Manners Collection (#20)

A Stylish Lady (about 1814) (colour litho)
960626 A Stylish Lady (about 1814) (colour litho) by French School, (19th century); Private Collection; (add.info.: A Stylish Lady (about 1814)

Wiener Moden, 1816 (colour litho)
960624 Wiener Moden, 1816 (colour litho) by English School, (20th century); Private Collection; (add.info.: Wiener Moden, 1816)

La Belle Assemblee, London (colour litho)
960622 La Belle Assemblee, London (colour litho) by English School, (20th century); Private Collection; (add.info.: La Belle Assemblee, London)

Wiener Zeitschrift, June 1834 (colour litho)
960607 Wiener Zeitschrift, June 1834 (colour litho) by English School, (20th century); Private Collection; (add.info.: Wiener Zeitschrift, June 1834)

La Mode, Paris, June 1840 (colour litho)
960602 La Mode, Paris, June 1840 (colour litho) by English School, (20th century); Private Collection; (add.info.: La Mode, Paris, June 1840)

Wiener Zeitschrift, July 1840 (colour litho)
960601 Wiener Zeitschrift, July 1840 (colour litho) by English School, (20th century); Private Collection; (add.info.: Wiener Zeitschrift, July 1840)

The Silent Rebuke, illustration from Fashionable Bores or Coolers in High Life
939111 The Silent Rebuke, illustration from Fashionable Bores or Coolers in High Life by Peter Quiz, pub. Thomas McLean, London 1824 (hand-coloured engraving) by Egerton

Dress, Manners, and Art in the Last Century (engraving)
1045925 Dress, Manners, and Art in the Last Century (engraving) by Singleton, Henry (1766-1839) (after); Private Collection; (add.info.: Industry and Economy: London: Published March 25 1800)

Dress, Manners, and Art in the Last Century (engraving)
1045687 Dress, Manners, and Art in the Last Century (engraving) by Bigg, William Redmore (1755-1828) (after); Private Collection; (add.info.: Dress, Manners, and Art in the Last Century)

Manners and Customs of the Chinese in Formosa (engraving)
1098222 Manners and Customs of the Chinese in Formosa (engraving) by English School, (19th century); Private Collection; (add.info.: Manners and Customs of the Chinese in Formosa)

The Rose (engraving)
982604 The Rose (engraving) by English School, (18th century); Private Collection; (add.info.: The Rose.); Look and Learn / Valerie Jackson Harris Collection; English, out of copyright

Gallery of Fashion, London, 1797 (colour litho)
960646 Gallery of Fashion, London, 1797 (colour litho) by English School, (20th century); Private Collection; (add.info.: Gallery of Fashion, London, 1797)

Hamburger Journal der Moden und Eleganz, 1802 (colour litho)
960638 Hamburger Journal der Moden und Eleganz, 1802 (colour litho) by English School, (20th century); Private Collection; (add.info.: Hamburger Journal der Moden und Eleganz, 1802)

"A Fashionable Couple"(colour litho)
960637 " A Fashionable Couple" (colour litho) by English School, (20th century); Private Collection; (add.info.: " A Fashionable Couple")

The Repository, London, 1818 (colour litho)
960621 The Repository, London, 1818 (colour litho) by English School, (20th century); Private Collection; (add.info.: The Repository, London, 1818)

The Repository, London, May 1819 (colour litho)
960616 The Repository, London, May 1819 (colour litho) by English School, (20th century); Private Collection; (add.info.: The Repository, London, May 1819)

Journal des Gens du Monde, Paris, December 1833 (colour litho)
960609 Journal des Gens du Monde, Paris, December 1833 (colour litho) by French School, (19th century); Private Collection; (add.info.: Journal des Gens du Monde, Paris, December 1833)

Transport: Railways: Tube. Mrs. June Clark of Avenscroft Road, Chiswich, W.4 who takes a stool with her when she travels to and from work on the underground

Junior Leeds United players Terry Hibbit (left) and Michael Bates hold the door open for a visitor to Elland Road. 28th October 1963

Transport: Railways: Tube. Mrs. June Clark of Avenscroft Road, Chiswich, W.4 who takes a stool with her when she travels to and from work on the underground

Characters in High Life, June 20, 1795. Creator: James Gillray
Characters in High Life, June 20, 1795

Disderi Portrait Mosaic of English Luminaries of the 1860s
Collage Mosaic photograph by Disderi reproduced on a carte de visite showing well-known English luminaries of the period (the 1860s)

Lord John Manners, 1844. Creator: Unknown
Lord John Manners, 1844. Portrait of British statesman John James Robert Manners, 7th Duke of Rutland. From " Illustrated London News", 1844, Vol I

Japanese soldier wearing a helmet, kimono, leggings, sandals.. Handcolored woodcut from Auguste Wahlens Manners, Customs and Costumes of all the People of the World, Brussels, 1845

10941702
Kamtchadal woman in coat decorated with hair, holding a basket.. Handcolored woodcut from Auguste Wahlens Manners, Customs and Costumes of all the People of the World, Brussels, 1845

Dervish man from Persia (Iran) wearing onion-shaped hat.. Handcolored woodcut from Auguste Wahlens Manners, Customs and Costumes of all the People of the World, Brussels, 1845

Girl from the Himalayan mountains playing with a parrot.. Handcolored woodcut from Auguste Wahlens Manners, Customs and Costumes of all the People of the World, Brussels, 1845

Korean man in hat, breeches and stockings, holding a stick.. Handcolored woodcut from Auguste Wahlens Manners, Customs and Costumes of all the People of the World, Brussels, 1845

Costume - Loungers 1820
Bond Street Loungers wear: strapped trousers, hessian boots, greatcoat, frock coat, top hats, buttonhole, coats cut-away at the front & one man dressed all in black. Date: 1820

Dorothy Vernons Postern, c1870. Side entrance at Haddon Hall in Derbyshire, one seat of the Duke of Rutland. In 1563, heiress Dorothy Vernon married John Manners, a legend grew they had eloped

The Courtyard, Haddon Hall, c1870. Haddon Hall in Derbyshire, seat of the Duke of Rutland. In 1563, heiress Dorothy Vernon married John Manners, a legend grew they had eloped

March of Reform - Master of Ceremonies in the H. of Commons Improved Manners... 1837
March of Reform - Master of Ceremonies in the H. of Commons Improved Manners (Much to be desired.) Arising Therefrom, 1837

Child sticks toungue out, Bangkok
A small boy in traditional Thai straw hat pulls his tongue out at the camera at the Damnoen Saduak Floating Market, Bangkok Date: circa 1985

John, Marquis of Granby, c1758-1760, (1810). Creator: William Bond
John, Marquis of Granby, c1758-1760, (1810). Portrait of British soldier Lieutenant-General John Manners, Marquess of Granby (1721-1770), Commander-in-Chief of the Army. Engraving after a painting

A Group of Sporting Characters at Epsom, c1832. Creator: Unknown
A Group of Sporting Characters at Epsom, How are the odds on the Derby?, c1832. Political satire depicting British politicians at Epsom races: Edward Stanley, 14th Earl of Derby (1799-1869)

The Duke of Rutland, 1879. Creator: Vincent Brooks Day & Son
The Duke of Rutland, 1879. Charles Cecil John Manners, 6th Duke of Rutland (1815-1888), Conservative Leader in the House of Commons

Reconstruction of a Roman ship El Corvo di Duillio, from customs and manners of the people, Ferrario 1830

Party in the Botanical Garden, oil on canvas

Madrid typical customs, the Clergy in a morning walk through the village of Madrid (1845), in the reign of Elizabeth II (1843-1868)

Iran sign that shows the correct clothing for women

The Albufera of Valencia by Antonio Carnicero

Assumption Fair in the Main Square of Manresa, detail of a painting by Maria Folch

A walk along the large pond of El Retiro, 1780

The Wedding, Painting by Francisco de Goya

Procession of Queen Elizabeth I to Blackfriars, London, 16 June 1600, (1742). Artist
Procession of Queen Elizabeth I to Blackfriars, London, 16 June 1600, (1742). The queen is being carried by her armed guard and flanked by her courtiers

Taking water for Vauxhall, be careful my love, don t expose your leg, London, 1790; scene at the foot of some riverside steps showing a waterman apparently thigh-deep in water

Walking the streets of London, 1818. Artist: George Cruikshank
Walking the streets of London, 1818; four views: top left, How to stop up the passage, top right How to make the most of the mud, bottom left How to carry a stick, bottom right

The City rout, 1776. People standing in conversation at a party. One wears aldermanic gown. On picture in background are the letters SPQL standing for Senatus populusque Londoniensis

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"Manners: A Timeless Elegance from Pynes House to Craven Lodge Fancy Ball" Step back in time to the refined world of Pynes House, Exeter, Devon, 1825. The Marquess and Marchioness of Anglesey set the standard for impeccable manners that would resonate through generations. In a bygone era captured on a vintage poster titled "Books, c1938. This Breaks the Back of a Book. ", proper etiquette was promoted as an essential virtue. It reminds us that good they can not just about rules but also about respect and consideration for others. The First Day of Holidays brings joy and excitement, where Lady Diana Manners by John Sargent exemplifies grace and poise. Alongside her sisters Marjorie and Violet Manners, they epitomize elegance in every gesture. Yet even amidst grandeur, there can be unexpected encounters. A man and ghost cross paths; their interaction reminding us that politeness transcends realms beyond our own. "The Jewel Box" captures delicate beauty with pencil and watercolor on paper—a metaphor for how good manners enhance life's precious moments. Just as each gem sparkles within its box, courtesy adds brilliance to our interactions with others. From the enchanting production of Gounod's Faust by Carl Rosa Opera Company to Laurette Taylor and Michael's captivating performances—manners play an integral role in fostering harmony among artists on stage or offstage. The Wedding of Lady Diana Manner and Duff Cooper showcases a union steeped in tradition where decorum reigns supreme. Their nuptials serve as a reminder that politeness is timeless; it weaves together families while honoring customs passed down through generations. And finally, we arrive at the Craven Lodge Fancy Ball—an event where society gathers adorned in extravagant attire yet bound by unwritten rules of conduct. Here, manners become more than mere pleasantries; they create an atmosphere of respect and camaraderie.