Mortimer L Collection (#9)

Maude, Standing, 1873 (1904). Artist: James Abbott McNeill Whistler
Maude, Standing, 1873 (1904). Trial proof with light tippet. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

The Velvet Dress, 1873 (1904). Artist: James Abbott McNeill Whistler
The Velvet Dress, 1873 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Whistlers Mother, 19th century (1904). Artist: James Abbott McNeill Whistler
Whistlers Mother, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

The Model Resting, 19th century (1904). Artist: James Abbott McNeill Whistler
The Model Resting, 19th century (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Weary, 1863 (1904). Artist: James Abbott McNeill Whistler
Weary, 1863 (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Amsterdam, 19th century (1904). Artist: James Abbott McNeill Whistler
Amsterdam, 19th century (1904). Early state etching, drawn from the Tolhuis restaurant. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

The Little Forge, c1860 (1904). Artist: James Abbott McNeill Whistler
The Little Forge, c1860 (1904). Etching. An early proof before a monogram. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Millbank, c1860 (1904). Artist: James Abbott McNeill Whistler
Millbank, c1860 (1904). Etching. A unique impression with the word not added. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

The Forge, c1860 (1904). Artist: James Abbott McNeill Whistler
The Forge, c1860 (1904). Etching Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Axenfeld, 1860 (1904). Artist: James Abbott McNeill Whistler
Axenfeld, 1860 (1904). Etching Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Rotherhithe, 1860 (1904). Artist: James Abbott McNeill Whistler
Rotherhithe, 1860 (1904). Etching. Rotherhithe was drarn from the balcony of the Angel Inn at Rotherhithe, looking northwest toward the City

Mr Mann, 1860 (1904). Artist: James Abbott McNeill Whistler
Mr Mann, 1860 (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Under Old Battersea Bridge, 1879 (1904). Artist: James Abbott McNeill Whistler
Under Old Battersea Bridge, 1879 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Fumettes Bent Head, c1859 (1904). Artist: James Abbott McNeill Whistler
Fumettes Bent Head, c1859 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

The Miser, c1851 (1904). Artist: James Abbott McNeill Whistler
The Miser, c1851 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Fumette, Standing 1859 (1904). Artist: James Abbott McNeill Whistler
Fumette, Standing 1859 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Tyzac Whiteley and Co, 1859 (1904). Artist: James Abbott McNeill Whistler
Tyzac Whiteley and Co, 1859 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Whistler, 1859 (1904). Artist: James Abbott McNeill Whistler
Whistler, 1859 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Limehouse, 19th century (1904). Artist: James Abbott McNeill Whistler
Limehouse, 19th century (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Thames Warehouse, 19th century (1904). Artist: James Abbott McNeill Whistler
Thames Warehouse, 19th century (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

A Bye Canal, Venice, 19th century, (1904). Artist: James Abbott McNeill Whistler
A Bye Canal, Venice, 19th century, (1904). From a pastel. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Street at Saverne, 19th century (1904). Artist: James Abbott McNeill Whistler
Street at Saverne, 19th century (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

The Wood, 19th century (1904). Artist: James Abbott McNeill Whistler
The Wood, 19th century (1904). Signed by J M Whistler and Seymour Haden and done in collaboration. Plate taken from Whistler As I Knew Him, by Mortimer Menpes

A Cairo Street, 1903. Artist: Mortimer L Menpes
A Cairo Street, 1903. From World Pictures, by Mortimer Menpes. Text by Dorothy Menpes. [A. & C. Black, London, 1903]

Fruit Stall, 1903. Artist: Mortimer L Menpes
Fruit Stall, 1903. From World Pictures, by Mortimer Menpes. Text by Dorothy Menpes. [A. & C. Black, London, 1903]

A Street Scene at Asakusa, c1897. Artist: Mortimer L Menpes
A Street Scene at Asakusa, c1897. From The Studio Volume 10 [London Offices of the Studio, London, 1897]

Procession of Archers at Kioto, c1897. Artist: Mortimer L Menpes
Procession of Archers at Kioto, c1897. From The Studio Volume 10 [London Offices of the Studio, London, 1897]

The Sabot Shop, c19th century. Artist: Mortimer L Menpes
The Sabot Shop, c19th century. A sabot is a type of clog

Alfred Milner, 1st Viscount Milner, British statesman, early 20th century. Artist: Mortimer L Menpes
Alfred Milner, 1st Viscount Milner, British statesman, early 20th century. Milner (1854-1925) was High Commissioner to South Africa from 1897-1905

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"Mortimer L Menpes: A Multifaceted Artist Capturing the World's Beauty" Step into the world Menpes, a talented tailor turned artist who left an indelible mark on the art scene in the 19th and early 20th centuries. With his keen eye for detail and artistic prowess, Menpes captured various facets of life through his diverse body of work. In the c1920s, Menpes showcased his tailoring skills, creating exquisite garments that epitomized elegance and style. His craftsmanship was unparalleled, making him a sought-after tailor among discerning clients. Venturing beyond fashion design, Menpes also explored different corners of the world through his artwork. In 1903, he took us to Venice with a mesmerizing street scene that transported viewers back in time. The intricate details brought to life by Menpes' brushstrokes made it feel as if one could stroll along those Venetian streets themselves. Menpes didn't limit himself to capturing landscapes; he also had a talent for portraying human connections. In his family group portrait from c1887 (1901), we witness heartfelt moments frozen in time – love and unity radiating from every brushstroke. This ability to capture emotions is further exemplified in "A Native Bride" from the c1920s - a testament to both cultural diversity and matrimonial bliss. Not only did Menpes excel at depicting people but also historical events and influential figures. His depiction of Lord Roberts and Staff watching the Battle of Osfontein in 1900 (1901) transports us right onto the battlefield alongside these esteemed individuals. Similarly, Lord Milner's portrait showcases not just their physical likeness but also their character traits that shaped history. Menpes' wanderlust led him across continents as he ventured into Mexico during his travels.