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Quito in a poncho and bowtie, 1865 (watercolour)

Quito in a poncho and bowtie, 1865 (watercolour)


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Quito in a poncho and bowtie, 1865 (watercolour)

3673147 Quito in a poncho and bowtie, 1865 (watercolour) by Salas, Ramon (1815-80); Newberry Library, Chicago, Illinois, USA; (add.info.: Quito costumes
Drawing No. 25. Portrait of a Quito man. Wearing a white poncho with large red stripes, blue stripped pants, boots and a white shirt with a red bowtie. Wearing a white hat.
by Salas, Ramon, 1815-1880); © Newberry Library

Media ID 32191334

© © Newberry Library / Bridgeman Images

American Native Indians Amerindian Clothing And Dress Cultural Costume Folk Dress Indians Of South America Indigenous Indigenous People Indigenous Peoples Of The Americas Indigineous Latin America Manners And Customs Nationa Costume Native America Native American Indian Native American Indians Native Americans Native North Americans Native People North American Indian Panzaleo Indians Shawl Traditional Clothes Traditional Clothing Traditional Costumes Water Color Water Colour Watercolors Watercolour Paint Inhabitant Latine America Natives Traditional Costume


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Quito in a Poncho and Bowtie, 1865 - A Glimpse into Ecuadorian Culture

EDITORS COMMENTS
. This watercolour print by Ramon Salas offers a fascinating glimpse into the vibrant culture of Quito, Ecuador in the year 1865. The artwork, housed at the Newberry Library in Chicago, Illinois, showcases an indigenous man from Quito dressed in traditional attire. The subject of this portrait is depicted wearing a striking white poncho adorned with large red stripes that cascade down his shoulders. His blue striped pants and sturdy boots complete his ensemble while adding to the overall visual appeal. A crisp white shirt with a bold red bowtie adds an element of sophistication to his appearance. Topping off his outfit is a distinctive white hat that further emphasizes his connection to local customs and traditions. This meticulously detailed drawing highlights not only the beauty of Quito's traditional clothing but also pays homage to its rich cultural heritage. Salas' artistic skill brings out every intricate detail of this native man's attire, capturing both the essence and pride he carries as part of Quito's indigenous community. Through this artwork, viewers are transported back in time to witness firsthand the fashion choices and style preferences prevalent during this period. As we admire "Quito in a Poncho and Bowtie" we gain insight into Ecuadorian history while celebrating the diversity and uniqueness found within South American cultures.

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