Propaganda Collection (page 9)

Our army attacks from sky, water and shore, and repulsed enemy of Siberia, c1919. Creator: Unknown
Our army attacks from sky, water and shore, and repulsed enemy of Siberia, c1919

Our cavalry's occupied Khabarovsk, and march past took place in front of the enemy's gun... c1919
Our cavalry's occupied Khabarovsk, and march past took place in front of the enemy's gun-boats, c1919

Camping of the expeditionary army in Siberia, c1919. Creator: Unknown
Camping of the expeditionary army in Siberia, c1919

Starting of the head-quarters of the combined army in Siberia, c1919. Creator: Unknown
Starting of the head-quarters of the combined army in Siberia, c1919

Furious fighting at Amur, c1919. Creator: Unknown
Furious fighting at Amur, c1919

Stakhanovite watch, 1950. Creator: Kotov, Pyotr Ivanovich (1889-1953)
Stakhanovite watch, 1950. Found in the Collection of Regional Art Gallery, Tchelyabinsk

The Monument to the Third International, 1917. Creator: Tatlin, Vladimir Evgraphovich (1885-1953)
The Monument to the Third International, 1917. Found in the collection of the State Tretyakov Gallery, Moscow

Vigilance is our weapon. Be vigilant! (Poster), 1953. Artist: Shirokograd, B
Vigilance is our weapon. Be vigilant! (Poster), 1953. Found in the collection of the Russian State Library, Moscow

Stalin brought us up loyal to the people!, 1947. Artist: Golub, Pyotr Semyonovich (1913-1953)
Stalin brought us up loyal to the people!, 1947. Found in the collection of the Russian State Library, Moscow

On Watch, 1930s. Creator: Ryazhsky, Georgi Georgievich (1895-1952)
On Watch, 1930s. Found in the collection of Regional Art Museum, Rostov on Don

The landing of the Japanese army; welcomed by every nation at Vladivostok, 1919. Creator: Unknown
The landing of the Japanese army; welcomed by every nation at Vladivostok, 1919

The Young Communist Dunya, 1928. Creator: Sokolov, Mikhail Georgiyevich (1875-1953)
The Young Communist Dunya, 1928. Found in the collection of Russian State Library, Moscow

In the Village Reading Room, 1927. Creator: Bauskin, Vasily Stepanovich (1898-1952)
In the Village Reading Room, 1927. Found in the collection of Russian State Library, Moscow

For everlasting peace!, 1949. Creator: Golub, Pyotr Semyonovich (1913-1953)
For everlasting peace!, 1949. Found in the collection of the Russian State Library, Moscow

The Battle of the Sivash Sea (the Perekop-Chongar Operation) in 1920, 1927. Creator: Kotov, Pyotr Ivanovich (1889-1953)
The Battle of the Sivash Sea (the Perekop-Chongar Operation) in 1920, 1927. Private Collection

Towards new successes, young builders of communism!, 1951. Creator: Golub, Pyotr Semyonovich (1913-1953)
Towards new successes, young builders of communism!, 1951. Found in the collection of the Russian State Library, Moscow

Fly higher, further and faster than anyone!, 1946. Artist: Golub, Pyotr Semyonovich (1913-1953)
Fly higher, further and faster than anyone!, 1946. Found in the collection of the Russian State Library, Moscow

The battle of Usri [i.e. Ussuri], Siberia; Captain Konomi died in the battle, fighting, c1919. Creator: Unknown
The battle of Usri [i.e. Ussuri], Siberia; Captain Konomi died in the battle, fighting, c1919

Be observant when standing sentinel! (Poster), 1953. Artist: Golub, Pyotr Semyonovich (1913-1953)
Be observant when standing sentinel! (Poster), 1953. Found in the collection of the Russian State Library, Moscow

Before shift work. Stakhanov Brigade, 1937. Creator: Ryazhsky, Georgi Georgievich (1895-1952)
Before shift work. Stakhanov Brigade, 1937. Found in the collection of State Art Museum, Yekaterinburg

Apostle of Prosperity, engraved by Gustav Fuchs, published 1903 (colour litho)
NYH185435 Apostle of Prosperity, engraved by Gustav Fuchs, published 1903 (colour litho); Collection of the New-York Historical Society

Il Duce, Benito Mussolini (1883-1945), from Signal Magazine, Number 17, December 1940 (litho)
BAL142530 Il Duce, Benito Mussolini (1883-1945), from Signal Magazine, Number 17, December 1940 (litho); Private Collection

Front cover of A l'Assaut de l'Asie by G. Saint-Yves, published by Mame, 1901 (colour litho)
CHT157429 Front cover of A l'Assaut de l'Asie by G. Saint-Yves, published by Mame, 1901 (colour litho) by French School, (20th century); Private Collection; © Archives Charmet

Les Soubresauts de la Russie; La propagande pacifiste payee par l'Allemagne: le 1st mai 1917. Creator: Bulla
Les Soubresauts de la Russie; La propagande pacifiste payee par l'Allemagne: le 1st mai 1917, un disciple de Lenine reclame la confiscation des terres

La Nouvelle Europe; La propagande en Hongrie; A Budapest, devant le monument du Millenaire.. 1919. Creator: Unknown
La Nouvelle Europe; La propagande en Hongrie; A Budapest, devant le monument du Millenaire, le commissaire a la Guerre Pogany exhorte la foule a s'enroler dans "la puissante armee

La Nouvelle Europe; La propagande en Hongrie; la parole communiste prechee en plein air...1919. Creator: Unknown
La Nouvelle Europe; La propagande en Hongrie; la parole communiste prechee en plein air, dans la neige, aux populations des campagnes, 1919

Kuzbass Coal, 1938. Creator: Lukin, Wilhelm Ivanovich (1871-1943)
Kuzbass Coal, 1938. Found in the collection of the State Museum- and exhibition Centre ROSIZO, Moscow

Allegory of the Tyranny of the Duke of Alba in the Netherlands, c.1622-c.1630. Creator: Anon
Allegory of the Tyranny of the Duke of Alba in the Netherlands, c.1622-c.1630

The Crimean Troops Defiling at the Foot of the Column, Place Vendome, 1856. Creator: Unknown
The Crimean Troops Defiling at the Foot of the Column, Place Vendome, 1856. Wounded French soldiers in Paris. The soiled uniforms

The Emperor Meeting the Crimean Troops on the Place de la Bastille, Paris, 1856. Creator: Unknown
The Emperor Meeting the Crimean Troops on the Place de la Bastille, Paris, 1856....a triumphal arch was erected near the Porte St. Martin Theatre

Arrival of the French Crimean Troops at the Place de la Bastille, Paris, 1856. Creator: Unknown
Arrival of the French Crimean Troops at the Place de la Bastille, Paris, 1856. A triumphal arch...from the designs of M. Baltard...[was] inscribed "To the Glory of the Army." In

Les Heures d'Angoisse; "Wenn!": composition desesperee publiee par l'Illustrirte... 1918
Les Heures d'Angoisse; "Wenn!": composition desesperee publiee par l'Illustrirte Zeitung du 31 octobre 1918, 1918

Les Heures d'Angoisse; Le page de couverture de l'Illustrirte Zeitung du 31 octobre 1918, 1918. From "L'Album de la Guerre 1914-1919, Volume 2" [L'Illustration, Paris, 1924]

"KULTUR"; Les Heures D'Ivresse; specimen des pages inspirees par le debut... 1914. Creator: Unknown
"KULTUR"; Les Heures D'Ivresse; specimen des pages inspirees par le debut de la guerre au plus grand journal illustre d'Allemagne, l'Illustrierte Zeitung

"KULTUR"; Les Heures D'Ivresse; specimen des pages inspirees par le debut... 1914. Creator: Unknown
"KULTUR"; Les Heures D'Ivresse; specimen des pages inspirees par le debut de la guerre au plus grand journal illustre d'Allemagne, l'Illustrirte Zeitung

"KULTUR"; Les Heures D'Ivresse; specimen des pages inspirees par le debut... 1914. Creator: Unknown
"KULTUR"; Les Heures D'Ivresse; specimen des pages inspirees par le debut de la guerre au plus grand journal illustre d'Allemagne, l'Illustrirte Zeitung

Le Loyalisme Musulman; A bondoukou: Les versements d'or, a Bondoukou, sous la veranda... 1916. Creator: Unknown
Le Loyalisme Musulman; A bondoukou: Les versements d'or, a Bondoukou, sous la veranda des bureaux du cercle, 1916. From "Collection de la Guerre IV. L'Illustration Tome CXLVII

Le Loyalisme Musulman; A bondoukou: La "Journee du Poilu" a Bondoukou (Cote d'Ivoire)... 1916
Le Loyalisme Musulman; A bondoukou: La "Journee du Poilu" a Bondoukou (Cote d'Ivoire): reproduction vivante de l'affiche de Poulbot, devant le principal bureau de vente, 1916

Reception of Major-General Sir William Fenwick Williams at Dover - the Reading of the Corporation Ad Creator: Unknown
Reception of Major-General Sir William Fenwick Williams at Dover - the Reading of the Corporation Address, 1856. The hero of Kars is welcomed at the Ship Hotel by the Mayor...in the most enthusiastic

The Peace Commemoration at Portsmouth - Triumphal Monument on Southsea Common, 1856. Creator: Unknown
The Peace Commemoration at Portsmouth - Triumphal Monument on Southsea Common, 1856. Celebrating the end of the Crimean War in Hampshire

The Peace Illumination: Strand, 1856. Creator: Unknown
The Peace Illumination: Strand, 1856. London celebrations to mark the end of the Crimean War - offices of the Illustrated London News on the left....the old gentlemen of England determined to make

The Peace Illumination - Right Hon. Lord Panmure's (Minister-at-War), Belgrave-Square, 1856. Creator: Unknown
The Peace Illumination - Right Hon. Lord Panmure's (Minister-at-War), Belgrave-Square, 1856. London celebrations to mark the end of the Crimean War

The Peace Illumination: the French Embassy, Albert-Gate, 1856. Creator: Unknown
The Peace Illumination: the French Embassy, Albert-Gate, 1856. London celebrations to mark the end of the Crimean War. In a fit of old-boyish excitement...the old gentlemen of England determined to

The Peace Commemoration at Plymouth - Rockets and General Illumination of the Fleet in the Sound - f Creator: Unknown
The Peace Commemoration at Plymouth - Rockets and General Illumination of the Fleet in the Sound - from a sketch by H. A. Luscombe, 1856

The Peace Commemoration - Country Visitors at the Illumination, 1856. Creator: Unknown
The Peace Commemoration - Country Visitors at the Illumination, 1856. Paris prepares to celebrate the end of the Crimean War

The Peace Illuminations - The National Gallery, 1856. Creator: Unknown
The Peace Illuminations - The National Gallery, 1856. London celebrations to mark the end of the Crimean War. It was necessary that the people should share, or appear to share

The Peace Illuminations -The Green Park, 1856. Creator: Unknown
The Peace Illuminations -The Green Park, 1856. London celebrations to mark the end of the Crimean War. In a fit of old-boyish excitement...the old gentlemen of England determined to make the people

The Peace Illuminations - A Street Scene - drawn by George Thomas, 1856. Creator: Unknown
The Peace Illuminations - A Street Scene - drawn by George Thomas, 1856. Londoners celebrate the end of the Crimean War. It was necessary that the people should share, or appear to share

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Propaganda: Unveiling the Power of Persuasion In a world where information is constantly bombarding us from all directions, it has emerged as a potent tool to shape public opinion and influence our thoughts. From historical artifacts like the Laika the space dog postcard and The Contrast by Thomas Rowlandson to modern-day examples such as United States Naval Construction Battalions - Seabees and Tittle Tattle Lost the Battle British World War II poster, it has been employed throughout history. The power lies in its ability to manipulate emotions, instill fear or patriotism, and rally support for various causes. Take, for instance, the Propaganda poster detail from Wonsan City in North Korea or Britains Sea Power Is Yours campaign; both aimed at fostering nationalistic pride among their respective populations. During times of war or conflict, propaganda becomes an indispensable weapon. Back Them Up slogan during World War I urged citizens to support their troops while German propaganda posters depicted heroic soldiers fighting for their country's honor. Even Polish anti-war poster Nie (No) conveyed a powerful message against violence through simple yet impactful imagery. Political ideologies have also utilized propaganda extensively. Chairman Mao's Chinese Communist Propaganda Poster exemplifies how leaders employ persuasive visuals to promote their agenda and gain popular support. Similarly, Soviet Union's We want Peace poster attempted to portray themselves as advocates for global harmony amidst Cold War tensions. Artists like Walter Crane have used their talent to create visually stunning pieces that convey political messages subtly but effectively. His Garland painting serves as a reminder that even art can be harnessed as a medium for propagandist intentions. While some may view propaganda with skepticism due to its manipulative nature, it remains an integral part of society today. It reminds us of the immense power behind carefully crafted messages designed not only to inform but also sway opinions towards specific goals.