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Mortimer L Collection (#7)

"Mortimer L Menpes: A Multifaceted Artist Capturing the World's Beauty" Step into the world Menpes

Background imageMortimer L Collection: The Silk Dress, 1875, (1904). Artists: James Abbott McNeill Whistler, Adam and Charles Black

The Silk Dress, 1875, (1904). Artists: James Abbott McNeill Whistler, Adam and Charles Black
The Silk Dress, 1875, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: A Nude Study, c1864, (1904). Artist: James Abbott McNeill Whistler

A Nude Study, c1864, (1904). Artist: James Abbott McNeill Whistler
A Nude Study, c1864, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: Whistler with the White Lock, 1879, (1904). Artist: James Abbott McNeill Whistler

Whistler with the White Lock, 1879, (1904). Artist: James Abbott McNeill Whistler
Whistler with the White Lock, 1879, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: White And Grey The Hotel Courtyard Dieppe, 1885, (1904). Artist: James Abbott McNeill Whistler

White And Grey The Hotel Courtyard Dieppe, 1885, (1904). Artist: James Abbott McNeill Whistler
White And Grey The Hotel Courtyard Dieppe, 1885, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: From Pickled-Herring Stairs, c1878, (1904). Artist: James Abbott McNeill Whistler

From Pickled-Herring Stairs, c1878, (1904). Artist: James Abbott McNeill Whistler
From Pickled-Herring Stairs, c1878, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: Master Menpes, c1885, (1904). Artist: James Abbott McNeill Whistler

Master Menpes, c1885, (1904). Artist: James Abbott McNeill Whistler
Master Menpes, c1885, (1904). A portrait of Mortimer Luddington Menpes (1855-1938) son Mortimer James Menpes (1879-1900). From Whistler As I Knew Him, by Mortimer Menpes

Background imageMortimer L Collection: A Nocturne, c1878 (1904). Artist: James Abbott McNeill Whistler

A Nocturne, c1878 (1904). Artist: James Abbott McNeill Whistler
A Nocturne, c1878 (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: The Little Nurse, c1881, (1904). Artist: James Abbott McNeill Whistler

The Little Nurse, c1881, (1904). Artist: James Abbott McNeill Whistler
The Little Nurse, c1881, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: Study, c1880, (1904). Artist: James Abbott McNeill Whistler

Study, c1880, (1904). Artist: James Abbott McNeill Whistler
Study, c1880, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: The Cures Little Class, c1879, (1904). Artist: James Abbott McNeill Whistler

The Cures Little Class, c1879, (1904). Artist: James Abbott McNeill Whistler
The Cures Little Class, c1879, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: Nocturne: The Thames at Battersea, 1878, (1904). Artist: James Abbott McNeill Whistler

Nocturne: The Thames at Battersea, 1878, (1904). Artist: James Abbott McNeill Whistler
Nocturne: The Thames at Battersea, 1878, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: Early Morning, 1878, (1904). Artist: James Abbott McNeill Whistler

Early Morning, 1878, (1904). Artist: James Abbott McNeill Whistler
Early Morning, 1878, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: Study: Standing Figure, 1878, (1904). Artist: James Abbott McNeill Whistler

Study: Standing Figure, 1878, (1904). Artist: James Abbott McNeill Whistler
Study: Standing Figure, 1878, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: An Orange Note: Sweet Shop, 1884, (1904). Artist: James Abbott McNeill Whistler

An Orange Note: Sweet Shop, 1884, (1904). Artist: James Abbott McNeill Whistler
An Orange Note: Sweet Shop, 1884, (1904). Painting held at the Freer Gallery of Art, Washington. From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: The Toilet, 1878, (1904). Artist: James Abbott McNeill Whistler

The Toilet, 1878, (1904). Artist: James Abbott McNeill Whistler
The Toilet, 1878, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: Study, 1878, (1904). Artist: James Abbott McNeill Whistler

Study, 1878, (1904). Artist: James Abbott McNeill Whistler
Study, 1878, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: The Velvet Dress (Frances Leyland), c1873, (1904). Artist: James Abbott McNeill Whistler

The Velvet Dress (Frances Leyland), c1873, (1904). Artist: James Abbott McNeill Whistler
The Velvet Dress (Frances Leyland), c1873, (1904). A drypoint sketch of Frances Leyland (1834-1910) wife of Frederick Richards Leyland (1831-1892) a British shipowner and art collector

Background imageMortimer L Collection: A study in Rose and Brown, c1884, (1904). Artist: James Abbott McNeill Whistler

A study in Rose and Brown, c1884, (1904). Artist: James Abbott McNeill Whistler
A study in Rose and Brown, c1884, (1904). Painting held at the Muskegon Museum of Art, Michigan. From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: Nocturne-Salute, c1879, (1904). Artist: James Abbott McNeill Whistler

Nocturne-Salute, c1879, (1904). Artist: James Abbott McNeill Whistler
Nocturne-Salute, c1879, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: The Smithy, 1880, (1904). Artist: James Abbott McNeill Whistler

The Smithy, 1880, (1904). Artist: James Abbott McNeill Whistler
The Smithy, 1880, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: Furnace Nocturne, 1886, (1904). Artist: James Abbott McNeill Whistler

Furnace Nocturne, 1886, (1904). Artist: James Abbott McNeill Whistler
Furnace Nocturne, 1886, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: The Angry Sea, 1884, (1904). Artist: James Abbott McNeill Whistler

The Angry Sea, 1884, (1904). Artist: James Abbott McNeill Whistler
The Angry Sea, 1884, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: Long Venice, c1880, (1904). Artist: James Abbott McNeill Whistler

Long Venice, c1880, (1904). Artist: James Abbott McNeill Whistler
Long Venice, c1880, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: Garden, 1880, (1904). Artist: James Abbott McNeill Whistler

Garden, 1880, (1904). Artist: James Abbott McNeill Whistler
Garden, 1880, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: The Balcony, 1879, (1904). Artist: James Abbott McNeill Whistler

The Balcony, 1879, (1904). Artist: James Abbott McNeill Whistler
The Balcony, 1879, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: The Riva, Number Two, c1880, (1904). Artist: James Abbott McNeill Whistler

The Riva, Number Two, c1880, (1904). Artist: James Abbott McNeill Whistler
The Riva, Number Two, c1880, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: Chelsea Shops, c1855, (1904). Artist: James Abbott McNeill Whistler

Chelsea Shops, c1855, (1904). Artist: James Abbott McNeill Whistler
Chelsea Shops, c1855, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: Upright Venice, c1880, (1904). Artist: James Abbott McNeill Whistler

Upright Venice, c1880, (1904). Artist: James Abbott McNeill Whistler
Upright Venice, c1880, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: Little Court, c1881, (1904). Artist: James Abbott McNeill Whistler

Little Court, c1881, (1904). Artist: James Abbott McNeill Whistler
Little Court, c1881, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: The Bridge, c1880, (1904). Artist: James Abbott McNeill Whistler

The Bridge, c1880, (1904). Artist: James Abbott McNeill Whistler
The Bridge, c1880, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: A Nude Study, c1872, (1904). Artist: James Abbott McNeill Whistler

A Nude Study, c1872, (1904). Artist: James Abbott McNeill Whistler
A Nude Study, c1872, (1904). Drawing held at the Harvard Art Museums, Fogg Museum, Massachusetts. From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: Nocturne - Palaces, 1878, (1904). Artist: James Abbott McNeill Whistler

Nocturne - Palaces, 1878, (1904). Artist: James Abbott McNeill Whistler
Nocturne - Palaces, 1878, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: Bead Stringers, c1880, (1904). Artist: James Abbott McNeill Whistler

Bead Stringers, c1880, (1904). Artist: James Abbott McNeill Whistler
Bead Stringers, c1880, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: The Thames Towards Erith, c1877, (1904). Artist: James Abbott McNeill Whistler

The Thames Towards Erith, c1877, (1904). Artist: James Abbott McNeill Whistler
The Thames Towards Erith, c1877, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: San Biagio, c1879, (1904). Artist: James Abbott McNeill Whistler

San Biagio, c1879, (1904). Artist: James Abbott McNeill Whistler
San Biagio, c1879, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: Nocturne - Amsterdam in Snow, 1882, (1904). Artist: James Abbott McNeill Whistler

Nocturne - Amsterdam in Snow, 1882, (1904). Artist: James Abbott McNeill Whistler
Nocturne - Amsterdam in Snow, 1882, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: Wych Street, 1877, (1904). Artist: James Abbott McNeill Whistler

Wych Street, 1877, (1904). Artist: James Abbott McNeill Whistler
Wych Street, 1877, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: A Sketch from Billingsgate, 1878, (1904). Artist: James Abbott McNeill Whistler

A Sketch from Billingsgate, 1878, (1904). Artist: James Abbott McNeill Whistler
A Sketch from Billingsgate, 1878, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: Battersea, Dawn, 1877, (1904). Artist: James Abbott McNeill Whistler

Battersea, Dawn, 1877, (1904). Artist: James Abbott McNeill Whistler
Battersea, Dawn, 1877, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: Prices Candle Works, c1875, (1904). Artist: James Abbott McNeill Whistler

Prices Candle Works, c1875, (1904). Artist: James Abbott McNeill Whistler
Prices Candle Works, c1875, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: Pink and Rose, The Mothers Sleep, c1895, (1904). Artist: James Abbott McNeill Whistler

Pink and Rose, The Mothers Sleep, c1895, (1904). Artist: James Abbott McNeill Whistler
Pink and Rose, The Mothers Sleep, c1895, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: Speke Shore, c1875, (1904). Artist: James Abbott McNeill Whistler

Speke Shore, c1875, (1904). Artist: James Abbott McNeill Whistler
Speke Shore, c1875, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: Two Ships, 1875, (1904). Artist: James Abbott McNeill Whistler

Two Ships, 1875, (1904). Artist: James Abbott McNeill Whistler
Two Ships, 1875, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: Sketch of a Girl, Nude, c1878, (1904). Artist: James Abbott McNeill Whistler

Sketch of a Girl, Nude, c1878, (1904). Artist: James Abbott McNeill Whistler
Sketch of a Girl, Nude, c1878, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: Swinburne, c1877, (1904). Artist: James Abbott McNeill Whistler

Swinburne, c1877, (1904). Artist: James Abbott McNeill Whistler
Swinburne, c1877, (1904). Algernon Charles Swinburne (1837-1909) a poet and critic From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: The Boy (Charlie Hanson), c1876, (1904). Artist: James Abbott McNeill Whistler

The Boy (Charlie Hanson), c1876, (1904). Artist: James Abbott McNeill Whistler
The Boy (Charlie Hanson), c1876, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: Agnes, c1875, (1904). Artist: James Abbott McNeill Whistler

Agnes, c1875, (1904). Artist: James Abbott McNeill Whistler
Agnes, c1875, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMortimer L Collection: Brown and Gold, Lillie In Our Alley, 1896 (1904). Artist: James Abbott McNeill Whistler

Brown and Gold, Lillie In Our Alley, 1896 (1904). Artist: James Abbott McNeill Whistler
Brown and Gold, Lillie In Our Alley, 1896 (1904). Lillie Pamington a child model found by James McNeill Whistler on the streets of London. From Whistler As I Knew Him, by Mortimer Menpes




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"Mortimer L Menpes: A Multifaceted Artist Capturing the World's Beauty" Step into the world Menpes, a talented tailor turned artist who left an indelible mark on the art scene in the 19th and early 20th centuries. With his keen eye for detail and artistic prowess, Menpes captured various facets of life through his diverse body of work. In the c1920s, Menpes showcased his tailoring skills, creating exquisite garments that epitomized elegance and style. His craftsmanship was unparalleled, making him a sought-after tailor among discerning clients. Venturing beyond fashion design, Menpes also explored different corners of the world through his artwork. In 1903, he took us to Venice with a mesmerizing street scene that transported viewers back in time. The intricate details brought to life by Menpes' brushstrokes made it feel as if one could stroll along those Venetian streets themselves. Menpes didn't limit himself to capturing landscapes; he also had a talent for portraying human connections. In his family group portrait from c1887 (1901), we witness heartfelt moments frozen in time – love and unity radiating from every brushstroke. This ability to capture emotions is further exemplified in "A Native Bride" from the c1920s - a testament to both cultural diversity and matrimonial bliss. Not only did Menpes excel at depicting people but also historical events and influential figures. His depiction of Lord Roberts and Staff watching the Battle of Osfontein in 1900 (1901) transports us right onto the battlefield alongside these esteemed individuals. Similarly, Lord Milner's portrait showcases not just their physical likeness but also their character traits that shaped history. Menpes' wanderlust led him across continents as he ventured into Mexico during his travels.