515-1586). The Virgin and Child. Mannerism art. Oil on canvas

SODOMA, Giovanni Antonio Bazzi, also called Il (1477-1549). Holy Family with the Infant St. Mannerism art. Oil on canvas

Greco, Dom nikos Theotokpoulos, Called
Greco, Dom nikos Theotokpoulos, called El (1541-1614). Christ with the Cross. Mannerism art. Oil on canvas

RAPHAEL (1483-1520). PORTRAIT OF
Greco, Dom nikos Theotokpoulos, called El (1541-1614). Baptism of Christ. Mannerism art. Oil on canvas

VARIN, JEAN (1604-1672). BUST
Greco, Dom nikos Theotokpoulos, called El (1541-1614). Doctor Rodrigo de la Fuente 1577 - 1584. Mannerism art. Oil on canvas

ERCILLA Y ZUщGA, Alonso de (1533-1594). Spanish
" ERCILLA Y ZUщ GA, Alonso de (1533-1594). Spanish poet and soldier, author of the epic poem " La Araucana". Portrait of the Poet Alonso de Ercilla. 1576 - 1578

ROJAS, Pablo de (1549-1611). Pilgrim James. SPAIN. Granada. Cathedral. Mannerism art. Sculpture on wood

Palace of Charles V, Alhambra Palace, UNESCO World Heritage Site, Granada, Andalucia, Spain, Europe

Little girl with a Gibraltar Barbary Macaque
A little girl sitting next to a Gibraltar Barbary Macaque (Macaca Sylvanus), trying to imitate its mannerisms. These animals are found on the Upper Rock of Gibraltar

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"Mannerism: A Captivating Display of Artistic Eccentricity" Step into the world of Mannerism, a captivating artistic movement that emerged in the late Renaissance period. With its exaggerated forms, elongated figures, and intricate compositions, Mannerism pushed the boundaries of traditional art. Take a glimpse at El Greco's "View of Toledo, " where the artist skillfully captures an otherworldly landscape with distorted perspectives and vibrant colors. In his masterpiece "The Fable, " El Greco showcases his unique style through elongated figures and dramatic lighting, creating a sense of mystery and intensity. Agnolo Bronzino's "An Allegory with Venus and Cupid" mesmerizes viewers with its sensual yet enigmatic portrayal. The delicate details and meticulous brushwork highlight Bronzino's mastery in capturing complex emotions within his subjects. Benvenuto Cellini's sculpture "Perseus" astonishes with its dynamic composition and intricate detailing. This masterpiece embodies the essence of Mannerist sculpture by showcasing exaggerated poses and elaborate ornamentation. The School of Fontainebleau presents us with "Gabrielle d'Estrees and one of her sisters. " This painting exudes elegance as it portrays two noblewomen engaged in intimate conversation while surrounded by sumptuous fabrics—a testament to the refined aesthetics characteristic of Mannerism. Raphael's "Transfiguration" exemplifies how this artistic movement blended elements from both High Renaissance classicism and emerging Mannerist tendencies. The harmonious composition combined with intense emotion creates a powerful visual narrative. Intriguingly titled "Minerva Victorious over Ignorance, " this artwork symbolizes knowledge triumphing over ignorance through allegorical representations—an essential theme explored during this era. Anonymous brings forth Antonietta Gonsalvus in their portrait, revealing beauty beyond conventional norms—a reflection on society's obsession with physical appearance during that time.