Norman Conquest Collection (page 7)

A lancer of Williams army, Bayeux Tapestry, c1070s, (1870). A wood engraving from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix, (London, 1870)

Norman knights, Bayeux Tapestry, c1070s, (1870). Two mounted knights of Duke Williams army. A wood engraving from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix

Construction of the boats for William I, Bayeux Tapestry, c1070s, (1870). A wood engraving from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix, (London, 1870)

King Henry I. Henry I of England (c1068-1135), called Henry Beauclerc because of his scholarly interests, was the fourth son of William the Conqueror

William II. King William II (c1056-1100) was called Rufus, perhaps because of his red-faced appearance. The second son of William the Conqueror, he was King of England from 1087 until 1100

The Battle of Hastings, 14 October 1066, (1910). The Norman invaders under William the Conqueror take on Harolds Saxons

William I of England, also known as William the Conqueror, (1860). Portrait of King William I (1028-1087), with a scene from the Battle of Hastings below

William the Conqueror, (19th century). William (c1028-1087), was Duke of Normandy and King of England

The Battle of Hastings, 1066, (19th century). Depiction of the famous battle between the invading Normans under William the Conqueror, and the Saxon army of King Harold in Sussex

Hereward the Wake, Anglo-Saxon rebel, attacking Peterborough Abbey, 1070 (early 20th century). Hereward attacking the abbey in protest at William Is imposition of a Norman abbot

Bayeux Tapestry, 1070s. The tapestry, which tells the story of the events leading to the Battle of Hastings in 1066, was probably commissioned by Odo, Bishop of Bayeux

William I, the Conqueror, King of England, c1067 (19th century). William (1027-1087) receiving the English leaders after the Norman conquest of 1066

Battle of Hastings, 1066 (1070s). Harold IIs (c1022-1066) Anglo-Saxon troops (left) led by an armoured standard bearer and a warrior with an axe, confront Norman cavalryman armed with lances

Harold II, last Anglo-Saxon king of England, 1066 (1070s). Harold (c1022-1066) and companions feasting. Harolds succession to the throne was disputed by William of Normandy

Edward The Confessor, Anglo-Saxon king of England, 1070s. Edward (c1003-1066), king from 1042, on his throne. After Edwards death

Knights of the time of the Norman Conquest, 1066
Knights in armor prepared for battle at the time of the Norman invasion of England, 1066. Antique hand-colored print

Arundel Castle Duke Norfolk. Keep built Alfred
Arundel Castle, Duke of Norfolk. The Keep built by Alfred the Great before the Norman Conquest; James Russell & Sons; April 20, 1866; Albumen silver print

Bayeux Tapestry Illustration
Illustration of Bayeux Tapestry showing invading Norman ships

PROY2A-00091
William the Conqueror in his suit of mail. Hand-colored woodcut of a 19th-century illustration

PROY2D-00030
Matilda of Flanders, Queen of England as wife of William the Conqueror - statue in the garden of the Palais de Luxembourg, Paris. Digital photograph

PROY2A-00090
William the Conqueror and his army entering London in triumph, 1066. Hand-colored woodcut of a 19th-century illustration

GGBR2A-00071
Norman Invaders landing on the English coast, 1066. Hand-colored woodcut of a 19th-century illustration

GGBR2A-00030
Saxons defeated by William the Conqueror at the Battle of Hastings, 1066. Hand-colored 19th-century engraving

GGBR2A-00045
Men of Kent marching to defend England during the Norman invasion, 1066. Hand-colored 19th-century woodcut reproduction of a tapestry

The Battle of Hastings in 1066 (oil on canvas)
XIR53742 The Battle of Hastings in 1066 (oil on canvas) by Debon, Francois Hippolyte (1807-72); Musee des Beaux-Arts, Caen, France; English, out of copyright

Bishop Eudes holding his Baton of Office at the Battle of Hastings, c. 1880 (litho)
KW441335 Bishop Eudes holding his Baton of Office at the Battle of Hastings, c.1880 (litho) by English School, (19th century); Private Collection; (add.info)

After the Battle of Hastings, c. 1880 (litho)
KW441336 After the Battle of Hastings, c.1880 (litho) by English School, (19th century); Private Collection; (add.info.: Illustration from Military)

A Norman Archer from the Army of William the Conqueror, 1873 (litho)
KW417987 A Norman Archer from the Army of William the Conqueror, 1873 (litho) by French School, (19th century); Private Collection; (add.info.: illustration from Les Artes au Moyen Age)

A Norman Spearman from the Army of William the Conqueror, 1873 (litho)
KW417986 A Norman Spearman from the Army of William the Conqueror, 1873 (litho) by French School, (19th century); Private Collection; (add.info.: illustration from Les Artes au Moyen Age)

Hereward cutting his way through the Norman host (engraving)
XJF2639691 Hereward cutting his way through the Norman host (engraving) by Cooper, James (19th century); Private Collection; (add.info.: Engraved by James Davis Cooper after Elliot H)

Death of Harold at the Battle of Hastings (engraving)
XJF2639690 Death of Harold at the Battle of Hastings (engraving) by Cooper, James (19th century); Private Collection; (add.info.: Engraved by James Davis Cooper after Elliot H)

Edith Finding the Body of Harold, 1828 (oil on canvas)
XIR220077 Edith Finding the Body of Harold, 1828 (oil on canvas) by Vernet, Emile Jean Horace (1789-1863); 340x386 cm; Musee d Art Thomas Henry, Cherbourg

1066 And All That The Bexhill Round Table Club ( Sussex ) are on Saturday, 15th October, staging a 900th anniversary of the Battle of Hastings at the town of Battle in Sussex

GGBR2A-00069
Map of English holdings in the 10th and 11th centuries, showing earldomes and vassal kingdoms. Printed color lithograph, 19th-century

GGBR2D-00056
Norman keep of Durham Castle, begun in 1076, now part of the University of Durham, England. Digital photograph

GGBR2A-00073
Norman barons waylaying travelers in England in the late Middle Ages. Hand-colored woodcut of a 19th-century illustration

GGBR2A-00072
European ships of the 11th century, the time of William the Conqueror. Hand-colored woodcut of a 19th-century illustration

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"The Norman Conquest: A Tapestry of Power and Change" Step back in time to the year 1066, a pivotal moment in history when the course of England was forever altered. The Bayeux Tapestry, a remarkable work of art that vividly portrays the events surrounding the Norman Conquest, serves as our window into this transformative period. As we examine the intricate threads woven into this tapestry, we are transported to Normandy, France, where William the Conqueror meticulously planned his invasion. With a map of England before us, we trace his path across the English Channel towards victory. The Bayeux Tapestry itself stands as an enduring testament to this conquest. Its delicate stitches depict scenes from battlefields and royal courts alike - King William's seal capturing his regal presence while Harold II's portrait reveals him as the last Anglo-Saxon king. One cannot help but be captivated by moments frozen in time on this ancient fabric. The death of Harold at Hastings is etched with haunting detail; an unknown artist masterfully captures both triumph and tragedy within brushstrokes. And then there is that poignant scene where Harold's lifeless body is brought before William - a powerful reminder of how power can shift so dramatically. Amidst these depictions emerge glimpses into medieval life - chain mail armor worn by Anglo-Saxon kings reminding us of their valorous struggles against foreign invaders. We see William himself depicted on horseback in full regalia, commanding respect and loyalty from those who swore allegiance to him. But perhaps one image encapsulates it all: Harold swearing his oath to William. In that single frame lies not only a pledge between two men but also an entire nation hanging precariously in balance. The Norman Conquest forever changed England's destiny - its impact reverberating through centuries even today. It reshaped politics, language, culture – leaving an indelible mark upon history.