Newsprint Collection (page 7)

Honora Daumier (French, 1808 - 1879), Domino!!, 1839, lithograph on newsprint
Honora© Daumier (French, 1808 - 1879), Domino!!, 1839, lithograph on newsprint

Honora Daumier (French, 1808 - 1879), Voila! un fameux temps pour les petits pois
Honora© Daumier (French, 1808 - 1879), Voila! un fameux temps pour les petits pois, 1839, lithograph on newsprint

Honora Daumier (French, 1808 - 1879), Bertrand, dis donc,s ils allaient nous faire
Honora© Daumier (French, 1808 - 1879), Bertrand, dis donc,s ils allaient nous faire, 1838, lithograph on newsprint

Honora Daumier (French, 1808 - 1879), Mon cher! vous vous tes admirablement a vanoui
Honora© Daumier (French, 1808 - 1879), Mon cher! vous vous tes admirablement a© vanoui, 1838, lithograph on newsprint

after Winslow Homer, Gloucester Harbor, published 1873, wood engraving on newsprint

after Winslow Homer, The Noon Recess, published 1873, wood engraving on newsprint

Fragment of Stanleys diary, illustration from The World in the Hands
KW409912 Fragment of Stanleys diary, illustration from The World in the Hands, published 1878 (engraving) by Stanley, Henry Morton (1841-1904) (after); Private Collection; (add.info)

Front page of Le Petit Journal, telling of the resignation of Patrice de MacMahon
XIR1272858 Front page of Le Petit Journal, telling of the resignation of Patrice de MacMahon, 1 February 1879 (newsprint) by French School, (19th century); Bibliotheque Nationale, Paris

Honore Daumier (French, 1808-1879), En Irlande, lithograph on newsprint

Honore Daumier (French, 1808-1879), Regardez, mais n y touchez pas!, 1871, gillotype on newsprint

Honore Daumier (French, 1808-1879), Un cauchemar de M. Bismarck, 1870, gillotype on newsprint

Honore Daumier (French, 1808-1879), Doucement!, 1868, lithograph on newsprint

Honore Daumier (French, 1808-1879), Ah! il pretend m empecher d aller, 1849, lithograph in black on newsprint

Honore Daumier (French, 1808-1879), Voyons! debout, on nous regarde, 1866, lithograph on newsprint

Honore Daumier (French, 1808-1879), C est unique! j ai pris quatre tailles, 1840, lithograph on newsprint

Honore Daumier (French, 1808-1879), Un Chapeau neuf, 1845, lithograph on newsprint

Honore Daumier (French, 1808-1879), Le Betophile, 1840, lithograph on newsprint

Honore Daumier (French, 1808-1879), L Election, 1843, lithograph on newsprint

Honore Daumier (French, 1808-1879), Oui je viens, dans son temple, 1841, lithograph on newsprint

Honore Daumier (French, 1808-1879), Le Perroquet, 1838, lithograph on newsprint

Front page of the Daily Mirror Newspaper Go Obama 2008 A. D
Front page of the Daily Mirror Newspaper Go Obama 2008

Cityscape of Birmingham, eng / newsprint, 1847
Cityscape of Birmingham, eng/newsprint, 1847 Date: 1847

Advert for Imperial Chemical Industries; shortage of paper
During World War Two, the growing shortage of paper from overseas meant that the daily papers shrinked in size. Britains public was encouraged to save every scrap of paper

Paper mill at night, Canada
Paper mill at night. This is the Howe Sound Pulp and Paper mill, in British Columbia, Canada

Newspaper printing. View of a modern newspaper printing line. Photographed at the works of Mokovskij Komsomolets, a daily newspaper published in Moscow, Russia

PBUS2A-00011
Joseph Pulitzer holding a press printing the New York " World" newspaper 1901. Hand-colored halftone of an illustration

Print room at Lloyds Weekly Newspaper, London
Printing presses operated by workmen churn out copies of Lloyds Weekly Newspaper, one of the first mass market newspapers, with copies then bundled for despatch on a trolley

Internal Roadway at Daily Mirror Printing Works
Part of the Internal Roadway at Daily Mirror Printing Works, facilitating the delivery of newsprint by day and the despatch of completed newspapers at night. Photograph by Heinz Zinram

Applegarth printing press
The Applegarth printing press, as used by The Times and by the Illustrated London News

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"Newsprint: A Journey Through Time and Ink" Typesetting by hand, a meticulous craft that brought words to life on the pages of the Morning Post newspaper in London. The smell of fresh ink mingling with the hustle and bustle of Fleet Street, where delivery trucks unloaded bundles of newsprint. In c. 1942, amidst the chaos of war, an artist found solace in meditation as they delicately painted gouache on newsprint laid upon a board. Their brushstrokes captured moments of tranquility amid turmoil. During WW1, a powerful cartoon titled "The Censor at Work" depicted the struggles faced by journalists striving for truth amidst censorship. Newsprint became both weapon and shield against propaganda. Gaston Doumergue's stern gaze immortalized through Le Monde Illustre's b/w photo on June 21st, 1914 - forever etched onto fragile newsprint - capturing a moment before history took its course. Southland Paper mill in Lufkin, Texas churned out rolls using Kraft pulp in 1943. The machinery hummed tirelessly as paper transformed into vessels for information and stories. Traveling back to March 5th, 1770 - litho prints recounting the horrid Boston Massacre adorned brittle sheets of newsprint. They served as eyewitness accounts etching history onto their delicate fibers. March 16th, 1885 saw Huckleberry Finn banned in Concord, Massachusetts; an article from the Boston Daily Globe chronicled this controversial decision on faded newsprint pages that still held echoes of dissent. A litho print from c. 1854 showcased Boston's fight against slavery with fiery determination splashed across layers upon layers of aged newsprint – each stroke echoing cries for freedom within courtrooms' walls. On February 2nd, 1898 The New York World graced front pages with bold headlines that stirred hearts and minds.