Quest Collection (page 3)

Comes to the Second, 1866 (woodcut)
3726004 Comes to the Second, 1866 (woodcut) by Burne-Jones, Edward Coley (1833-98) (after); 10.6x8.1 cm; Private Collection; (add.info)

Comes to the First Sister, 1866 (woodcut)
3726003 Comes to the First Sister, 1866 (woodcut) by Burne-Jones, Edward Coley (1833-98) (after); 10.3x8 cm; Private Collection; (add.info)

Psyche Spying, 1866 (woodcut)
3726001 Psyche Spying, 1866 (woodcut) by Burne-Jones, Edward Coley (1833-98) (after); 10.3x15.8 cm; Private Collection; (add.info)

Psyche by the Table, 1866 (woodcut)
3725995 Psyche by the Table, 1866 (woodcut) by Burne-Jones, Edward Coley (1833-98) (after); 10.4x5.4 cm; Private Collection; (add.info)

The Procession to the Hill, 1866 (woodcut)
3725992 The Procession to the Hill, 1866 (woodcut) by Burne-Jones, Edward Coley (1833-98) (after); 10.3x15.5 cm; Private Collection; (add.info)

Cupids First Sight of Psyche, 1866 (woodcut)
3725990 Cupids First Sight of Psyche, 1866 (woodcut) by Burne-Jones, Edward Coley (1833-98) (after); 11.1x8 cm; Private Collection; (add.info)

Venus Sending Cupid to Psyche, 1866 (woodcut)
3725989 Venus Sending Cupid to Psyche, 1866 (woodcut) by Burne-Jones, Edward Coley (1833-98) (after); 10.9x8 cm; Private Collection; (add.info)

Untitled, 1866 (woodcut)
3725988 Untitled, 1866 (woodcut) by Burne-Jones, Edward Coley (1833-98) (after); Private Collection; (add.info.: Designed by Sir Edward Burne-Jones for the Tale of Cupid & Psyche)

Scene from the sequel to Miguel de Cervantes Don Quixote, written by Alonso Fernandez de Avellaneda (engraving)
981731 Scene from the sequel to Miguel de Cervantes Don Quixote, written by Alonso Fernandez de Avellaneda (engraving) by English School

The death of the dragon and the taking of the Golden Fleece (chromolitho)
968395 The death of the dragon and the taking of the Golden Fleece (chromolitho) by European School, (19th century); Private Collection; (add.info)

The Yanguesians, seeing themselves thus rudely handled, betook themselves to their levers and pack-staves (engraving)
979041 The Yanguesians, seeing themselves thus rudely handled, betook themselves to their levers and pack-staves (engraving) by Hardy

Don Quixote... began to turn the pin (engraving)
979032 Don Quixote... began to turn the pin (engraving) by Hardy, Paul (1862-1942); Private Collection; (add.info.: Don Quixote... began to turn the pin)

Sancho and the Duchess (engraving)
979031 Sancho and the Duchess (engraving) by Hardy, Paul (1862-1942); Private Collection; (add.info.: Sancho and the Duchess)

Then the figure in the gown stood up (colour litho)
979029 Then the figure in the gown stood up (colour litho) by Hardy, Paul (1862-1942); Private Collection; (add.info.: Then the figure in the gown stood up)

Don Quixote running his lance into the sail (colour litho)
979024 Don Quixote running his lance into the sail (colour litho) by Hardy, Paul (1862-1942); Private Collection; (add.info.: Don Quixote running his lance into the sail)

Orpheus frees Eurydice (chromolitho)
1094448 Orpheus frees Eurydice (chromolitho) by European School, (19th century); Private Collection; (add.info.: Orpheus frees Eurydice)

Arthur in the Gruesome Glen (oil on canvas)
PNH419719 Arthur in the Gruesome Glen (oil on canvas) by Whaite, Henry Clarence (1828-1912); 99x150 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; English

Sir Parsifal leaves for his quest (chromolitho)
735730 Sir Parsifal leaves for his quest (chromolitho) by European School, (19th century); Private Collection; (add.info.: Sir Parsifal leaves for his quest)

The Crusader assault on Jerusalem (chromolitho)
2782632 The Crusader assault on Jerusalem (chromolitho) by European School, (19th century); Private Collection; (add.info.: The Crusader assault on Jerusalem)

Scene from Don Quixote (chromolitho)
2782604 Scene from Don Quixote (chromolitho) by European School, (19th century); Private Collection; (add.info.: Scene from Don Quixote. Don Quixote kneeling before Dulcinea del Toboso)

A Quest for a Cousin (engraving)
1589447 A Quest for a Cousin (engraving) by Pasquier, James Abbott (fl.1851-72); Private Collection; (add.info.: A Quest for a Cousin. Illustration for The Illustrated London News, 19 December 1874)

Sir Galahad (w / c & gouache on paper)
PNH353201 Sir Galahad (w/c & gouache on paper) by Gregory, Edward John (1850-1909); 74x44.5 cm; Private Collection; (add.info.: Sir Galahad, a knight of King Arthurs Round Table)

Perseus and the Sea Nymphs, c. 1876 (gouache)
SOU80765 Perseus and the Sea Nymphs, c.1876 (gouache) by Burne-Jones, Edward Coley (1833-98); 152.8x126. cm; Southampton City Art Gallery, Hampshire

L Plate au beurre, number 143, Satirique en N & B, 1903_12_26
ICA4887919 L Plate au beurre, number 143, Satirique en N & B, 1903_12_26: Anticlericalism - Cupidite/Avarice, Eg anti Gospel, Relics - Popes - Illustration by Vogel (1856-1918) by Vogel

Anthropomorphic vase depicting a blind beggar playing a musical instrument
LRI4674767 Anthropomorphic vase depicting a blind beggar playing a musical instrument (pan flute or pan pipe?), 200-700 (ceramic) by Moche; Museo Nacional de Antropologia y Arqueologia, Lima

The Lord and his farmer. 18th century engraving. Private collection
JLJ4601526 The Lord and his farmer. 18th century engraving. Private collection. by French School, (18th century); Private Collection; (add.info.: The Lord and his farmer. 18th century engraving)

Religious Queteurs Painting by Giuseppe Gambarini (1680-1725), 18th century
JLJ4587969 Religious Queteurs Painting by Giuseppe Gambarini (1680-1725), 18th century, by Gambarini, Giuseppe (1680-1725); Louvre, Paris

Old Neapolitan metiers: a beggar and her child in the streets of Naples
LRI4644181 Old Neapolitan metiers: a beggar and her child in the streets of Naples - (Old Neapolitan trades: a beggar) Watercolour of the 19th century - Naples Museo Nazionale di San Martino by

Aumones in the courtyard of the abbey of Port Royal des Champs View of the inner
JLJ4564040 Aumones in the courtyard of the abbey of Port Royal des Champs View of the inner courtyard of Port-Royal-des-Champs. Anonymous painting of the French school, 18th century

Aragonese by Anso Painting by Alexander Antigna (1817-1878) 1872 Orleans
JLJ4613489 Aragonese by Anso Painting by Alexander Antigna (1817-1878) 1872 Orleans. Museum of Fine Arts by Antigna, Alexandre (1817-78); Musee des Beaux-Arts, Orleans

Belisaire (v. 500-565) blind and begging by the order of Justinian
XEE4169776 Belisaire (v.500-565) blind and begging by the order of Justinian, to whom he had given gold and the land of the sale

Sir Galahad (oil on panel)
CH429808 Sir Galahad (oil on panel) by Watts, George Frederic (1817-1904); 53.6x26 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Atlantic Ocean, showing the routes followed by early voyagers (litho)
6004980 The Atlantic Ocean, showing the routes followed by early voyagers (litho) by English School, (20th century); Private Collection; (add.info.: The Atlantic Ocean)

The Round Table of King Arthur (litho)
XJF365309 The Round Table of King Arthur (litho) by English School, (19th century); Private Collection; (add.info.: shows the table as the seat of the Holy Grail; places at the table are assigned to)

Filming Stamboul Quest with Myrna Loy (1934) wearing a Dolly Tree gown Date: 1934

Myrna Loy in Stamboul Quest (1934) wearing a Dolly Tree draped white gown with clever shirring on the sleeves and a waistband and floor-length sash-ties in a darker material. Date: 1934

Raging, Wotan Rides to the Rock! Like a Storm-wind he comes
STC324210 Raging, Wotan Rides to the Rock! Like a Storm-wind he comes!, frontispiece to The Rhinegold and the Valkyrie, 1910 (colour litho) by Rackham

Young Percival Questions Sir Owen, from Stories of the Knights of the Round
STC323728 Young Percival Questions Sir Owen, from Stories of the Knights of the Round Table by Henry Gilbert, first edition, 1911 (colour litho) by Crane

Psyche in the Garden, 1866 (woodcut)
3726027 Psyche in the Garden, 1866 (woodcut) by Burne-Jones, Edward Coley (1833-98) (after); 10.2x5.8 cm; Private Collection; (add.info)

Cupid Going Away, 1866 (woodcut)
3726023 Cupid Going Away, 1866 (woodcut) by Burne-Jones, Edward Coley (1833-98) (after); 10.5x16 cm; Private Collection; (add.info)

Entry among the Gods, 1866 (woodcut)
3726021 Entry among the Gods, 1866 (woodcut) by Burne-Jones, Edward Coley (1833-98) (after); 16.1x15.6 cm; Private Collection; (add.info)

Cerberus, 1866 (woodcut)
3726019 Cerberus, 1866 (woodcut) by Burne-Jones, Edward Coley (1833-98) (after); 10.3x15.8 cm; Private Collection; (add.info)

The Weaving Women, 1866 (woodcut)
3726013 The Weaving Women, 1866 (woodcut) by Burne-Jones, Edward Coley (1833-98) (after); 10.4x15.8 cm; Private Collection; (add.info)

The Task of the Reeds, 1866 (woodcut)
3726011 The Task of the Reeds, 1866 (woodcut) by Burne-Jones, Edward Coley (1833-98) (after); 10.8x8 cm; Private Collection; (add.info)

Psyche Throwing Herself into the River, 1866 (woodcut)
3726002 Psyche Throwing Herself into the River, 1866 (woodcut) by Burne-Jones, Edward Coley (1833-98) (after); 10.4x8 cm; Private Collection; (add.info)

The Song while she Eats, 1866 (woodcut)
3725996 The Song while she Eats, 1866 (woodcut) by Burne-Jones, Edward Coley (1833-98) (after); 10.4x8.1 cm; Private Collection; (add.info)

For sale as Licensed Images

Choose your image, Select your licence and Download the media

Embarking on a timeless journey, the quest begins. Inspired by tales of chivalry and honor, Sir Galahad, Sir Bors, and Sir Percival set forth to attain The Vision of the Holy Grail. In their pursuit of greatness, they utter the words "In Manus Tuas Domine. " - placing their trust in a higher power. With brush strokes capturing every detail, artist Briton Riviere immortalizes this epic quest in his masterpiece from 1879. Meanwhile, Bristol 156 Beaufighter IV takes flight as a quartet ventures into the unknown seeking answers. Don Quixote finds solace among his books; his mind consumed by quests both real and imagined. And amidst temptation's allure, Sir Percival faces an internal struggle depicted on canvas in 1894. Richard the Lionheart sets sail for distant lands during the Third Crusade – driven by duty and determination to fulfill his own quest for glory. A knight's unwavering resolve is etched forever in Albrecht Dürer's iconic work from 1513. The yearning for adventure continues with each passing generation; even in modern times like that portrayed in "The Quest" from 1921. Guided by Athena herself, Telemachus embarks on a relentless search for his father Odysseus. At crossroads where destiny hangs precariously between choices lies Viktor Mihajlovic Vasnecov's depiction of a knight contemplating his next move – aware that one decision can alter everything. An obsessed alchemist tirelessly pursues knowledge beyond mortal comprehension while Shackleton's ship "The Quest" braves treacherous waters towards uncharted territories – both embodying the spirit of relentless exploration. Through these diverse depictions spanning centuries and mediums alike, we are reminded that quests come in many forms but share one common thread: an insatiable thirst to discover what lies beyond the horizon.