Pietro Da Cortona Collection (#6)

The Conversion of Saint Paul, 17th century. Artist: Pietro da Cortona
The Conversion of Saint Paul, 17th century. Pietro da Cortona (1596-1669). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Head study of a woman looking up, 17th century. Artist: Pietro da Cortona
Head study of a woman looking up, 17th century. Pietro da Cortona (1596-1669). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Drawings Prints, Print, Minerva, depicted, top, shield, arrow, vanquishing, Giants
Drawings and Prints, Print, Minerva depicted at top with a shield and arrow vanquishing the Giants below, from Barberinae aulae fornix, Barberinae aulae fornix, Artist, Publisher, Dedicatee, Artist

Wind God 1669 Black chalk highlighted white brownish paper
Artokoloro

Study Age Bronze 1637 Pen brown ink black chalk
Artokoloro

Study Age Bronze 1637 Pen brown ink brush wash
Artokoloro

Study Seated Youth Age Gold 1637 Black chalk
Artokoloro

Design Eagle Fighting Serpent Putto Sky Holding
Artokoloro

God Father Angels Holding Symbols Passion 1647-51
Artokoloro

Sea Battle 1596-1669 Brush brown wash 4 3 / 4 x 7 1 / 16in
Artokoloro

Triumph Nature Art design engraving De Florum Cultura
Artokoloro

allegorical composition Charity prisoners chains
Artokoloro

Satyrs Supporting Ornamental Motif 1596-1669
Artokoloro

Study Allegory Religion 1629-39 Red chalk 4 13 / 16 x 7 1 / 16in
Artokoloro

Leaf Aedes Walpolianae mounted two prints Three Soldiers
Artokoloro

Landscape Wine Harvest ca 1630 Brush gray wash
Artokoloro

Battle between Alexander the Great and Darius III, Robertus de Mol, Pietro da Cortona, 1674 - 1682

Christ on the Cross with the Virgin Mary, Mary Magdalene, and Saint John; Pietro da Cortona, Italian, 1596 - 1669; Italy, Europe; about 1661; Pen and brown ink and gray wash over black chalk

Cybele before the Council of the Gods; Pietro da Cortona, Italian, 1596 - 1669; Italy, Europe; 1633; Pen and brown ink with brown wash, heightened with white bodycolor, over black chalk

Saint Cecilia Giving Alms to the Poor; Pietro da Cortona, Italian, 1596 - 1669; about 1635 - 1640; Pen and brown ink over black chalk; 24.6 x 40.5 cm (9 11/16 x 15 15/16 in.)

The Birth of the Virgin
Artist: Cortona, Pietro da (after) - Title: The Birth of the Virgin - Date: N/A - Original Medium and Size: Oil on Canvas 74.9 x 53.3

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Pietro da Cortona, a renowned Italian painter and architect of the 17th century, was a master in capturing the essence of divine subjects through his remarkable artworks. One such masterpiece is "The Triumph of Divine Providence, " a breathtaking ceiling fresco created between 1632-39. In this detailed piece, da Cortona skillfully portrays the triumph of God's providence over earthly struggles. Another notable work by da Cortona is "Pieta with the Madonna, St John the Baptist, St Mary Magdalen and Nicodemus. " This fresco showcases his ability to convey deep emotions through his brushstrokes. The figures exude sorrow and compassion as they mourn Jesus' crucifixion. "The Guardian Angel" is an enchanting painting from the 17th century that exemplifies da Cortona's talent for capturing ethereal beauty. The delicate strokes bring to life an angelic figure watching over its human charge with love and protection. Da Cortona also delved into historical themes like in "Battle of Alexander versus Darius, " an oil on canvas masterpiece painted between 1644-50. With meticulous attention to detail, he vividly depicts this epic clash between two legendary leaders. In "The Chapel, " both in oil on canvas and fresco versions dating back to the early 17th century, Pietro da Cortona showcases his architectural prowess alongside his artistic skills. These works transport viewers into sacred spaces filled with grandeur and spirituality. One cannot overlook "Vision of Mary to St Francis, " an oil on canvas painting from around 1641 that captures a profound moment where Saint Francis receives a vision from Virgin Mary herself. Da Cortona expertly conveys spiritual enlightenment through vibrant colors and expressive gestures. Additionally, he pays homage to great masters like Titian in "Madonna and Child with Saints" while showcasing his own unique style. His interpretation breathes new life into this classic subject, evoking a sense of reverence and devotion.