Mannerism Collection (#52)

Ivo of Chartres carved ivory crozier, Curved top from Treasury of Beauvais Cathedral
France, 11th century - Northern France, Ivo of Chartres carved ivory crozier. Curved top from Treasury of Beauvais Cathedral

France, Paris, Portrait of apothecary Pierre Quthe (1519-1590), 1562
Francois Clouet (ca. 1510-1572), Portrait of Pierre Quthe (1519-1590), apothecary, 1562, oil on panel, 91x70 cm

Italy, Cremona, Vegetables in a Bowl or The Gardener
Giuseppe Arcimboldo (also known as Arcimboldi, 1527-1593), Vegetables in a Bowl or The Gardener

Portrait of Duke Alexander De Medici, Detail: city of Florence, by Giorgio Vasari, 1535, painting
Giorgio Vasari (1511-1574). Portrait of Duke Alexander De Medici, 1535. Details: The city of Florence

Italy, Florence, Portrait of Henry II of France (1519 - 1559), King of France (1547-1559)
Francois Clouet (ca. 1510-1572), Portrait of Henry II of France (Saint-Germain-en-Laye, 1519 - Paris, 1559), King of France (1547-1559), 31x25 cm. Detail

Italy, Rome, Transfiguration of Jesus
Raffaello Sanzio (1483-1520), Transfiguration

Germany, Vienna, Love Carving the Bow
Parmigianino (Girolamo Francesco Maria Mazzola, 1503-1540), Love Carving the Bow

Spain, San Lorenzo de El Escorial, Christ and the Samaritan woman at the well
Paolo Veronese (born Paolo Caliari, 1528-1588), Christ and the Samaritan Woman at the Well, ca. 1580

TIBALDI, Pellegrino (1527-1596). The Seven Liberal Arts. 1587 - 1591. SPAIN. San Lorenzo de El Escorial. Royal Monastery of San Lorenzo de El Escorial. Detail depicting the Astrology

ROJAS, Pablo de (1549-1611). The Immaculate Conception or Virgen de los Favores de Granada. 17th c. SPAIN. Granada. Cathedral. Baroque art.; Mannerism art. Sculpture on wood

INDIA. Goa. Se Cathedral (St. Catherines Cathedral), 1562

Zuccari, Federico (1542-1609). An Anatomy Lesson for Artists. ca. 1570. Michelangelo surrounded by other artists showing the Sartorius muscle of a dead body. Mannerism art. Oil on canvas. ITALY

GIOVENONE, Giuseppe, called Il Giovane (1524-1609)
" GIOVENONE, Giuseppe, called " Il Giovane" (1524-1609). " Resurrection of Jesus", 16th century. Mannerism art. Painting. ITALY. Turin

TIBALDI, Pellegrino (1527-1596). The Mates of Ulysses Stealing Oxes to the Sun. 1549. ITALY. Bologna. Poggi Palace. Mannerism art. Fresco

The Astrology (allegory). Cornelis Cort engraving published in Antwerp, 1565. Mannerism art. Engraving

GAROFALO, Benvenuto Tisi, also called (1481-1559). Jesus among the Doctors of the Temple. Mannerism art. Oil on canvas. ITALY. Turin. Galleria Sabauda (Sabauda Gallery)

Mannerism art. Oil on canvas. SPAIN. Toledo. Holy Cross Museum

TIBALDI, Pellegrino (1527-1596). Escaping from Polyphemuss Cave. ITALY. Bologna. Poggi Palace. Mannerism art. Fresco

VOS, Maarten de (1531-1603). Deposition of Christ. 16th c. Mannerism art.; Flemish art. Oil on canvas. SPAIN. Madrid. St. Fernando Royal Academy Museum

Greco, Dom鮩kos Theotok󰯵los, called El (1541-1614)
Greco, Dom鮩 kos Theotok󰯵 los, called El (1541-1614). Saint Joseph and Child Jesus. 1597 - 1599. SPAIN. Toledo. Cathedral. Mannerism art. Oil on canvas

COLOMBIA. Tunja. Monastery of Santo Domingo

EMPOLI, Jacopo da (1551-1640). Michelangelo presents his model of San Lorenzo to Leo X. 1617-1619. ITALY. Florence. Buonaroti House. Mannerism art. Oil on canvas

The Tears of Saint Peter. ca. 1594 - 1604. Mannerism art. Oil on canvas. SPAIN. Toledo. El Grecos House and Museum

ROSSO FIORENTINO, Giovanni Battista di Iacopo de Rossi, called (1494-1540). Deposition. 1521. Mannerism art. Oil on canvas. ITALY. Volterra. Pinacotheca (Picture Gallery)

MEDICI, Francesco I (1541-1587). Great Duke of Tuscany between 1574-1587. Anonymous. Bronzinos school. Mannerism art. Oil. ITALY. Florence. Galleria d Arte Moderna

MORALES, Lu�de (1515-1586). Christ before Pilate
MORALES, Lu� de (1515-1586). Christ before Pilate

BRONZINO, Agnolo di Cosimo di Mariano, also called Il (1502-1572). Pope Clement VII. 16th c. Mannerism art. Oil on canvas. ITALY. Florence. Galleria degli Uffizi (Uffizi Gallery)

ROJAS, Pablo de (1549-1611). Nazarene. 1586. SPAIN. Granada. Church of Angustias. Mannerism art. Sculpture on wood

ITALY. Mantua. Cathedral, built by Giulio Romano (16th c.). Interior. Mannerism art. Architecture

HEINTZ, Joseph, The Elder (1564-1609). Venus Reclining. Mannerism art. Oil on canvas

Acevedo, Fray Antonio De
Greco, Dom nikos Theotokpoulos, called El (1541-1614). The Crucifixion with Two Donors. Mannerism art. Oil on canvas

Cavaliere d<Arpino
Cavaliere d< Arpino

Van Loo, Jean Baptiste
Greco, Dom nikos Theotokpoulos, called El (1541-1614). Portrait of Jeronimo de Cevallos. Mannerism art. Oil on canvas

The Disrobing of Christ
Domenikos Theotokopoulos, called El Greco (1541-1614). The Disrobing of Christ. Mannerism art. Oil on canvas

Botticelli, Alessandro Di Mariano
Greco, Dom nikos Theotokpoulos, called El (1541-1614). Saint Benedict. Mannerism art. Oil on canvas

MICHELANGELO (1475-1564). TOMB OF
Greco, Dom nikos Theotokpoulos, called El (1541-1614). Saint Paul. Mannerism art. Oil on canvas

Battle between Turks and Christians. Jacopo Robusti, called Il Tintoretto (1518-1594). Oil On Canvas, c.1588 / 89

MORALES, Luѳde (1515-1586)
MORALES, Luг de (1515-1586). The Virgin and Child. Mannerism art. Oil on canvas

SODOMA, Giovanni Antonio Bazzi, also called Il (1477-1549). Holy Family with the Infant St. Mannerism art. Oil on canvas

Greco, Dom nikos Theotokpoulos, Called
Greco, Dom nikos Theotokpoulos, called El (1541-1614). Christ with the Cross. Mannerism art. Oil on canvas

RAPHAEL (1483-1520). PORTRAIT OF
Greco, Dom nikos Theotokpoulos, called El (1541-1614). Baptism of Christ. Mannerism art. Oil on canvas

VARIN, JEAN (1604-1672). BUST
Greco, Dom nikos Theotokpoulos, called El (1541-1614). Doctor Rodrigo de la Fuente 1577 - 1584. Mannerism art. Oil on canvas

ERCILLA Y ZUщGA, Alonso de (1533-1594). Spanish
" ERCILLA Y ZUщ GA, Alonso de (1533-1594). Spanish poet and soldier, author of the epic poem " La Araucana". Portrait of the Poet Alonso de Ercilla. 1576 - 1578

ROJAS, Pablo de (1549-1611). Pilgrim James. SPAIN. Granada. Cathedral. Mannerism art. Sculpture on wood

Palace of Charles V, Alhambra Palace, UNESCO World Heritage Site, Granada, Andalucia, Spain, Europe

Little girl with a Gibraltar Barbary Macaque
A little girl sitting next to a Gibraltar Barbary Macaque (Macaca Sylvanus), trying to imitate its mannerisms. These animals are found on the Upper Rock of Gibraltar

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"Mannerism: A Captivating Display of Artistic Eccentricity" Step into the world of Mannerism, a captivating artistic movement that emerged in the late Renaissance period. With its exaggerated forms, elongated figures, and intricate compositions, Mannerism pushed the boundaries of traditional art. Take a glimpse at El Greco's "View of Toledo, " where the artist skillfully captures an otherworldly landscape with distorted perspectives and vibrant colors. In his masterpiece "The Fable, " El Greco showcases his unique style through elongated figures and dramatic lighting, creating a sense of mystery and intensity. Agnolo Bronzino's "An Allegory with Venus and Cupid" mesmerizes viewers with its sensual yet enigmatic portrayal. The delicate details and meticulous brushwork highlight Bronzino's mastery in capturing complex emotions within his subjects. Benvenuto Cellini's sculpture "Perseus" astonishes with its dynamic composition and intricate detailing. This masterpiece embodies the essence of Mannerist sculpture by showcasing exaggerated poses and elaborate ornamentation. The School of Fontainebleau presents us with "Gabrielle d'Estrees and one of her sisters. " This painting exudes elegance as it portrays two noblewomen engaged in intimate conversation while surrounded by sumptuous fabrics—a testament to the refined aesthetics characteristic of Mannerism. Raphael's "Transfiguration" exemplifies how this artistic movement blended elements from both High Renaissance classicism and emerging Mannerist tendencies. The harmonious composition combined with intense emotion creates a powerful visual narrative. Intriguingly titled "Minerva Victorious over Ignorance, " this artwork symbolizes knowledge triumphing over ignorance through allegorical representations—an essential theme explored during this era. Anonymous brings forth Antonietta Gonsalvus in their portrait, revealing beauty beyond conventional norms—a reflection on society's obsession with physical appearance during that time.