Ramayana Collection (#2)

Mural depicting scenes from the Ramayana at Wat Phra Kaeo, the Royal Grand Palace, Bangkok, Thailand
5309720 Mural depicting scenes from the Ramayana at Wat Phra Kaeo, the Royal Grand Palace, Bangkok, Thailand by Thai School, (18th century); The Grand Palace, Bangkok

Mural depicting scenes from the Ramayana at Wat Phra Kaeo, the Royal Grand Palace, Bangkok, Thailand
5309722 Mural depicting scenes from the Ramayana at Wat Phra Kaeo, the Royal Grand Palace, Bangkok, Thailand by Thai School, (18th century); The Grand Palace, Bangkok

A hunter with an attendant kills animals, 1833-66 (opaque w/c on paper)
6040531 A hunter with an attendant kills animals, 1833-66 (opaque w/c on paper) by Indian School, (19th century); 30.5x43.2 cm; San Diego Museum of Art

Four Princes in Procession Visit a Sage, page from a copy of the Ramayana, 1820 / 40
Four Princes in Procession Visit a Sage, page from a copy of the Ramayana, 1820/40

The Ramayana (Tales of Rama; The Freer Ramayana), Volume 2, Mughal dynasty, 1597-1605

The Ramayana (Tales of Rama; The Freer Ramayana), Volume 1, Mughal dynasty, 1597-1605

Arrival of the groom at the palace, folio from a Ramayana, c
5930790 Arrival of the groom at the palace, folio from a Ramayana, c.1640-1650 (opaque watercolor and gold on paper) by Indian School, (17th century); 31.7x48 cm; Freer Gallery of Art

The wedding guests assemble, c. 1700 (opaque w / c on paper)
873989 The wedding guests assemble, c.1700 (opaque w/c on paper) by Indian School, (18th century); 22.6x33 cm; San Diego Museum of Art

The Giant Ravana (colour litho)
STC147700 The Giant Ravana (colour litho) by French School, (19th century); Private Collection; The Stapleton Collection; French, out of copyright

Rama and Lakshmana converse with a man at night, c. 1650 (opaque w / c & ink on paper)
3505437 Rama and Lakshmana converse with a man at night, c.1650 (opaque w/c & ink on paper) by Indian School, (17th century); 26x40 cm; San Diego Museum of Art

Rama Trying to Justify to Sita his Repudiation of her, c. 1595 (w / c on paper)
1196783 Rama Trying to Justify to Sita his Repudiation of her, c.1595 (w/c on paper) by Mughal School, (16th century); 15.4x13.3 cm; Private Collection; (add.info.: Sub Imperial Mughal)

King Dasaratha Conversing with the Family Priest about Rama
1196782 King Dasaratha Conversing with the Family Priest about Ramas Regency Inside the Palace, Whilst Courtiers and Ministers Await in the Courtyard, c.1595 (w/c on paper) by Mughal School

The Little Abbot Reading the Ramayana, 1883 (charcoal with black chalk, stumping
2972610 The Little Abbot Reading the Ramayana, 1883 (charcoal with black chalk, stumping, scraping & erasing, on dark cream wove paper, discolored to tan)

Rama, with Sita and Lakshmana in the forest, from the Ramayana, c
874018 Rama, with Sita and Lakshmana in the forest, from the Ramayana, c.1790 (opaque w/c & gold on paper) by Indian School, (18th century); 20.2 x13.7 cm; San Diego Museum of Art

Rama, engraved by du Bouisi (colour litho)
STC147704 Rama, engraved by du Bouisi (colour litho) by French School, (19th century); Private Collection; (add.info.: accompanied by his wife Sita who is an incarnation of Lakshmi; symbol of)

Illustration to the Ramayana: Rama enters Mithila to perform an archery contest, c
2570795 Illustration to the Ramayana: Rama enters Mithila to perform an archery contest, c.1775-80 (opaque pigments & gold on paper) by Indian School

Rama and Lakshmana Offering Water to their Dead Father on the Banks of the Mandakini
1196781 Rama and Lakshmana Offering Water to their Dead Father on the Banks of the Mandakini River, c.1595 (w/c on paper) by Mughal School

Ravanas golden citadel in Lanka, c. 1610 (opaque w / c & gold on paper)
874299 Ravanas golden citadel in Lanka, c.1610 (opaque w/c & gold on paper) by Indian School, (17th century); 21.6 x13 cm; San Diego Museum of Art

Rama bends his bow, c. 1700 (opaque w / c on paper)
873990 Rama bends his bow, c.1700 (opaque w/c on paper) by Indian School, (18th century); 22 x32.8 cm; San Diego Museum of Art

Lakshmana at the hermitage, folio from a Ramayana, c. 1690-1710
5930773 Lakshmana at the hermitage, folio from a Ramayana, c.1690-1710 (opaque watercolor on paper) by Central Indian School, (17th-18th century); 18.4x29.2 cm; Freer Gallery of Art

Kaikeyi, King Dasarathas Second Queen, Rewarding the Hunchback Maidservant Manthara
1196758 Kaikeyi, King Dasarathas Second Queen, Rewarding the Hunchback Maidservant Manthara, c.1690-1700 (w/c on paper) by Indian School

Indian Art Pottery (engraving)
1595898 Indian Art Pottery (engraving) by English School, (19th century); Private Collection; (add.info.: Indian Art Pottery. Illustration for The Illustrated London News, 22 December 1888)

Rama and Lakshmana in Counsel with the Monkey and Bear Allies, c. 1800 (gouache)
1766441 Rama and Lakshmana in Counsel with the Monkey and Bear Allies, c.1800 (gouache) by Pahari School (19th Century); 24.1x34.3 cm; Private Collection; (add.info)

Rama and Lakshman with the sage Vishvamitra, from a Ramayana, ca. 1680-1690. Attributed to the Master of Style II of the Shangri Ramayana

Lakshmana at the hermitage, folio from a Ramayana, ca. 1690-1710. Creator: Unknown
Lakshmana at the hermitage, folio from a Ramayana, ca. 1690-1710

Rama, Sita, and Lakshmana at the Hermitage of Bharadvaja: Illustrated folio from... ca
Rama, Sita, and Lakshmana at the Hermitage of Bharadvaja: Illustrated folio from a dispersed Ramayana series, ca. 1780

The Death of King Dasharatha, the Father of Rama, Folio from a Ramayana, ca. 1605

The Awakening of Kumbhakarna in the Golden City of Lanka, Folio from a Ramayana, ca. 1605

The Demon Marichi Tries to Dissuade Ravana... from a dispersed Ramayana series, ca
The Demon Marichi Tries to Dissuade Ravana; Illustrated folio from a dispersed Ramayana series, ca. 1780. Ravana plans to abduct Sita

Lakshmana and Sugriva Being Carried by Palanquin to Receive Ramas Blessings... ca
Lakshmana and Sugriva Being Carried by Palanquin to Receive Ramas Blessings: Folio from the dispersed Mankot" Ramayana series, ca. 1710-25

Hanuman before Rama and Lakshmana... the dispersed Mankot Ramayana series, ca. 1710-25
Hanuman before Rama and Lakshmana: Folio from the dispersed Mankot Ramayana series, ca. 1710-25. Hanuman disguised as a sage

Rama Releases the Demon Spies Shuka and Sarana: Folio from the Siege of Lanka series, ca. 1725. Rama, sitting with Lakshmana and Sugriva

The Monkey Leader Angada Steals Ravanas Crown from His Fortress... ca. 1725. Creator: Manaku
The Monkey Leader Angada Steals Ravanas Crown from His Fortress: Folio from the Siege of Lanka series, ca. 1725. he great monkey warrior Angada is shown four times

Rama and Lakshmana as Boys Assist the Sage Vishvamitra... ca. 1780. Creator: Workshop
Rama and Lakshmana as Boys Assist the Sage Vishvamitra: Folio from a dispersed Ramayana series, ca. 1780. Vishvamitra asks King Dasaratha if his sons Rama

Hanuman Revives Rama and Lakshmana with Medicinal Herbs... Ramayana series, ca. 1790
Hanuman Revives Rama and Lakshmana with Medicinal Herbs: Illustrated folio from a dispersed Ramayana series, ca. 1790

Rama and Lakshmana on Mount Pavarasana: Folio from the Shangri Ramayana series... c1690-1710
Rama and Lakshmana on Mount Pavarasana: Folio from the Shangri Ramayana series (Style II), ca. 1690-1710

Rama and Lakshmana Search in Vain for Sita: Illustrated folio... ca. 1680-90. Creator: Unknown
Rama and Lakshmana Search in Vain for Sita: Illustrated folio from a dispersed Ramayana series, ca. 1680-90

The return of Rama, 1913. Artist: K Venkatappa
The return of Rama, 1913. A scene from the Hindu epic, the Ramayana. Rama returns from Lanka after defeating the evil Ravana and freeing his captured wife, Sita

Building of Ramas bridge, 1913. Artist: K Venkatappa
Building of Ramas bridge, 1913. A scene from the Hindu epic, the Ramayana. The monkeys Naal and Neel build a floating bridge to enable the army of Rama

Burning of Lanka, 1913. Artist: K Venkatappa
Burning of Lanka, 1913. Hanuman burns the island of Lanka with his tail after it was set on fire by the Lankan demon-king Ravana

The death of Maricha, 1913. Artist: K Venkatappa
The death of Maricha, 1913. A scene from the Hindu epic, the Ramayana. Maricha takes the form of a golden deer and is killed by Rama

Ramas Marriage, 1913. Artist: K Venkatappa
Ramas Marriage, 1913. A scene from the Hindu epic, the Ramayana. Rama marries Sita, daughter of King Janaka, after proving able to wield the great bow presented to the king by the god Shiva

Hanumans Leap, 1925. A scene from the Hindu epic poem, the Ramayana. Hanuman is a vanara, an ape-like forest-dweller, who hepls Rama in his struggle against the demon-king Ravana

The Arrival of Rama and Sita in the Aerial Car, (18th century), 1937
The Arrival of Rama and Sita in the Aerial Car, 18th century. After an 18th century manuscript of the great Hindu epic The Ramayana. From The Connoisseur, 1937

Page Ramayana 1800s Java 19th century Ink paper
Page from Ramayana, 1800s. Java, 19th century. Ink on paper; overall: 32.6 x 21 cm (12 13/16 x 8 1/4 in.)

A page Ramayana Vamana avatar Vishnu Trivikrama
A page from a Ramayana: Vamana avatar of Vishnu (Trivikrama), c. 1710. India, Rajasthan, Mewar school. Ink on paper;

A page Ramayana night scene Rama Lakshman Sita
A page from a Ramayana: A night scene of Rama, Lakshman and Sita before the rishi Bharadwaja at Prayaga, c. 1650. Central India, Malwa. Color on paper; page: 18.1 x 15.6 cm (7 1/8 x 6 1/8 in.)

page Ramayana Rama Lakshman Sita slain giant
A page from a Ramayana: Rama, Lakshman and Sita before a slain giant, c. 1770. India, Datia. Color on paper; page: 21 x 29.8 cm (8 1/4 x 11 3/4 in.); miniature: 19 x 28 cm (7 1/2 x 11 in.)

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The Ramayana, an ancient Indian epic, has left its mark on various cultures and art forms across Southeast Asia. In the Royal Palace of Phnom Penh, Cambodia, a stunning mural depicting scenes from the Ramayana adorns one of its walls. The vibrant colors and intricate details transport viewers to a world filled with gods, demons, and heroic characters. One such hero is King Dasaratha, who can be seen leading his retinue in a grand procession towards Rama's wedding in a folio from the Shangri. The scene captures the regal splendor and anticipation surrounding this auspicious occasion. Another captivating moment depicted is Jatayus' valiant fight against Ravana. This battle between good and evil showcases bravery and loyalty as Jatayus tries to rescue Sita from her captor's clutches. Hanuman, the devoted monkey god known for his unwavering devotion to Lord Rama, also takes center stage in many portrayals of the Ramayana. His boundless strength and intelligence are celebrated through artistic representations like sculptures or paintings found at Prambanan Temple in Indonesia or even on masks from Bali. The influence of the Ramayana extends beyond Cambodia and Indonesia; it reaches Thailand too. At Wat Phra Kaeo within Bangkok's Royal Grand Palace complex lies yet another mural showcasing key moments from this epic tale. These murals serve as visual narratives that bring alive stories passed down through generations. In addition to murals capturing pivotal scenes from the Ramayana story, there are also colorful Balinese renditions on cloth or canvas that depict significant events like Subali's war with Sugriwa or simply showcase Rama himself as portrayed by traditional masks. Through these diverse artworks spread across different countries in Southeast Asia, we witness how deeply ingrained the Ramayana is within their cultural fabric. Its timeless themes of love, honor, sacrifice continue to resonate with people, transcending borders and generations.