Mid 19th Century Collection (#8)

The War in Italy: The Battle of Palestro, the King of Sardinia Heading the Troops
827352 The War in Italy: The Battle of Palestro, the King of Sardinia Heading the Troops, 1859 (watercolour and gouache) by Bossoli

The War in Italy: Susa, Mont Cenis, Bivouac with French Troops
827350 The War in Italy: Susa, Mont Cenis, Bivouac with French Troops, 1859 (watercolour and gouache) by Bossoli, Carlo (1815-84); 28x48.3 cm; Private Collection; (add.info.: The War in Italy: Susa)

View of the Ghats at Benares, 1873 (oil on canvas)
824454 View of the Ghats at Benares, 1873 (oil on canvas) by Weeks, Edwin Lord (1849-1903); 47x71 cm; Private Collection; (add.info.: View of the Ghats at Benares. Edwin Lord Weeks (1849-1903)

Ruins of the Temple of the Sun at Baalbec, 1861 (oil on canvas)
824438 Ruins of the Temple of the Sun at Baalbec, 1861 (oil on canvas) by Roberts, David (1796-1864); 150x240 cm; Private Collection; (add.info.: Ruins of the Temple of the Sun at Baalbec)

A Revery- A Look of Sadness on a Restful Face - She Hath no Cares - A Thing Hereditary
824371 A Revery- A Look of Sadness on a Restful Face - She Hath no Cares - A Thing Hereditary in the Race, Comes Unawares, And Will Recur til Death its Smile Shall Place Where Now it Fares

A Leisure Park Outside Paris, 1846 (black chalk, pen and brown and black ink
989647 A Leisure Park Outside Paris, 1846 (black chalk, pen and brown and black ink, watercolour on paper) by Debret, Francois (1777-1850); 13x20 cm; Private Collection; (add.info)

Garland of Pink Roses around Cupid playing a Lyre on a marble ledge, 1841 (oil on panel)
989589 Garland of Pink Roses around Cupid playing a Lyre on a marble ledge, 1841 (oil on panel) by Jensen, Johan Laurents (1800-56); 22x30.5 cm; Private Collection; (add.info)

The Pond with Three Cows (Memory of Ville d Avray), c. 1855-60 (oil on canvas)
989503 The Pond with Three Cows (Memory of Ville d Avray), c.1855-60 (oil on canvas) by Corot, Jean Baptiste Camille (1796-1875); 31x54.5 cm; Private Collection; (add.info)

The Book Fair, 1852 (oil on panel)
989430 The Book Fair, 1852 (oil on panel) by Schendel, Petrus van (1806-70); 87.6x119.4 cm; Private Collection; (add.info.: The Book Fair. Petrus van Schendel (1806-1870). Oil on panel

The Game Seller, 1841 (on panel)
989429 The Game Seller, 1841 (on panel) by Brias, Charles (1798-1884); 58.4x46.7 cm; Private Collection; (add.info.: The Game Seller. Charles Brias (1798-1884). Oil on panel. Signed and dated 1841

Discovering the Telescope, 1855 (oil on canvas)
989417 Discovering the Telescope, 1855 (oil on canvas) by Ender, Edouard (1822-63); 132.7x154 cm; Private Collection; (add.info.: Discovering the Telescope. Eduard Ender (1822-1883). Oil on canvas

Loves Melancholy, 1866 (oil on canvas)
989405 Loves Melancholy, 1866 (oil on canvas) by Mayer, Constant (1832-1911); 145.1x101.8 cm; Private Collection; (add.info.: Loves Melancholy. Constant Mayer (1832-1911). Oil on canvas

Sunrise on the Banks of the Durance at Mirabeau, 1865 (oil on canvas)
989277 Sunrise on the Banks of the Durance at Mirabeau, 1865 (oil on canvas) by Guigou, Paul Camille (1834-71); 65.4x149.9 cm; Private Collection; (add.info)

A Shepherd tending his Flock, (oil on canvas)
989276 A Shepherd tending his Flock, (oil on canvas) by Jacque, Charles Emile (1813-94); 46x38.7 cm; Private Collection; (add.info.: A Shepherd tending his Flock. Charles Emile Jacque (1813-1894)

Interior of a Larder with Women cleaning Game, 1852 (oil on panel)
989266 Interior of a Larder with Women cleaning Game, 1852 (oil on panel) by Hove, Hubertus van (1814-65); 44.2x55.9 cm; Private Collection; (add.info.: Interior of a Larder with Women cleaning Game)

The Flower Gatherer, (oil on canvas)
989254 The Flower Gatherer, (oil on canvas) by Pagliei, Gioacchino (1852-96); 65.4x35.6 cm; Private Collection; (add.info.: The Flower Gatherer. Gioacchino Pagliei (1852-1896). Oil on canvas

Place de la Concorde, Paris, 1853 (pen and ink, watercolour and bodycolour on paper)
989212 Place de la Concorde, Paris, 1853 (pen and ink, watercolour and bodycolour on paper) by Bossoli, Carlo (1815-84); 84.2x129.5 cm; Private Collection; (add.info.: Place de la Concorde, Paris)

Nude Study, c. 1858 (pencil on paper)
989108 Nude Study, c.1858 (pencil on paper) by Degas, Edgar (1834-1917); 43.8x29 cm; Private Collection; (add.info.: Nude Study; Etude de Nu. Edgar Degas (1835-1917). Pencil on paper

Uncle Dominique, c. 1866 (oil on canvas)
988983 Uncle Dominique, c.1866 (oil on canvas) by Cezanne, Paul (1839-1906); 50.2x34.5 cm; Private Collection; (add.info.: Uncle Dominique; L Oncle Dominique. Paul Cezanne (1839-1906). Oil on canvas

Ratapoil, c. 1850 and c. 1960 (bronze with dark brown patina)
988837 Ratapoil, c.1850 and c.1960 (bronze with dark brown patina) by Daumier, Honore (1808-79); 45 cm; Private Collection; (add.info.: Ratapoil. Honore Daumier (1808-1879)

Fishing Boats, Calm Sea, 1868 (oil on canvas)
987379 Fishing Boats, Calm Sea, 1868 (oil on canvas) by Monet, Claude (1840-1926); 64.1x54 cm; Private Collection; (add.info.: Fishing Boats, Calm Sea; Bateaux de Peche, Temps Calme)

The Gust of Wind, c. 1855 (oil on canvas)
987348 The Gust of Wind, c.1855 (oil on canvas) by Courbet, Gustave (1819-77); 143.5x228.5 cm; Private Collection; (add.info.: The Gust of Wind; Le Coup de Vent. Gustave Courbet (1819-1877)

The Silence of Pure Innocence Persuades, where Speaking Fails, 1855 (oil on canvas)
1769797 The Silence of Pure Innocence Persuades, where Speaking Fails, 1855 (oil on canvas) by Brooks, Thomas (1818-92); 86.4x116.8 cm; Private Collection; (add.info)

Three Young Girls from the Chateaubourg Family, 1850 (oil on canvas)
1769786 Three Young Girls from the Chateaubourg Family, 1850 (oil on canvas) by Winterhalter, Hermann (1808-91); 102.2x81.3 cm; Private Collection; (add.info)

A performance of Shakespeares Hamlet (engraving)
5228776 A performance of Shakespeares Hamlet (engraving) by English School, (19th century); Private Collection; (add.info.: A performance of Shakespeares Hamlet)

Finishing Processes, Fulling, Teazling, Shearing etc (engraving)
5221719 Finishing Processes, Fulling, Teazling, Shearing etc (engraving) by English School, (19th century); Private Collection; (add.info.: Finishing Processes, Fulling, Teazling, Shearing etc)

Wool (engraving)
5221711 Wool (engraving) by English School, (19th century); Private Collection; (add.info.: Wool. From Illustrations of Useful Arts and Manufactures by Charles Tomlinson (SPCK)

Sugar (engraving)
5221761 Sugar (engraving) by English School, (19th century); Private Collection; (add.info.: Sugar. From Illustrations of Useful Arts and Manufactures by Charles Tomlinson (SPCK)

Tin and Lead (engraving)
5221752 Tin and Lead (engraving) by English School, (19th century); Private Collection; (add.info.: Tin and Lead. From Illustrations of Useful Arts and Manufactures by Charles Tomlinson (SPCK)

Pottery and Porcelain (engraving)
5221740 Pottery and Porcelain (engraving) by English School, (19th century); Private Collection; (add.info.: Pottery and Porcelain)

Weaving (engraving)
5221716 Weaving (engraving) by English School, (19th century); Private Collection; (add.info.: Weaving. From Illustrations of Useful Arts and Manufactures by Charles Tomlinson (SPCK)

Silk (engraving)
5221713 Silk (engraving) by English School, (19th century); Private Collection; (add.info.: Silk. From Illustrations of Useful Arts and Manufactures by Charles Tomlinson (SPCK)

Cotton (engraving)
5221705 Cotton (engraving) by English School, (19th century); Private Collection; (add.info.: Cotton. From Illustrations of Useful Arts and Manufactures by Charles Tomlinson (SPCK)

The Sack of Corinth, 1870 (oil on canvas)
1199616 The Sack of Corinth, 1870 (oil on canvas) by Allom, Thomas (1804-72); 148x239.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

Hero, (oil on canvas)
1199611 Hero, (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 73.7x79 cm; Private Collection; Photo eChristies Images; English, out of copyright

A Portrait of William Michael Rossetti (1829-1919), 1839-40 (pencil and w / c on card)
1199581 A Portrait of William Michael Rossetti (1829-1919), 1839-40 (pencil and w/c on card) by Pistrucci, Filippo (fl.1815-56); 16.2x12.4 cm; Private Collection; (add.info.: Pistrucci)

The Relief of Lucknow, and The Triumphant Meeting of Havelock
1767272 The Relief of Lucknow, and The Triumphant Meeting of Havelock, Outram and Sir Colin Campbell, 1862 (engraving) by Barker

Manila and its Environs: Milksellers (watercolour with bodycolourr)
1767260 Manila and its Environs: Milksellers (watercolour with bodycolourr) by Lozano, Jose Honorato (c.1815-c.85); 34.3x24.7 cm; Private Collection; (add.info.: Manila and its Environs: Milksellers)

Manila and its Environs: A Foodstall on a Street (watercolour with bodycolour)
1767249 Manila and its Environs: A Foodstall on a Street (watercolour with bodycolour) by Lozano, Jose Honorato (c.1815-c.85); 34.3x29.7 cm; Private Collection; (add.info.: Manila and its Environs)

Manila and its Environs: Mestizos Going to the Fiesta (watercolour with bodycolour)
1767248 Manila and its Environs: Mestizos Going to the Fiesta (watercolour with bodycolour) by Lozano, Jose Honorato (c.1815-c.85); 34.3x29.7 cm; Private Collection; (add.info)

The St. Clare Sugar Factory, Port of Spain, Trinidad (watercolour)
1767240 The St. Clare Sugar Factory, Port of Spain, Trinidad (watercolour) by Cazabon, Jean-Michel (1813-1888); 24.8x50.2 cm; Private Collection; (add.info.: The St)

A Bamboo Grove in Trinidad (watercolour)
1767239 A Bamboo Grove in Trinidad (watercolour) by Cazabon, Jean-Michel (1813-1888); 30.5x22.7 cm; Private Collection; (add.info.: A Bamboo Grove in Trinidad. Michel Jean Cazabon (1813-1888)

A scarlet velvet floor cover with green velvet border, densely embroidered in gilt
1767211 A scarlet velvet floor cover with green velvet border, densely embroidered in gilt couched gilt thread (velvet) by Indian School

Afternoon Pasttimes, (oil on canvas)
827057 Afternoon Pasttimes, (oil on canvas) by Curzon, Paul Alfred de (1820-95); 71x90.1 cm; Private Collection; (add.info.: Afternoon Pasttimes. Paul Alfred de Curzon (1820-1895). Oil on canvas

Boating Party on the Thames, (oil on canvas)
827050 Boating Party on the Thames, (oil on canvas) by Heilbuth, Ferdinand (1826-89); 71.1x88.4 cm; Private Collection; (add.info.: Boating Party on the Thames. Ferdinand Heilbuth (1826-1889)

The Hotel de Ville, Brussels, 1856 (pencil and watercolour heightened with white)
824147 The Hotel de Ville, Brussels, 1856 (pencil and watercolour heightened with white) by Callow, William (1812-1908); 64.1x90.1 cm; Private Collection; (add.info.: The Hotel de Ville, Brussels)

Teatro Greco, Taormina, with Etna beyond, 1852 (oil on canvas)
823594 Teatro Greco, Taormina, with Etna beyond, 1852 (oil on canvas) by Kummer, Karl Robert (1810-89); 117.5x169 cm; Private Collection; (add.info.: Teatro Greco, Taormina, with Etna beyond)

Young Italian boy on the Mountain; Jeune Patre Italien dans le Montagne, c
826516 Young Italian boy on the Mountain; Jeune Patre Italien dans le Montagne, c.1845-55 (oil on panel) by Corot, Jean Baptiste Camille (1796-1875); 31.9x24 cm; Private Collection; (add.info)

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Step back in time to the mid 19th century, a period filled with artistic marvels and historical milestones. The Iris Germanica, a stunning hand-coloured engraving from 1847, showcases the beauty of nature captured on paper. Meanwhile, Orlando, a Bay Racehorse in a Loosebox immortalized in oil on panel in 1845, portrays the grace and strength of these majestic creatures. The Viaduct across the Sankey Valley stands as an architectural masterpiece from 1831. Its colour aquatints and partly hand-coloured details transport us to an era where engineering marvels were celebrated. Bloomsbury, A Chestnut Racehorse with Sam Templeman up, takes us into the world of horse racing through its captivating oil on canvas depiction set against a picturesque landscape. Art lovers are treated to The Wrestling Scene in As You Like It painted by an unknown artist in 1854. This oil on canvas piece captures the intensity and drama of Shakespearean theater. Paolo and Francesca da Rimini transports us further into history with its emotional portrayal of doomed love rendered beautifully on canvas in 1863. In this era marked by significant political events, we encounter Abraham Lincoln's signed carte-de-visite from 1864. This vignette photograph framed with gold-ruled borders serves as a reminder of his influential role during this tumultuous time. Andromeda's ethereal presence shines through an oil painting created in 1869 while Scene from The Mad Hatters Tea Party offers whimsy through pen and brown ink around c. 1865. Fowl House Farm at Witley brings rural life to our attention with pencil sketches depicting children playing alongside shepherds tending their flock nearby. Lastly, we witness The Wiltshire Great Coursing Meeting Held at Amesbury capturing moments from March16-20th, 1847; it invites us into the excitement surrounding coursing events during this period.