Pietro Da Cortona Collection (#2)

Lot and His Daughters, 1600s. Creator: Pietro da Cortona (Italian, 1596-1669), circle of
Lot and His Daughters, 1600s

Lot and His Daughters (recto) Sketch for Lot and His Daughters (verso), 1600s. Creator
Lot and His Daughters (recto) Sketch for Lot and His Daughters (verso), 1600s

Bacchanal, 1600s. Creator: Pietro da Cortona (Italian, 1596-1669), circle of
Bacchanal, 1600s

Portrait of Pietro da Cortona (1596-1669), c. 1625-1630. Creator: Bernini, Gianlorenzo (1598-1680)
Portrait of Pietro da Cortona (1596-1669), c. 1625-1630. Private Collection

Pietro da Cortona, Italian Baroque era painter, (1825). Artist: John Corner
Pietro da Cortona, Italian Baroque era painter, (1825). An engraving of Cortona (1596-1669) from John Corners Portraits of Celebrated Painters, (London, 1825)

Pietro da Cortona Landscape Harvesting grain harvest
Pietro da Cortona, Landscape with Harvesting, Landscape with grain harvest, painting, landscape art, 18th century, oil on canvas, Height, 50 cm (19.6 inches), Width, 65 cm (25.5 inches)

Pietro da Cortona Saint Oil canvas
Pietro da Cortona, Saint, Oil on canvas, Height, 153.5 cm (60.4 inches), Width, 119.5 cm (47 inches)

Pietro da Cortona Figure Oil canvas
Pietro da Cortona, Figure, Oil on canvas, Height, 153.5 cm (60.4 inches), Width, 123.5 cm (48.6 inches)

Lazio Viterbo Ronciglione Ss Pietro e Caterina
Lazio Viterbo Ronciglione Ss. Pietro e Caterina, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, tabernacle, painting, ceiling frescoes

Lazio Roma Rome Castel Fusano Castello Chigi
Lazio Roma Castel Fusano Castello Chigi, this is my Italy, the italian country of visual history, Architecture exterior views of the castle and interior views of entrance hall and main salon

Campania Caserta Aversa S. Francesco Italy italian country
Campania Caserta Aversa S. Francesco, this is my Italy, the italian country of visual history, Post-medieval Built in 6th century, remodelled in 1645 and 1830

Umbria Perugia Trevi Collegio Etiopico Pontificio, this is my Italy, the italian country of visual history, The three exterior views of the Renaissance building 16th century include the Carrara

Sketch Lot Daughters 1600s Circle Pietro da Cortona
Sketch for Lot and His Daughters, 1600s. Circle of Pietro da Cortona (Italian, 1596-1669). Black chalk(?); sheet: 21.8 x 19.6 cm (8 9/16 x 7 11/16 in.)

Lot Daughters 1600s Circle Pietro da Cortona
Lot and His Daughters, 1600s. Circle of Pietro da Cortona (Italian, 1596-1669). Pen and brown ink over black chalk(?), heightened with traces of white gouache; sheet

Bacchanal 1600s Circle Pietro da Cortona Italian
Bacchanal, 1600s. Circle of Pietro da Cortona (Italian, 1596-1669). Pen and brown ink and brush and brown wash over black chalk, heightened with white gouache; incised

Study Head st. Michael 1633 Pietro da Cortona
Study for the Head of St. Michael, 1633. Pietro da Cortona (Italian, 1596-1669). Black chalk; sheet: 19 x 16.8 cm (7 1/2 x 6 5/8 in.); secondary support: 31.9 x 27.6 cm (12 9/16 x 10 7/8 in.)

Lot Daughters recto Sketch verso 1600s Circle
Lot and His Daughters (recto) Sketch for Lot and His Daughters (verso), 1600s. Circle of Pietro da Cortona (Italian, 1596-1669)

Saint Martina kneeling before the Virgin and Child, as the Child offers her a lily, ca. 1664-79

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Pietro da Cortona, a renowned Italian painter and architect of the 17th century, was a master in capturing the essence of divine subjects through his remarkable artworks. One such masterpiece is "The Triumph of Divine Providence, " a breathtaking ceiling fresco created between 1632-39. In this detailed piece, da Cortona skillfully portrays the triumph of God's providence over earthly struggles. Another notable work by da Cortona is "Pieta with the Madonna, St John the Baptist, St Mary Magdalen and Nicodemus. " This fresco showcases his ability to convey deep emotions through his brushstrokes. The figures exude sorrow and compassion as they mourn Jesus' crucifixion. "The Guardian Angel" is an enchanting painting from the 17th century that exemplifies da Cortona's talent for capturing ethereal beauty. The delicate strokes bring to life an angelic figure watching over its human charge with love and protection. Da Cortona also delved into historical themes like in "Battle of Alexander versus Darius, " an oil on canvas masterpiece painted between 1644-50. With meticulous attention to detail, he vividly depicts this epic clash between two legendary leaders. In "The Chapel, " both in oil on canvas and fresco versions dating back to the early 17th century, Pietro da Cortona showcases his architectural prowess alongside his artistic skills. These works transport viewers into sacred spaces filled with grandeur and spirituality. One cannot overlook "Vision of Mary to St Francis, " an oil on canvas painting from around 1641 that captures a profound moment where Saint Francis receives a vision from Virgin Mary herself. Da Cortona expertly conveys spiritual enlightenment through vibrant colors and expressive gestures. Additionally, he pays homage to great masters like Titian in "Madonna and Child with Saints" while showcasing his own unique style. His interpretation breathes new life into this classic subject, evoking a sense of reverence and devotion.