Manners And Customs Collection

Winter Villiage of the Minatarres
3673658 Winter Villiage of the Minatarres by Bodmer, Karl (1809-93); Newberry Library, Chicago, Illinois, USA; (add.info.: Travels in the interior of North America / by Maximilian)

Mexican Indians in the holiday dress, c. 1843-50 (watercolour)
3673354 Mexican Indians in the holiday dress, c.1843-50 (watercolour) by Unknown Artist, (19th century); Newberry Library, Chicago, Illinois, USA; (add.info.: C.H.S)

Quito with a large spear, 1865 (watercolour)
3673151 Quito with a large spear, 1865 (watercolour) by Salas, Ramon (1815-80); Newberry Library, Chicago, Illinois, USA; (add.info.: Quito costumes Drawing No. 26)

Quito in a cloak, 1865 (watercolour)
3673137 Quito in a cloak, 1865 (watercolour) by Salas, Ramon (1815-80); Newberry Library, Chicago, Illinois, USA; (add.info.: Quito costumes Drawing No. 22)

Quito carrying vegetables, 1865 (watercolour)
3673123 Quito carrying vegetables, 1865 (watercolour) by Salas, Ramon (1815-80); Newberry Library, Chicago, Illinois, USA; (add.info.: Quito costumes Drawing No. 18)

Quito dancing in costume, 1865 (watercolour)
3673121 Quito dancing in costume, 1865 (watercolour) by Salas, Ramon (1815-80); Newberry Library, Chicago, Illinois, USA; (add.info.: Quito costumes Drawing No. 17)

Quito standing with wooden pole, 1865 (watercolour)
3673089 Quito standing with wooden pole, 1865 (watercolour) by Salas, Ramon (1815-80); Newberry Library, Chicago, Illinois, USA; (add.info.: Quito costumes Drawing No. 8)

Quito dancing with spear, 1865 (watercolour)
3673078 Quito dancing with spear, 1865 (watercolour) by Salas, Ramon (1815-80); Newberry Library, Chicago, Illinois, USA; (add.info.: Quito costumes Drawing No. 6)

Quito selling fruit, 1865 (watercolour)
3673183 Quito selling fruit, 1865 (watercolour) by Salas, Ramon (1815-80); Newberry Library, Chicago, Illinois, USA; (add.info.: Quito costumes Drawing No. 35. Seated Quito woman selling fruit)

Quito with spear, 1865 (watercolour)
3673172 Quito with spear, 1865 (watercolour) by Salas, Ramon (1815-80); Newberry Library, Chicago, Illinois, USA; (add.info.: Quito costumes Drawing No. 32)

Quito in a poncho and bowtie, 1865 (watercolour)
3673147 Quito in a poncho and bowtie, 1865 (watercolour) by Salas, Ramon (1815-80); Newberry Library, Chicago, Illinois, USA; (add.info.: Quito costumes Drawing No. 25. Portrait of a Quito man)

Quito carrying a tub, 1865 (watercolour)
3673144 Quito carrying a tub, 1865 (watercolour) by Salas, Ramon (1815-80); Newberry Library, Chicago, Illinois, USA; (add.info.: Quito costumes Drawing No. 24)

Quito with weapon, 1865 (watercolour)
3673107 Quito with weapon, 1865 (watercolour) by Salas, Ramon (1815-80); Newberry Library, Chicago, Illinois, USA; (add.info.: Quito costumes Drawing No)

Quito walking with large green basket, 1865 (watercolour)
3673103 Quito walking with large green basket, 1865 (watercolour) by Salas, Ramon (1815-80); Newberry Library, Chicago, Illinois, USA; (add.info.: Quito costumes Drawing No. 12)

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Assiniboin Indians
3673678 Assiniboin Indians by Bodmer, Karl (1809-93); Newberry Library, Chicago, Illinois, USA; (add.info.: Travels in the interior of North America / by Maximilian)

Encampment of the Peikann Indians
3672624 Encampment of the Peikann Indians by Bodmer, Karl (1809-93); Newberry Library, Chicago, Illinois, USA; (add.info.: Travels in the interior of North America / by Maximilian)

1849, A prospect of the Zoological Societys Gardens (engraving)
2809936 1849, A prospect of the Zoological Societys Gardens (engraving) by Doyle, Richard (1824-83); Private Collection; (add.info.: 1849, A prospect of the Zoological Societys Gardens)

1849, Highest Court of Law in the Kingdom, The Lords hearing Appeals (engraving)
2809916 1849, Highest Court of Law in the Kingdom, The Lords hearing Appeals (engraving) by Doyle, Richard (1824-83); Private Collection; (add.info.: 1849, Highest Court of Law in the Kingdom)

1849, A few friends to tea and a little music (engraving)
2809907 1849, A few friends to tea and a little music (engraving) by Doyle, Richard (1824-83); Private Collection; (add.info.: 1849, A few friends to tea and a little music)

Mato-Tope, Adorned with the insignia of his warlike deeds
3673619 Mato-Tope, Adorned with the insignia of his warlike deeds. by Bodmer, Karl (1809-93); Newberry Library, Chicago, Illinois

1849, The prospect of an Election (engraving)
2809932 1849, The prospect of an Election (engraving) by Doyle, Richard (1824-83); Private Collection; (add.info.: 1849, The prospect of an Election)

1849, Deer Stalking in the Highlands (engraving)
2809929 1849, Deer Stalking in the Highlands (engraving) by Doyle, Richard (1824-83); Private Collection; (add.info.: 1849, Deer Stalking in the Highlands)

1849, Blackwall showing the public dining on whitebait (engraving)
2809927 1849, Blackwall showing the public dining on whitebait (engraving) by Doyle, Richard (1824-83); Private Collection; (add.info.: 1849, Blackwall showing the public dining on whitebait)

1849, The Public on its excitement on the appearance of Miss Lind (engraving)
2809910 1849, The Public on its excitement on the appearance of Miss Lind (engraving) by Doyle, Richard (1824-83); Private Collection; (add.info.: 1849)

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In the enchanting Winter Village of the Minatarres, a tapestry unfolds before our eyes. Mexican Indians adorned in vibrant holiday dress, circa 1843-50, showcase their rich cultural heritage with grace and elegance. Quito emerges as a captivating figure, his presence commanding attention as he wields a large spear with both strength and finesse in 1865. Wrapped in a cloak that exudes an air of mystery and intrigue, Quito carries vegetables with utmost care, symbolizing the importance placed on sustenance within their community. The rhythm of life pulsates through Quito's veins as he dances energetically in costume, his movements embodying centuries-old traditions passed down from generation to generation. Standing tall beside a wooden pole, Quito embodies resilience and endurance amidst the challenges faced by his people. With spear in hand once again, he gracefully intertwines dance and combat into an awe-inspiring spectacle that leaves spectators spellbound. Witnessing two warriors alongside a mourning woman from the Sacs and Foxes tribe paying homage to Black Hawk's tomb reminds us of the deep respect these communities hold for their fallen heroes. Their sorrow is palpable yet dignified; it speaks volumes about their unwavering loyalty towards those who fought for their freedom. Quito's entrepreneurial spirit shines through as he skillfully sells fruit to sustain himself and contribute to his community's prosperity. Armed once more with his trusty spear, Quito stands tall against any adversity that may come his way while donning a poncho paired unexpectedly with a bowtie - an intriguing fusion of tradition and modernity. As we immerse ourselves in this kaleidoscope of watercolor depictions capturing moments frozen in time between 1843-50 and 1865, we are reminded that manners are not merely superficial gestures but rather deeply ingrained expressions reflecting one's values and beliefs.